Relevant bibliographies by topics / Landscape photography

Academic literature on the topic 'Landscape photography'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Landscape photography"

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Ogden, Kate Nearpass. "Musing on Medium: Photography, Painting, and the Plein Air Sketch." Prospects 18 (October 1993): 237–81. http://dx.doi.org/10.1017/s0361233300004920.

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The relationship of photography and painting has greatly intrigued art historians in recent years, as has the uneasy status of photography as “art” and/or “documentation.” An in-depth study of 19th-century landscape images suggests two new premises on the subject: first, that opinions differed on photography's status as an art in the 19th Century, just as they differ today; and, second, that the landscape photograph is more closely related to the plein air oil sketch than to the finished studio easel painting. For ease of comparison, the visual material used here will consist primarily of landscapes made in and around Yosemite Valley, California, in the 1860s and 1870s; comparisons will be made among paintings by Albert Bierstadt, photographs by Carleton Watkins and Eadweard Muybridge, and works in both media by less famous artists.
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von Brevern, Jan. "Fototopografia: The “Futures Past” of Surveying." reproduire, no. 17 (September 8, 2011): 53–67. http://dx.doi.org/10.7202/1005748ar.

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This article examines a particular problem in the early history of photographic land surveying: the unwavering desire to use photography to capture accurate topographical information for map-making, even in light of practical difficulties. It considers how both the practical survey work and the status of photography changed when, instead of the landscape itself, photographs were measured. Photography’s promise to simplify strenuous fieldwork was almost as old as photography itself—but in practice, it took decades of experimenting until the process was feasible.
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Blos-Jáni, Melinda. "The Visibility of a City in the Interwar Period. Scopic Regimes in the Photographs of Lajos Orbán (1897–1972) From Cluj." Studia Universitatis Babeș-Bolyai Historia Artium 68 (December 30, 2023): 141–64. http://dx.doi.org/10.24193/subbhistart.2023.06.

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The Visibility of a City in the Interwar Period. Scopic Regimes in the Photographs of Lajos Orbán (1897–1972) from Cluj. Lajos Orbán was an amateur photographer, whose main body of work was produced starting from the 1920s when he became the employee of a local shop specialized in photographic equipment and member in local photographic societies, e.g. the Tessar Bowling Society. His photographs were displayed at international photo exhibitions, but he was organising regional photo contests and exhibitions as well. His photographs show the influence of the pictorialist photography, but traces of modernism or the new objectivism are present as well. These pictures became archival documents, and they are also important resources to the visual culture of Transylvania, the visual literacy of the people living in the interwar years. The paper offers an in depth analysis of the scopic regimes detectable in the photographic heritage of Lajos Orbán based on the ways human figures and spatial relations are represented in his pictures. Keywords: amateur photography, visual culture, urban life, “flâneur”, scopic regime, landscape, human figures
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Foster, David William. "The antarctica photography of Adriana Lestido." INTERIN 25, no. 1 (December 6, 2019): 187–97. http://dx.doi.org/10.35168/1980-5276.utp.interin.2020.vol25.n1.pp187-197.

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During early 2012, the Argentine photographer Adriana Lestido spent two months undertaking photography on the Argentine Peninsula of Antartica. Hers is the first systematic photography of the region, and it demonstrates the attempt to capture visually the fully range of that landscape. Our customary imaginary of the Antarctic landscape is very impoverished, one of ice and white snow, with some scattered fauna. Lestido’s systematic project reveals, by contrast, complex patterns of shifting climatic process and how shadow and light are far more complex than the conventional imaginary holds. A Guggenheim Foundation fellow, Lestido, who is known for her uncompromising photography of urban feminist social subjectivity, has, in a new phase of her work, turned to landscape photography and her Antarctica photographs constitute an highly original artistic undertaking to visualize how we might expand our understanding of the natural environment.
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Wall, Gina. "Writing the world: photographing the text of the landscape." Excursions Journal 1, no. 1 (September 12, 2019): 123–42. http://dx.doi.org/10.20919/exs.1.2010.131.

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I am engaged in a practice led thesis, which has been challenged and shaped by thinkers in the fields of critical theory and philosophy. Although I work in dialogue with these theorists, I am principally a visual practitioner who is most at home with traditional, wet process photography.I began with a general concern regarding my own resistance to landscape photography as the depiction of the view, which has led me to question the persistence of the (illusion of) the unified photographic moment. My visual process, which began quite simply as a reaction against the pervasiveness of the view in photography, has, in dialogue with writers such as Ferdinand de Saussure, Roland Barthes, Jacques Derrida and Rosalind Krauss, enabled me to theorise my own photographic practice as a form of writing. Central to this has been the investigation of different theoretical configurations of the semiotic sign.I contend that Rosalind Krauss’ conception of Surrealist photography as a practice of écriture, in fact accounts for photographic practice more broadly speaking. The spacing of the photographic sign, which Krauss describes as an ‘invagination of presence,’ defers the confluence of the signified and the signifier thus rupturing the illusion of presence in the photographic moment: the shutter differences the image from the world and the practice of photography reconfigures the world as a form of writing. However, not simply in the sense of a surface inscribed by light, but writing as a space in which the possibility for meaning is realised.
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Gallus-Price, Sibyl. "Why Photography Mattered (1847) As Art More Than Ever Before." Praktyka Teoretyczna, no. 4(50) (March 28, 2024): 51–74. http://dx.doi.org/10.19195/prt.2023.4.3.

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In the late 20th-century, landscape photographs that were never meant as art come to play a central role in the critique of one notion of what art is. Rosalind Krauss begins her attack on Modernism by mobilizing the indexical qualities of the photograph, holding up Timothy O’Sullivan’s 19th-century landscape photographs as the exemplar. This essay considers Krauss’s model in relation to César Aira’s contemporary revival of the 19th century landscape painter Johann Moritz Rugendas who is conceived, I argue, under the sign of the photograph. Conceptually recasting the landscape— the locus classicus for the crisis of Modernist art— through Rugendas, Aira transforms the painterly genre into an alternative neuro-aesthetically charged “procedure.” Aira’ s landscape painter turned photographer serves, I contend, both as an emblem for Aira’s own relation to writing and as an artifact of Krauss’s post-Art world.
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Godolphim, Nuno. "DE ÁRVORES, PEDRAS E HOMENS:." Cadernos Cajuína 7, no. 1 (April 30, 2024): e227116. http://dx.doi.org/10.52641/cadcajv7i1.254.

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RESUMO: Procurando entender as especificidades da fotografia nas ciências sociais e, particularmente, na antropologia visual, este texto se propõem a analisar de que maneira uma foto produzida sobre um ser humano é qualitativamente diferente da foto de uma paisagem ou de uma pedra. Para tal, situa as diferentes concepções de sujeito que estão embutidas no olhar do fotógrafo que registra paisagens naturais, paisagens humanas e paisagens culturais. Para em seguida pensar sociologicamente estas diferenças, reconstruindo o lugar do sujeito fotografado na informação imagética constituída pelo aparato fotográfico. PALAVRAS-CHAVES: Antropologia, Fotografia, Semiótica, Sujeito. ABSTRACT: Trying to understand the specificities of photography in the social sciences and, particularly, in visual anthropology, this text aims to analyze how a photo produced about a human being is qualitatively different from the photo of a landscape or a stone. To this end, it situates the different conceptions of the subject that are embedded in the look of the photographer who records natural landscapes, human landscapes and cultural landscapes. Then it to think sociologically about these differences to reconstruct the place of the subject photographed in the image information constituted by the photographic apparatus. KEYWORDS: Anthropology, Photography, Semiotics, Subject.
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Horta, Paula. "When the Landscape of the Face is Hidden from Us." Grimace, Vol. 2, no. 1 (2017): 68–71. http://dx.doi.org/10.47659/m2.068.art.

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How do we respond to the vulnerability of the Other when we do not see his face? How do photographer and viewers position themselves ethically in relation to the (hi)story of suffering they are called to witness? These are the questions that steer my reflection about Jillian Edelstein’s unpublished photograph of Archbishop Desmond Tutu. Taken shortly after the South African Truth and Reconciliation Commission (TRC) completed its work, the photograph evokes the moment during the TRC hearings when the Archbishop, Chairman of the commission, laid down his head and wept. Drawing on Emmanuel Levinas’s conceptualization of “the face”; I discuss how affect is produced within and through Edelstein’s photograph, and specifically how the affective quality of the photograph both contributes to an understanding of the experience of suffering within the context of the TRC and summons an ethical response from the viewer. Keywords: Desmund Tutu, Emmanuel Levinas, gesture and photography, Jillian Edelstein, photography portrait
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Huang, Wanfei. "Photographic practice as a mode of non-representational self-world engagement." International Journal of Education Through Art 20, no. 2 (June 1, 2024): 183–92. http://dx.doi.org/10.1386/eta_00160_7.

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This visual essay presents my journey of coming to experience and conceive photography through the lens of non-representational theory. In the light of non-representational notions of landscape and embodiment, photography is more than an aesthetic and representative medium of one’s outer and inner seeing of the world. Rather, photographic practice can be ‘a perceiving-with’, that with which the new camera-I (eye) sees, and the expressive photograph becomes embodiment as body a-where-ness. This journey of photographic artmaking and conceptual speculation has taught me to live photography as a set of creative tensions between self, camera and the world instead of merely using photography to express and represent one’s life.
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Grese, Robert E. "Landscape photography." History of Photography 26, no. 4 (December 2002): 372. http://dx.doi.org/10.1080/03087298.2002.10443315.

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Dissertations / Theses on the topic "Landscape photography"

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Skoufias, Emmanouil. "Narratives in landscape photography : the narrative potential of transitional landscapes." Thesis, University of Westminster, 2006. https://westminsterresearch.westminster.ac.uk/item/92756/narratives-in-landscape-photography-the-narrative.

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The aim ofthis thesis is to use practical and theoretical research to investigate the relationship of transitional landscapes with narrative. As transitional landscapes I refer to the photographic depiction of unorganised spaces situated between the rural and urban zones. The research engages in practical fieldwork and theoretical study. It comprises a written thesis and a visual output (photographic project). The theoretical part examines the historical framework focusing in the postmodern re-evaluations oflandscape photography. My research investigates if the iconographic austerity of transitional landscapes leads to interpretive austerity or on the contrary enhances their range of interpretations. The research methodology is influenced by theories that acknowledge the importance of the reader and it is qualitative and experimental. The research employs as key method visual questionnaires, which focus on the capacity of single images to prompt narrative interpretation. The groups of people that the questionnaires are distributed to, vary in their approach and regard of landscape and narrative. The results from this survey indicate how we perceive transitional landscapes, the type of narratives they suggest and what prompts them to interpret the images as specific narratives. The main findings ofthe study revealed that: 1. The iconographic austerity of transitional landscapes appears as a fertile ground for narratives as indicated by the high percentage of respondents who wrote narratives, the high percentage of narratives compared to descriptions and transformations and the respondents approach more as narrators rather than observers. 2. The respondents seemed to wish to categorise the transitional landscapes more as an urban or rural environment rather than a transitional environment. 3. A darker, closer to black & white landscape image is more responsive to narratives rather than the normal exposure and colour version of the same landscape image. Furthermore, transitional landscapes seem more narratively responsive in their blurred version. 4. Transitional landscapes create more pessimistic than optimistic responses justifying landscape theories based on the psychological approach to landscape. The findings are employed as a creative tool, creating the form and the content of the photographic project, which also incorporates the actual stories of the respondents for transitional landscapes. The photographic project displays two main narrative strategies in photography: a) Narratives created solely by images and b) Narratives created from combinin~ text and image. It progress from strategy a to b in four steps, gradually shifting from vertical panoramic landscapes to horizontal panoramic 'wordscapes'. The original co.ntribution to knowledge is in both the artwork and the method of producing it as I am extendmg the boundaries of what is currently considered as the landscape genre not only in terms of collective authoring but also about the transition of the visual sign to the word sign, thus examining our processes of making sense of signs and the subjective nature of interpretation. In my.concerns for transitional landscapes, I am investigating an aspect of a landscape genre, which has been marginalized in both traditional photographic history and subsequent critical debates.
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Tolonen, Juha. "Waste*lands : landscape photography modernity." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2007. https://ro.ecu.edu.au/theses/268.

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This is a thesis with two distinct but connected halves. Text and image are applied to the subject of wastelands; the former works to raise the status of wastelands while the latter gathers visual fragments of wastelands to harness a picture of contemporary modernity. The two combine to create a practical and poetic, a social and flaneurial picture of wastelands. I identify wastelands as the material manifestation of industrial modernity. Although wasteland is an overarching term used to describe general decline in many social, cultural and natural spheres. I adopt it specifically to describe spaces of abandoned industry that have emerged since the post-war years in the West. Wastelands are invitations to engage with the destructive side of modernity. Berman (1982) describes modernity as simultaneously progressive and destructive. Yet I suggest that this destructive face is too often disregarded. I see it as a matter of necessity to reengage more thoughtfully with the processes and manifestations of destruction. Wastelands encourage us to do both. Institutional and market forces generally promote limited responses to wastelands. Hawkins (2006) identifies a similar situation in the realm of waste in general. She suggests that the affects of waste should be considered alongside traditional institutional dogma to expand our relationship with waste. This position is adopted in my examination of wastelands. By avoiding dismissive responses wastelands can emerge as potential spaces of improvisation. The text places wasteland in context with other modern traditions of landscape, it also seeks to localise the wasteland in particular social contexts. The images provide a more generalised reading of wasteland; they are the souvenirs of flanuerial adventures in wastelands. Wastelands are authentic spaces of modernity.
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Kirkpatrick, Erika Marie. "Photography, the State, and War: Mapping the Contemporary War Photography Landscape." Thesis, Université d'Ottawa / University of Ottawa, 2017. http://hdl.handle.net/10393/35723.

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This dissertation explores the ways in which media, visuality, and politics intersect through an analysis of contemporary war photography. In so doing, it seeks to uncover how war photography as a social practice works to produce, perform and construct the State. Furthermore, it argues that this productive and performative power works to constrain the conditions of possibility for geopolitics. The central argument of this project is that contemporary war photography reifies a view of the international in which the liberal, democratic West is pitted against the barbaric Islamic world in a ‘civilizational’ struggle. This project’s key contribution to knowledge rests in its unique and rigorous research methodology (Visual Discourse Analysis) – mixing as it does inspiration from both quantitative and qualitative approaches to scholarship. Empirically, the dissertation rests on the detailed analysis of over 1900 war images collected from 30 different media sources published between the years 2000-2013.
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Ito, Atsuhide. "Separate landscape : non-place, aesthetics and landscape on the Tōkaidō Route, Japan." Thesis, University of Brighton, 2007. https://research.brighton.ac.uk/en/studentTheses/022fc32a-3aa4-451e-8fb8-7941389e7e6e.

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Separate landscape is a research that combines a theory and practice through the examination of 'non-place'. Non-places such as airports, waiting lounges, car parks, shopping malls have been defined as places which lack a sense of history, social relations, and identity.
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Petridis, Paris. "Notes at the edge of landscape." Thesis, University of Sunderland, 2010. http://sure.sunderland.ac.uk/3309/.

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This thesis examines landscape in the course of an itinerancy and positions the road as its constant figurative as well as allegorical component. The examination is applied on a cohesive body of original photographic work selected from two published monographs and it is juxtaposed with comparable photographs from other practitioners on the field. My methodological approach in the production of the photographs combines technical and morphological elements from the genres of subjective documentary and landscape photography. This synthesis entails a variety of conceptual choices, embodied practices and operational devices as well as the deployment of different formats and techniques. Similarly, the commentary on the photographs relates both the indexical guarantee and the photographs' symbolic significations. Seen in the light of the Greek landscape tradition that runs from the picturesque and the mythological to the constructed and the staged, this thesis associates the representation of landscape with the experience of travel and argues for its contingent nature.
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Moon, Jen. "Cul de sac /." Online version of thesis, 2007. http://hdl.handle.net/1850/4392.

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Watson, David Rowan Scott. "Precious Little: Traces of Australian Place and Belonging." University of Sydney, 2005. http://hdl.handle.net/2123/1098.

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Master of Visual Arts
The Dissertation is a meditation on our relationship with this continent and its layered physical and psychological ‘landscapes’. It explores ways in which artists and writers have depicted our ‘thin’ but evolving presence here in the South, and references my own photographic work. The paper weaves together personal tales with fiction writing and cultural, settler and indigenous history. It identifies a uniquely Australian sense of 21st-century disquiet and argues for some modest aesthetic and social antidotes. It discusses in some detail the suppression of focus in photography, and suggests that the technique evokes not only memory, but a recognition of absence, which invites active participation (as the viewer attempts to ‘place’ and complete the picture). In seeking out special essences of place the paper considers the suburban poetics of painter Clarice Beckett, the rigorous focus-free oeuvre of photographer Uta Barth, and the hybrid vistas of artist/gardener Peter Hutchinson and painter Dale Frank. Interwoven are the insights of contemporary authors Gerald Murnane, W G Sebald and Paul Carter. A speculative chapter about the fluidity of landscape, the interconnectedness of land and sea, and Australia’s ‘deep’ geology fuses indigenous spirituality, oceanic imaginings of Australia, the sinuous bush-scapes of Patrick White, and the poetics of surfing. Full immersion is recommended.
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Watson, David Rowan Scott. "Precious Little: Traces of Australian Place and Belonging." Thesis, The University of Sydney, 2004. http://hdl.handle.net/2123/1098.

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The Dissertation is a meditation on our relationship with this continent and its layered physical and psychological ‘landscapes’. It explores ways in which artists and writers have depicted our ‘thin’ but evolving presence here in the South, and references my own photographic work. The paper weaves together personal tales with fiction writing and cultural, settler and indigenous history. It identifies a uniquely Australian sense of 21st-century disquiet and argues for some modest aesthetic and social antidotes. It discusses in some detail the suppression of focus in photography, and suggests that the technique evokes not only memory, but a recognition of absence, which invites active participation (as the viewer attempts to ‘place’ and complete the picture). In seeking out special essences of place the paper considers the suburban poetics of painter Clarice Beckett, the rigorous focus-free oeuvre of photographer Uta Barth, and the hybrid vistas of artist/gardener Peter Hutchinson and painter Dale Frank. Interwoven are the insights of contemporary authors Gerald Murnane, W G Sebald and Paul Carter. A speculative chapter about the fluidity of landscape, the interconnectedness of land and sea, and Australia’s ‘deep’ geology fuses indigenous spirituality, oceanic imaginings of Australia, the sinuous bush-scapes of Patrick White, and the poetics of surfing. Full immersion is recommended.
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Haggarty, Roni Maureen. "Photo/synthesis: photography, pedagogy and place in a northern landscape /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2202.

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Hauser, Kitty. "Shadow sites : photography, archaeology, and the British landscape 1927-1955 /." Oxford ; New york : Oxford university press, 2007. http://catalogue.bnf.fr/ark:/12148/cb411636232.

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Books on the topic "Landscape photography"

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Angel, Heather. Landscape photography. Sparkford: Oxford Illustrated Press, 1989.

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Parish, Steve. Landscape photography. Archerfield, Qld: Steve Parish Pub., 2008.

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Company, Eastman Kodak, ed. Landscape photography. New York: McGraw-Hill Book Co., 1987.

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Widdicombe, Derek G. Landscape photography. Milnthorpe: Cicerone Press, 1987.

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Wignall, Jeff. Landscape photography. Rochester, N.Y: Eastman Kodak Co., 1987.

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Dublin, William Brooks. Landscape photography. [S.l: s.n.], 1987.

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Godfrey, Anne C. Active Landscape Photography. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781351066662.

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Damiano, Todd. Infrared landscape photography. Amherst, N.Y: Amherst Media, 1999.

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Godfrey, Anne C. Active Landscape Photography. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003087717.

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Gibbons, Bob. The outdoor photographer: Advanced landscape & countryside photography. London: Blandford Press, 1988.

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Book chapters on the topic "Landscape photography"

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Godfrey, Anne C. "Re-Photography." In Active Landscape Photography, 112–19. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429284649-20.

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Eischeid, Mark R. "Engaged Photography." In Active Landscape Photography, 117–37. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003087717-9.

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Godfrey, Anne C. "Active landscape photography." In Active Landscape Photography, 70–82. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781351066662-8.

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Thompson, Ian, and Peter Howard. "Landscape and photography." In The Routledge Companion to Landscape Studies, 237–52. Second edition. | Milton Park, Abingdon, Oxon ; New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315195063-19.

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Godfrey, Anne C. "Combining photographs." In Active Landscape Photography, 150–59. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781351066662-13.

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Godfrey, Anne C. "Always photographs." In Active Landscape Photography, 3–6. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781351066662-2.

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Godfrey, Anne C. "Making photographs." In Active Landscape Photography, 33–47. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781351066662-5.

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Godfrey, Anne C. "Landscape architecture and photography." In Active Landscape Photography, 7–15. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781351066662-3.

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Godfrey, Anne C. "Time With Photographs." In Active Landscape Photography, 80–83. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429284649-14.

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Godfrey, Anne C. "More than both ways with photography." In Active Landscape Photography, 131–37. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781351066662-11.

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Conference papers on the topic "Landscape photography"

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Skokanová, Hana, Petr Halas, Tomáš Koutecký, Eva Kallabová, Marek Havlíček, and Tomáš Slach. "Landscape photography in the research of landscape change." In Public recreation and landscape protection - with environment hand in hand… Mendel University in Brno, 2022. http://dx.doi.org/10.11118/978-80-7509-831-3-0198.

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Bi, Bin, Ben Kao, Chang Wan, and Junghoo Cho. "Who are experts specializing in landscape photography?" In KDD '14: The 20th ACM SIGKDD International Conference on Knowledge Discovery and Data Mining. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2623330.2623752.

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Riyadi, Tunjung, and Pratikta Aditya Setiawan. "Visual Depth of Landscape Photography into Digital Illustration." In BINUS Joint International Conference. SCITEPRESS - Science and Technology Publications, 2018. http://dx.doi.org/10.5220/0010004701850189.

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Amornpashara, Nuttapoom, Yutaka Arakawa, Morihiko Tamai, and Keiichi Yasumoto. "Landscape photo classification mechanism for context-aware photography support system." In 2015 IEEE International Conference on Consumer Electronics (ICCE). IEEE, 2015. http://dx.doi.org/10.1109/icce.2015.7066570.

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He, Xiaojiao. "Automatic Recognition System of Landscape Portrait Photography on Account of AI." In APIT 2023: 2023 5th Asia Pacific Information Technology Conference. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3588155.3588179.

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Karásek, Petr, and Igor Pelíšek. "Identification and drone aerial photography of selected historic irrigation structures in the Czech Republic." In Public recreation and landscape protection - with environment hand in hand… Mendel University in Brno, 2022. http://dx.doi.org/10.11118/978-80-7509-831-3-0177.

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LUO, JUNJIE, ZEXIN LEI, and LEI CAO. "VISUAL SIMULATION METHOD OF RUNOFF IN LANDSCAPE SPACE BASED ON UAV TILT PHOTOGRAPHY." In SUSTAINABLE CITY 2020. Southampton UK: WIT Press, 2020. http://dx.doi.org/10.2495/sc200301.

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Tartara, Patrizia. "Aerial monitoring and environmental protection: aerial photography as an instrument for checking landscape damage." In SPIE Europe Remote Sensing, edited by Ulrich Michel and Daniel L. Civco. SPIE, 2009. http://dx.doi.org/10.1117/12.830576.

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Chen, Mengxiao. "Application of 3D laser scanning and tilt photography technology in digital landscape surveying and mapping." In International Conference on Image, Signal Processing, and Pattern Recognition (ISPP 2024), edited by Ram Bilas Pachori and Lei Chen. SPIE, 2024. http://dx.doi.org/10.1117/12.3034271.

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Lecuna Piatti, Carolina Ruth. "Metodología para la caracterización y monitoreo del paisaje costero: como establecer medidas preventivas para el Ordenamiento Territorial." In Seminario Internacional de Investigación en Urbanismo. Barcelona: Facultad de Arquitectura. Universidad de la República, 2015. http://dx.doi.org/10.5821/siiu.6176.

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La investigación diseña una metodología para determinar las afectaciones del Paisaje Costero con el fin de establecer medidas preventivas para su Ordenamiento Territorial. Siendo capaz de ser aplicada a diversos paisajes costeros a partir de estudios de imágenes satelitales, de la fotografía como herramienta gráfica, del desarrollo de un sistema de información geográfico, de cartografías de valoración, así como de análisis cualitativos y cuantitativos, determinando las variables e indicadores del Paisaje Costero. Como herramienta es aplicada en un caso de estudio específico, el balneario Diamante de La Pedrera, Departamento de Rocha, entre Ruta 10 y la costa atlántica. Seleccionado por tratarse de un territorio poco explorado y sometido a presiones de ocupación por la existencia de una propuesta de fraccionamiento para uso turístico residencial. Research designs a methodology to determine the damages Coastal Landscape in order to establish preventive measures for Landscape Planning Management. Being able to be applied to different coastal landscapes. Some tools used: studies of satellite image, photography and graphic tool, development of a geographic information system for evaluation maps, as well as qualitative and quantitative analyzes and identification variables and Coastal Landscape indicators. This methodology is applied to a specific case study, “Diamante de la Pedrera”, Rocha, between Route 10 and the Atlantic coast. Selected to be an unexplored territory and now under pressure to be built-up, existing for this area a residential tourism project.
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Reports on the topic "Landscape photography"

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Skovlin, Jon M., Gerald S. Strickler, Jesse L. Peterson, and Arthur W. Sampson. Interpreting landscape change in high mountains of northeastern Oregon from long-term repeat photography. Portland, OR: U.S. Department of Agriculture, Forest Service, Pacific Northwest Research Station, 2001. http://dx.doi.org/10.2737/pnw-gtr-505.

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Suir, Glenn M., Christina L. Saltus, James B. Johnston, and John A. Barras. Development of Methodology to Classify Historical Panchromatic Aerial Photography. Analysis of Landscape Features on Point Au Fer Island, Louisiana - from 1956 to 2009: A Case Study. Fort Belvoir, VA: Defense Technical Information Center, December 2011. http://dx.doi.org/10.21236/ada554145.

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Atkinson, Dan, and Alex Hale, eds. From Source to Sea: ScARF Marine and Maritime Panel Report. Society of Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.126.

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The main recommendations of the panel report can be summarised under four headings: 1. From Source to Sea: River systems, from their source to the sea and beyond, should form the focus for research projects, allowing the integration of all archaeological work carried out along their course. Future research should take a holistic view of the marine and maritime historic environment, from inland lakes that feed freshwater river routes, to tidal estuaries and out to the open sea. This view of the landscape/seascape encompasses a very broad range of archaeology and enables connections to be made without the restrictions of geographical or political boundaries. Research strategies, programmes From Source to Sea: ScARF Marine and Maritime Panel Report iii and projects can adopt this approach at multiple levels; from national to site-specific, with the aim of remaining holistic and cross-cutting. 2. Submerged Landscapes: The rising research profile of submerged landscapes has recently been embodied into a European Cooperation in Science and Technology (COST) Action; Submerged Prehistoric Archaeology and Landscapes of the Continental Shelf (SPLASHCOS), with exciting proposals for future research. Future work needs to be integrated with wider initiatives such as this on an international scale. Recent projects have begun to demonstrate the research potential for submerged landscapes in and beyond Scotland, as well as the need to collaborate with industrial partners, in order that commercially-created datasets can be accessed and used. More data is required in order to fully model the changing coastline around Scotland and develop predictive models of site survival. Such work is crucial to understanding life in early prehistoric Scotland, and how the earliest communities responded to a changing environment. 3. Marine & Maritime Historic Landscapes: Scotland’s coastal and intertidal zones and maritime hinterland encompass in-shore islands, trans-continental shipping lanes, ports and harbours, and transport infrastructure to intertidal fish-traps, and define understanding and conceptualisation of the liminal zone between the land and the sea. Due to the pervasive nature of the Marine and Maritime historic landscape, a holistic approach should be taken that incorporates evidence from a variety of sources including commercial and research archaeology, local and national societies, off-shore and onshore commercial development; and including studies derived from, but not limited to history, ethnology, cultural studies, folklore and architecture and involving a wide range of recording techniques ranging from photography, laser imaging, and sonar survey through to more orthodox drawn survey and excavation. 4. Collaboration: As is implicit in all the above, multi-disciplinary, collaborative, and cross-sector approaches are essential in order to ensure the capacity to meet the research challenges of the marine and maritime historic environment. There is a need for collaboration across the heritage sector and beyond, into specific areas of industry, science and the arts. Methods of communication amongst the constituent research individuals, institutions and networks should be developed, and dissemination of research results promoted. The formation of research communities, especially virtual centres of excellence, should be encouraged in order to build capacity.
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Tooker, Megan, and Adam Smith. Historic landscape management plan for the Fort Huachuca Historic District National Historic Landmark and supplemental areas. Engineer Research and Development Center (U.S.), June 2021. http://dx.doi.org/10.21079/11681/41025.

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The U.S. Congress codified the National Historic Preservation Act of 1966 (NHPA) to provide guidelines and requirements for preserving tangible elements of our nation’s past. This preservation was done primarily through creation of the National Register of Historic Places (NRHP), which contains requirements for federal agencies to address, inventory, and evaluate their cultural resources, and to determine the effect of federal undertakings on properties deemed eligible or potentially eligible for the NRHP. This work inventoried and evaluated the historic landscapes within the National Landmark District at Fort Huachuca, Arizona. A historic landscape context was developed; an inventory of all landscapes and landscape features within the historic district was completed; and these landscapes and features were evaluated using methods established in the Guidelines for Identifying and Evaluating Historic Military Landscapes (ERDC-CERL 2008) and their significance and integrity were determined. Photographic and historic documentation was completed for significant landscapes. Lastly, general management recommendations were provided to help preserve and/or protect these resources in the future.
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Zhang, Y., R. Touzi, W. Feng, G. Hong, T. C. Lantz, and S. V. Kokelj. A multisite dataset of near-surface soil temperature, active-layer thickness, and soil and vegetation conditions measured in northwestern Canada, 2016-2017. Natural Resources Canada/CMSS/Information Management, 2021. http://dx.doi.org/10.4095/329207.

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Quantifying and understanding spatial variation in permafrost conditions at the landscape-scale is important for land use planning and assessing the impacts of permafrost thaw. This report documents detailed field data observed at 110 sites in two areas in northwestern Canada from 2016 to 2017. One area is a northern boreal landscape near Inuvik and the other is a tundra landscape near Tuktoyaktuk. The observations include near-surface soil temperatures (Tnss) at 107 sites, and active-layer thickness, soil and vegetation conditions at 110 sites. The data set includes the original Tnss records, the calculated daily, monthly, and annual averages of Tnss, soil and vegetation conditions at these sites, and photographs taken in the field. This data set will be useful for understanding the spatial heterogeneity of permafrost and validating modelling and mapping products.
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Knight, R. D., L. F. Armstrong, D. R. Sharpe, D. E. Kerr, B A Kjarsgaard, and D. I. Cummings. A photographic record of the glaciated landscape for the proposed Thaidene Nene National Park Reserve, Great Slave Lake, Northwest Territories. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2017. http://dx.doi.org/10.4095/305980.

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Taverna, Kristin. Vegetation classification and mapping of land additions at Richmond National Battlefield Park, Virginia: Addendum to technical report NPS/NER/NRTR 2008/128. National Park Service, September 2022. http://dx.doi.org/10.36967/2294278.

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In 2008 and 2015, the Virginia Department of Conservation and Recreation, Division of Natural Heritage produced vegetation maps for Richmond National Battlefield Park, following the protocols of the United States Geological Survey (USGS) – National Park Service (NPS) Vegetation Mapping Program. The original 2008 report was part of a regional project to map and classify the vegetation in seven national parks in Virginia. The 2015 report was an addendum to the original report and mapped the vegetation in newly acquired parcels. Since 2015, the park has acquired an additional 820 acres of land within 12 individual parcels, including the 650 acre North Anna unit. This report is an addendum to the 2008 and 2015 reports and documents the mapping of vegetation and other land-use classes for the 12 new land parcels at Richmond National Battlefield Park, with an updated vegetation map for the entire park. The updated map and associated data provide information on the sensitivity and ecological integrity of habitats and can help prioritize areas for protection. The vegetation map of the new land parcels includes eighteen map classes, representing 14 associations from the United States National Vegetation Classification, one nonstandard, park-specific class, and three Anderson Level II land-use categories. The vegetation classification and map classes are consistent with the original 2008 report. Vegetation-map classes for the new land parcels were identified through field reconnaissance, data collection, and aerial photo interpretation. Aerial photography from 2017 served as the base map for mapping the 12 new parcels, and field sampling was conducted in the summer of 2020. Three new map classes for the Park were encountered and described during the study, all within the North Anna park unit. These map classes are Coastal Plain / Outer Piedmont Basic Mesic Forest, Northern Coastal Plain / Piedmont Oak – Beech / Heath Forest, and Southern Piedmont / Inner Coastal Plain Floodplain Terrace Forest. The examples of Coastal Plain / Outer Piedmont Basic Mesic Forest and Southern Piedmont / Inner Coastal Plain Floodplain Terrace Forest at North Anna meet the criteria of size, condition, and landscape context to be considered a Natural Heritage exemplary natural community occurrence and should be targeted for protection and management as needed. New local and global descriptions for the three map classes are included as part of this report. Refinements were made to the vegetation field key to include the new map classes. The updated field key is part of this report. An updated table listing the number of polygons and total hectares for each of the 28 vegetation- map classes over the entire park is also included in the report. A GIS coverage containing a vegetation map for the entire park with updated Federal Geographic Data Committee (FGDC) compliant metadata was completed for this project. The attribute table field names are the same as the 2008 and 2015 products, with the exception of an additional field indicating the year each polygon was last edited.
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Muldavin, Esteban, Yvonne Chauvin, Teri Neville, Hannah Varani, Jacqueline Smith, Paul Neville, and Tani Hubbard. A vegetation classi?cation and map: Guadalupe Mountains National Park. National Park Service, 2024. http://dx.doi.org/10.36967/2302855.

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A vegetation classi?cation and map for Guadalupe Mountains National Park (NP) is presented as part of the National Park Service Inventory & Monitoring - Vegetation Inventory Program to classify, describe, and map vegetation communities in more than 280 national park units across the United States. Guadalupe Mountains NP lies in far west Texas and contains the highest point in the state, Guadalupe Peak (8,751 ft; 2,667 m). The mountain escarpments descend some 5,000 ft (1,500 m) to the desert basins below forming a complex geologic landscape that supports vegetation communities ranging from montane coniferous forests down to desert grasslands and scrub. Following the US National Vegetation Classi?cation (USNVC) standard, we identi?ed 129 plant associations hierarchically tiered under 29 groups and 17 macrogroups, making it one of the most ecologically diverse National Park Service units in the southwestern United States. An aspect that adds to this diversity is that the park supports communities that extend southward from the Rocky Mountains (?ve macrogroups) and Great Plains (one macrogroup) and northward from the Chihuahuan Desert (two macrogroups) and Sierra Madre Orientale of Mexico (three macrogroups). The remaining six macrogroups are found in the Great Basin (one macrogroup), and throughout the southwestern United States (remaining ?ve macrogroups). Embedded in this matrix are gypsum dunelands and riparian zones and wetlands that add further complexity. We describe in detail this vegetation classi?cation, which is based on 540 vegetation plots collected between 2006 and 2010. Full descriptions and diagnostic keys to the plant associations along with an overall plant species list are provided as appendices. Based on the vegetation classi?cation and associated plot data, the vegetation map was developed using a combined strategy of automated digital object-oriented image classi?cation and direct-analog image interpretation of four-band National Agricultural Imagery Program (NAIP) aerial photography from 2004 and 2008 and Landsat Thematic Mapper satellite imagery. The map is designed to facilitate ecologically-based natural resource management at a 1:24,000 scale with 0.5-ha minimum map unit size. The map legend is hierarchically structured: the upper Level 1 consists of 16 map units corresponding in most cases to the USNVC group level, and an additional map unit describing built-up land and agriculture; Level 2 is composed of 48 nested map units re?ecting various combinations of plant associations. A ?eld-based accuracy assessment using 341 vegetation plots revealed a Level 1 overall accuracy of 79% with 90% CI of 74?84% and 68% with 90% CI of 59?76% at Level 2. An annotated legend with summary descriptions of the units, distribution maps, aerial photo examples of map unit polygons, and representative photos are provided in Appendix D. Large wall-size poster maps at 1:35,000 scale were also produced following NPS cartographic standards. The report, plot data, and spatial layers are available at National Park Service Vegetation Mapping Program https://www.nps.gov/im/vegetation-inventory.htm). Outcomes from this project provide the most detailed vegetation classi?cation and highest resolution mapping for Guadalupe Mountains NP to date to support many uses including ?re, recreation, vegetation, and wildlife management, among others. The upper Level 1 map is particularly suited to landscape-scale, park-wide planning and linkages to its sister park, Carlsbad Caverns NP. The Level 2 mapping provides added detail for use at a more localized project scale. The overall accuracy of the maps was good, but because Guadalupe Mountains NP is primarily wilderness park, there were logistical challenges to map development and testing in remote areas that should be considered in planning management actions. In this context, some map units would bene?t from further development and accuracy assessment. In particular, a higher resolution mapping of McKittrick Creek riparian habitat at 1:6,000 scale or ?ner is recommended for this important habitat in the park. In addition, developing a structural canopy height model from LiDAR imagery would be useful to more accurately quantify woody canopy density and height to support ?re management and other habitat management issues. With respect to understanding vegetation dynamics in this time of rapid environmental change, the 540 vegetation plots themselves are su?ciently georeferenced and have the data resolution to be useful in detecting change at the decadal scales across much of the park. To this end, an additional recommendation would be to install more plots to ?ll the gaps among the main vegetation units of the park, both spatially and thematically. Overall, the Vegetation and Classi?cation Map for Guadalupe Mountains NP will support the park?s management e?orts and enhance regional understanding of vegetation and ecology of ecosystems of the southwestern United States.
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Brophy, Kenny, and Alison Sheridan, eds. Neolithic Scotland: ScARF Panel Report. Society of Antiquaries of Scotland, June 2012. http://dx.doi.org/10.9750/scarf.06.2012.196.

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The main recommendations of the Panel report can be summarised as follows: The Overall Picture: more needs to be understood about the process of acculturation of indigenous communities; about the Atlantic, Breton strand of Neolithisation; about the ‘how and why’ of the spread of Grooved Ware use and its associated practices and traditions; and about reactions to Continental Beaker novelties which appeared from the 25th century. The Detailed Picture: Our understanding of developments in different parts of Scotland is very uneven, with Shetland and the north-west mainland being in particular need of targeted research. Also, here and elsewhere in Scotland, the chronology of developments needs to be clarified, especially as regards developments in the Hebrides. Lifeways and Lifestyles: Research needs to be directed towards filling the substantial gaps in our understanding of: i) subsistence strategies; ii) landscape use (including issues of population size and distribution); iii) environmental change and its consequences – and in particular issues of sea level rise, peat formation and woodland regeneration; and iv) the nature and organisation of the places where people lived; and to track changes over time in all of these. Material Culture and Use of Resources: In addition to fine-tuning our characterisation of material culture and resource use (and its changes over the course of the Neolithic), we need to apply a wider range of analytical approaches in order to discover more about manufacture and use.Some basic questions still need to be addressed (e.g. the chronology of felsite use in Shetland; what kind of pottery was in use, c 3000–2500, in areas where Grooved Ware was not used, etc.) and are outlined in the relevant section of the document. Our knowledge of organic artefacts is very limited, so research in waterlogged contexts is desirable. Identity, Society, Belief Systems: Basic questions about the organisation of society need to be addressed: are we dealing with communities that started out as egalitarian, but (in some regions) became socially differentiated? Can we identify acculturated indigenous people? How much mobility, and what kind of mobility, was there at different times during the Neolithic? And our chronology of certain monument types and key sites (including the Ring of Brodgar, despite its recent excavation) requires to be clarified, especially since we now know that certain types of monument (including Clava cairns) were not built during the Neolithic. The way in which certain types of site (e.g. large palisaded enclosures) were used remains to be clarified. Research and methodological issues: There is still much ignorance of the results of past and current research, so more effective means of dissemination are required. Basic inventory information (e.g. the Scottish Human Remains Database) needs to be compiled, and Canmore and museum database information needs to be updated and expanded – and, where not already available online, placed online, preferably with a Scottish Neolithic e-hub that directs the enquirer to all the available sources of information. The Historic Scotland on-line radiocarbon date inventory needs to be resurrected and kept up to date. Under-used resources, including the rich aerial photography archive in the NMRS, need to have their potential fully exploited. Multi-disciplinary, collaborative research (and the application of GIS modelling to spatial data in order to process the results) is vital if we are to escape from the current ‘silo’ approach and address key research questions from a range of perspectives; and awareness of relevant research outside Scotland is essential if we are to avoid reinventing the wheel. Our perspective needs to encompass multi-scale approaches, so that ScARF Neolithic Panel Report iv developments within Scotland can be understood at a local, regional and wider level. Most importantly, the right questions need to be framed, and the right research strategies need to be developed, in order to extract the maximum amount of information about the Scottish Neolithic.
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Swanson, David. Stability of ice wedges in Alaska's Arctic National Parks, 1951-2019. National Park Service, May 2022. http://dx.doi.org/10.36967/nrr-2293324.

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Ice-wedge polygons are a striking and widespread feature of the arctic landscape. Ice wedges are vulnerable to thaw because they are nearly pure ice bodies near the surface, with little insulating overlying material. Ice-wedge polygon monitoring is a part of the permafrost monitoring program for the National Park Services Arctic Inventory and Monitoring Network (ARCN, the five National Park units in northern Alaska). The present report is a re-analysis of ice-wedge condition in three study areas, based on satellite images taken in 2019 and 2020 (sampling episode 3). Results are compared to previous analyses based on aerial photographs from 1950-51 (episode 1) and satellite images from 2006-2009 (episode 2). Significant ice-wedge degradation occurred between sampling episodes 1 and 2 in one of the study areas (in Kobuk Valley National Park, KOVA). Sampling episode 3 revealed relatively minor changes from episode 2 in all three areas. This is somewhat surprising given the record warm temperatures that occurred between sampling episodes 2 and 3. Apparently the recent warming did not cross any thresholds that would trigger immediate and widespread visible changes in ice wedges, or insufficient time has elapsed since the recent onset of warmer temperatures in 2014. However, the effects of previous ice-wedge degradation continued to be manifested in new drainage channels that formed by linkage of pits from previous ice-wedge degradation. The Noatak National Preserve (NOAT) study area was affected by wildfires in 1977 and 2010, and comparison of burned to unburned areas in subsequent sampling episodes failed to show significant new ice-wedge degradation brought about by these fires.
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