Relevant bibliographies by topics / Landofrm

Academic literature on the topic 'Landofrm'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Landofrm"

1

Jaffe, Bernard M. "JOHN H. LANDOR." Transactions of the ... Meeting of the American Surgical Association 125 (2007): 382–83. http://dx.doi.org/10.1097/00153307-200701250-00056.

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Landor, William Savage, and P. Murgatroyd. "Landor in Latin." Mouseion: Journal of the Classical Association of Canada 8, no. 1 (2008): 116–17. http://dx.doi.org/10.1353/mou.0.0043.

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Yzquierdo Perrín, Ramón J. "El cimborrio de la catedral de Santiago a través de los siglos." Cuadernos de Estudios Gallegos 66, no. 132 (July 5, 2019): 237. http://dx.doi.org/10.3989/ceg.2019.132.08.

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El cimborrio de la catedral de Santiago compendia los períodos más significativos de su historia y de la sociedad compostelana. El románico, fue incendiado en 1117 por los sublevados compostelanos. A partir del siglo XIII simboliza el discutido señorío episcopal que con el nombramiento del arzobispo Berenguel de Landoira a comienzos del XIV alcanza su cota mas alta. En 1424 se construye otro gótico que con los añadidos barrocos de mediados del XVII llega tan maltrecho que es objeto de una magnífica restauración proyectada y dirigida por Francisco Javier Alonso de la Peña. [gl] O ciborio da catedral de Santiago compendia os períodos máis significativos da súa historia e da sociedade compostelá. O románico, foi incendiado en 1117 polos sublevados composteláns. A partir do século XIII simboliza o discutido señorío episcopal que co nomeamento do arcebispo Berenguel de Landoira a comezos do XIV alcanza a seu nivel máis alto. En 1424 constrúese outro gótico que cos engadidos barrocos de mediados do XVII chega tan maltreito que é obxecto dunha magnífica restauración proxectada e dirixida por Francisco Javier Alonso de la Peña.
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Wong, Alex. "Vernon Lee's Problem with Landor." Cambridge Quarterly 45, no. 2 (June 2016): 135–56. http://dx.doi.org/10.1093/camqtly/bfw006.

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Carlyle, T. "TC TO W. S. LANDOR." Carlyle Letters Online 27, no. 1 (January 1, 1999): 12. http://dx.doi.org/10.1215/lt-18520112-tc-wsl-01.

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Carlyle, T. "TC TO WALTER SAVAGE LANDOR." Carlyle Letters Online 28, no. 1 (January 1, 2000): 131–32. http://dx.doi.org/10.1215/lt-18530509-tc-wsl-01.

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Carlyle, T. "TC TO W. S. LANDOR." Carlyle Letters Online 28, no. 1 (January 1, 2000): 242. http://dx.doi.org/10.1215/lt-18530809-tc-wsl-01.

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Carlyle, T. "TC TO WALTER SAVAGE LANDOR." Carlyle Letters Online 28, no. 1 (January 1, 2000): 284–85. http://dx.doi.org/10.1215/lt-18531012-tc-wsl-01.

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Carlyle, T. "TC TO WALTER SAVAGE LANDOR." Carlyle Letters Online 28, no. 1 (January 1, 2000): 292. http://dx.doi.org/10.1215/lt-18531015-tc-wsl-01.

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Carlyle, T. "TC TO WALTER SAVAGE LANDOR." Carlyle Letters Online 28, no. 1 (January 1, 2000): 309. http://dx.doi.org/10.1215/lt-18531112-tc-wsl-01.

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Dissertations / Theses on the topic "Landofrm"

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Mikhail, Samia, and fasisami@netspace net au. "The experimental art of Arthur and Corinne Cantrill." RMIT University. Applied Communication, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20061222.094324.

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This thesis analyses the effect of the personal history of Arthur and Corinne Cantrill, two Australian independent filmmakers, on their style of filmmaking. It analyses their representation of film-form experimentation within national Australian art in a range of independent film works. It reflects on their cultural relation to the general history of independent filmmaking in Australia, America and Europe. It studies the circumstances tat resulted in the appearance of the Cantrills' experimental film and their relation to international art theories and film experimentation. This thesis will examine how the Cantrills' film works, which were often critical of conventional filmmaking styles, and their critical writing, statements and promotion of their independent and experimental film work contributed significantly to theoretical discussion and argument about the physical nature of film within Australia. This examination is explored through asking and answering the central question: The work of Aurtheur and Corinne Cantrell is theoretically drawn from a tradition of European arts and visually drawn from Australian landscape and urban culture; can their work be identified and undertood as Australian art?
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Books on the topic "Landofrm"

1

Bond, Ruskin. Landour days: A writer's journal. New Delhi: Viking, 2002.

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2

author, Miedema Stephanie Spaid, ed. Mussoorie and Landour: Footprints of the past. New Delhi: Rupa Publications, 2014.

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3

Larbaud, Valéry. Serena Bruchi: D'après Walter Savage Landor. [Montpellier]: Fata Morgana, 1989.

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4

Field, Jean. Landor: A biography of the writer Walter Savage Landor, plus a selection of his works. Studley: Brewin Books, 2000.

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5

Bond, Ruskin. Mussoorie and Landour: Days of wine and roses. New Delhi: Lustre Press Pvt. Ltd., 1992.

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6

Landor, Walter Savage. The poetical works of Walter Savage Landor. Oxford: Clarendon Press, 1985.

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7

Ferrin, Sutton Dana, ed. The complete Latin poetry of Walter Savage Landor. Lewiston [N.Y.]: E. Mellen Press, 1999.

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8

Symbolic interactions: Social problems and literary interventions in the works of Baillie, Scott, and Landor. Lewisburg, Pa: Bucknell University Press, 2006.

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9

Hewitt, Regina. Symbolic interactions: Social problems and literary interventions in the works of Baillie, Scott, and Landor. Lewisburg, PA: Bucknell University Press, 2006.

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10

Péricard-Méa, Denise. Le Matamore: Mythe, images et réalités : suivi de la geste de "La geste de Béranger de Landore". Cahors: Louve, 2011.

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Book chapters on the topic "Landofrm"

1

Martin, Brian. "Walter Savage Landor." In The Nineteenth Century (1798–1900), 134–35. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20159-4_11.

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Wolf, Philipp. "Landor, Walter Savage." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8928-1.

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Peruzzi de’Medici, Edith. "With Landor at Siena." In Elizabeth Barrett Browning and Robert Browning, 95–97. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1007/978-1-349-62894-0_66.

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Orel, Harold. "Walter Savage Landor (1775–1864)." In William Wordsworth, 119–29. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230501904_12.

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Weiner, Stephanie Kuduk. "Landor, Clough, and European Republicanism." In Republican Politics and English Poetry, 1789–1874, 97–132. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230599680_5.

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Vitoux, Pierre. "Landor, Walter Savage (1775–1864)." In A Handbook to English Romanticism, 167–68. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-13375-8_44.

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Vitoux, Pierre. "Landor, Walter Savage (1775–1864)." In A Handbook to English Romanticism, 167–68. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22288-9_44.

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KLL and Philipp Wolf. "Landor, Walter Savage: Imaginary Conversations of Literary Men and Statesmen." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8929-1.

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Gallagher, Bernard. "Consumer-Based Research: Walter Landor and the Value of Packaging Design in Marketing." In Consumer Engineering, 1920s–1970s, 99–116. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14564-4_6.

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Stryer, Steven. "“Past ruin’d Ilion”: The Classical Ideal and the Romantic Voice in Landor’s Poetry." In The Call of Classical Literature in the Romantic Age, 80–102. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474429641.003.0004.

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This article argues that throughout his long career, Walter Savage Landor (1775-1864) looked back to the classical past as both the source and the fullest embodiment of his literary ideal. It contends that besides the stylistic classicism often attributed to him, Landor brought the values of the classical and the Romantic into tension, engagement, and alignment with each other. In order to examine the interplay between these complementary visions of life, the article traces how Landor makes use of references and allusions to the classical past within his shorter lyric poems. As a case in point, it examines the group of poems written to and about his beloved Ianthe, analyzing the means—ranging from extended conceits to brief allusions and offhand or submerged references—by which Landor brought together the Romantic expression of personal experience with the universality, authority, and permanence that he associated with Greek and Latin literature.
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