Academic literature on the topic 'Landscape painting History'
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Journal articles on the topic "Landscape painting History"
Sanad, Reham, and Zainab Salim Aqil Alhadi Baomar. "A study of landscape painting development – Past, present and future perspectives." New Trends and Issues Proceedings on Humanities and Social Sciences 8, no. 1 (June 4, 2021): 01–11. http://dx.doi.org/10.18844/prosoc.v7i4.5774.
Full textCohen, Matt. "Making the View from Lookout Mountain: Sectionalism and National Visual Culture." Prospects 25 (October 2000): 269–80. http://dx.doi.org/10.1017/s0361233300000661.
Full textSun, Jia. "A comparative study on the form and style of landscape painting in the Northern Song Dynasty and Dutch Landscape Painting in the 17th Century." Highlights in Art and Design 1, no. 2 (October 25, 2022): 55–57. http://dx.doi.org/10.54097/hiaad.v1i2.2074.
Full textTrevisan, Sara. "The Impact of the Netherlandish Landscape Tradition on Poetry and Painting in Early Modern England*." Renaissance Quarterly 66, no. 3 (2013): 866–903. http://dx.doi.org/10.1086/673585.
Full textJu, Wanying. "The Research on the Origin and Communication of Blue and Green Colors in Chinese Blue and Green Landscape Painting." Journal of Education, Humanities and Social Sciences 5 (November 23, 2022): 119–25. http://dx.doi.org/10.54097/ehss.v5i.2891.
Full textLee, Hewon. "Scrolls of Poem-Paintings by Buddhist Monks of the Late Goryeo and Early Joseon : Records of the “Scrolls of Poems” on the Studio Name and Their Significance." Korean Journal of Art History 315 (September 30, 2022): 39–74. http://dx.doi.org/10.31065/kjah.315.202209.002.
Full textLee, Byunghwee, Min Kyung Seo, Daniel Kim, In-seob Shin, Maximilian Schich, Hawoong Jeong, and Seung Kee Han. "Dissecting landscape art history with information theory." Proceedings of the National Academy of Sciences 117, no. 43 (October 12, 2020): 26580–90. http://dx.doi.org/10.1073/pnas.2011927117.
Full textTörmä, Minna. "Chinese Landscape Painting as Western Art History." Konsthistorisk Tidskrift/Journal of Art History 80, no. 3 (September 2011): 184–86. http://dx.doi.org/10.1080/00233609.2011.583679.
Full textMalcolm, Annie. "The past at the edge of the future: Landscape painting and contemporary places." Journal of Contemporary Chinese Art 7, no. 2-3 (December 1, 2020): 221–40. http://dx.doi.org/10.1386/jcca_00027_1.
Full textGrusin, R. "Landscape Art and Landscape History: Some Recent Works on North American Landscape Painting." Forest & Conservation History 34, no. 2 (April 1, 1990): 83–84. http://dx.doi.org/10.2307/3983863.
Full textDissertations / Theses on the topic "Landscape painting History"
Gilchrist, Marianne McLeod. "Images of the Petrine era in Russian history painting." Thesis, University of St Andrews, 1994. http://hdl.handle.net/10023/15319.
Full textGreenwald, Diana Seave. "Painting by numbers : case studies in the economic history of nineteenth-century landscape and rural genre painting." Thesis, University of Oxford, 2018. http://ora.ox.ac.uk/objects/uuid:3e1941c3-3c7e-48ee-9c62-2d2fa9c2c3fc.
Full textHoene, Katherine Anne. "Tracing the Romantic impulse in 19th-century landscape painting in the United States, Australia, and Canada." Thesis, The University of Arizona, 2000. http://hdl.handle.net/10150/278748.
Full textCoetsee, Yda Cornelia. "Figuring from within : a study in history, painting and the work of Moses Tladi." Thesis, Stellenbosch : Stellenbosch University, 2015. http://hdl.handle.net/10019.1/96974.
Full textENGLISH ABSTRACT: This study explores the significance of landscape painting in my own work and in the work of Moses Tladi, one of the lesser-known SA pioneer artists working in the oil painting convention. Through a Romantic lens, I argue that Tladi’s paintings exist as record of his experiences, thoughts and emotions, making use of a hermeneutics ‘from within’, rather than one aimed at Realist exposition. While employing such a hermeneutics in my own practice, I seek out points of connection between Tladi and myself, as well as explore if and to what degree our different socio-political circumstances shape our practices. In part one of the thesis I sketch a narrative backdrop to the era in which Tladi lived and of his relationship to his patrons, mentors and the establishment. I explore his work in relation to popular conventions at the time, matters of modernism and abstraction, as well as to some degree how the landscape genre functions in terms of class. The overall argument is divided in two parts, that of the metaphorical ‘Garden’ and that of the ‘Wilderness’. With this divide I aim to reveal how Tladi employs the transcendent both in the sublime expanse of Sekhukhuneland and in his domestic, everyday reality. The ideological relationship between the Garden and Wilderness is examined in terms of theories on landscape, imperialism and the Lutheran missionary project. In the second part I describe my own work and discuss the contribution it makes. While alluding to many of the devices already discussed in Tladi’s work, I sketch the context in which my own paintings were made and explain some of my stylistic and curatorial choices. In demonstrating how our techniques and methodologies overlap, I aim to cristallise some of the theoretical themes explored.
AFRIKAANSE OPSOMMING: Hierdie studie handel oor die belang van landskapskilder in my eie werk en in the werk van Moses Tladi, een van Suid-Afrika se minder bekende pionier-kunstenaars in die olieverftradisie. Ek argumenteer, deur ’n Romantiese blik, dat Tladi se werk as rekord verskyn van sy ervarings, gedagtes en emosies. In hierdie opsig is sy hermeneutiek ‘inwaarts’ gekeer, eerder as gefokus op die Realistiese ontbloting van sekere sosiale kwessies. Terwyl ek in my eie skilderpraktyk ook van so ’n hermeneutiek gebruik maak, soek ek raakpunte tussen my en Tladi se werk onderwyl ek ondersoek of, en tot watter mate, ons verskillende sosio-politiese omstandighede ons werk vorm. In Deel Een van die tesis skets ek ’n narratiewe agtergrond tot die era waarin Tladi geleef het en kyk na sy verhouding met sy beskermhere (“patrons”), sy mentors en die kunsstigting. Ek ondersoek Tladi se werk aan die hand van populêre konvensies van sy tyd sowel as kwessies van Modernisme en abstraksie. Ek kyk ook vlugtig na hoe die landskap-genre ten opsigte van sosiale stand funksioneer. My algehele argument het twee afdelings, die metafoor van die ‘Tuin’, en dié van die ‘Wildernis’. Met hierdie verdeling beoog ek om te wys hoe Tladi transendente aspekte voorstel in die uitgestrekte, ontsagwekkende landskappe van Sekhukhuneland, maar ook in sy alledaagse, sosiale realiteit. Die ideologiese verhouding tussen die Tuin en die Wildernis word verder ondersoek ten opsigte van teorieë oor landskap, imperialisme en die sendingpraktyke van die Lutherse Kerk. In Deel Twee beskryf ek my eie werk sowel as die bydrae wat dit maak. Ek beskryf die konteks waarin sommige van die skilderye gemaak is, bespreek hul inhoud, en kyk na spesifieke stilistiese en kuratoriale keuses. Deurentyd raak ek aan die tegnieke en temas wat alreeds bespreek is in die afdeling oor Tladi. Deur te demonstreer hoe my en Tladi se tegniek en metodologie oorvleuel, hoop ek om die teoretiese temas wat reeds ondersoek is, te kristalliseer.
Kwok, Yin-ning, and 郭燕寧. "Concepts of realism and the reception of John Constable's landscape paintings." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B39707301.
Full textSilberstein, Edward. "And Moses Smote the Rock: The Reemergence of Water in Landscape Painting In Late Medieval and Renaissance Western Europe." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1288378722.
Full textNucaro, Margaret Teresa 1954. "An examination of the relationship between landscape architecture and painting in England during the 18th and 19th centuries." Thesis, The University of Arizona, 1994. http://hdl.handle.net/10150/291840.
Full textPegram, Juliette. "Baudelaire and the Rival of Nature: the Conflict Between Art and Nature in French Landscape Painting." Master's thesis, Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/163974.
Full textM.A.
The rise of landscape painting as a dominant genre in nineteenth century France was closely tied to the ongoing debate between Art and Nature. This conflict permeates the writings of poet and art critic Charles Baudelaire. While Baudelaire scholarship has maintained the idea of the poet as a strict anti-naturalist and proponent of the artificial, this paper offers a revision of Baudelaire's relation to nature through a close reading across his critical and poetic texts. The Paris Salon reviews of 1845, 1846 and 1859, as well as Baudelaire's Journaux Intimes , Paradis Artificiels and two poems that deal directly with the subject of landscape, are examined. The aim of this essay is to provoke new insights into the poet's complex attitudes toward nature and the art of landscape painting in France during the middle years of the nineteenth century.
Temple University--Theses
Robinson, Stuart T. "Essences of Charleston: The Tropical Landscape Paintings of Louis Remy Mignot, 1857-1859." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1283366290.
Full textTolentino, Felicia. "Porträtt av ett landskap : Vera Friséns gestaltning av naturen i Västerbotten." Doctoral thesis, Umeå University, Department of culture and media studies, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-1622.
Full textThe present dissertation deals with the artistry of the Swedish artist Vera Frisén (1910-1990). The emphasis is being put on her landscape paintings from Västerbotten, in the northern parts of Sweden, but also includes self-portraits from her early years as a painter. Vera Frisén was born in Umeå, but lived more than half her life in Stockholm. During springtime and summer, she did however return to Västerbotten and the vil¬lages of Stöcksjö and Kolksele, where she painted the majority of her landscape paintings.
The study has been given a chronological frame, where the first part sketches out the contexts and environments that came to have an influence on Vera Frisén and her artistic development. Consequently, the thesis starts with a brief biographical presen¬tation, but then moves forward to issues more central to the subject. Important as¬pects are for example her years as a student in the art academy of Otte Sköld in Stockholm during the late 1920’s, and her first separate exhibition at the gallery Färg & Form in 1941. Other issues that are being illuminated in the study are the artistic and cultural conditions in Vera Friséns hometown Umeå. The discussion mainly cen¬ters on issues that took place during the 1930’s and the 1940’s – the time when Vera Frisén established herself as an artist.
The second part of the dissertation includes analyses of Vera Friséns paintings. In the search of concepts that further can explain the more profound existential values in her work, the study also links the themes in her paintings to other painters in the his¬tory of landscape painting. Concepts central for discussion are for example the aes¬tethical and philosophical issue of the sublime, as it is formulated in the discourse of Immanuel Kant during the late 18th century. Thoughts expressed by other artists, writers and philosophers, linked to Vera Friséns own thoughts on the subject, are also valuable instruments in gaining a deeper understanding of her work.
Books on the topic "Landscape painting History"
Cassettari, Stephen. Chinese landscape painting techniques. North Ride, Australia: Angus & Robertson, 1990.
Find full textChinese landscape painting techniques. London: Angus & Robertson, 1990.
Find full textChinese landscape painting as Western art history. Hong Kong: Hong Kong University Press, 2010.
Find full textH, Truettner William, Wallach Alan 1942-, Stansell Christine, National Museum of American Art (U.S.), Wadsworth Atheneum, and New-York Historical Society, eds. Thomas Cole: Landscape into history. New Haven, Conn: Yale University Press, 1994.
Find full textR, Aura C. Guerrero. Paisajes de la modernidad en Venezuela (1811-1960). [Venezuela]: Universidad de Los Andes, Consejo de Publicaciones, 2009.
Find full textBritish landscape painters: A history and gazetteer. London: V. Gollancz, 1989.
Find full textNice, Claudia. Drawing & painting trees in the landscape. Cincinnati, Ohio: North Light Books, 2011.
Find full textMichele, Bottalico, Chialant Maria Teresa, and Rao Eleonora, eds. Literary landscapes, landscape in literature. Roma: Carocci, 2007.
Find full textCrandell, Gina. Nature pictorialized: "the view" in landscape history. Baltimore: Johns Hopkins University Press, 1993.
Find full textZhongguo shan shui hua shi: The history of Chinese landscape painting. Tianjin: Tianjin ren min mei shu chu ban she chu ban fa xing, 2001.
Find full textBook chapters on the topic "Landscape painting History"
Mastrochristos, Nikolaos, and Angeliki Katsioti. "Reconstructing the Artistic Landscape of Rhodes in the Fifteenth Century. The Evidence of Painting from Lindos." In Studies in Byzantine History and Civilization, 427–61. Turnhout, Belgium: Brepols Publishers, 2022. http://dx.doi.org/10.1484/m.sbhc-eb.5.128087.
Full text"CHAPTER XI LANDSCAPE PAINTING AT ITS PEAK." In A General History of Chinese Art, 209–49. De Gruyter, 2022. http://dx.doi.org/10.1515/9783110790948-012.
Full textBARRINGER, TIM. "Landscape and the Problem of History:." In What Was History Painting and What Is It Now?, 131–52. MQUP, 2019. http://dx.doi.org/10.2307/j.ctvqc6jrx.11.
Full textZierholz, Steffen. "A Natural History in Stone: Medusa’s Unruly Gaze on bardiglio grigio." In Landscape and Earth in Early Modernity. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463729437_ch05.
Full textElsner, Jaś. "Introduction." In Landscape and Space, 1–14. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192845955.003.0001.
Full textHess, Earl J. "Eventful on the Page of History." In Storming Vicksburg, 279–88. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469660172.003.0021.
Full text""Perception, History, and Geology: The Heritage of William Molyneux’s Question in Colonial Landscape Painting"." In Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting in Australia and the United States. Terra Foundation for American Art, 2020. http://dx.doi.org/10.37862/aaeportal.00293.7.
Full text""Perception, History, and Geology: The Heritage of William Molyneux’s Question in Colonial Landscape Painting"." In Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting in Australia and the United States. Terra Foundation for American Art, 2020. http://dx.doi.org/10.37862/aaeportal.00293.7.
Full text"‘American’ Landscapes and Erasures: Frederic Church’s The Vale of St. Thomas and the Recovery of History in Landscape Painting." In Perspectives on the ‘Other America’, 73–100. Brill | Rodopi, 2009. http://dx.doi.org/10.1163/9789042027053_006.
Full text"Chinese Aesthetics." In Advances in Religious and Cultural Studies, 26–72. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-1702-4.ch002.
Full textConference papers on the topic "Landscape painting History"
Rutsinskaya, Irina, and Galina Smirnova. "VISUALIZATION OF EVERYDAY SOCIAL AND CULTURAL PRACTICES: VICTORIAN PAINTING AS A MIRROR OF THE ENGLISH TEA PARTY TRADITION." In NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/37.
Full textNivat, Georges. "“TRACTS OF RUSSIAN MEMORY” OR THE MAIN “NESTS” OF MEMORY IN RUSSIA." In 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.02.
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