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Books on the topic 'Landscape Appropriation'

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Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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1

Michel, Conan, ed. Performance and appropriation: Profane rituals in gardens and landscapes. Washington, D.C: Dumbarton Oaks Research Library and Collection, 2006.

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2

Architecture, Dumbarton Oaks Colloquium on the History of Landscape. Performance and appropriation: Profane rituals in gardens and landscapes. Washington, DC: Dumbarton Oaks Research Library and Collection, 2007.

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3

Inc, ebrary, ed. Inside out: Women negotiating, subverting, appropriating public and private space. Amsterdam: Rodopi, 2008.

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4

Primordial landscapes, incorruptible bodies: Desert asceticism and the Christian appropriation of Greek ideas on geography, bodies, and immortality. New York: Peter Lang, 2008.

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5

United States. Congress. House. Committee on Resources. Subcommittee on National Parks and Public Lands. State Land and Water Conservation Act: Oversight hearing before the Subcommittee on National Parks and Public Lands of the Committee on Resources, House of Representatives, One Hundred Fifth Congress, first session, on federal funding of the State Land and Water Conservation Act, March 11, 1997--Washington, DC. Washington: U.S. G.P.O., 1997.

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6

Picasso, Pablo. Picasso: Der Maler und seine Modelle : Galerie Beyeler. Basel: Galerie Beyeler, 1986.

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7

Picasso, Pablo. Picasso: Bestiario de compañia. [Málaga]: Fundación Pablo Ruiz Picasso, 1998.

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8

Picasso, Pablo. Picasso: Retratos de Jacqueline : 4 de febrero-28 de abril, 1991. Madrid: La Fundación, 1991.

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9

Mercè, Doñate, Llorens Elena, and Museu Nacional d'Art de Catalunya., eds. Picasso: Museu Nacional d'Art de Catalunya. Barcelona: Museu Nacional d'Art de Catalunya, 2007.

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10

Picasso, Pablo. Picasso: 80 estampes. Paris: Galerie Louise Leiris, 1991.

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11

Picasso, Pablo. Picasso: Minotauro : Madrid, 25 de octubre de 2000 - 15 de enero de 2001, Museo Nacional Centro de Arte Reina Sofía. [Madrid]: Museo Nacional Centro de Arte Reina Sofía, 2000.

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12

Picasso, Pablo. Picasso: Peintures et dessins 1932-1972. Paris: Galerie Louise Leiris, 1989.

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13

Musée national Picasso La Guerre et la Paix (Vallauris, France) and Musée Magnelli, musée de la céramique., eds. Picasso: L'homme au mouton : 4 juillet-4 octobre 1999. Paris: Réunion des musées nationaux, 1999.

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14

Maria-Teresa, Ocaña, Palazzo Medici Riccardi, Centro mostre di Firenze (Italy), and Museo Picasso, eds. Picasso: La grande grafica, 1904-1971 : Ottanta incisioni dal Museo di Barcelona. Milano: Electa, 1986.

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15

Picasso. [Milán]: Susaeta Ediciones, 1989.

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16

Valeriano, Bozal Fernández, and Museo Nacional Centro de Arte Reina Sofía., eds. Picasso: En Boisgeloup, con Marie-Thérèse, y en torno a L'homme au mouton. [Madrid]: Museo Nacional Centro de Arte Reina Sofía, 2006.

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17

Picasso, Pablo. Picasso: Museo de Arte Contemporáneo de Caracas, marzo de 1987. [Caracas]: El Museo, 1987.

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18

M, Fischer Alfred, and Museum Ludwig, eds. Picasso: Die Sammlung Ludwig, druckgraphische Werke : Museum Ludwig Köln, 27. Februar-16. Mai 1993. Köln: Locher, 1993.

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19

1924-, Richardson John, Cowling Elizabeth, Arnaud Claude, and Gagosian Gallery (London England), eds. Picasso: The Mediterranean years 1945-1962. London: Gagosian Gallery, 2010.

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20

Picasso, Pablo. Picasso: Der blinde Minotaurus : die Sammlung Hegewisch in der Hamburger Kunsthalle. [Hamburg]: Die Kunsthalle, 1997.

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21

Picasso, Pablo. Picasso: Le tricorne : dessins pour le décor et les costumes du ballet de Manuel de Falla : Musée des beaux-arts de Lyon, 13 septembre-15 novembre 1992. Lyon: Le Musée, 1992.

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22

Picasso, Pablo. Picasso: Scolpire e dipingere la ceramica. Ferrara: Ferrara arte, 2000.

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23

Picasso, Pablo. Picasso: Drawings, watercolours, pastels. Zurich: Thomas Amman Fine Art, 1988.

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24

Marc, Gundel, Hirner René, Rohleder Stefanie, and Kunstmuseum Heidenheim, eds. Picasso: Zwischen Arena und Arkadien = Picasso : from arena to Arcadia : Bestandskatalog der Picasso Plakate- und Druckgraphiksammlung, Hermann Voith Galerie, Kunstmuseum Heidenheim. Köln: DuMont, 2001.

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25

Colombia, Museo Nacional de, ed. Picasso: Museo Nacional de Colombia, mayo 13-agosto 11, Bogotá, 2000. Bogotá, Colombia: Museo Nacional de Colombia, 2000.

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26

Markus, Müller, and Städtische Galerie Bietigheim-Bissingen, eds. Picasso: Linolschnitte. Heidelberg: Edition Braus, 2005.

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27

Picasso, Pablo. Picasso: Caja de remordimientos. [Valencia]: Fundación Bancaja, 2001.

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28

Picasso, Pablo. Picasso: The Vollard Suite : Pablo Ruiz Picasso, Spain, France, 1881-1973. Canberra: National Gallery of Australia, 1997.

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29

Picasso, Pablo. Picasso: Watercolours & drawings 1896-1934. Kinsale, Co. Cork: Gandon Editions, 2001.

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30

Picasso, Pablo. Picasso: Souza. New Delhi: Vadehra Art Gallery, 2011.

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31

Picasso, Pablo. Picasso: Eleven paintings from international collections. Vancouver: Vancouver Art Gallery, 2005.

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32

Anne, Baldassari, Musée Picasso (Paris France), and Art Gallery of Ontario, eds. Picasso: Masterpieces from the Musée National Picasso, Paris. Paris: Musée National Picasso, 2012.

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33

1940-, Clair Jean, and Fondation Pierre Gianadda, eds. Picasso: Sous le soleil de Mithra : Fondation Pierre Gianadda, Martigny, Suisse, 29 juin au 4 novembre 2001. Martigny: Fondation Pierre Gianadda, 2001.

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34

Picasso, Pablo. Picasso: The development and transformation of an image : stage and progressive proofs, editionedlithographs and variations 1945-49 : 9 September-25 October 1986, Waddington Graphics, London. London: Waddington Graphics, 1986.

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35

1946-, Varnedoe Kirk, Karmel Pepe, Museum of Modern Art (New York, N.Y.), and High Museum of Art, eds. Picasso: Masterworks from the Museum of Modern Art : an exhibition. New York: Museum of Modern Art, 1997.

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36

Picasso, Pablo. Picasso: Suite Vollard. Madrid: Editoral de Arte y Ciencia, 1996.

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37

1937-, Spies Werner, and Art Focus (Zurich Switzerland), eds. Picasso: Retrospektive. Zürich: Art Focus, 2000.

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38

Picasso, Pablo. Picasso: Der Maler und seine Modelle = le peintre et ses modèles. Basel: Galerie Beyeler, 1986.

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39

Picasso, Pablo. Picasso: Metamorphoses 1900-1972 : works from the French collections : New Delhi, National Museum, 14th December 2001-31st January 2002, Mumbai, National Gallery of Modern Art, 15th February 2002-30th March 2002. Edited by National Gallery of Modern Art (New Delhi, India), France Ambassade (India), and National Gallery of Modern Art (Bombay, India). Bombay: India Book House, 2002.

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40

Picasso, Pablo. Picasso: Arles, Musée Réattu. Arles: Le Musée, 1986.

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41

Picasso, Pablo. Picasso: Sein Dialog mit der Keramik : Werke aus der Sammlung Marina Picasso. Künzelsau: P. Swiridoff, 1999.

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42

Picasso, Pablo. Picasso: La formación de un genio 1890-1904 : dibujos del Museu Picasso de Barcelona. Barcelona: Lunwerg, 1997.

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43

Picasso, Pablo. Picasso: Paisatge interior i exterior. [Madrid]: Electa, 1999.

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44

Picasso: Caja de remordimientos. [Valencia]: Bancaja, 2001.

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45

Picasso, Pablo. Picasso: The development and transformation of an image : stage and progressive proofs, editioned lithographs and variations 1945-49. London: Waddington Graphics, 1986.

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46

Brown, Kendall H., David Lambert, Alessandro Tosi, Catherine Benoit, Sylvie Brosseau, Erik de Jong, Patrick Eyres, Susan Warren Lanman, and Linda Walton. Performance and Appropriation: Profane Rituals in Gardens and Landscapes (Dumbarton Oaks Colloquium Series in the History of Landscape Architecture). Dumbarton Oaks Research Library and Collection, 2007.

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47

Crifasi, Robert R. Land Made from Water: Appropriation and the Evolution of Colorado's Landscape, Ditches, and Water Institutions. University Press of Colorado, 2015.

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48

A Land Made from Water: Appropriation and the Evolution of Colorado's Landscape, Ditches, and Water Institutions. University Press of Colorado, 2016.

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49

Macaulay-Lewis, Elizabeth. Entombing Antiquity. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190272333.003.0007.

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Woodlawn Cemetery in the Bronx, New York City, is home to some of the United States’ most prominent Neo-Antique mausolea, which used Classical and Egyptian motifs in their architecture and decor. Using the lens of Classical archaeology, this paper undertakes a formal analysis of funerary architecture in specific tombs belonging to Jay Gould, Francis Garavan, William Leeds, the Goelet Brothers, Jules S. Bache, and F.W. Woolworth. This discussion examines the architecture of these tombs and their reception of ancient architecture alongside archival material. It also discusses individual patrons’ and architects’ motivations for requisitioning such forms. Finally, this analysis demonstrates that through the appropriation and redeployment of ancient architecture and motifs and through the landscape design of the tombs in Woodlawn, these mausolea were rich nexuses of public and private self-fashioning and place-making, and were an expression of elite culture.
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50

Beyer, Charlotte. “This Really Isn’t a Job for a Girl to Take on Alone”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039805.003.0012.

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This chapter undertakes a reappraisal of Sara Paretsky's 1982 crime novel Indemnity Only. It examines its critical engagement with genre and the diverse landscape of feminist criticism during the period of its publication, and discusses Paretsky's articulation of an evolving feminist position in genre fiction. As we enter the fourth wave of feminism and new feminist initiatives and campaigns take off, an assessment of the importance of second-wave feminist literature in the light of those developments is timely. A number of critics have discussed Paretsky's novel as an example of feminist appropriation of genre fiction. The chapter extends these readings by arguing for its centrality to second-wave feminist fiction, focusing on specific areas and thematic concerns that highlight the complex relationship between Paretsky's text and feminist criticism and illustrate the ongoing dialogue between activism and fiction.
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