Relevant bibliographies by topics / Landscape photography Australia

Academic literature on the topic 'Landscape photography Australia'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Landscape photography Australia"

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Pickard, John. "Assessing vegetation change over a century using repeat photography." Australian Journal of Botany 50, no. 4 (2002): 409. http://dx.doi.org/10.1071/bt01053.

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Repeat photography is a technique of detecting changes in the landscape by comparing old and more recent photographs taken at the same place. Information gained is used to detect landscape change as one component of historical ecology. Understanding the causes of any change detected requires additional information. The technique was pioneered in vegetation ecology in Arizona and has since been applied in many other parts of the United States. After a description of the technique, the American experience is reviewed and the problems of detecting change and assigning cause are discussed. The relatively few Australian examples are briefly summarised. There are many limitations of repeat photography, but these can be controlled through a careful approach. Although repeat photography has rarely been used in Australia, it has significant applications in education, in understanding past changes and in helping to help predict future changes in vegetation.
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Mogoutnov, Alena, and Jackie Venning. "Remnant tree decline in agricultural regions of South Australia." Pacific Conservation Biology 20, no. 4 (2014): 366. http://dx.doi.org/10.1071/pc140366.

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Agricultural landscapes in southern Australia were once dominated by temperate eucalypt woodlands of which only fragmented patches and scattered trees in paddocks remain. This study focuses on the decline of scattered trees in the Mount Lofty Ranges and South East agricultural regions of South Australia. A combination of digitized aerial photography and satellite imagery was used to extend a previous assessment of decline undertaken in the early 1980s and increase the period over which decline was assessed to 58–72 years. A total of 17 049 scattered trees were counted from the earliest time period assessed over 11 sites of which 6 185 trees were lost by 2008 — a 36 % decline. Recruitment of 2 179 trees during this period was evident. Imagery indicates that clearing for agricultural intensification is the primary cause of the decline. A range of management options and policy settings are required to reverse the decline notwithstanding the challenges of implementation at a landscape scale across privately owned land.
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Banfai, Daniel S., and David M. J. S. Bowman. "Dynamics of a savanna-forest mosaic in the Australian monsoon tropics inferred from stand structures and historical aerial photography." Australian Journal of Botany 53, no. 3 (2005): 185. http://dx.doi.org/10.1071/bt04141.

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Stratified ground-truthing was undertaken within an area of approximately 30 km2 of tropical savanna across an abrupt sandstone escarpment in the monsoon tropics of Australia. Comparison of aerial photographs from 1941 and 1994 had previously revealed a landscape-wide expansion of closed forest and contraction of grassland patches. Good congruence between field measurements and the vegetation classifications from the 1994 aerial photography supported the authenticity of the vegetation changes. The relative abundance of rainforest and non-rainforest tree species also concurred with mapped vegetation transitions. Changes in individual size classes of rainforest species, which are relatively fire sensitive, were consistent with the primacy of fire in controlling the distribution of the closed-forest formation. Fire scars previously mapped from satellite imagery were used to derive a fire activity index for contrasting vegetation transitions. Savannas that had converted to closed forest had lower fire activity than did stable savannas. Conversely, closed forests that converted to savanna had the highest fire activity index. The landscape-wide expansion of rainforest is associated with the cessation of Aboriginal fire management, possibly in conjunction with elevated CO2 and increasing annual rainfall.
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Mitchell, Anthea L., Richard M. Lucas, Brian E. Donnelly, Kirrilly Pfitzner, Anthony K. Milne, and Max Finlayson. "A new map of mangroves for Kakadu National Park, Northern Australia, based on stereo aerial photography." Aquatic Conservation: Marine and Freshwater Ecosystems 17, no. 5 (2007): 446–67. http://dx.doi.org/10.1002/aqc.818.

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Bowman, David M. J. S., and Joanne K. Dingle. "Late 20th century landscape-wide expansion of Allosyncarpia ternata (Myrtaceae) forests in Kakadu National Park, northern Australia." Australian Journal of Botany 54, no. 8 (2006): 707. http://dx.doi.org/10.1071/bt05202.

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Allosyncarpia ternata S.T.Blake is a large tree endemic to the rugged western edge of the Arnhem Land Plateau, northern Australia, with most of the species conserved in Kakadu National Park (KNP). A. ternata stems suffer substantial mortality following wildfire but the species resprouts prolifically from root stocks. Nonetheless, there is concern about the persistence of A. ternata rainforest patches following breakdown of traditional Aboriginal landscape burning that generated a mosaic of burnt and unburnt areas. Generalised linear modelling was used to identify the landscape features associated with the fragmentary distribution of A. ternata rainforest. We randomly sampled 12 areas that together made up 12.6% of the total coverage of A. ternata in KNP (12 191 ha) that spanned the geographic range of this vegetation type within the Park. The modelling of these data showed that A. ternata forests were most likely to occur at sites with fire protection, as inferred from the small number of fire scars apparent on sequences of satellite imagery, steep slope angles and proximity to drainage lines. Analysis of historical aerial photography revealed that, despite considerable negative and positive variation, there has been a 21% expansion of A. ternata forests over the last 50 years. Expansion occurred by incremental growth from existing forest boundaries and not by nucleation, reflecting the poor seed dispersal of the tree. The forest expansion was negatively correlated with fire activity. A regionally wetter climate since the mid-20th century may be an important cause of the expansion despite currently unfavourable fire regimes.
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Sheffield, Kathryn J., Daniel Clements, Darryl J. Clune, Angela Constantine, and Tony M. Dugdale. "Detection of Aquatic Alligator Weed (Alternanthera philoxeroides) from Aerial Imagery Using Random Forest Classification." Remote Sensing 14, no. 11 (June 2, 2022): 2674. http://dx.doi.org/10.3390/rs14112674.

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Alligator weed (Alternanthera philoxeroides (Mart.) Griseb) forms dense infestations in aquatic environments and is the focus of intensive management programs in many jurisdictions within Australia, including Victoria. A critical component of weed biosecurity programs is surveillance to find the location and extent of the target weed so that control strategies can be implemented. Current approaches within Victoria rely heavily on ground surveys and community reporting. However, these methods do not provide a systematic approach to surveillance across landscapes, resulting in undiscovered infestations. The aim of this study was to detect alligator weed from aerial photography and demonstrate the potential use of remote sensing data to support existing ground surveys and monitoring programs. Two random forest algorithms were trained based on data from 2010 and 2016. Both classifiers had high levels of accuracy, with an overall pixel-based classification accuracy of 96.8% in 2010 and 98.2% in 2016. The trained classifiers were then applied to imagery acquired annually between 2010 and 2016. The classification outputs were combined with class probability and water proximity data to produce a weighted, normalised alligator weed likelihood data layer. These datasets were evaluated by assessing alligator weed patch detection rates, using manually delineated areas of weed for each year. The patch detection rates for each year ranged from 76.5% to 100%. The results also demonstrate the use of this approach for monitoring alligator weed infestations at a site over time. The key outcome of the study is an approach to support existing biosecurity monitoring and surveillance efforts at a landscape scale and at known infested localised sites.
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Cook, SE, RJ Corner, PR Groves, and GJ Grealish. "Use of airborne gamma radiometric data for soil mapping." Soil Research 34, no. 1 (1996): 183. http://dx.doi.org/10.1071/sr9960183.

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Variations of naturally emitted gamma radiation have been used in geological prospecting for over 20 years to detect anomalies associated with exploitable ore deposits. We examined their ability to detect spatial variation of soil material by comparing simultaneous ground and airborne measurements of gamma emissions with ground observations over a catchment in south-western Australia. Measurements were taken in the spectral windows for 40K, 238Uand 232Th. Variations of gamma radiation corresponded with the distribution of soil-forming materials over the landscape, and were used to distinguish between highly weathered residuum and fresh material from granitic outcrops. Gamma radiometric data also discriminated clearly between doleritic, lateritic and granitic soil parent materials. Airborne data indicated the distribution of these materials through the catchment, with the exception of dolerite dikes, which were too narrow to be detected using pixels greater than 20 m wide. It is concluded that gamma radiometric data can provide valuable insights into the spatial distribution of soil-forming materials but, given their limitations to provide direct information of pedological alteration, such data are likely to prove most valuable to soil survey when considered jointly with other information such as terrain models or aerial photography.
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McDougall, K. L., G. E. St J. Hardy, and R. J. Hobbs. "Distribution of Phytophthora cinnamomi in the northern jarrah (Eucalyptus marginata) forest of Western Australia in relation to dieback age and topography." Australian Journal of Botany 50, no. 1 (2002): 107. http://dx.doi.org/10.1071/bt01040.

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The spatial distribution of Phytophthora cinnamomi Rands at seven dieback sites in the jarrah (Eucalyptus marginata Donn. ex Smith) forest of Western Australia was determined by the following two baiting techniques: in situ baiting with live Banksia grandis Willd. seedlings and ex situ baiting of sampled soil and root material. Four areas within each site were sampled, reflecting dieback age and position in the landscape. Approximate dieback ages of 50, 20 and 5 years were determined by aerial photography. The 50-year-old age class was divided into wet valley floor and dry gravelly slope. Phytophthora cinnamomi was recovered most frequently from the 5-year-old (dieback fronts) and wet 50-year-old areas by both baiting techniques. It was recovered from more than twice as many areas and about five times as many samples when in situ B. grandis baits were used compared with ex situ soil and root baiting. Almost all recoveries from in situ baits were made between October and December. From both methods, it appears that P. cinnamomi has a patchy distribution within dieback sites in the northern jarrah forest. It is easily detected only on dieback fronts and wet valley floors. On dry gravelly sites affected 20 years or more ago, P. cinnamomi is rare and may even be absent at some sites. This makes confident detection of the pathogen difficult. In situ baiting at least allows a temporal component to the sampling and will be a useful method of detection in areas where P. cinnamomi is rare or transient.
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Simon, Jane, and Nicole Matthews. "The Wilderness Diary." Feminist Media Histories 6, no. 2 (2020): 95–119. http://dx.doi.org/10.1525/fmh.2020.6.2.95.

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Gendered meanings, particularly around sentiment and attachment, shape hierarchies of value that organize our understandings of the creation, reproduction, and circulation of landscape photography. To explore these ideas, this article considers Australian wilderness diaries and calendars, which began to emerge in the late 1970s. Popular landscape photography is often derided as merely showing pristine, repetitive scenes: technically perfect shots of sunsets or snowy mountain peaks. Such images in mass-market print culture have been critiqued for presenting wilderness as separate from human intervention. Yet despite their limitations, diaries and calendars, as they move into gendered domestic spaces, do important work. Images of wilderness in everyday use provoke the question of how sentimental attachments toward landscapes might prompt environmental awareness and action.
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Yazdani, Nasim. "The Effects of Cultural Background and Past Usage on Iranian- Australians’ Appreciation of Urban Parks and Aesthetic Preferences." Landscape Online 70 (June 28, 2019): 1–14. http://dx.doi.org/10.3097/lo.201970.

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To understand how newcomers and established immigrants perceive cultural landscapes that have been imbued with a nationality’s cultural meanings and heritage, exploring the cultural background and landscape myths and values of that immigrants’ community can be a starting point. Examining whether immigrants perceive or prefer those values in a new landscape setting requires a wider understanding of immigrants’ activities, preferences, and expectations.The present paper aims to investigate how Australian urban park landscape settings may be perceived by Iranian immigrants in terms of having aesthetic attributes, and how they use these spaces. It approaches the issue of immigration and park experiences through seeking the links between park settings and the way immigrants see and interpret them based on their cultural, social, and geographical backgrounds. It particularly focuses on Iranian immigrants and Iran’s cultural landscape to explore different views of constructed natural landscapes and their effects on park usage and aesthetic preferences. This study explores how the icons of Iranian cultural landscape (Persian garden), urban park design, and past park use patterns of these immigrants may mediate interactions with new park environments, and how they may contribute to evoke a ‘sense of aesthetic’. It applies survey questionnaire, semi-structured indepth individual interview, and Q methodology with photographs as research methods, and employs theories of ‘place’ and ‘landscape visual characters’ to explore park usage and aesthetic preferences in both contexts: Iran and Australia.Findings of this study highlight the preference of undertaking ‘passive activities’ in urban park landscapes by Iranian research participants and demonstrate that they highly admire the aesthetic and picturesque aspects of Australian park landscapes. However, they miss the characteristics of Iran’s parks as well as the recreational, social, and sporting activities they used to carry out there.
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Dissertations / Theses on the topic "Landscape photography Australia"

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Watson, David Rowan Scott. "Precious Little: Traces of Australian Place and Belonging." University of Sydney, 2005. http://hdl.handle.net/2123/1098.

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Master of Visual Arts
The Dissertation is a meditation on our relationship with this continent and its layered physical and psychological ‘landscapes’. It explores ways in which artists and writers have depicted our ‘thin’ but evolving presence here in the South, and references my own photographic work. The paper weaves together personal tales with fiction writing and cultural, settler and indigenous history. It identifies a uniquely Australian sense of 21st-century disquiet and argues for some modest aesthetic and social antidotes. It discusses in some detail the suppression of focus in photography, and suggests that the technique evokes not only memory, but a recognition of absence, which invites active participation (as the viewer attempts to ‘place’ and complete the picture). In seeking out special essences of place the paper considers the suburban poetics of painter Clarice Beckett, the rigorous focus-free oeuvre of photographer Uta Barth, and the hybrid vistas of artist/gardener Peter Hutchinson and painter Dale Frank. Interwoven are the insights of contemporary authors Gerald Murnane, W G Sebald and Paul Carter. A speculative chapter about the fluidity of landscape, the interconnectedness of land and sea, and Australia’s ‘deep’ geology fuses indigenous spirituality, oceanic imaginings of Australia, the sinuous bush-scapes of Patrick White, and the poetics of surfing. Full immersion is recommended.
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Forscher, Helene. "Animals in the landscape : an analysis of the role of the animal image in representations of identity in selected Australian feature films from 1971 to 2001 /." Gold Coast, Queensland : Bond University, 2007. http://epublications.bond.edu.au/theses/forscher.

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Thesis (PhD) -- Bond University, 2007.
"A dissertation submitted in fulfillment of the requirements of the degree of Doctor of Philosophy"-- t.p. Bibliography: leaves 266-281. Also available via the World Wide Web.
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Taylor, C. J. "Collapsible Time: Contesting Reality, Narrative And History In South Australian Liminal Hinterlands." Phd thesis, 2017. http://hdl.handle.net/1885/131791.

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My practice-led project explores the indexical lamination of memory, history, narrative and reality afforded by photography imbued with the illusion of spatial dimensionality. This thesis investigates the notion that far from freezing a ‘slice of time’ photography reanimates perception through sensation rendering duration flexible and elastic. Using the liminal landscape of South Australia as time’s stage, I contend that time is ‘collapsible’, constantly unfolding and repeating. In embracing this temporal flow, I submit that photomedia becomes our most compelling connection to time itself, as lived experience. It is this connection that can act as an ethical agent of change for the betterment of the landscape in which we live. The project includes work created in South Australia, the ACT, the United States and the Outer Hebrides and Shetland Islands of Scotland. It includes artefacts photographed in the Adelaide Civic Collection, The South Australian Museum and the National Museum of Australia.
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Lofts, Pamela. "A necessary nomadism : rethinking a place in the sun." Master's thesis, 2007. http://hdl.handle.net/1885/147113.

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Books on the topic "Landscape photography Australia"

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Journey through a landscape: Richard Woldendorp's Australia. West Perth, W.A: Sandpiper Press, 1992.

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Panoramic journey through Western Australia. Hamilton Hill. Perth, W.A: Simon Nevill Publications, 2011.

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Duncan, Ken. The wild frontier Western Australia: Photography by Ken Duncan & Steve Fraser. Wamberal, NSW, australia: Panographs Publishing, 2012.

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M, Silverman Stephen, and New York Public Library for the Performing Arts. Billy Rose Theater Division., eds. Divas: The fabulous photography of Kenn Duncan : from the Billy Rose Theatre Division of the New York Public Library for the Performing Arts. New York: Universe, 2008.

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Photographing Australia's landscapes. Fortitude Valley, Qld: Steve Parish Pub., 1995.

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Inspirational hope: Australian photographs. Wamberal, N.S.W: Panographs Publishing, 2011.

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Museum, South Australian, ed. Australasian nature photography: ANZANG seventh collection : South Australian Museum. Collingwood, Vic: CSIRO, 2010.

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1954-, Heartney Eleanor, ed. Andrew Rogers: Geoglyphs, rhythms of life. Milano: Charta, 2009.

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Landscape Australia. Southbank Editions, 1990.

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Australia. Peter Lik's Wilderness Press Pty Ltd., 2003.

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Book chapters on the topic "Landscape photography Australia"

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Giblett, Rod. "Shooting the Sunburnt Country, the Land of Sweeping Plains, the Rugged Mountain Ranges: The Role of Australian Landscape and Wilderness Photography in Promoting Environmental Sustainability and in Forming a New National Identity." In Landscapes of Culture and Nature, 106–21. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230250963_7.

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Scott, Rowena H. "Sustainability in Photography Can Change the World." In Practice, Progress, and Proficiency in Sustainability, 39–53. IGI Global, 2014. http://dx.doi.org/10.4018/978-1-4666-5856-1.ch003.

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Photography plays important, but undervalued and misunderstood, roles in how modern urban humans relate to nature and how nature is mediated to us, forming our perceptions and national identity. Typically landscape photography depicts nature aesthetically as sublime, picturesque and beautiful. Photographs have been powerful raising awareness of sustainability and communicating political messages. The chapter reviews the influence of two great Australian wilderness photographers, Olegas Truchanas and Peter Dombrovskis, as well as Edith Cowan University's (ECU) Photography for Environmental Sustainability Competition. In conjunction with World Environment Day, the university invited students to submit photographs that showcase the principles and practices of environmental sustainability. This chapter describes the history, purposes and impact of photography and the competition. Starting as an engagement partnership between the environment coordinator, academics and the Perth Centre for Photography, it is now an international competition across Australia and New Zealand, not exclusive to photography students, hosted by Australasian Campuses Towards Sustainability (ACTS).
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Saethre-McGuirk, Ellen Marie. "An i for an Eye: The Collective Shaping of Experience in the Age of Machine-Mediated Art." In Truth in Visual Media, 58–76. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474474467.003.0003.

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This chapter concerns the way in which the incessant and exponential use of photography in social media, as a means to form and visually communicate experiences, not only permeates our lives, but also shapes our experience of the world. On the basis of the visual research outputs and findings in the form of the exhibition Norwegian Sublime: Landscape Photography in the Age of the iPhone (Frank Moran Memorial Hall Gallery, Brisbane, Australia), this chapter is an in depth look at our contemporary aesthetic experience of nature and the world around us, through photography and Instagram in particular. Drawing on Susan Sontag and Alva Nöe, this chapter discusses how the digital, social media landscape and our addiction to it does more than merely amplify dissociative seeing. It makes dissociative seeing a new normal.
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"The Australian Gothic as a New Mode in Australian Landscape Photography." In Edgelands: A Collection of Monstrous Geographies, 49–60. BRILL, 2016. http://dx.doi.org/10.1163/9781848884816_007.

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Damousi, Joy. "In Search of Victor: Transnationalism, Emotion, and War." In Total War, 157–76. British Academy, 2020. http://dx.doi.org/10.5871/bacad/9780197266663.003.0009.

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In October 1949, in the closing month of the Greek Civil War, a young soldier named Pandelis Klinkatsis was killed stepping on a landmine in Northern Greece. Pandelis was my uncle. The announcement of his death devastated his immediate family including my mother Sophia. I focus this chapter on the individual story of the loss of my uncle and my mother’s grief to cast a wider canvas on the emotions of war and their enduring legacies. This story explores the repercussions of war such as migration, the impact on sibling and romantic love, absence and separation during and after war. It examines the implications of these displacements in writing an emotional history of war. Such a history is typically conveyed through oral storytelling, and oral history forms the basis of the narrative. But there are two other ways in which the memory and emotion of war experience are kept alive in a transnational world. The first expression is in the form of photography, the second is the role grave sites play in the nexus between mourning and memory over time. Pandelis’s story takes us to Greece, Austria, America, and Australia. I argue that it encapsulates the complex geographical and emotional fragments created by war, which are manifest in love and death, mourning and memory, in a transnational context across four countries. Both the Second World War and the Greek Civil War created a landscape of emotions—the legacies of which are indelible—and continue to the present day.
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