Relevant bibliographies by topics / Landscapes in art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Landscapes in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Landscapes in art.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Landscapes in art"

1

Newby, Zahra. "The Aesthetics of Violence: Myth and Danger in Roman Domestic Landscapes." Classical Antiquity 31, no. 2 (October 1, 2012): 349–89. http://dx.doi.org/10.1525/ca.2012.31.2.349.

Full text
Abstract:
This paper explores the use of art to recreate violent mythological landscapes in Roman domestic ensembles. Focusing on the Niobids found in two imperial horti it argues that the combination of sculpture and landscape exerted a powerful imaginative effect over ancient viewers, drawing them into the recreated mythological world. Mythological landscape paintings also offered a view out onto a mythological realm, fostering the illusion of direct access to the spaces of myth. However, these fantasy landscapes need to be seen in the light of the associations which natural landscapes held in the Roman imagination. Recreations of mythological landscapes in domestic art express the desire to incorporate the natural world into the domestic sphere but through the presence of violent events they also highlight the inherent powers of those landscapes and the gods who frequent them. They speak to a yearning to immerse oneself in myth and the natural realm, yet also warn of the perils of such a desire.
APA, Harvard, Vancouver, ISO, and other styles
2

Lu, Sa. "The Ideological Foundations of Chinese Traditional Landscape Painting Art." Философия и культура, no. 10 (October 2022): 144–57. http://dx.doi.org/10.7256/2454-0757.2022.10.38818.

Full text
Abstract:
The article analyzes the ideological foundations of the emergence and evolution of landscape in Chinese painting as an independent genre from the III to the XVIII century, before the rapid integration of Western European artistic traditions. Landscape painting is considered as an expression of the state of mind of Chinese artists, the prevailing philosophical ideas, in particular Taoism, the embodiment of literary images associated with the natural origin. Despite the attention of the scientific community to the development of images of nature in the art of ancient and modern China, there are few studies devoted to the causes and justification of certain processes that influenced the formation of the genre. The purpose of the study is to analyze the reasons for the appearance of images and motifs in the landscapes of Chinese artists in connection with the philosophical ideas of that time, cultural connotations in poetry and the principles of landscape art. The tasks include determining the most typical range of scenes and images in landscapes created from the III to XVIII centuries. The material is the work of Chinese artists who lived since the reign of the Wei Dynasty, during the heyday of landscapes in the era of the Tang Dynasty and up to the XVIII century. Of interest is the study of the mechanism of influence on the formation of figurative systems in Chinese landscape painting that developed in parallel poetry and landscape art.
APA, Harvard, Vancouver, ISO, and other styles
3

de Andrade, Diogo, Nuno Fachada, Carlos M. Fernandes, and Agostinho C. Rosa. "Generative Art with Swarm Landscapes." Entropy 22, no. 11 (November 12, 2020): 1284. http://dx.doi.org/10.3390/e22111284.

Full text
Abstract:
We present a generative swarm art project that creates 3D animations by running a Particle Swarm Optimization algorithm over synthetic landscapes produced by an objective function. Different kinds of functions are explored, including mathematical expressions, Perlin noise-based terrain, and several image-based procedures. A method for displaying the particle swarm exploring the search space in aesthetically pleasing ways is described. Several experiments are detailed and analyzed and a number of interesting visual artifacts are highlighted.
APA, Harvard, Vancouver, ISO, and other styles
4

Musgrave, F. K., and B. B. Mandelbrot. "The art of fractal landscapes." IBM Journal of Research and Development 35, no. 4 (July 1991): 535–40. http://dx.doi.org/10.1147/rd.354.0535.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Büttner, Nils. "Rubens’ landscapes and the Dutch Republic." Oud Holland – Journal for Art of the Low Countries 136, no. 2-3 (September 6, 2023): 89–102. http://dx.doi.org/10.1163/18750176-1360203003.

Full text
Abstract:
Peter Paul Rubens (1577-1640) is generally regarded as the painter of the Counter-Reformation and the embodiment of Flemish Baroque. Since the founding of the Belgian state in 1830, he and his art have been increasingly appropriated as a point of reference for the cultural identity of Flanders. Art was also appropriated in the formation of the national identity of the Kingdom of the Netherlands – in particular the depiction of nature and landscape that had become a speciality of many painters in the northern provinces. But Rubens too was admired by his contemporaries for his landscapes, and in the Dutch Republic they were held in high esteem. For his part, Rubens can be shown to have followed closely developments in landscape painting on the Northern side of the border. Despite the difficult political situation, there was also an ongoing exchange between North and South, even during the Eighty Years’ War. Rubens bought and owned Dutch pictures, and added human and animal figures to landscapes of his Dutch colleagues. He took a general interest in such pictures as an incentive to paint landscapes himself, which, reproduced in prints, became well-known in the Dutch Republic. In terms of landscape art, not only can a lively exchange of images and ideas be demonstrated, but it can also be shown that the existing differences were not understood as an expression of different political or religious contexts. The example of Rubens and his landscapes shows the value of a change of perspective to focus not on the differences between Flemish and Dutch art, but on cultural cross-border connections.
APA, Harvard, Vancouver, ISO, and other styles
6

Zhang, Yuanhang. "The Application of Earth Art in the Landscape Design of Public Space." Highlights in Art and Design 2, no. 1 (February 20, 2023): 49–53. http://dx.doi.org/10.54097/hiaad.v2i1.5324.

Full text
Abstract:
The modern landscape design trend that emerged in the background of the times is a product of the continuous development of social politics, economy and As one of the more unusual ideas in modern landscape design, Earth Art was born in the wilderness in the early stages of its development and was subject to some limitations in terms of place and concept, but some of the ideas derived from its work for the earth. subject to some limitations in terms of place and concept, but some of the ideas derived from its work for the earthy landscape environment gradually took Earth art attempts to reclaim nature as a space for experience, as a space for reconstructing Earth art attempts to reclaim nature as a space for experience, as a space for reconstructing the relationship between people and the environment, and in some ways it has become an approach that can be drawn upon to develop a new language for the This thesis takes the geodesic landscape as the object of study and establishes an aesthetic paradigm for the landscape based on the study consists of three levels of the aesthetic paradigm for the landscape: the first level of the aesthetic nature of the geodesic art landscape (the first level of the aesthetic nature of the landscape) and the first level of the aesthetic nature of the landscape. the first level of the aesthetic nature of the geodesic art landscape (value theory), the second level of the aesthetic scope of the geodesic art landscape (methodology), and the third level of the third level of the aesthetic form of the geodesic art landscape (design approach). Through the study of the aesthetic thought of geodesic landscapes, a deeper understanding of geodesic landscapes will be enhanced and a reference By clarifying the aesthetic thinking of contemporary landscape development, it will enable a better By clarifying the aesthetic thinking of contemporary landscape development, it will enable a better integration of modern western landscape design thinking with China's local environment and provide a theoretical basis for China's urban landscape The thesis uses both documentary research methods and case studies to analyse and study three aspects of the aesthetic nature, The thesis uses both documentary research methods and case studies to analyse and study three aspects of the aesthetic nature, aesthetic categories and aesthetic forms of earth art landscapes.
APA, Harvard, Vancouver, ISO, and other styles
7

Byrnes, Corey. "Chinese Landscapes of Desolation." Representations 147, no. 1 (2019): 124–60. http://dx.doi.org/10.1525/rep.2019.147.1.124.

Full text
Abstract:
This essay explores how landscape forms are used by writers, photographers, filmmakers, and other artists from inside and outside of China to represent environmental problems in that country. It considers the “landscape of desolation” as an ecocritical mode designed to change how people see and act in the world in relation to both the shifting status of “Chinese tradition” and to earlier moments in Euro-American landscape art, particularly the so-called New Topographics Movement of the 1970s.
APA, Harvard, Vancouver, ISO, and other styles
8

Ferguson, Nicholas. "Migrating Landscapes." Transfers 12, no. 2 (June 1, 2022): 8–23. http://dx.doi.org/10.3167/trans.2022.120203.

Full text
Abstract:
Abstract This article, one element in a multifaceted art research project, explores the agency of the aircraft landing gear compartment (wheel bay) in global transfer. It takes as its beginning histories of human and other-than-human actors falling from aircraft wheel bays as aircraft descend into London Heathrow and asks what art research can bring to the problem of their political and ethical framing. Its theoretical touchstones include John Ruskin on dust and the object-oriented philosophies of new materialism. These are brought into conversation with an account of the process of modeling and exhibiting a wheel bay, as well as extracts from a microstratigraphic survey conducted on the original. The article ultimately contends that the wheel bay gives shape to otherwise intangible aeromobilities, knowledge of which is integral to a nuanced understanding of the political geography of airspace at London Heathrow.
APA, Harvard, Vancouver, ISO, and other styles
9

Джанджугазова, Елена, and Elena Dzhandzhugazova. "Area of Russian landscape." Service & Tourism: Current Challenges 8, no. 1 (March 31, 2014): 83–88. http://dx.doi.org/10.12737/3411.

Full text
Abstract:
The article considers evaluation of esthetic characteristics of landscape on the basis of the best examples of Russian landscape pictorial art. The author offers readers to analyse and evaluate landscape scenes representing story line of popular Polenov´s landscapes.
APA, Harvard, Vancouver, ISO, and other styles
10

Kugusheva, Alexandra Yu. "Saved art: Simferopol Art Gallery in evacuation (1941–1944)." Issues of Museology 13, no. 1 (2022): 57–64. http://dx.doi.org/10.21638/spbu27.2022.104.

Full text
Abstract:
The article is devoted to the evacuation of Crimean museum collections in October, 1941. The fate of the lost pre-war collection of the Simferopol Art Gallery, which did not have time to leave the Crimea and was destroyed by fire in Kerch port, is well known. At the same time, a temporary exhibition made up of the works of the Simferopol Gallery was evacuated from Feodosiya Art Gallery along with the masterpieces of the great marine painter Ivan Aivazovsky. Prominent museum figures Nikolay S.Barsamov and Jan P.Birzgal managed to send the exhibits to Novorossiysk, then to Krasnodar. Contrary to the plans of the Committee for the Arts to take these exhibits to Stalingrad, both Crimean galleries were sent to Yerevan. At the end of 1941, Birzgal compiled a list of 50 salvaged exhibits of the Simferopol Art Gallery. Soviet art of the 1920s–1930s is represented by the works of Igor E.Grabar, Mitrofan B.Grekov, Vladimir A.Eyfert, Peter P.Konchalovsky. The Russian landscape is represented by Vasiliy V.Baksheev, Pavel A.Radimov, Vasiliy V.Rozhdestvensky. From creative trips to Central Asia, Altai and Pamir, new works are brought by Peter I.Kotov and Peter N.Staronosov, Nikolay G.Kotov, Peter D.Pokarzhevsky, Sergei I.Pichugin. The work of Barsamov, the author of the portrait of the artist Bogaevsky (1940), is connected with Crimea. Among the rescued works are the works of Konstantin F.Bogaevsky himself, several of his industrial landscapes, and sketches for the panel Crimea (1921); Bakhchisarai landscapes by Alexander V.Kuprin, Sudak view by Alexander F.Gaush. In the postwar period, the museum workers established the affiliation of works by Ilya E.Repin, Joseph I.Oleshkevich, and Henri-Francois Riesener to the pre-war collection.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Landscapes in art"

1

Pontelli, Elena. "Landscapes before the landscape in ancient Etruscan art." Thesis, IMT Alti Studi Lucca, 2022. http://e-theses.imtlucca.it/347/1/Pontelli_phdthesis.pdf.

Full text
Abstract:
This thesis approaches the broad field of landscape study from a specialized standpoint, namely by investigating the different ways in which landscape is represented in Etruscan art. In particular, this analysis aims to identify the significance of what we might nowadays refer to as “landscape elements” in the production-fruition systems of Etruscan visual culture. The iconographic analysis presented here shows that landscape features are working material which, employed in relation to other image elements, express specific meanings in the construction of the image. This thesis begins with an historiographical overview of the ways landscape representation has been investigated over time, including by visualizing the relationships and influences between the different disciplines that have approached landscape as a research topic. The core section then considers all kinds of representations of landscape elements (landscape elements that appear isolated within images as well as more structured and coherent ensembles of landscape features) in Etruscan art, from its earliest period to the threshold of Hellenism. The analysis and presentation of images is based on a ‘situational’ categorization (theme/context-based categories) designed to enable transversal readings. Dealing with the multiple ‘landscapes’ that existed before the landscape (aesthetically appreciable as a pictorial theme), entails moving along two different but interconnected paths. On the one hand, we can see landscape features performing different functions in different visual occurrences. On the other hand, from the perspective of an unfolding elaboration of figurative structures, these features can be analyzed as individual signifying structures that were only organized into broader uniform configurations over time.
APA, Harvard, Vancouver, ISO, and other styles
2

Hogarth, Jan. "'Dislocated landscapes' : a sculptors response to contemporary issues within the British landscape." Thesis, University of Sunderland, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268041.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

McGirr, Diana Rosemary. "Legitimate landscapes: repositioning regional art production." Thesis, Curtin University, 2016. http://hdl.handle.net/20.500.11937/48488.

Full text
Abstract:
This thesis employs art history and critical ethnography to examine contemporary art production in the South West of Western Australia. Responding to a paucity of publications and critique, and a claim the art scene is ‘folksy’ and ‘not up-to speed’ with metropolitan art scenes, I argue that ‘being regional’ is a legitimate position on its own terms and as part of a growing global tendency to recognises the validity of regional contexts and perspectives.
APA, Harvard, Vancouver, ISO, and other styles
4

Roberts, Judith. "Drawing the Artesian: Extracting Methods to Visualise Unseen Landscapes." Thesis, Griffith University, 2015. http://hdl.handle.net/10072/366164.

Full text
Abstract:
Groundwater basins are vast subterranean reservoirs of water whose complexity is not yet fully understood by scientists. These ancient aquifers resist simple imaging and, through their enormity, depth and systemic complexity, present challenges to scientists and artists alike. My research practice has sought to deploy various drawing strategies and print processes to uncover something of the land/water interactive systems that we cannot visibly experience. A deeper personal understanding of the fragile history and geography of Western Queensland has been revealed through the physical act of mark making on site at these watersheds. Through the construction of my immersive drawing investigations, the earth, rocks, water and the surrounding physical environments have influenced my ways of seeing, reacting and perceiving and, in the process, enabled a new response to land.
Thesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
Arts, Education and Law
Full Text
APA, Harvard, Vancouver, ISO, and other styles
5

Jordan, Benjamin Thomas. "Synthetic Landscapes." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4303.

Full text
Abstract:
My work explores the complex social geography of modern society and the intricate relationship between mankind and the environment. Through this work I explore the past and present lineage of manifest destiny, from its beginnings in Europe to western expansion in America, to forms it has takes in contemporary America. These ceramic forms serve as the conceptual grounds to explore the romanticizing of the western landscape especially from an individual and group perspective. I simultaneously celebrate the history of the pastoral life while questioning the authenticity, and motivations of that lifestyle, and use this platform as a jumping off point to ask questions about humanities complicated relationship with nature. Through hand-labor, contemplative making, and a reverence for tradition, I explore both interrelated and divergent human perceptions using clay as my primary medium.
APA, Harvard, Vancouver, ISO, and other styles
6

Lambert, Raymond John. "Landscape existing with art : a study of ideas and style in John Constable's landscapes." Thesis, Birkbeck (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313592.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Smith, Matthew. "Unpresentable landscapes and the art of the index." Thesis, University of Newcastle Upon Tyne, 2012. http://hdl.handle.net/10443/1913.

Full text
Abstract:
This practice-led PhD determines an aesthetic approach through which a sense of the ‘unpresentable’ may be exposed within camera-based representations of the industrial landscape. Through an interrogation of contemporary lens-based media, it proposes ways in which experiences problematic to representation – such as the sublime, the uncanny and the traumatic – might be revealed within photographic/filmic images of such landscapes. The culmination of the practical element of the project is a 25-minute narrative-based, single channel video piece entitled Re: Flamingo, which combines HDV and Super-8 footage with digital and traditional still photography. The narrative structure of the work is based on E.T.A. Hoffmann’s short story The Sandman (1816), which Freud cited in his essay The Uncanny (1919). Re: Flamingo is a semiautobiographical variation on that tale, consisting of an email conversation between the artist, his father and the fictional ‘Clara’. Through this correspondence, the piece reveals correlations between themes in The Sandman and Ridley Scott’s science fiction film Blade Runner (1982) (e.g. traumatic memory, a fascination with eyes/sight and each protagonist’s obsession with mechanized life). It reflects upon how the industrial landscape of Teesside – which inspired many of the visuals in Scott’s film – has been remembered in different photographic media by three generations of the artist's family. The practical submission is supported by a contextual written element, which consists of two parts. Part One is a theoretical review. Firstly it traces philosophical and aesthetic approaches to the sublime, its representation, its status as a subjective experience and its presence within the industrial landscape (Lyotard, Kant, Derrida, Nye). This is continued through an analysis of the related theories of the uncanny and the traumatic (Freud, Vidler, Luckhurst), their association with industrialization and relationship with lens-based media. The uncanny qualities of the photographic and cinematic image are examined alongside correlations of the indexical properties of such images with trauma (Mulvey, Barthes). Finally, an analysis of the camera image’s indexical status in the wake of digitization, and its consequent alignment with artforms such as painting (Gunning, Rodowick, Manovich), assesses its potential for expressing subjective experience. Part Two of the contextual element explores creative approaches to the themes outlined in Part One. Firstly, it examines Canadian artist Stan Douglas’s film piece Der Sandmann (1995), which exposes a sense of the uncanny in the landscape of pre- and post-reunification Germany. Secondly, it reflects upon Blade Runner’s significance to the practical element and its correlations with the Sandman narrative. The final section of Part Two details the development and formation of the studio research, documenting its distinctive approach to figuring a sense of the unpresentable within camera-based representations of the industrial landscape.
APA, Harvard, Vancouver, ISO, and other styles
8

Frears, Lucy. "Unlocking landscapes using locative media." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/13330/.

Full text
Abstract:
This interdisciplinary research is situated within the practice and discourse of locative media at the confluence of art, location and technology. The practice-based research project aims to use the arts to address a crisis arising from rapid redevelopment in a marginal coastal town – Hayle, Cornwall. A recent supermarket build on a prominent Hayle heritage quay led to UNESCO’s threat to de-list the entire Cornwall and West Devon Mining Landscape World Heritage Site, awarded only in 2006. Research builds on recent findings on the link between increased sense of self and community cohesion through connection to heritage and participation in the arts. Media artists, participants and theorists have indicated that locative media experiences can promote connection to landscapes and their histories. However, these claims are unsubstantiated by empirical research to date. This research seeks to redress that through systematic analysis (unusual in the arts and therefore distinct). The main research question posed was: Does locative media allow people to develop a deeper connection with landscape and, if so, how? A smartphone deep map app was created – an evocation of a Cornish post-industrial landscape assembled from audio memory traces, sound and visual images revealed using GPS and the moving body. The Hayle Churks app weaves past and present, absence and presence and digital content into physical place. The Hayle Churks app is a research tool and published creative practice that received a national award in 2014. The empirical data is an original contribution to knowledge. Additional contributions include a timeline – a historical overview of the relationship between locative media art and emerging technologies and a deep map app reference tool for artists. The research explores the role of immersion and embodiment and how recording and listening to audio and voice performance affect immersion. Readers of this thesis are encouraged to access the Hayle Churks smartphone app prior to and during reading.
APA, Harvard, Vancouver, ISO, and other styles
9

McMasters, Neil G., and neilgmcmasters@mac com. "Impressions from Virtual Landscapes." RMIT University. Art and Culture, 2003. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090715.142840.

Full text
Abstract:
The aim of this project was to build and render digital landscape models that reflect natural element characteristics and use the resulting data sets as source material for fine art investigation and production. The project utilized 3D computer modeling techniques, selected output technology and studio facilities. Computer-generated virtual landscapes material was incorporated into studio practice by providing observed environmental content for the development of works for exhibition. An accompanying exegesis explored the relationship and tensions between digital landscape data sets and the broader use of landscape as a motif within an Australian context.
APA, Harvard, Vancouver, ISO, and other styles
10

Price, Brandi. "Aural Landscapes." VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/2451.

Full text
Abstract:
Music and design draw upon innate parallels concerned with the creation and existence of space. By acknowledging the roles of both the visual and the aural in my design process as input and output, I attempt to achieve a deeper understanding of my intuition as a visual communicator. I believe that the visual and aural are linked—existing harmoniously together. The collected works present ever-evolving ideas on visualizing the experience of sound.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Landscapes in art"

1

King, Penny. Landscapes. New York, NY: Crabtree Pub. Co., 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Stuart, Elizabeth. Landscapes. Port Melbourne, Victoria: T.C. Lothian, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

M, Gidley, and Lawson-Peebles Robert, eds. Modern American landscapes. Amsterdam: VU University Press, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Matsenko, Natalia. Unfolding landscapes: Landscape and poetics in contemporary Ukrainian art. Edited by Kunstcentret Silkeborg Bad. Silkeborg: Kunstcentret Silkeborg Bad, 2022.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Craig-Martin, Michael. Landscapes. Dublin: Douglas Hyde Gallery, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Roalf, Peggy. Landscapes. New York: Hyperion Books for Children, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Appleton, Jay. The experience of landscape. Chichester: Wiley, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Appleton, Jay. The experience of landscape. Hull: Hull University Press, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Michel, Emile. Landscapes. New York: Parkstone Press International, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Michele, Bottalico, Chialant Maria Teresa, and Rao Eleonora, eds. Literary landscapes, landscape in literature. Roma: Carocci, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Landscapes in art"

1

Lee, Lorinne. "Sculptured Landscapes." In Authentic Secondary Art Assessment, 209–13. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003397946-43.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Martin, Mandy. "Peopling Landscapes Through Art." In Environmental History in the Making, 17–30. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-41085-2_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Goedde, Lawrence O. "Renaissance Landscapes." In A Companion to Renaissance and Baroque Art, 381–401. Oxford: John Wiley & Sons, 2013. http://dx.doi.org/10.1002/9781118391488.ch18.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Jurriëns, Edwin. "Urban Landscapes." In The Art of Environmental Activism in Indonesia, 53–70. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003366997-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Schäfer, Hendrik, Martin-Leo Hansmann, and Ina Koch. "Lymph Node Landscapes." In The Art of Theoretical Biology, 28–29. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33471-0_14.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Gallinaro, Marina. "Central Saharan Rock Art Landscapes." In World Geomorphological Landscapes, 207–17. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-47160-5_22.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Betti, Giovanni, Saqib Aziz, Andrea Rossi, and Oliver Tessmann. "Communication Landscapes." In Robotic Fabrication in Architecture, Art and Design 2018, 74–84. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-92294-2_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Grosch, Leonard. "Designing Parks – ​The Art of Creating Lively Places." In Conceptual Landscapes, 163–75. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003053255-17.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Ballard, Susan. "Landscapes of the Anthropocene." In Art and Nature in the Anthropocene, 43–70. New York: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9780429328862-3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Zhang, Yasha. "Spirituality and Chinese Rock Art." In Rock Art and Sacred Landscapes, 85–102. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-8406-6_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Landscapes in art"

1

Yakovlev, A. I., and N. I. Neobutova. "ART OBJECTS IN THE SYMBOLIC LANDSCAPE OF YAKUTSK." In Культура, наука, образование: проблемы и перспективы. Нижневартовский государственный университет, 2021. http://dx.doi.org/10.36906/ksp-2021/35.

Full text
Abstract:
The work revealed the chronology of development of symbolic landscapes in the form of monuments, art objects and other. The purpose of the article is to analyze the meaning of symbols and form the answer to the question “How does the symbolic cultural landscape affect the public consciousness, the education of society?”. The object of the study is the city of Yakutsk, Republic of Sakha (Yakutia). The subject of research - monuments, art objects. The relevance of this article is due to the fact that each stage as a whole unites other symbolic landscapes under one symbol. Research methodology is based on the analysis of basic semiotic approaches, in particular the study of monuments as the formation of collective memory.
APA, Harvard, Vancouver, ISO, and other styles
2

Barrukhu, S., and Elena Tikhonova. "ART CLUSTER IN THE ESTATE." In Reproduction, monitoring and protection of natural, natural-anthropogenic and anthropogenic landscapes. FSBE Institution of Higher Education Voronezh State University of Forestry and Technologies named after G.F. Morozov, 2022. http://dx.doi.org/10.34220/rmpnnaal2021_153-158.

Full text
Abstract:
Preservation of historical and architectural monuments, their restoration is one of the urgent problems of the modern world. The estates contain a deep potential for the development of new public spaces, the creation of an art cluster in them, that is, a united creative space that could satisfy the needs of a larger number of social groups: youth, families, pensioners. Also, examples are given with the help of which estates can be made modern art spaces.
APA, Harvard, Vancouver, ISO, and other styles
3

Salmond, Michael. "Locative Media: Urban Landscapes and Pervasive Technology Within Art." In ACM SIGGRAPH 2006 Art gallery. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1178977.1179112.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Sosa, Cristina Rodriguez, Yustiono, and Ira Adriati. "Kartono Yudhokusumo’s Landscapes and his influence in Modern Indonesian Art." In ICON ARCCADE 2021: The 2nd International Conference on Art, Craft, Culture and Design (ICON-ARCCADE 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.211228.007.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Reilly, Paul, and Ian Dawson. "TOWARDS A VIRTUAL ART/ARCHAEOLOGY." In VIRTUAL ARCHAEOLOGY. SIBERIAN FEDERAL UNIVERSITY, 2021. http://dx.doi.org/10.17516/sibvirarch-001.

Full text
Abstract:
The term Virtual Archaeology was coined 30 years ago when personal computing and the first wave of digital devices and associated technologies became generally available to field archaeologists (Reilly 1991; 1992). The circumstances that led to the origin of Virtual Archaeology have been recounted elsewhere. Put briefly, Virtual Archaeology was intended for reflexive archaeological practitioners “to be a generative concept and a provocation allowing for creative and playful improvisation around the potential adoption or adaptation of any new digital technology in fieldwork; in other words to explore how new digital tools could enable, and shape, new methodological insights and interpretation, that is new practices” (Beale, Reilly 2017). Digital creativity in archaeology and cultural heritage continues to flourish, and we can still stand by these aspirations. However, in 2021, the definition and extent of this implied “archaeological” community of practice and its assumed authority seems too parochial. Moreover, the archaeological landscape is not under the sole purview of archaeologists or cultural heritage managers. Consequently, experimentation with novel modes and methods of engagement, the creation of new forms of analysis, and different ways of knowing this landscape, are also not their sole prerogative. This applies equally to Virtual Archaeology and digital creativity in the realm of cultural heritage more generally. We assert that other affirmative digitally creative conceptions of, and engagements with, artefacts, virtual archaeological landscapes and cultural heritage assemblages – in their broadest sense – are possible if we are willing to adopt other perspectives and diffract them through contrasting disciplinary points of view and approaches. In this paper we are specifically concerned with interlacing artistic and virtual archaeology practices within the realm of imaging, part of something we call Virtual Art/Archaeology.
APA, Harvard, Vancouver, ISO, and other styles
6

Ward, Tim. "The Soundscapes Landscapes project: Sound and video art in an urban installation." In 2014 International Conference on Interactive Mobile Communication Technologies and Learning (IMCL). IEEE, 2014. http://dx.doi.org/10.1109/imctl.2014.7011145.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Goldfarb, Doron, Max Arends, Josef Froschauer, and Dieter Merkl. "Revisiting 3D information landscapes for the display of art historical web content." In the 8th International Conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2071423.2071480.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Ammar-Khodja, Brice. "Symphony of the Stones: A Research-Creation Exploration on the Animation of Heavy Metal Residues in Contaminated Urban Landscapes." In 28th International Symposium on Electronic Art. Paris: Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-40-full-ammar-khodja-symphony-of-the-stones.

Full text
Abstract:
In the late 1980s, the Canadian Pacific Railway abandoned a rail yard on the outskirts of Montreal’s Mile End district. Within a few years, the return of animal and plant species encouraged the citizen community to reinvest this site known as Le Champ des Possibles. Despite community efforts to rehabilitate this site, hydrocarbon and heavy metal pollution persists in the soils and thus requires rethinking the engagement with the imperceptible mutations of ecosystems. Symphony of the Stones was created in response to this context. This research-creation project consists of several urban art installations that activate residual metals in soils by their magnetic characteristics to make these imperceptible pollutants visible. The following paper unfolds the different processes, methodologies and strategies that led to in site interventions blending art installation, collaboration with different communities and associations and leading to a rethinking of art practices in the urban environment.
APA, Harvard, Vancouver, ISO, and other styles
9

Januskiene, Egle, and Jurate Kamicaityte. "CHILDREN'S ABILITY TO PERCEIVE LANDSCAPE AND CREATE A CONNECTION WITH THE NATURAL ENVIRONMENT: HISTORICAL PERSPECTIVE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s22.02.

Full text
Abstract:
Although the historical changes in children's perceptions of the landscape have not been studied in depth, according to the different authors, this topic is of great importance for understanding children's perceptions of the environment and the factors influencing these perceptions, as well as for understanding which urban environments are best suited to meet children's needs. This study aims to determine the changes in children's ability to perceive and explore landscapes in a historical context. The main findings are obtained using studies of artwork content and literature systemic analysis. This research has indicated the most important sociocultural factors, such as social reforms, the establishment of compulsory education, and changes in the attitudes of parents that influenced children's perception of the landscape in different historical periods, and how, considering these aspects, children's relationship with the natural environment has changed. Today, children spend more and more time indoors and in virtual environments, and due to that their relationship with the natural environment is getting weaker compared to historical times. The results of this study underline that children have little options to engage with natural settings in today's cities, which are not safe enough. As a result, children go to virtual spaces that provide opportunities to have the experiences they want. This research has also highlighted the importance of understanding what places and environments were important to children when they were still able to experience them independently and applying this knowledge to create a city suitable for children to grow up in.
APA, Harvard, Vancouver, ISO, and other styles
10

Januskiene, Egle, and Jurate Kamicaityte. "CHILDREN'S ABILITY TO PERCEIVE LANDSCAPE AND CREATE A CONNECTION WITH THE NATURAL ENVIRONMENT: HISTORICAL PERSPECTIVE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s09.02.

Full text
Abstract:
Although the historical changes in children's perceptions of the landscape have not been studied in depth, according to the different authors, this topic is of great importance for understanding children's perceptions of the environment and the factors influencing these perceptions, as well as for understanding which urban environments are best suited to meet children's needs. This study aims to determine the changes in children's ability to perceive and explore landscapes in a historical context. The main findings are obtained using studies of artwork content and literature systemic analysis. This research has indicated the most important sociocultural factors, such as social reforms, the establishment of compulsory education, and changes in the attitudes of parents that influenced children's perception of the landscape in different historical periods, and how, considering these aspects, children's relationship with the natural environment has changed. Today, children spend more and more time indoors and in virtual environments, and due to that their relationship with the natural environment is getting weaker compared to historical times. The results of this study underline that children have little options to engage with natural settings in today's cities, which are not safe enough. As a result, children go to virtual spaces that provide opportunities to have the experiences they want. This research has also highlighted the importance of understanding what places and environments were important to children when they were still able to experience them independently and applying this knowledge to create a city suitable for children to grow up in.
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Landscapes in art"

1

Tooker, Megan, and Adam Smith. Historic landscape management plan for the Fort Huachuca Historic District National Historic Landmark and supplemental areas. Engineer Research and Development Center (U.S.), June 2021. http://dx.doi.org/10.21079/11681/41025.

Full text
Abstract:
The U.S. Congress codified the National Historic Preservation Act of 1966 (NHPA) to provide guidelines and requirements for preserving tangible elements of our nation’s past. This preservation was done primarily through creation of the National Register of Historic Places (NRHP), which contains requirements for federal agencies to address, inventory, and evaluate their cultural resources, and to determine the effect of federal undertakings on properties deemed eligible or potentially eligible for the NRHP. This work inventoried and evaluated the historic landscapes within the National Landmark District at Fort Huachuca, Arizona. A historic landscape context was developed; an inventory of all landscapes and landscape features within the historic district was completed; and these landscapes and features were evaluated using methods established in the Guidelines for Identifying and Evaluating Historic Military Landscapes (ERDC-CERL 2008) and their significance and integrity were determined. Photographic and historic documentation was completed for significant landscapes. Lastly, general management recommendations were provided to help preserve and/or protect these resources in the future.
APA, Harvard, Vancouver, ISO, and other styles
2

Hunter, Fraser, and Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

Full text
Abstract:
The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There is a pressing need to revisit the archives of excavated sites to extract more information from existing resources, notably through dating programmes targeted at regional sequences – the Western Isles Atlantic roundhouse sequence is an obvious target. o Many areas still lack anything beyond the baldest of settlement sequences, with little understanding of the relations between key site types. There is a need to get at least basic sequences from many more areas, either from sustained regional programmes or targeted sampling exercises. o Much of the methodologically innovative work and new insights have come from long-running research excavations. Such large-scale research projects are an important element in developing new approaches to the Iron Age.  Daily life and practice: There remains great potential to improve the understanding of people’s lives in the Iron Age through fresh approaches to, and integration of, existing and newly-excavated data. o House use. Rigorous analysis and innovative approaches, including experimental archaeology, should be employed to get the most out of the understanding of daily life through the strengths of the Scottish record, such as deposits within buildings, organic preservation and waterlogging. o Material culture. Artefact studies have the potential to be far more integral to understandings of Iron Age societies, both from the rich assemblages of the Atlantic area and less-rich lowland finds. Key areas of concern are basic studies of material groups (including the function of everyday items such as stone and bone tools, and the nature of craft processes – iron, copper alloy, bone/antler and shale offer particularly good evidence). Other key topics are: the role of ‘art’ and other forms of decoration and comparative approaches to assemblages to obtain synthetic views of the uses of material culture. o Field to feast. Subsistence practices are a core area of research essential to understanding past society, but different strands of evidence need to be more fully integrated, with a ‘field to feast’ approach, from production to consumption. The working of agricultural systems is poorly understood, from agricultural processes to cooking practices and cuisine: integrated work between different specialisms would assist greatly. There is a need for conceptual as well as practical perspectives – e.g. how were wild resources conceived? o Ritual practice. There has been valuable work in identifying depositional practices, such as deposition of animals or querns, which are thought to relate to house-based ritual practices, but there is great potential for further pattern-spotting, synthesis and interpretation. Iron Age Scotland: ScARF Panel Report v  Landscapes and regions:  Concepts of ‘region’ or ‘province’, and how they changed over time, need to be critically explored, because they are contentious, poorly defined and highly variable. What did Iron Age people see as their geographical horizons, and how did this change?  Attempts to understand the Iron Age landscape require improved, integrated survey methodologies, as existing approaches are inevitably partial.  Aspects of the landscape’s physical form and cover should be investigated more fully, in terms of vegetation (known only in outline over most of the country) and sea level change in key areas such as the firths of Moray and Forth.  Landscapes beyond settlement merit further work, e.g. the use of the landscape for deposition of objects or people, and what this tells us of contemporary perceptions and beliefs.  Concepts of inherited landscapes (how Iron Age communities saw and used this longlived land) and socal resilience to issues such as climate change should be explored more fully.  Reconstructing Iron Age societies. The changing structure of society over space and time in this period remains poorly understood. Researchers should interrogate the data for better and more explicitly-expressed understandings of social structures and relations between people.  The wider context: Researchers need to engage with the big questions of change on a European level (and beyond). Relationships with neighbouring areas (e.g. England, Ireland) and analogies from other areas (e.g. Scandinavia and the Low Countries) can help inform Scottish studies. Key big topics are: o The nature and effect of the introduction of iron. o The social processes lying behind evidence for movement and contact. o Parallels and differences in social processes and developments. o The changing nature of houses and households over this period, including the role of ‘substantial houses’, from crannogs to brochs, the development and role of complex architecture, and the shift away from roundhouses. o The chronology, nature and meaning of hillforts and other enclosed settlements. o Relationships with the Roman world
APA, Harvard, Vancouver, ISO, and other styles
3

Nishi, Makiko, and Suneetha M. Subramanian. Landscape Approaches to Ecosystem Restoration: Lessons Learned from Managing Socio-Ecological Production Landscapes Seascapes. United Nations University Institute for the Advanced Study of Sustainability, October 2023. http://dx.doi.org/10.53326/svih2509.

Full text
Abstract:
Landscape approaches help to effectively facilitate ecosystem restoration for the benefit of people and nature, by leveraging Indigenous and local knowledge and enhancing context-specific cooperation between stakeholders. The process of applying landscape approaches to ecosystem restoration should be multi-lateral, iterative and inclusive. It needs to be navigated by communicating and interacting with stakeholders across different sectors and levels. Recommendations: (i) start at the landscape or seascape scale to identify and mobilize local resources and capacities for long-term restoration efforts; (ii) promote peer learning and knowledge sharing to develop integrated solutions for restoration and sustainable development, and upscale them for broader impact; (iii) institutionalize local restoration efforts as part of coherent policies and frameworks to facilitate systemic change in human–nature interactions.
APA, Harvard, Vancouver, ISO, and other styles
4

O'Rourke, Stephanie, and Garry MacKenzie. How landscape art can help us think about climate change. Edited by Sarah Bennison and Laura Pels Ferra. St Andrews Network for Climate, Energy, Environment and Sustainability (STACEES), 2021. http://dx.doi.org/10.15664/10023.24200.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Phuong, Vu Tan, Nguyen Van Truong, Do Trong Hoan, Hoang Nguyen Viet Hoa, and Nguyen Duy Khanh. Understanding tree-cover transitions, drivers and stakeholders’ perspectives for effective landscape governance: a case study of Chieng Yen Commune, Son La Province, Viet Nam. World Agroforestry, 2021. http://dx.doi.org/10.5716/wp21023.pdf.

Full text
Abstract:
Integrated landscape management for sustainable livelihoods and positive environmental outcomes has been desired by many developing countries, especially for mountainous areas where agricultural activities, if not well managed, will likely degrade vulnerable landscapes. This research was an attempt to characterize the landscape in Chieng Yen Commune, Son La Province in Northwest Viet Nam to generate knowledge and understanding of local conditions and to propose a workable governance mechanism to sustainably manage the landscape. ICRAF, together with national partners — Vietnamese Academy of Forest Sciences, Soil and Fertilizer Research Institute — and local partners — Son La Department of Agriculture and Rural Development, Son La Department of Natural Resources and Environment, Chieng Yen Commune People’s Committee — conducted rapid assessments in the landscape, including land-use mapping, land-use characterization, a household survey and participatory landscape assessment using an ecosystem services framework. We found that the landscape and peoples’ livelihoods are at risk from the continuous degradation of forest and agricultural land, and declining productivity, ecosystem conditions and services. Half of households live below the poverty line with insufficient agricultural production for subsistence. Unsustainable agricultural practices and other livelihood activities are causing more damage to the forest. Meanwhile, existing forest and landscape governance mechanisms are generally not inclusive of local community engagement. Initial recommendations are provided, including further assessment to address current knowledge gaps.
APA, Harvard, Vancouver, ISO, and other styles
6

Balbach, Harold E., William D. Goran, and Anthony R. Latino. The Military Landscape: Why US Military Installations Are Located Where They Are. Fort Belvoir, VA: Defense Technical Information Center, March 2011. http://dx.doi.org/10.21236/ada559000.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Chitale, Vishwas, and Janita Gurung. Harmonizing the vegetation classification of Kailash Sacred Landscape - Working paper. International Centre for Integrated Mountain Development (ICIMOD), April 2022. http://dx.doi.org/10.53055/icimod.1004.

Full text
Abstract:
This paper is the collective effort of ICIMOD and partners to harmonize the vegetation classification of the Kailash Sacred Landscape. The vegetation map was prepared using field data, satellite data, and inputs from experts and partner institutions in China, India, and Nepal. The map provides information on the geographic extent, area coverage, and species composition of 14 vegetation and six land use-land cover types. The information can be used to enhance decision making for ecosystem management in the landscape. Additionally, the methods used in this study are dynamic and could be easily applied to other landscapes in the Hindu Kush Himalaya.
APA, Harvard, Vancouver, ISO, and other styles
8

Nyman, Matt, Nancy Staus, and Martin Storksdieck. Science and Art Teaching Practices for Oregon Elementary Teachers: Results of a Landscape Survey. Oregon State University, September 2023. http://dx.doi.org/10.5399/osu/1163.

Full text
Abstract:
An Evaluation Report for the Oregon Department of Education. In collaboration with classroom teachers and WRAP personnel we developed and implemented a survey to collect baseline data on the science and arts teaching practices for ALL elementary teachers. This included “regular” classroom teachers (those teachers with an assigned physical classroom and set of students), art teachers, music teachers, PE teachers and other educators or administrators. In December 2022 we recruited three (3) elementary teachers to assist us in survey development, in particular framing questions around frequency of teaching time for both arts and science instruction. One important outcome was that we formulated questions around “dedicated” teaching time where instruction was only focused on science or art content and “integrated” teaching when teachers combine science or art with other instructional areas (such as math or literacy). We also learned that there was a lot of nuances in trying to capture the science and art teaching data; for example, some schools have large blocks of time when they have a particular focus on a science content area and then equally large blocks when science teaching is replaced by instruction in other fields, such as social science. It can be difficult to reduce this instructional framework to a weekly allotment of science teaching.
APA, Harvard, Vancouver, ISO, and other styles
9

Nishi, Maiko, Suneetha M. Subramanian, and Philip Varghese. Sustainable Business Practices for Biodiversity: Leveraging Landscape Approaches. United Nations University Institute for the Advanced Study of Sustainability, June 2024. http://dx.doi.org/10.53326/fano9491.

Full text
Abstract:
Drawing from first-hand experiences managing productive landscapes and seascapes, this brief provides insights on how landscape approaches can promote biodiversity-friendly business through local stewardship, cross-level collaboration and peer learning. Landscape approaches are collaborative strategies that promote biodiversity-friendly business practices. These approaches involve diverse stakeholders, such as local communities and other actors along the value chain, working together at a landscape or seascape scale. Leveraging landscape approaches to advance sustainable business practices for biodiversity is an iterative process, involving adaptation and course correction to accommodate diverse needs and interests among stakeholders. This enhances collaboration across and beyond a value chain. These approaches also capitalize on traditional knowledge, which has been embodied through augmenting local experiences and wisdom to help integrate different knowledge systems that are complementary, creating new business opportunities for biodiversity-friendly innovation. Recommendations: (i) Bolster local stewardship to build and pursue a common vision with enhanced recognition of the livelihood and business values of biodiversity; (ii) Institutionalize a participatory approach to cross-level collaboration that incorporates review and monitoring and capacity development elements; and (iii) Promote biodiversity elements in education and peer-learning to mainstream biodiversity in business in alignment with global policy goals for sustainability.
APA, Harvard, Vancouver, ISO, and other styles
10

Adams, Sunny E., Megan W. Tooker, and Adam D. Smith. Fort McCoy, Wisconsin WWII buildings and landscapes. Engineer Research and Development Center (U.S.), November 2020. http://dx.doi.org/10.21079/11681/38679.

Full text
Abstract:
The U.S. Congress codified the National Historic Preservation Act of 1966 (NHPA) mostly through the National Register of Historic Places (NRHP), which requires federal agencies to address their cultural resources. Section 110 of the NHPA requires federal agencies to inventory and evaluate their cultural resources, and Section 106 requires them to determine the effect of federal undertakings on those potentially eligible for the NRHP. This report provides a World War II development history and analysis of 786 buildings, and determinations of eligibility for those buildings, on Fort McCoy, Wisconsin. Evaluation of the WWII buildings and landscape concluded that there are too few buildings with integrity to form a cohesive historic district. While the circulation patterns and roads are still intact, the buildings with integrity are scattered throughout the cantonment affecting the historic character of the landscape. Only Building 100 (post headquarters), Building 656 (dental clinic), and Building 550 (fire station) are ELIGIBLE for listing on the NRHP at the national level under Criterion A for their association with World War II temporary building construction (1942-1946) and under Criterion C for their design, construction, and technological innovation.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Landscapes in art' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography