Academic literature on the topic 'Landscape Appropriation'

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Journal articles on the topic "Landscape Appropriation"

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Sejersen, Frank. "Urbanization, Landscape Appropriation and Climate Change in Greenland." Acta Borealia 27, no. 2 (December 2010): 167–88. http://dx.doi.org/10.1080/08003831.2010.527533.

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Naylor, Steven. "Appropriation, Culture and Meaning in Electroacoustic Music: A composer's perspective." Organised Sound 19, no. 2 (June 30, 2014): 110–16. http://dx.doi.org/10.1017/s1355771814000041.

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This paper explores issues related to cultural appropriation in acousmatic electroacoustic music. Through its use of sound recording technology, acousmatic electroacoustic music facilitates a broad range of potential mechanisms for cultural appropriation, from the abstract (idea) to the concrete (sound object). But appropriating culturally identifiable material is not without its hazards, and the composer may face accusations of superficial exoticism, cultural offence, or the violation of personal or legal rights. To complicate matters for the composer, each listener will bring his or her own knowledge to their understanding of the meaning of the material. A similar reception effect occurs with any artistic medium, of course. But in electroacoustic music, the clarity and immediacy of high-fidelity recording and playback can strongly enhance the identifiability of the material, and, by extension, the audience's potential attachment to it. As illustrations, I refer briefly to several works, including three of my own acousmatic pieces, that have made use of appropriation. Through those examples, we consider both the broader issues noted above and some specific concerns about language and voice. The goal is to provide an overview of some of the opportunities and possible pitfalls of cultural appropriation in electroacoustic music, as well as a brief map of one composer's journey through that thorny landscape.
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Beerbühl, Margrit Schulte. "Migration, Transfer and Appropriation." Transfers 2, no. 3 (December 1, 2012): 97–119. http://dx.doi.org/10.3167/trans.2012.020307.

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Today foreign restaurants and food shops shape the culinary landscape of Britain. While the impact of post-war migration on the traditional eating habits of the British population has received some attention in historical research, the influence of former waves of immigrants has hardly been studied. This paper focuses on the immigration of German pork butchers and their contribution to the development of meat consumption in Britain. By looking at the pattern of migration it will be shown that migrants created geographically widespread networks in Britain. Within these networks they transferred skills, know-how and social capital. Through a complex process of adaptation and appropriation German sausages were incorporated into the British diet. This process involved natives as well as immigrants. The former had to overcome established food habits while the latter had to adapt their recipes to local taste preferences.
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Prista, Marta. "The social appropriation of the Portuguese inner colonisation in Boalhosa." SHS Web of Conferences 63 (2019): 09003. http://dx.doi.org/10.1051/shsconf/20196309003.

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Like other European regimes, the Portuguese Estado Novo (1933-1974) implemented an agricultural colonisation policy that, influenced by the ideals of modernism and neo-Physiocracy, aimed at economic development, social pacification and the fostering of national identities, resulting in the settlement and populating of modern rural landscapes. However, the Portuguese regime coped with an enduring financial crisis, and relied on an official nationalism built upon a conservative-traditional society under the union of God, fatherland, work and family. Unsurprisingly, Portuguese inner colonisation was comparatively small-scale, aimed at converting farmhands into rural homeowners, and its modernising experiments had limited impact on the landscape. However, landscape and place are not passive concepts. They concurrently build and are built by political and economic agencies, social negotiations, embodied experiences, plural meanings and affections. Looking into primary sources and the outcomes of a micro-ethnography in Boalhosa, this paper intersects official-written history and emotional-sensory memory to illustrate consistencies and dissonances between political and social actors’ representations of the Portuguese inner colonisation. Based on exploratory observations in Boalhosa, it argues that while the lack of political assertiveness may have curtailed the Portuguese project, it also favoured its social appropriation by local communities and economies within a contextualised historical spatial continuum.
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Peck, Amiena, and Felix Banda. "Observatory's linguistic landscape: semiotic appropriation and the reinvention of space." Social Semiotics 24, no. 3 (April 15, 2014): 302–23. http://dx.doi.org/10.1080/10350330.2014.896651.

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Cassell, Ben S. "The Thesean Ritual Landscape. Appropriation, Identity and Athenian Collective Memories." ARYS. Antigüedad: Religiones y Sociedades, no. 18 (December 14, 2020): 213. http://dx.doi.org/10.20318/arys.2020.5312.

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Un aspecto clave del crecimiento exponencial de la popularidad de Teseo entre los siglos VI y IV a.C. fue su creciente asociación con varios festivales y actos ritualizados. Fue especialmente el episodio de la aventura cretense el que dio forma a estos ritos. En sus reivindicadas y enfatizadas etiologías teseicas, estos festivales se revelan como mecanismos esenciales mediante los cuales se generaba la memoria cultural colectiva del héroe. Más allá de abordar simplemente el ritual como un objeto de expresión mnemónica, este artículo analiza los métodos contingentes y reconstructivos mediante los que se produce la memoria colectiva. Además, al examinar la experiencia corporeizada del recuerdo de Teseo, podemos valorar sobre un terreno mucho más firme su potencia creadora de diversas identidades atenienses.
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Shi, Jing, Aijia Wen, Minxing Zhao, Linlin You, Yu Zhang, and Yu Feng. "Structural basis of σ appropriation." Nucleic Acids Research 47, no. 17 (August 8, 2019): 9423–32. http://dx.doi.org/10.1093/nar/gkz682.

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Abstract Bacteriophage T4 middle promoters are activated through a process called σ appropriation, which requires the concerted effort of two T4-encoded transcription factors: AsiA and MotA. Despite extensive biochemical and genetic analyses, puzzle remains, in part, because of a lack of precise structural information for σ appropriation complex. Here, we report a single-particle cryo-electron microscopy (cryo-EM) structure of an intact σ appropriation complex, comprising AsiA, MotA, Escherichia coli RNA polymerase (RNAP), σ70 and a T4 middle promoter. As expected, AsiA binds to and remodels σ region 4 to prevent its contact with host promoters. Unexpectedly, AsiA undergoes a large conformational change, takes over the job of σ region 4 and provides an anchor point for the upstream double-stranded DNA. Because σ region 4 is conserved among bacteria, other transcription factors may use the same strategy to alter the landscape of transcription immediately. Together, the structure provides a foundation for understanding σ appropriation and transcription activation.
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Stampella, Pablo C., Daniela Alejandra Lambaré, Norma I. Hilgert, and María Lelia Pochettino. "What the Iberian Conquest Bequeathed to Us: The Fruit Trees Introduced in Argentine Subtropic—Their History and Importance in Present Traditional Medicine." Evidence-Based Complementary and Alternative Medicine 2013 (2013): 1–17. http://dx.doi.org/10.1155/2013/868394.

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This contribution presents information about the history of introduction, establishment, and local appropriation of Eurasian fruit trees—species and varieties of the generaPrunusandCitrus—from 15th century in two rural areas of Northern Argentina. By means of an ethnobotanical and ethnohistorical approach, our study was aimed at analysing how this process influenced local medicine and the design of cultural landscape that they are still part of. As a first step, local diversity, knowledge, and management practices of these fruit tree species were surveyed. In a second moment, medicinal properties attributed to them were documented. A historical literature was consulted referring to different aspects on introduction of peaches and citric species into America and their uses in the past. The appropriation of these fruit-trees gave place to new applications and a particular status for introduced species that are seen as identitary and contribute to the definition of the communities and daily life landscapes. Besides, these plants, introduced in a relatively short period and with written record, allow the researcher to understand and to design landscape domestication, as a multidimensional result of physical, social, and symbolic environment.
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Silva, Rossi Allan, José Aldo Alves Pereira, and Schirley Fátima Nogueira da Silva Cavalcante Alves. "As paisagens de Ouro Preto, Minas Gerais: decodificação no espaço e no tempo." Ornamental Horticulture 25, no. 1 (January 9, 2019): 9–17. http://dx.doi.org/10.14295/oh.v25i1.1240.

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Landscapes are formed by physical elements of material order and abstract elements of immaterial order, so their management and planning should consider these two aspects. Aiming to understand the landscapes of Ouro Preto, Minas Gerais State, the appropriation by the actors who work in the landscape was identified and classified, and also its dynamics from 1973 to 2015. The research analyzed the current landscape and its historical evolution, distinguishing material and immaterial dimensions, from field trips, soil types, relief, slope, drainage, conservation units, administrative zoning, urban areas, natural resources, transport and building infrastructure, satellite images, and semi-structured interviews. As a result, a map with the landscape units and their subunits, which have distinct characteristics, with their proper settings was obtained. The landscape has continuous boundaries with various operating scales, posing a major challenge for its proper management. The number of generated ecosystem services are difficult to measure, but its benefits are used by everyone. The dynamics of the landscape has been shaped by a slow evolution, set by mining activities, including revegetation areas after clear cuts and currently the inclusion of tourism in certain regions.
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Shushnyak, V., and H. Savka. "Landscape toponymy of Lviv and their reflection in the names of objects naturally commandment to fund." Visnyk of the Lviv University. Series Geography, no. 46 (December 26, 2013): 356–62. http://dx.doi.org/10.30970/vgg.2013.46.1502.

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Classification of microtoponyms of adherent to Lviv territories is given. The analysis of the names existing is conducted object of the naturally-protected fund. Expediency of the use of landscape toponyms is reasonable for the appropriation of the names naturallyprotected object, in particular those that is projected on suburban earth of Lviv. Key words: microtoponyms, landscape toponyms, naturally-protected fund, regional landscape park.
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Dissertations / Theses on the topic "Landscape Appropriation"

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O'Loan, Timothy, and Tim OLoan@woodsbagot com au. "Urban Yards: Terraires Vagues of inner northern Melbourne." RMIT University. Architecture and Design, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080513.142506.

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This Masters of Landscape Architecture investigates the occurrence of small, temporary urban voids in inner northern Melbourne. The study asks whether these spaces operate as Public Domain (Hajer & Reijndorp 2001) and uses the concept of
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Mees, Kate Anna. "Landscapes of burial in early medieval Wessex : the funerary appropriation of the antecedent landscape, c. AD 450-850." Thesis, University of Exeter, 2014. http://hdl.handle.net/10871/15392.

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The phenomenon of the reuse of prehistoric monuments—notably Bronze Age barrows—for early medieval burial has long been recognised as remarkably prevalent in the archaeological record. This systematic study of the landscape context of ‘Early-Middle Saxon’ burial in Wessex assumes a broader outlook, and considers all aspects of the antecedent landscape which may have influenced the siting of funerary locales. Engaging primarily with archaeological evidence, complemented by documentary and place-name sources, it examines the influence of topography, land-use, territorial organisation, and perceptions of ancient features on the location of burial sites, and the role played by burial in the formation of group identities. Moreover, it investigates the emergence and evolution of the practice of monument appropriation, and its exploitation and adaptation by an increasingly defined elite class. The selection of three case study counties—Wiltshire, Hampshire and Dorset—within a discrete area of southern England which, by the latter part of the period of study, had been incorporated into the kingdom of Wessex, allows the evidence to be examined at local and sub-regional levels, and facilitates supra-regional comparisons. The burial record is scrutinised and analysed with the aid of Geographical Information Systems (GIS) in order to construct a detailed picture of the influence of topography and other aspects of the natural and man-made environment on burial location. It also reveals the significant impact that antiquarian and modern archaeological investigation patterns have had on the distribution and nature of the burial record.
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Angileli, Cecilia Maria de Morais Machado. "Paisagem revelada no cotidiano da periferia: Distrito de Brasilândia, Zona Norte do Município de São Paulo." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/16/16135/tde-04082010-162238/.

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Neste trabalho são apresentadas as paisagens do Distrito de Brasilândia, localizado na Zona Norte do Município de São Paulo, dentro de uma abordagem humanística, na qual as paisagens são desveladas e reveladas pelos moradores que a constituem. É um exercício de interpretação da realidade, que acaba por questionar a inserção social do arquiteto frente a projetos de urbanização em áreas de carência social, urbana e de fragilidade ambiental. A falta de conhecimento empírico do arquiteto sobre a trajetória de luta da população e de organização dos espaços, desde sua formação em escolas de arquitetura, o atendimento a demandas habitacionais e déficits de maneira emergencial, ao perceber paisagens riquíssimas e complexas apenas em seus aspectos de urbanização problemáticos, contribui para seu distanciamento das realidades em que pretende atuar. Busca-se o sentido das paisagens, seus valores, busca-se experienciá-las para pensá-las. Como se propõe no grupo de estudos de paisagem do Laboratório de Gestão e Projeto do Espaço LAB ESPAÇO, são as pessoas que as vivenciam, as que nos revelam seus sentidos, em nosso esforço de desvendá-los, propondo-nos um questionamento do nosso papel enquanto arquitetos.
In this work, many landscapes of the Brasilândia District, located in the North Area of São Paulo city, are presented from a humanistic approach, in which they are revealed and unveiled by their residents, the people who compose them. Its an exercise of interpreting reality, that ends up questioning the social insertion of the architect when facing projects of urbanization in areas of social and urban shortage, and environmental fragility. From the background in Architecture schools, to attending housing demands and deficits in an emergencial way, the architects lack of practical knowledge about the populations path of struggle and organization of spaces, perceiving very rich and complex landscapes only in its problematic urbanization aspects, contributes to increasing their distance with the realities where they intend to act. We pursue the meaning and values of landscapes; we pursue to experience them in order to think them. According to the proposal of the landscape study group, in the Laboratory of Management and Project of Space LAB ESPAÇO, the people are the ones who live the landscape, who unveil their meanings in our effort to discover them, proposing us a questioning of our roles as architects.
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Soares, Cláudia Cruz. "Heliópolis: práticas educativas na paisagem." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/16/16135/tde-01062010-104827/.

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Essa dissertação estuda por meio dos processos colaborativos, as práticas educativas que transformam a paisagem do bairro de Heliópolis SP. Neste trabalho a paisagem é estudada por meio de um conjunto de práticas sociais que agregam pessoas e grupos, a fim de melhorar a qualidade de vida do lugar. No conjunto de procedimentos metodológicos, na construção da pesquisa, para estudar a Paisagem de Heliópolis, a vivência foi o alicerce inicial, pois buscamos conhecer o lugar, por meio da memória dos moradores e pela nossa participação nas atividades comunitárias. O respeito, a valorização das histórias vividas, as formas de participação, a construção coletiva com os atores, os referenciais teóricos e os procedimentos metodológicos, foram conclusivos para percebermos os modos de agir, os valores, percepções e práticas que os moradores trazem consigo mediante a sua experiência. Buscamos na educação, contribuições para embasar a interpretação da paisagem no trabalho de campo, pois as organizações comunitárias em Heliópolis estão presentes e atuam de forma relevante na construção de um bairro que educa. A educação passa a ser reconhecida pelas lideranças, como uma necessidade para a construção de uma paisagem diferenciada. Compreendemos que as praticas educativas tem uma relação direta com paisagem e que não deve ser somente utilizada para socialização de conhecimentos, mas sim uma forma colaborativa para a construção do mesmo.
This dissertation studies, using collaborative processes, the educational practices that transform the landscape of Heliópolis SP. In this study, the landscape is understood by a group of social practices that aggregate people and groups, in order to improve the lifes quality of the place. The methodological proceedings, in the buildings of the research, to study the landscape of Heliópolis, the experience was the initial base, because we tried to know the place, using the memory of the neighbors and our participation in the communitarian activities. The respect, the estimation of lives\' stories, the forms of participation, the collective construction with the actors, the theoretical references and the methodological proceedings were conclusive to notice the ways of acting, the manners of conceptions, perceptions and practices that the neighbors bring with their experience. We search, in the non formal education, contributions to base the interpretation of the landscape in the fieldwork, because the communitarian organizations in Heliópolis are present and act effectively in the construction of a district that educates. The education becomes recognized by the leaders as necessity to construct a differentiated landscape. We understood that the educational practices have a direct relation with the landscape and they cannot be only used to the socialization of the knowledge, but as a collaborative manner to the construction of it.
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Robinson, Jason. "Resolution." VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/2475.

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This paper is an exploration of the concepts and motivations behind the video installation and performance that made up my MFA Thesis Exhibition. My primary interest as a filmmaker is in the “invisible art” of editing. In my practice I employ iconic imagery such as old home movies and classic Hollywood films, as my source material. This “found footage” is deconstructed, drastically altered, and reassembled into a new movie that tells my story while still maintaining the memory of the original images. My process and philosophy concerning the salvage and repurposing of video is analyzed and discussed. I also examine my experience in translating video editing into a live improvisational performance.
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Duarte, Rubens de Oliveira. "Orla lagunar de Maceió : apropriação e paisagem (1960-2009)." Universidade Federal de Alagoas, 2010. http://repositorio.ufal.br/handle/riufal/705.

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The lagoon coast area in Maceio city has been changing significantly regarding to the original landscape since the beginning of the century XX. This area itself extends for approximately 24km from the neighborhood called Pontal da Barra to Rio Novo. The main site consider into this research is a fragment of this area and it corresponds physically by an urban road which border the neighborhood of Levada, Ponta Grossa, Vergel do Lago and Trapiche da Barra, as known as Dique-Estrada or simply lagoon coast. This research focuses on the lagoon coast landscape s transformation between 1960 and 2009 and its implications for the site, investigating the site s appropriation for its inhabitants. The methodological procedures for data collection and analysis were based on a bibliographic revision, journals collections, photographic and registers and inhabitant s interviews. As a result, it is possible to identify that a planned site s appropriation happened during the 70 s decade with Dique-Estrada Project implantation. However, from this decade until recently this appropriation have been changing for a more spontaneous and not formal planned way from its inhabitants along with isolated governmental actions. As a consequence, the lagoon coast was consolidated as an area where serious social issues and low development levels demarcated significantly its landscape.
A paisagem da Orla Lagunar de Maceió passou por um processo de interferências significativas em relação ao sítio existente nos meados do século XX. Esta orla se estende do bairro do Pontal da Barra até o bairro do Rio Novo, com cerca de 24km de extensão. A área corpus da pesquisa é um fragmento desta orla e compreende o trecho demarcado fisicamente por uma via urbana com 5km de extensão, margeando os bairros da Levada, Ponta Grossa, Vergel do Lago e Trapiche da Barra, conhecido como Dique-Estrada, e sendo denominado nos últimos anos de Orla Lagunar de Maceió ou simplesmente de Orla Lagunar, como será considerado no desenrolar da pesquisa. O trabalho se propôs estudar a transformação da paisagem da Orla Lagunar de Maceió no período compreendido entre 1960 a 2009 e suas implicações para a paisagem local, investigando como se deu a apropriação desta paisagem no período. Os procedimentos metodológicos para o levantamento dos dados e análise dos resultados seguiram o percurso da revisão bibliográfica, da pesquisa hemerográfica, da pesquisa de campo, do levantamento fotográfico, de entrevistas, do estudo de plantas e mapas da cidade. Como resultado da pesquisa pode-se afirmar que se buscou uma apropriação planejada do espaço da Orla Lagunar, na década de 1970, com a implantação do Projeto Dique-Estrada. Contudo, a partir daí até os dias atuais a apropriação do espaço local se deu de forma espontânea ou através de intervenções públicas pontuais, consolidando a área como uma região pobre da cidade, com baixos níveis dos indicadores sociais, interferindo significativamente na paisagem local.
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Laurentiis, Laura Barzaghi de. "Moradores em ação: constituição da paisagem no bairro Ribeirão Verde, em Ribeirão Preto - SP." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/16/16135/tde-16072010-133422/.

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A dissertação versa sobre as tentativas de formação da paisagem em assentamentos habitacionais periféricos em áreas ambientalmente sensíveis, com base nas ações paisagísticas de alguns moradores, os moradores-em-ação. Partindo do entendimento de que as ações normativas e técnicas são necessárias mas não suficientes quando as questões referentes à conservação de recursos naturais e à preservação de áreas protegidas envolvem pessoas, e, consequentemente, as subjetividades, o estudo procurou desvelar o processo de formação de valores em relação à paisagem mediante diferentes formas de apropriação do espaço. O objeto empírico é o bairro Ribeirão Verde, localizado na periferia da cidade de Ribeirão Preto, resultado de um empreendimento da iniciativa privada em parceria com a Cohab-RP, na forma de lotes urbanizados, numa área de fragilidade ambiental, por ser zona de recarga do aquífero Guarani. O objeto mais amplo é constituído pelas questões ambientais e paisagísticas envolvidas em um assentamento habitacional em área periférica e ambientalmente sensível, produzido no processo de urbanização intensa e problemática da cidade de Ribeirão Preto, e sua ocupação por uma população desenraizada que, mediante ações paisagísticas no espaço livre, constrói laços afetivos, um sentido de identidade e a própria paisagem do lugar. Buscou-se verificar as formas de apropriação de um espaço sem histórico para seus moradores, e como se dá, em tais condições, a constituição de uma paisagem. Para tanto, no quadro teórico-conceitual dos estudos de Percepção Ambiental e numa abordagem qualitativa, colheram-se e analisaram-se depoimentos de moradores do bairro. A partir desse material concluiu-se que as ações que propõem a separação entre natureza e cidade não correspondem à realidade da complexa interdependência entre os elementos que compõem o ambiente, encontrando-se alternativas na construção de substratos paisagísticos plásticos, receptivos, que possam acolher a heterogeneidade dos moradores, seus aportes e diferentes usos e apropriações materiais, afetivos, simbólicos.
This dissertation deals with attempts at landscape building in peripherical housing settlements in an environment-sensitive area, through specific actions of a group of dwellersthe dwellers in action. On the assumption that the actual standardizing and technical interferences are necessary but not enough when people are concerned in issues regarding the conservation of natural resources and the preservation of endangered areasmeaning their native subjectivities, the study attempted to unravel the process of value formation regarding the landscape space by means of different ways of space appropriation. The empirical object was the Ribeirão Verde district, in the outskirts of Ribeirão Preto city. This settlement resulted from a private housing enterprise partner with Cohab-RP, to establish urbanized lots on an environment-sensitive area, since it is a reload site for the Guarani spring. In its widest sense, the object is made up of environment and landscape issues concerning an urban settlement on a peripherical and endangered area, resulting from the intensive and problematic urbanizing effort in Ribeirão Preto city, subsequently taken up by a space uprooted population. By means of their landscaping of free land parcels, these people build their attachments, a new sense of identity, and give the place its own profile. An attempt was made to identify how the dwellers tried to appropriate some land space without any prior story for them, and how they build the landscape under such circunstances. The testimonies of the district dwellers were collected and analyzed based on the theoretical body of concepts of Environment Perception, according to a qualitative approach. Based on this material we came to the conclusion that the actions intended to separate nature from city do not correspond to the reality of the complex interdependency among the elements that make up the environment, with its correlate search for alternatives to build plastic and receptive landscape sites able to welcome the material, symbolical, and psychological diversity of the dwellers, their individual contribution, differences in usage, and space appropriation.
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Paquin, Martine. "Appropriating infrastructure in an urban landscape." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ31630.pdf.

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Valente, Daniela Moreira. "Formas de apropriação dos espaços livres de uso público no Bairro do Benedito Bentes em Maceió-AL." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/16/16135/tde-06082013-111232/.

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Este trabalho busca demonstrar a importância do Sistema de Espaços Livres na estruturação do ambiente urbano, tendo como recorte espacial um bairro consolidado da cidade de Maceió. Destacam-se os conflitos e potenciais encontrados no Sistema de Espaços Livres Públicos (SELP) desta cidade e, de um modo mais específico, da área selecionada para análise: o bairro Benedito Bentes. Esta análise compreende também uma leitura das formas de apropriação dos espaços livres públicos, especialmente as ruas, e estudos sobre a frequência de uso de determinados espaços - em particular os campos de futebol criados pelos próprios moradores em áreas ainda não ocupadas por edificações, que revelam a necessidade de implantação de espaços destinados ao lazer e à recreação para suprir a demanda existente, constatada por meio deste estudo.
This work focuses in the importance of the Open Space System in the structuring of the urban environment, based on a consolidated neighborhood of Maceió city. Detach the conflicts and potential found on Public Open Space System of this city and, specifically, selected area for analysis: the Benedito Bentes neighborhood. This analysis also comprises an observation about appropriation forms Public Open Space, especially the streets, and studies of use frequency of certain spaces - in particular, the football fields created by the dwellers in areas not occupied by buildings, which show the need of deployment of spaces for leisure and recreation to cater existing demand, evidenced by this study.
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Castellanos, Malagon Alfonso. "Création musicale et collectifs urbains au Burkina Faso : circulations, appropriations et innovations sur la scène musicale de Bobo-Dioulasso." Thesis, Paris, EHESS, 2019. http://www.theses.fr/2019EHES0100.

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Cette thèse porte sur la transformation des pratiques musicales au Burkina Faso vis-à-vis des circulations médiatiques et migratoires. Dans le contexte ouest-africain contemporain marqué par un flux incessant de contenus culturels globalisés, l’objectif est de saisir l’impact des musiques médiatisées dans les processus de création des musiciens locaux pour comprendre de quelles manières ils retraduisent ce qu’ils captent. Malgré leurs différences, les pièces pour harpe-luth kamalengoni et le chant islamique zikiri font partie des musiques cosmopolites qui ont un public urbain et se nourrissent des différents genres répandus dans la ville de Bobo-Dioulasso. L’hypothèse que je développe est que ces musiques ne relèvent pas de catégories fixes ni même stables, mais constituent des expressions en réinvention perpétuelle, où des opérations de resémantisation se succèdent sans cesse donnant lieu à des interprétations nouvelles, mais ancrées dans un imaginaire partagé. La thèse appréhende ainsi les interrelations entre des pratiques musicales hétérogènes, dans le but d’identifier et d’analyser les mécanismes à travers lesquels les musiciens construisent et diversifient leurs démarches créatives. La mise en examen de procédés de (re)composition et de situations de performance hétéroclites permet d’éclairer les méthodes et les stratégies à l’œuvre dans la production musicale. En même temps, elle montre la perméabilité et la polysémie des catégories utilisées pour définir les musiques, ainsi que la pluralité des rôles des acteurs impliqués. À travers une analyse de ces « jeunes musiques » (Mallet, 2004 ) et de leurs agents, la thèse interroge la façon dont les transformations des pratiques culturelles révèlent des glissements spécifiques des sentiments d’appartenance à des collectifs qui se trouvent dans la ville. Les tensions latentes entre le phénomène de réislamisation en Afrique subsaharienne et les tendances néo-traditionalistes prônant un « retour aux sources » constituent la toile de fond d’où émergent les figures de l’artiste et du cadet social en tant qu’acteurs principaux des processus d’individuation, de contestation et de quête d’autonomie que l’on observe dans la société ouest-africaine urbaine actuelle
This thesis is about the transformation of musical practices in Burkina Faso with regard to media and migratory circulations. In the contemporary West African context marked by an uninterrupted flow of globalized cultural contents, our aim is to grasp the impact of the mediated musics in the creative processes of local musicians to understand the ways in which they retranslate what they capture. Despite their differences, the pieces of kamalengoni harp lute and zikiri Islamic songs are part of cosmopolitan musics that have an urban audience and draw on different widespread genres that circulate in the city of Bobo-Dioulasso. The hypothesis that I develop is that these musics do not fall into hermetic or stable categories, but constitute expressions in continual reinvention, where operations of resignification succeed endlessly giving place to innovative interpretations that are nevertheless linked to a shared imaginary. The thesis thus exposes the interrelations between heterogeneous musical practices in order to identify and analyze the mechanisms through which musicians elaborate and diversify their creative approaches. The review of heterogeneous (re)compositional procedures and performance situations illustrates the methods and strategies entailed in musical production. At the same time, it shows the permeability and polysemy of categories used to define music and the plurality of roles of actors involved. Through the analysis of these “young musics” (Mallet, 2004) and of their agents, the thesis focuses on the ways in which transformations of cultural practices reveal specific shifts of the senses of belonging to collectives that exist in the city. The underlying tensions between the re-Islamization phenomenon in sub-Saharan Africa and the neo-traditional trend based on a “return to the roots” vision constitute the backdrop from which the figures of the artist and the social youngster (“cadet social”) emerge as main actors in the processes of individuation, protest and quest for autonomy that can be observed in today’s urban West African society
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Books on the topic "Landscape Appropriation"

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Michel, Conan, ed. Performance and appropriation: Profane rituals in gardens and landscapes. Washington, D.C: Dumbarton Oaks Research Library and Collection, 2006.

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Architecture, Dumbarton Oaks Colloquium on the History of Landscape. Performance and appropriation: Profane rituals in gardens and landscapes. Washington, DC: Dumbarton Oaks Research Library and Collection, 2007.

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Inc, ebrary, ed. Inside out: Women negotiating, subverting, appropriating public and private space. Amsterdam: Rodopi, 2008.

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Primordial landscapes, incorruptible bodies: Desert asceticism and the Christian appropriation of Greek ideas on geography, bodies, and immortality. New York: Peter Lang, 2008.

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United States. Congress. House. Committee on Resources. Subcommittee on National Parks and Public Lands. State Land and Water Conservation Act: Oversight hearing before the Subcommittee on National Parks and Public Lands of the Committee on Resources, House of Representatives, One Hundred Fifth Congress, first session, on federal funding of the State Land and Water Conservation Act, March 11, 1997--Washington, DC. Washington: U.S. G.P.O., 1997.

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Picasso, Pablo. Picasso: Der Maler und seine Modelle : Galerie Beyeler. Basel: Galerie Beyeler, 1986.

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Picasso, Pablo. Picasso: Bestiario de compañia. [Málaga]: Fundación Pablo Ruiz Picasso, 1998.

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Picasso, Pablo. Picasso: Retratos de Jacqueline : 4 de febrero-28 de abril, 1991. Madrid: La Fundación, 1991.

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Mercè, Doñate, Llorens Elena, and Museu Nacional d'Art de Catalunya., eds. Picasso: Museu Nacional d'Art de Catalunya. Barcelona: Museu Nacional d'Art de Catalunya, 2007.

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Picasso, Pablo. Picasso: 80 estampes. Paris: Galerie Louise Leiris, 1991.

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Book chapters on the topic "Landscape Appropriation"

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Quintero-Ángel, Mauricio, Andrés Quintero-Ángel, Diana M. Mendoza-Salazar, and Sebastian Orjuela-Salazar. "Traditional Landscape Appropriation of Afro-Descendants and Collective Titling in the Colombian Pacific Region: Lessons for Transformative Change." In Fostering Transformative Change for Sustainability in the Context of Socio-Ecological Production Landscapes and Seascapes (SEPLS), 175–93. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-6761-6_10.

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AbstractThe Colombian Pacific region is one of the most biodiverse areas in the world, but several anthropic pressures threaten its ecosystems and the ethnic groups who live there. Since the colonial era, the region has experienced two different key strategies of landscape appropriation: (1) diversification of activities in the landscape; and (2) specialisation focusing on a few landscape products. These two strategies fall at opposite ends of a modified continuum over time, including a range of intermediate situations that combine elements of the diversified and specialised strategies. The first strategy is characteristic of Afro-descendant communities, based on harmony with nature and favoring human well-being, while providing multiple ecosystem services and cultural or spiritual values.In this context, this chapter reviews the relationship of Afro-descendants with their environment in the Colombian Pacific region, taking as an example the San Marcos locality. Through interviews with key informants and participant observation, we investigate the productive and extractive practices in San Marcos. Results show that the appropriation strategy combines different sources of income. This denotes a great local ecological knowledge geared to maintenance of biodiversity. Despite Law 70 (1993) stipulating Afro-descendant communities to have guaranteed autonomy and the right to collectively manage their ancestral lands, this socio-ecological production landscape is endangered due to pressures from the dominant society towards conversion to a specialised strategy. Finally, we also analyse “transformative change” in the context of governance of San Marcos. Such change could guide a profound transformation in conservation strategies based on a fundamental reorientation of human values.
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Waade, Anne Marit. "Arctic Noir on Screen: Midnight Sun (2016–) as a Mix of Geopolitical Criticism and Spectacular, Mythical Landscapes." In Nordic Noir, Adaptation, Appropriation, 37–53. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-38658-0_3.

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Claus, Caroline. "Using a complex sound world for a participative dismantling and redefinition of the collective appropriation of industrial landscapes." In Participatory Design Theory, 28–39. New York : Routledge, 2019. | Series: Routledge research in planning and urban design: Routledge, 2018. http://dx.doi.org/10.4324/9781315110332-3.

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Milnor, Kristina. "Authorship, Appropriation, Authenticity." In Graffiti and the Literary Landscape in Roman Pompeii, 136–89. Oxford University Press, 2014. http://dx.doi.org/10.1093/acprof:oso/9780199684618.003.0004.

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"Europeans in the Greek Landscape: Idealization, Appropriation, Disillusionment." In Concepts and Functions of Philhellenism, 195–210. De Gruyter, 2021. http://dx.doi.org/10.1515/9783110716023-011.

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Birkhold, Matthew H. "Fan Fiction in the Eighteenth-Century Literary Landscape." In Characters Before Copyright, 171–200. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198831976.003.0006.

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Chapter 5 examines the reciprocal relationship between authors and their readers who wrote fan fiction, illuminating the aesthetic consequences of fan fiction as part of a text’s dynamic reception. Based on close readings of key texts, including works by once-popular but now largely forgotten authors including Friedrich Nicolai, this chapter demonstrates the potential for interaction between works of fan fiction and their sources. Some source authors responded in footnotes and forewords to the unwanted appropriation of a character. Others wrote new chapters. And some, like Friederike Helene Unger, wrote entire sequels in response to the fan fiction they inspired. The result is a dense network of interlinked texts. This chapter contends that fan fiction gave rise to a unique form of collaborative authorship distinct from the so-called Romantic author.
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Brookes, Stuart. "‘Folk’ Cemeteries, Assembly and Territorial Geography in Early Anglo-Saxon England." In Power and Place in Europe in the Early Middle Ages, 64–90. British Academy, 2019. http://dx.doi.org/10.5871/bacad/9780197266588.003.0003.

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This chapter examines the evidence for open-air assembly places existing at cemeteries of the 5th and 6th centuries in eastern and southern England. Contrasts are drawn between the types of cemetery (i.e. primarily inhumation or cremation), and types of legal assembly taking place at these sites. A small number of associated sites are identified and discussed, but it is argued that in general ‘folk’ cemeteries were not reused by later Anglo-Saxon communities as places of legal assembly. Examination of the available evidence identifies some of the features of palimpsest landscapes and attempts to provide an explanation for their continued significance through the early medieval period. Particular emphasis is given in this discussion to the role of elite power, and its appropriation of the symbolic landscape.
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Crifasi, Robert R. "Left Hand Ditch and the Emergence of Colorado’s Prior Appropriation Doctrine." In A Land Made from Water: Appropriation and the Evolution of Colorado's Landscape, Ditches, and Water Institutions, 155–82. University Press of Colorado, 2015. http://dx.doi.org/10.5876/9781607323822.c007.

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Dantas-Whitney, Maria. "Language appropriation, resistance and innovation among secondary students in Panama: From linguistic landscape to cyberspace." In Dos momentos inesperados e interesses surpreendentes: (re)invenção e (re)descoberta na etnografia colaborativa com crianças e jovens, 203–34. Pedro e João Editores, 2021. http://dx.doi.org/10.51795/9786558693604203234.

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"Appropriation." In Rational Landscapes and Humanistic Geography, 187–93. Routledge, 2015. http://dx.doi.org/10.4324/9781315672601-21.

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Conference papers on the topic "Landscape Appropriation"

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Roldan Martin, Juan. "Rooms: Domesticated Landscapes and Urban Appropriations in the UAE." In 2018 ACSA International Conference. ACSA Press, 2018. http://dx.doi.org/10.35483/acsa.intl.2018.44.

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This paper explores how certain exterior (not strictly defined as public space) conditions of the UAE are occupied by migrant groups of populations in order to establish a sense of belonging through sport activities.
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August, Christopher. "Looking for Ishi: Insurgent Movements through the Yahi Landscape." In 2003 Informing Science + IT Education Conference. Informing Science Institute, 2003. http://dx.doi.org/10.28945/2718.

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In 1911 a Yahi man wandered out of the Northern California landscape and into the twentieth century. He was immediately collected and installed at the just opened Anthropology Museum by Alfred Kroeber at the University of California's Parnassus Heights campus. Dedication invitations came from the U.C. Regents led by Phoebe Apperson Hearst. Maintaining the discretion of his indigenous culture this man would not divulge his name. Kroeber named him Ishi, the Yahi word for man. These assembled facts introduce narrative streams that continue to unfold around us. To examine these contingent individuals, events and institutions collectively labeled Ishi myth is to examine our own position, our horizon. Looking for Ishi is a series of interventions and appropriations of Ishi myth involving video installation, looping DVD, encrypted motion images, web work, streaming video, print objects, written and spoken word, and documentation of the author's own insurgent movements through the Yahi landscape. [The following is a summary of an art, writing, and media project in progress.]
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Balestra, Rodrigo, Amilton Arruda, Pablo Bezerra, and Isabela Moroni. "Practical urban: The urbanity and its relationship with the contemporary city." In Systems & Design: Beyond Processes and Thinking. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/ifdp.2016.3291.

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As the Industrial Revolution took place and steam driven machines emerged in the 18th century, the Industrial Age began and cities became the core of industrial and populational growth. That phenomena occurred as the job opportunities and quality of life increasingly developed away from the countryside, with the arrival of electricity and inventions such as the light bulb, thanks to important people like Sir Joseph Swan and Thomas Edison. The city, therefore, can be looked in two different ways: the urban space, occupied with tangible elements, and the social environment, filled with urban practices and cohabitation. An essential matter in many disciplines, the city is a recurrent topic for researchers who seek to understand this phenomenon of human activities. The history behind the rise of the cities show tell us about the creation of urban spaces and its manifestations, functions, transformations and the complexity inherent to the various typologies in cities all over the world. The city is a scenario full of overlapping messages that characterize the accessibility and urban communication. This is defined by Nojima (1999) as the result of the interaction between social representations and the scenario where they occur. It is through the interpretation of these messages that are manifested in the urban design accessible from cities (streets, buildings, gardens, squares, furnitures), that the individual defines the elements that identify their city. This paper discovery the concepts of city and their accessibility relationships with urban practices - design of urban activity - that directly influence the implementation of urban furniture and, above all, the importance given to them by the population, with regard to its true functions (adequacy, accessibility, ergonomics, identity and others) of their uses and appropriations. It is important for the study also understand the urban furniture relation with the project of cities - is to complement the public space or the way how interferes the urban landscape. It is need to understand how society is shown in front of herself and the world itself that surrounds and what are the affective devices that make city living when connected - through the use - therefore, this is the powerfull forces of individuals and community , space practices created by the tactics of the population to allow theirs ambiance, wellness, safety and comfort, sensations often perceived by the set of elements that constitute the urban furniture of cities.DOI: http://dx.doi.org/10.4995/IFDP.2016.3291
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