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Books on the topic 'Landscape drawing Australia'

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Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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1

John, Glover. John Glover: Natives on the Ouse River, Van Diemen's Land 1838. [Sydney]: Art Gallery of New South Wales, 2001.

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2

Glover, John. John Glover: The Van Diemen's Land sketchbook of 1832-1834. Hobart, Tas: Tasmanian Museum and Art Gallery, 2003.

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3

Stephen, Coppel, and Williams Fred 1927-, eds. Fred Williams: An Australian vision. London: British Museum Press, 2003.

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4

Picasso, Pablo. Picasso: Drawings, watercolours, pastels. Zurich: Thomas Amman Fine Art, 1988.

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5

Picasso, Pablo. Picasso: Watercolours & drawings 1896-1934. Kinsale, Co. Cork: Gandon Editions, 2001.

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6

Picasso, Pablo. Picasso: Suite Vollard. Madrid: Editoral de Arte y Ciencia, 1996.

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7

1937-, Spies Werner, and Art Focus (Zurich Switzerland), eds. Picasso: Retrospektive. Zürich: Art Focus, 2000.

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8

Picasso, Pablo. Picasso: La formación de un genio 1890-1904 : dibujos del Museu Picasso de Barcelona. Barcelona: Lunwerg, 1997.

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9

Picasso, Pablo. Picasso: Paisatge interior i exterior. [Madrid]: Electa, 1999.

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10

Picasso, Pablo. Picasso: Arles, Musée Réattu. Arles: Le Musée, 1986.

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11

Picasso, Pablo. Picasso: Sein Dialog mit der Keramik : Werke aus der Sammlung Marina Picasso. Künzelsau: P. Swiridoff, 1999.

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12

Picasso, Pablo. Picasso: The development and transformation of an image : stage and progressive proofs, editioned lithographs and variations 1945-49. London: Waddington Graphics, 1986.

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13

Marc, Gundel, Hirner René, Rohleder Stefanie, and Kunstmuseum Heidenheim, eds. Picasso: Zwischen Arena und Arkadien = Picasso : from arena to Arcadia : Bestandskatalog der Picasso Plakate- und Druckgraphiksammlung, Hermann Voith Galerie, Kunstmuseum Heidenheim. Köln: DuMont, 2001.

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14

Picasso, Pablo. Picasso: Der Maler und seine Modelle = le peintre et ses modèles. Basel: Galerie Beyeler, 1986.

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15

Picasso, Pablo. Picasso: Scolpire e dipingere la ceramica. Ferrara: Ferrara arte, 2000.

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16

Colombia, Museo Nacional de, ed. Picasso: Museo Nacional de Colombia, mayo 13-agosto 11, Bogotá, 2000. Bogotá, Colombia: Museo Nacional de Colombia, 2000.

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17

1946-, Varnedoe Kirk, Karmel Pepe, Museum of Modern Art (New York, N.Y.), and High Museum of Art, eds. Picasso: Masterworks from the Museum of Modern Art : an exhibition. New York: Museum of Modern Art, 1997.

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18

Musée national Picasso La Guerre et la Paix (Vallauris, France) and Musée Magnelli, musée de la céramique., eds. Picasso: L'homme au mouton : 4 juillet-4 octobre 1999. Paris: Réunion des musées nationaux, 1999.

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19

Picasso, Pablo. Picasso: Peintures et dessins 1932-1972. Paris: Galerie Louise Leiris, 1989.

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20

Picasso, Pablo. Picasso: Metamorphoses 1900-1972 : works from the French collections : New Delhi, National Museum, 14th December 2001-31st January 2002, Mumbai, National Gallery of Modern Art, 15th February 2002-30th March 2002. Edited by National Gallery of Modern Art (New Delhi, India), France Ambassade (India), and National Gallery of Modern Art (Bombay, India). Bombay: India Book House, 2002.

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21

Picasso, Pablo. Picasso: Retratos de Jacqueline : 4 de febrero-28 de abril, 1991. Madrid: La Fundación, 1991.

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22

Picasso, Pablo. Picasso: Minotauro : Madrid, 25 de octubre de 2000 - 15 de enero de 2001, Museo Nacional Centro de Arte Reina Sofía. [Madrid]: Museo Nacional Centro de Arte Reina Sofía, 2000.

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23

M, Fischer Alfred, and Museum Ludwig, eds. Picasso: Die Sammlung Ludwig, druckgraphische Werke : Museum Ludwig Köln, 27. Februar-16. Mai 1993. Köln: Locher, 1993.

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24

Picasso. [Milán]: Susaeta Ediciones, 1989.

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25

Picasso, Pablo. Picasso: Le tricorne : dessins pour le décor et les costumes du ballet de Manuel de Falla : Musée des beaux-arts de Lyon, 13 septembre-15 novembre 1992. Lyon: Le Musée, 1992.

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26

Picasso, Pablo. Picasso: Museo de Arte Contemporáneo de Caracas, marzo de 1987. [Caracas]: El Museo, 1987.

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27

Picasso, Pablo. Picasso: 80 estampes. Paris: Galerie Louise Leiris, 1991.

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28

Mercè, Doñate, Llorens Elena, and Museu Nacional d'Art de Catalunya., eds. Picasso: Museu Nacional d'Art de Catalunya. Barcelona: Museu Nacional d'Art de Catalunya, 2007.

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29

Valeriano, Bozal Fernández, and Museo Nacional Centro de Arte Reina Sofía., eds. Picasso: En Boisgeloup, con Marie-Thérèse, y en torno a L'homme au mouton. [Madrid]: Museo Nacional Centro de Arte Reina Sofía, 2006.

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30

Picasso, Pablo. Picasso: Der Maler und seine Modelle : Galerie Beyeler. Basel: Galerie Beyeler, 1986.

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31

Picasso, Pablo. Picasso: Bestiario de compañia. [Málaga]: Fundación Pablo Ruiz Picasso, 1998.

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32

Picasso, Pablo. Picasso: The Vollard Suite : Pablo Ruiz Picasso, Spain, France, 1881-1973. Canberra: National Gallery of Australia, 1997.

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33

Picasso, Pablo. Picasso: Souza. New Delhi: Vadehra Art Gallery, 2011.

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34

Markus, Müller, and Städtische Galerie Bietigheim-Bissingen, eds. Picasso: Linolschnitte. Heidelberg: Edition Braus, 2005.

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35

Picasso, Pablo. Picasso: Caja de remordimientos. [Valencia]: Fundación Bancaja, 2001.

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36

Picasso, Pablo. Picasso: Eleven paintings from international collections. Vancouver: Vancouver Art Gallery, 2005.

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37

1940-, Clair Jean, and Fondation Pierre Gianadda, eds. Picasso: Sous le soleil de Mithra : Fondation Pierre Gianadda, Martigny, Suisse, 29 juin au 4 novembre 2001. Martigny: Fondation Pierre Gianadda, 2001.

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38

Picasso, Pablo. Picasso: The development and transformation of an image : stage and progressive proofs, editionedlithographs and variations 1945-49 : 9 September-25 October 1986, Waddington Graphics, London. London: Waddington Graphics, 1986.

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39

Anne, Baldassari, Musée Picasso (Paris France), and Art Gallery of Ontario, eds. Picasso: Masterpieces from the Musée National Picasso, Paris. Paris: Musée National Picasso, 2012.

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40

1924-, Richardson John, Cowling Elizabeth, Arnaud Claude, and Gagosian Gallery (London England), eds. Picasso: The Mediterranean years 1945-1962. London: Gagosian Gallery, 2010.

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41

Picasso: Caja de remordimientos. [Valencia]: Bancaja, 2001.

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42

Picasso, Pablo. Picasso: Der blinde Minotaurus : die Sammlung Hegewisch in der Hamburger Kunsthalle. [Hamburg]: Die Kunsthalle, 1997.

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43

Maria-Teresa, Ocaña, Palazzo Medici Riccardi, Centro mostre di Firenze (Italy), and Museo Picasso, eds. Picasso: La grande grafica, 1904-1971 : Ottanta incisioni dal Museo di Barcelona. Milano: Electa, 1986.

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44

Zdanowicz, Irena, Stephen Coppel, and Fred Williams. Fred Williams: An Australian Vision. British Museum Press, 2004.

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45

Connellan, Geoff. Water Use Efficiency for Irrigated Turf and Landscape. CSIRO Publishing, 2013. http://dx.doi.org/10.1071/9780643106888.

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Achieving high water use efficiency in maintaining turf, trees and landscape areas is a core responsibility of open space managers. Water Use Efficiency for Irrigated Turf and Landscape provides a logical and scientifically sound approach to irrigation in urban areas in Australia. It is based on green space delivering defined outcomes using the principles of water sensitive urban design and irrigation efficiency. The book covers all stages of the water pathway – from the source to delivery into the plant root zone. Major topics include system planning, estimating water demand, water quality, irrigation systems, soil management and irrigation performance evaluation. Clearly presented explanations are included, as well as line drawings and worked examples, and a plant water use database covering more than 250 plant species. A Water Management Planning template is included to guide water managers and operators through a process that will deliver a sound plan to achieve sustainable turf, urban trees and landscapes. Best Management Practice Irrigation principles are outlined and their implementation in open space turf and landscape situations is explained. The benefits and limitations of the various methods of delivering water to plants are covered, together with case studies and guidelines for specific horticultural situations. Methodologies to evaluate irrigated sites are included along with recommended benchmark values. The book presents the latest irrigation technology, including developments in water application, control technology and environmental sensors such as weather stations, soil moisture sensors and rain sensors.
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46

Hopkins, Graeme, and Christine Goodwin. Living Architecture. CSIRO Publishing, 2011. http://dx.doi.org/10.1071/9780643103078.

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Extensively illustrated with photographs and drawings, Living Architecture highlights the most exciting green roof and living wall projects in Australia and New Zealand within an international context. Cities around the world are becoming denser, with greater built form resulting in more hard surfaces and less green space, leaving little room for vegetation or habitat. One way of creating more natural environments within cities is to incorporate green roofs and walls in new buildings or to retrofit them in existing structures. This practice has long been established in Europe and elsewhere, and now Australia and New Zealand have begun to embrace it. The installation of green roofs and walls has many benefits, including the management of stormwater and improved water quality by retaining and filtering rainwater through the plants’ soil and root uptake zone; reducing the ‘urban heat island effect’ in cities; increasing real estate values around green roofs and reducing energy consumption within the interior space by shading, insulation and reducing noise level from outside; and providing biodiversity opportunities via a vertical link between the roof and the ground. This book will appeal to a wide range of readers, from students and practitioners of architecture, landscape architecture, urban planning and ecology, through to members of the community interested in how they can more effectively use the rooftops and walls of their homes or workplaces to increase green open space in the urban environment.
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47

Auerbach, Jeffrey A. Imperial Boredom. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198827375.001.0001.

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Imperial Boredom offers a radical reconsideration of the British Empire during its heyday in the nineteenth century. Challenging the long-established view that the empire was about adventure and excitement, with heroic men and intrepid women settling new lands and spreading commerce and civilization around the globe, this analysis instead argues that boredom was central to the experience of empire. It looks at what it was actually like to sail to Australia, to serve as a soldier in South Africa, or to accompany a colonial official to the hill stations of India, arguing that for numerous men and women, from governors to convicts, explorers to tourists, the Victorian empire was dull and disappointing. Drawing on diaries, letters, memoirs, and travelogues, it demonstrates that all across the empire, men and women found the landscapes monotonous, the physical and psychological distance from home debilitating, the routines of everyday life wearisome, and their work unfulfilling. Ocean voyages were tedious; colonial rule was bureaucratic; warfare was infrequent; economic opportunity was limited; and indigenous people were largely invisible. The seventeenth-century empire may have been about wonder and marvel, but the Victorian empire was a far less exciting project. Combining individual stories of pain and perseverance with broader analysis, this book traces the emergence of boredom as a human emotion, while simultaneously explaining what these expressions of boredom reveal about the British Empire.
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48

Picasso, Pablo. Picasso: Museo de Arte Contemporaneo de Caracas, marzo de 1987 (Catalogo). El Museo, 1987.

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49

Electa and Pablo Picasso. Picasso: Paisaje Interior y Exterior. Electa, 2001.

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50

Battistini, Matilde, and Pablo Picasso. Picasso. Dk Pub (T), 2001.

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