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Books on the topic 'Landscape Narratives'

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Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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1

Jamie, Purinton, ed. Landscape narratives: Design practices for telling stories. New York: J. Wiley, 1998.

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2

Landscapes beyond land: Routes, aesthetics, narratives. New York: Berghahn Books, 2012.

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3

Garay, Kathleen E. Archival narratives for Canada: Re-telling stories in a changing landscape. Halifax: Fernwood Pub., 2011.

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4

1924-, Nelson T. M., and Aleksiuk Michael 1942-, eds. Landscapes of the heart: Narratives of nature and self. Edmonton: NeWest Press, 2002.

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5

Iron age societies in the Severn-Cotswolds: Developing narratives of social and landscape change. Oxford: Archaeopress, 2006.

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6

A river forever flowing: Cross-cultural lives and identities in the multicultural landscape. Greenwich, Conn: Information Age Pub., 2003.

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7

Foote, Shelby. Jordan County: A landscape in narrative. New York: Vintage Books, 1992.

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8

L, Howes Laura, ed. Place, space, and landscape in medieval narrative. Knoxville: University of Tennessee Press, 2007.

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9

Chong, Sin Wang, and Neil Johnson, eds. Landscapes and Narratives of PhD by Publication. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-04895-1.

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10

López, José Vallecillo. La obra narrativa sobre el campo de Manuel Halcón. Sevilla: Diputación Provincial de Sevilla, 2002.

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11

Morrison, A. L. The narrative landscapes of A.L. Morrison. Charlottetown, P.E.I: Confederation Centre Art Gallery & Museum, 2000.

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12

Impossible landscapes: Poems narrative and lyrical. Fredericton: Broken Jaw Press, 2005.

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13

Lihammer, Anna. The forgotten ones: Small narratives and modern landscapes. Stockholm: Historiska museet, 2011.

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14

Lihammer, Anna. The forgotten ones: Small narratives and modern landscapes. Stockholm: Historiska museet, 2011.

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15

Capturing Troy: The narrative functions of landscape in archaic and early classical Greek art. Ann Arbor: University of Michigan Press, 2001.

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16

van Schalkwyk, Samantha. Narrative Landscapes of Female Sexuality in Africa. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97825-3.

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17

Museo Iconográfico del Quijote (Guanajuato, Mexico), ed. Geografía del Quijote: Paisajes y lugares en la narrativa cervantina : la percepción de una realidad territorial desde la ficción literaria. Morelia, Mich: Universidad Michoacana de San Nicolás de Hidalgo, 2005.

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18

Levin, Mikael. War story. Munich: G. Kehayoff, 1997.

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19

Phillion, JoAnn. Narrative inquiry in a multicultural landscape: Multicultural teaching and learning. Westport, CT: Ablex Pub., 2003.

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20

Hefner, Philip J., author of introduction, etc, ed. The geography of God's incarnation: Landscapes and narratives of faith. Eugene, Oregon: Cascade Books, 2013.

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21

1936-, Engel Leonard, ed. The Big empty: Essays on western landscapes as narrative. Albuquerque: University of New Mexico Press, 1994.

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22

Törmä, Minna. Landscape experience as visual narrative: Northern Song Dynasty landscape handscrolls in the Li Cheng-Yan Wengui tradition. Helsinki: Tiedekirja, 2002.

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23

The literature of images: Narrative landscape from Julie to Jane Eyre. New Brunswick: Rutgers University Press, 1987.

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24

Faris, Wendy B. Labyrinths of language: Symbolic landscape and narrative design in modern fiction. Baltimore: Johns Hopkins University Press, 1988.

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25

Curtis, Julia B. Chinese porcelains of the seventeenth century: Landscapes, scholars' motifs and narratives. New York City: China Institute Gallery, 1995.

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26

Landscapes of the sacred: Geography and narrative in American spirituality. Baltimore, Md: Johns Hopkins University Press, 2002.

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27

Landscapes of the sacred: Geography and narrative in American spirituality. New York: Paulist Press, 1988.

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28

Craig, Cheryl J. Narrative inquiries of school reform: Storied lives, storied landscapes, storied metaphors. Greenwich, Conn: Information Age Pub., 2003.

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29

George Eliot and the landscape of time: Narrative form and Protestant apocalyptic history. Chapel Hill: University of North Carolina Press, 1986.

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30

Henry, Indangasi, Nyamasyo Eunice, Wasamba Peter, and Kenya Oral Literature Association, eds. Our landscapes, our narratives: Proceedings of the Conference on East African Oral Literature. Nairobi: Kenya Oral Literature Association, 2006.

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31

1956-, Christie Jessica Joyce, ed. Landscapes of origin in the Americas: Creation narratives linking ancient places and present communities. Tuscaloosa: University of Alabama Press, 2009.

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32

Purinton, Jamie, and Matthew Potteiger. Landscape Narratives: Design Practices for Telling Stories. Wiley & Sons, Incorporated, John, 2008.

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33

Whitehouse, Andrew, Nicolas Ellison, Arnar Árnason, and Jo Vergunst. Landscapes Beyond Land: Routes, Aesthetics, Narratives. Berghahn Books, Incorporated, 2015.

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34

Fiskevold, Marius, and Anne Katrine Geelmuyden. Arcadia Updated: Raising Landscape Awareness Through Analytical Narratives. Taylor & Francis Group, 2018.

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35

Fiskevold, Marius, and Anne Katrine Geelmuyden. Arcadia Updated: Raising Landscape Awareness Through Analytical Narratives. Taylor & Francis Group, 2018.

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36

Fiskevold, Marius, and Anne Katrine Geelmuyden. Arcadia Updated: Raising Landscape Awareness Through Analytical Narratives. Taylor & Francis Group, 2022.

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37

Sobti, Manu P. Riverine Landscapes, Urbanity and Conflict: Narratives from East and West. Taylor & Francis Group, 2018.

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38

Mihas, Elena. Upper Perené Arawak Narratives of History, Landscape, and Ritual. University of Nebraska Press, 2016.

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39

Upper Perené Arawak Narratives of History, Landscape, and Ritual. University of Nebraska Press, 2014.

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40

(Editor), Michael Aleksiuk, and Thomas Nelson Publishers (Editor), eds. Landscapes of the Heart: Narratives of Nature and Self. NeWest Press, 2002.

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41

Habel, Norman C. Reading the Landscape in Biblical Narrative. Edited by Danna Nolan Fewell. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199967728.013.41.

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The title of this chapter derives from Aboriginal elders, whose rich cultural tradition survives, not in written texts, such as the Bible, but in their remarkable ability to “read” the stories/Dreamings, songlines, spiritual presences, sacred sites, and laws “written” on the Australian landscape. Borrowing from this hermeneutical tradition, the chapter focuses on how the narrator of a biblical narrative “reads the landscape,” constructing, and relating characters to, the environment in the context of the plot and perspectives espoused in the plot. It explores the phenomenon of “place” as crucial for an appreciation of location in reading the environment and considers examples of “emplacement,” “displacement” and “re-placement” in key narratives of the Pentateuch. “Place” is ultimately where characters belong in the ecosystem of the narrative. By reading the landscape the chapter examines how the narrator constructs the environment in relation to the plot, characters, and the focus of the narrative.
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42

Grau, Marion. Pilgrimage, Landscape, and Identity. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197598634.001.0001.

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The book explores the ritual geography of a pilgrimage system woven around local medieval saints in Norway and the renaissance of pilgrimage in contemporary majority-Protestant Norway, facing challenges of migration, xenophobia, and climate crisis. The study is concerned with historical narratives and communal contemporary reinterpretations of the figure of St. Olav, the first Christian king who was a major impulse toward conversion to Christianity and the unification of regions of Norway in a nation unified by a Christian law and faith. This initially medieval pilgrimage network, which originated after the death of Olav Haraldsson and his proclamation as saint in 1030, became repressed after the Reformation, which had a great influence on Scandinavia and shaped Norwegian Christianity overwhelmingly. Since the late 1990s, the Church of Norway participated in a renaissance that has grown into a remarkable infrastructure supported by national and local authorities. The contemporary pilgrimage by land and by sea to Nidaros Cathedral in Trondheim is one site where this negotiation is paramount. The study maps how pilgrims, hosts, church officials, and government officials are renegotiating and reshaping narratives of landscape, sacrality, pilgrimage as a symbol of life journey, nation, identity, Christianity, and Protestant reflections on the durability of medieval Catholic saints. The redevelopment of this instance of pilgrimage in a majority-Protestant context negotiates various societal concerns, all of which are addressed by various groups of pilgrims or other actors in the network. One part of the network is the annual festival Olavsfest, a culture and music festival that actively and critically engages the contested heritage of St. Olav and the Church of Norway through theater, music, lectures, and discussions, and features theological and interreligious conversations. This festival is a platform for creative and critical engagement with the contested, violent heritage of St. Olav, the colonial history of Norway in relation to the Sami indigenous population, and many other contemporary social and religious issues. The study highlights facets of critical, constructive engagement of these majority-Protestant actors engaging legacy through forms of theological and ritual creativity rather than mere repetition.
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43

Mitchell, Tony. Music and Landscape in Iceland. Edited by Fabian Holt and Antti-Ville Kärjä. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.8.

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This chapter brings much nuance to the constant representation of Icelandic music through landscape, seascape, and icescape, drawing from longitudinal field research and interdisciplinary cultural research on landscape. The narratives of landscape in Iceland have multiple dimensions, including national identity, ecology, and cultural imagination, and they are culturally and politically complex. The main examples are two Icelandic films: The 2009 documentary Draumlandið (Dreamland) about the Kárahnjúkar Hydropower Project and its environmental impact, the 2003 feature film Nói Albínói (Nói the Albino), and the films of Friðrik Þór Friðriksson. These are discussed in reference to the edited volume of essays on Icelandic landscape Conversations with Landscape (2010) and Kristin Shranmm’s concept of Borealism (2011) as it applies to Icelandic music and cinema.
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44

Shore, Bradd, and Sara Kauko. The Landscape of Family Memory. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190230814.003.0005.

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How do families remember? How are families remembered? How are family memories structured, and what functions do they serve? “Family memory” as a focus of historical, sociological, and anthropological research often finds itself situated in the amorphous space that lies between autobiographical memory and collective memory. Reviewing memory literature that investigates family memory, this chapter proposes that family memory can be distinguished as its own realm for specific memory production, modes of remembering, and mnemonic transmission. Primordial in shaping families’ identities, family memory engages constant dialogue between the family understood as a collective unit and the family understood as a collection of remembering individuals. This chapter examines how family memory shapes individual identities; how it is organized around specific narratives, places and objects, and routines and rituals; and how it persists and evolves over time through intrafamilial and intergenerational transmission.
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45

He, Ming Fang. A River Forever Flowing: Cross-Cultural Lives and Identies in the Multicultural Landscape (HC). Information Age Publishing, 2000.

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46

He, Ming Fang. A River Forever Flowing: Cross-Cultural Lives and Identies in the Multicultural Landscape (PB). Information Age Publishing, 2000.

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47

Denton, Kirk A. The Landscape of Historical Memory. Hong Kong University Press, 2021. http://dx.doi.org/10.5790/hongkong/9789888528578.001.0001.

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The Landscape of Historical Memory explores the place of museums and memorial culture in the contestation over historical memory in post–martial law Taiwan. The book is particularly oriented toward the role of politics—especially political parties—in the establishment, administration, architectural design, and historical narratives of museums. It is framed around the wrangling between the “blue camp” (the Nationalist Party, or KMT, and its supporters) and the “green camp” (Democratic Progressive Party, DPP), and its supporters) over what facets of the past should be remembered and how they should be displayed in museums. Organized into chapters focused on particular types of museums and memorial spaces (archaeology museums, history museums, martyrs’ shrines, war museums, memorial halls, literature museums, ethnology museums, ecomuseums, etc.), the book presents a broad overview of the state of museums in Taiwan in the past three decades. The case of Taiwan museums tells us much about Cold War politics and its legacy in East Asia; the role of culture, history, and memory in shaping identities in the multiply “postcolonial” landscape of Taiwan; the politics of historical memory in an emergent democracy, especially in counterpoint to the politics of museums in the People’s Republic of China, which continues to be an authoritarian single party state; and the place of museums in a neoliberal economic climate.
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48

He, Ming Fang. River Forever Flowing: Cross-Cultural Lives and Identities in the Multicultural Landscape. Information Age Publishing, Incorporated, 2000.

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49

A Very Dangerous Locality: The Landscape of the Suffolk Sandlings in the Second World War. University Of Hertfordshire Press, 2018.

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50

Salamin, Géza, and Péter Klemensits, eds. Towards the Rise of Eurasia. Competing Geopolitical Narratives and Responses. Corvinus University of Budapest, 2021. http://dx.doi.org/10.14267/978-963-503-889-3.

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At the beginning of the 21st century, the unity of Europe and Asia took on a new meaning, leading to an appreciation of Eurasian thinking - which has a long tradition in geopolitics -, allowing different narratives to be born in different countries. The aim of this volume is to present in detail the interconnected geopolitical narratives that are emerging in various countries. As a similar book that examines the image of Eurasia through narratives has not yet been published in the region, this publication can be seen as a ground-breaking step. This work contains studies by experts in geopolitics - both foreign and domestic specialists - that undoubtedly contribute to the development of geopolitical research in Central and Eastern Europe. With their help, the reader can get a comprehensive picture of how the great powers and smaller countries on the supercontinent (as well as in the United States) interpret Eurasia, what the main features are of each narrative, and which factors and processes are helping and hindering their implementation. The publisher of the volume, the lnstitute of lnternational, Political and Regional Studies at Corvinus University, is strongly committed to exploring current developments in geopolitics, thereby contributing to their better understanding. The latest volume in the series 'Corvinus Geographia, Geopolitica, Geooeconomia' may be of interest to a wide audience. As well as being relevant to those interested in geopolitics, it will appeal to those who seek to understand the changing landscape of international relations of the 21st century.
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