Dissertations / Theses on the topic 'Lament'
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Lebedin, Natalia A. "Displaced, a lament." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ62777.pdf.
Full textTatýrek, Lukáš. "Prototyp zařízení pro recyklaci filamentu." Master's thesis, Vysoké učení technické v Brně. Fakulta strojního inženýrství, 2021. http://www.nusl.cz/ntk/nusl-442859.
Full textChung, Kyung-Young. "Reconsidering the lament form, content, and genre in Italian chamber recitative laments, 1608-1640 /." connect to online resource. Access restricted to the University of North Texas campus, 2004. http://www.library.unt.edu/theses/all/Dec2004/chung%5Fkyung-young/index.htm.
Full textChung, Kyung-Young. "Reconsidering the Lament: Form, Content, and Genre in Italian Chamber Recitative Laments: 1600-1640." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4668/.
Full textTorres, Kimberly. "Resurrecting Inanna lament, gender, transgression." Honors in the Major Thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/629.
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Bachelors
Arts and Humanities
Humanities
Cech, Andrew J. "Brother's lament for wind ensemble." Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1244578892.
Full textHickok, Alan B. "Using the lament Psalms in counseling." Theological Research Exchange Network (TREN), 1990. http://www.tren.com.
Full textPolster, Ronald B. "Evil and the biblical discourse of lament." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0010/NQ41487.pdf.
Full textAldrovandi, Cibele Elisa Viegas. "As exéquias do Buda Sãkyamuni : morte, lamento e transcendência na iconografia indiano-budista de Gandhara." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/71/71131/tde-10012007-095712/.
Full textThe purpose of this thesis is to evaluate if the iconographic scheme of the funeral lament found in the Mahãparinirvã of Buddha Sãkyamuni scenes had a foreign origin, that is the depiction of the Greek próthesis - laying in state. This theme was developed during the 1st and 3rd centuries AD in Gandhãra, the norwest frontier of South Asian subcontinent. The Documental Corpus of this research is composed of an Indo-Buddhist and a Greco-Roman portion, systematized in a Data and Image Base. Archaelogical and textual evidence is assembled. The formal depiction of the funeral lament is a visual expression of the funeral ritual, understood as a rite of passage. Two diferent theoretical structures are combined to establish the basis for an analysis of the funerary images investigated in the research: the Archaeology of Image and the Archaeology of Death. Archaeological analysis with a long duration perspective is undertaken, permitting the inference of fundamental changes in the iconographical genesis. The funeral praxis of the societies who contributed to the development of the Gandhãran repertoire is reconstructed. Both Greek and Vedic-Brahmanic sources reveal parallel mourning rites of their dead. Schematic and thematic analysis made it possible to verify the extent of assimilation of the Greek próthesis scheme in the development of the Mahãparinirvã depiction; the adaptation of this scheme to the indo-buddhist theme; and the development of this depiction in other Indian and Asian regions. Through this theoretical approach we are able to analyse changes in the textual and iconographical discourses about Buddha Sãkyamuni obsequies and to reveal which aspects of the social persona of the founder of Buddhism were favoured after the Mahãparinirvãna. Buddhist discourse, which had a proselytizing character associated with the necessity of creating a buddhist identity, developed an idealized narrative of its founder\'s obsequies. Sramana Gautama\'s social persona was modified through the centuries and reelaborated on the basis of the heroicized figure of the Vedic-Brahmanic cakravartin. This was used to legitimize the discourse engendered by monastic communities while they became more hierarchical. Gandhãran iconography is part of this stage of development of Buddhism, in which some of these doctrinal changes were already incorporated in the discourse about the Mahãparinirvã of Buddha Sãkyamuni. From this period on high expenditure in the symbolic apparatus was observed as well as a decrease in the iconographical emphasis in death and lament in favour of transcendence
Mahokoto, Marlene S. "Lament in liturgy : a critical reflection from an URCSA perspective." Thesis, Stellenbosch : Stellenbosch University, 2015. http://hdl.handle.net/10019.1/97038.
Full textENGLISH ABSTRACT: South Africa faces many challenges, as a country. Our communities are struggling with many issues such as poverty, inequality, rape, abuse, violence, corruption and many more. Yet, our faith community seems reluctant to lament these issues during their worship services. This research looks specifically at the practice of the Uniting Reformed Church in Southern Africa. The question that this research wrestles with is: “Given the challenging times that we live in, in what way could a re-discovery or a re-claiming of lament in liturgy, against the background of healing and hope, obtain new meaning in our congregations?” The assumption of the research is that if the church wants to be relevant in the lives of their members today, she would need to revisit and reclaim the process of lament in the liturgy. It could further be argued that a re-thinking and a re-introduction of lament in liturgy could have far-reaching and enriching implications in the life of the faith community, especially where the healing of memories is concerned. Part of the research was a literature study while another section consisted of empirical studies. Congregations from the Uniting Reformed Church in Southern Africa, in the Western Cape, took part in the studies. The main focus of the research was descriptive empirical and the information gathered had to be interpreted. Through the normative task, theological reflections could be carried out and finally possible criteria could be deduced in terms of how lament could be re-integrated into existing liturgies of our church.
AFRIKAANSE OPSOMMING: Suid Afrika word gekonfronteer met baie uitdagings. Ons gemeenskappe gaan gebuk onder geweldige druk en word daagliks gekonfronteer met armoede, ongelykheid, verkragting, mishandeling, geweld, korrupsie en nog vele meer. Ongeag hierdie uitdagings blyk dit asof ons geloofsgemeenskap teensinnig is om te weeklaag gedurende eredienste. Hierdie navorsing kyk spesifiek na die praktyk rondom weeklaag in die liturgie van spesifieke gemeentes in die Verenigende Gereformeerde Kerk in Suider Afrika. Die vraag waarmee hierdie navorsing worstel is: “Gegewe die uitdagende tye waarin ons lewe, op watter manier kan die herontdekking of die her-besit van weeklaag in liturgie (teen die agtergrond van heling en hoop), nuwe betekenis aanneem in ons gemeentes?”. Die uitgangspunt van die navorsing is dat as die kerk relevant wil bly in die lewens van haar lidmate, dan het sy nodig om die proses van weeklaag, binne die liturgie, weer te besoek en te eien. Verder kan dit geredeneer word dat ‘n nuwe denkpatroon en ‘n nuwe bekendstelling aan weeklaag in die liturgie verreikende gevolge kan hê in die lewens van die geloofsgemeenskap, veral waar daar na die heling van ons verlede gekyk word. Een deel van die navorsing was ‘n literêre studie terwyl die tweede deel ‘n empiriese studie was. Gemeentes van die Verenigende Gereformeerde Kerk in Suider-Afrika het deel uitgemaak van die empirisie navorsing. Die klem van die navorsing was beskrywendempiries en die data moes interpreteer word. Gedurende die normatiewe deel kon daar teologies gereflekteer word oor die maniere waarop weeklaag weer deel van die bestaande liturgie gemaak kan word in ons kerk. Verskeie moontlikhede het aan die lig gekom in hierdie verband.
Henry, April Lynn Starkey Kathryn. "The female lament agency and gender in medieval German literature /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2008. http://dc.lib.unc.edu/u?/etd,1959.
Full textTitle from electronic title page (viewed Dec. 11, 2008). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Germanic Languages." Discipline: Germanic Languages; Department/School: Germanic Languages.
Salfen, Kevin McGregor. "Paintings and Palaces, or the Lament of the Burger Flipper." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2186/.
Full textAidoo, Mark S. [Verfasser]. "Shame in the Individual Lament Psalms and African Spirituality / Mark S. Aidoo." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2017. http://d-nb.info/1138919764/34.
Full textMiller, J. Scott. "A tearful alleluia the funeral as lament and witness to the resurrection /." Theological Research Exchange Network (TREN), 2002. http://www.tren.com.
Full textDhanaraj, Dharmakkan. "Theological significance of the motif of enemies in selected psalms of individual lament /." Glückstadt : J. J. Augustin, 1992. http://catalogue.bnf.fr/ark:/12148/cb38945227n.
Full textTorr, Stephen Charles. "A dramatic Pentecostal/Charismatic Anti-Theodicy : improvising on a divine performance of lament." Thesis, University of Birmingham, 2012. http://etheses.bham.ac.uk//id/eprint/3681/.
Full textMcGinlay, Jane. "Divine abandonment, lament and survivors of clerical sexual abuse : an inter-disciplinary study." Thesis, University of Liverpool, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.722140.
Full textOlson, Ted. "Recording Review of Alexis Zoumbas: A Lament for Epirus, 1926-1928 and Five Days Married & Other Laments: Song and Dance from Northern Greece, 1928-1958." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/1144.
Full textMatthews, Richard John Howden. "Der Epitaphios Adonidos = A doctoral dissertation on the "Epitaphios Adōnidos" or Lament for Adonis : being a Hellenistic funeral lament generally attributed to Bion of Smyrna and thus written approx. 100-50 B.C /." Bigorio : [s.n.], 1991. http://www.ub.unibe.ch/content/bibliotheken_sammlungen/sondersammlungen/dissen_bestellformular/index_ger.html.
Full textBautch, Richard J. "Developments in genre between post-exilic penitential prayers and the psalms of communal lament /." Leiden [u.a.] : Brill, 2003. http://www.loc.gov/catdir/toc/ecip047/2003017262.html.
Full textVoigt, Astrid. "Female lament in Greek and Roman epic poetry : its cultural discourses and narrative presentation." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.403991.
Full textTsironis, Niki J. "The lament of the Virgin Mary from Romanos the Melode to George of Nicodemia." Thesis, King's College London (University of London), 1998. https://kclpure.kcl.ac.uk/portal/en/theses/the-lament-of-the-virgin-mary-from-romanos-the-melode-to-george-of-nicodemia(c652c3c6-3d01-41c8-be4a-a575ae733a05).html.
Full textKnight, Jason D. "The rhetorical-theological function of the divine epithets of protection in the lament Psalms." Online full text .pdf document, available to Fuller patrons only, 2001. http://www.tren.com.
Full textSifoleli, Israel. "A leitura da Bíblia na perspectiva de João Calvino: uma introdução à hermenêutica calvinista a partir dos salmos de lamento." Universidade Presbiteriana Mackenzie, 2007. http://tede.mackenzie.br/jspui/handle/tede/2473.
Full textIn this work the author looks for to rescue the reading that Calvin made of the Psalms of lament. It has as intention to present an introduction to the Calvin s hermeneutics. It calls attention for the fact of that although the great contribution of Calvin, its hermeneutics still is, in many aspects, stranger in Brazil. The author makes an attempt to establish the influences on Calvin s thought that had contributed for his hermeneutics. It continues demonstrating the importance of the authority of the Bible for Calvin. After that he presents the main points of Calvin s hermeneutics and for a better understanding, he divides them in presuppositions, principles and approaches. In the last chapter the focus is in an analysis of Calvin s hermeneutics, having the modern study of Psalms as aid. Finally, it presents an attempt of dialogue between Calvin s hermeneutics and contemporary Brazilian Protestantism. This dialogue is presented in the form of some challenges.
Neste trabalho, o autor procura resgatar a leitura que Calvino fez dos Salmos de lamento. Ele tem como propósito apresentar uma introdução à hermenêutica de Calvino. Ele chama atenção para o fato de que apesar da grande contribuição de Calvino, sua hermenêutica ainda é, em muitos aspectos, desconhecida no Brasil. O autor faz uma tentativa de estabelecer as influências sobre o pensamento de Calvino que contribuíram para a sua hermenêutica. Ele prossegue demonstrando a importância da autoridade da Bíblia para Calvino, em seguida, apresenta os pontos principais da hermenêutica de Calvino e, para uma melhor compreensão, divide-os em pressupostos, princípios e enfoques. No último capítulo, se propõe a fazer uma análise da hermenêutica de Calvino de forma mais focada, tendo o estudo moderno dos Salmos como ajuda. Finalmente, ele apresenta uma tentativa de diálogo entre a hermenêutica de Calvino e o protestantismo brasileiro, diálogo este apresentado em forma de alguns desafios.
Baumann, Igor Pohl. "O SALMO DE JEREMIAS 20.7-18 NA PERSPECTIVA DA LINGUAGEM DA LAMENTAÇÃO DO ANTIGO ISRAEL." Universidade Metodista de São Paulo, 2011. http://tede.metodista.br/jspui/handle/tede/205.
Full textCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
A presente dissertação se situa no campo das Ciências da Religião. É um estudo da perícope de Jeremias 20.7-18 na perspectiva do fenômeno de lamentação na área da literatura e religião do mundo bíblico. Jeremias 20.7-18 é um dos textos de lamentação representativos dentre os que se encontram fora do saltério, na literatura profética. O tema desenvolvido visa analisar este salmo em sua forma, lugar e conteúdo na perspectiva da linguagem de lamentação. O conteúdo que nos atemos foram as imagens de Yhwh reconhecidas na perícope: sedutor irresistível, Deus violento, fogo consumidor, guerreiro violento e vingativo, Senhor dos exércitos, libertador do pobre e subversor das cidades impenitentes. O estudo desta perícope foi possível mediante a compreensão da linguagem de lamentação como um fenômeno religioso universal. Localizamos a lamentação na sociedade do antigo Oriente Próximo, pois foi o contexto que tornou possível tal experiência para o antigo Israel. A lamentação na história da religião de Israel só é possível ser construída a partir de hipóteses. As hipóteses para uma história da lamentação em Israel que averiguamos nesta dissertação foram distribuídas entre o período pré-exílico, exílico e pós-exílico, a partir dos principais textos de lamento que marcam tal linguagem em cada período. Reconhecemos o gênero de lamentação nos documentos sagrados de Israel, como gênero literário e as estruturas simbólicas que permeiam os salmos de lamentação. Dessa forma, nos aproximamos da linguagem de lamentação de Jeremias 20.7-18 como parte do fenômeno do antigo Israel. Portanto, a linguagem de lamentação se torna a linguagem do sofrimento. Em outras palavras, a lamentação dá voz ao ser que sofre. O livro de Jeremias se situa num período de intenso sofrimento e violência contra a nação de Israel. É adequado, pois, no âmbito das lamentações, a presença deste salmo peculiar no livro seu profético. Com isso, estudamos exegeticamente nossa perícope perguntando o seu gênero principal. Em seguida, verificamos o lugar vivencial e, em termos de conteúdo quais são as imagens ou quadros ali demonstrados e como os dois se ajustam.
Ellington, Scott Arthur. "Reality, remembrance, and response : the presence and absence of God in the psalms of lament." Thesis, University of Sheffield, 1999. http://etheses.whiterose.ac.uk/3057/.
Full textLandfair, Valerie Ranee. ""Trouble in My Way, I Have to Cry Sometimes"| Silent Prayers of Sorrow & Lament." Thesis, Regent University, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10680915.
Full textThis dissertation addresses the role and functions of silent prayers of lament and sorrow in light of individual and communal suffering of black women due to their triple oppression of sexism, racism, and classism. Silence is used theologically in two respects: (1) it refers to the rarity of articulated sentences, but not to the absence of sound; and (2) it refers to the various forms of lament from the disenfranchised that historically and contemporarily are silent within the dominant theological discourse. Silence is the intimate communication which may be quietness or the audible sounds and symbolic actions that may not follow normal rules of speech that persons use to convey their deepest thoughts and most intense feelings, including pain and anguish to God. A Pentecostal Womanist methodology utilizes pneumatological transformation of pathos as a theological framework to examine the ways marginalized people deal with oppression. The Holy Spirit effects change in the act of lamenting prayers by turning the expressions of sorrow, anguish, and afflictions toward the triune God, but also serves as the catalyst for imparting glimpses into the fellowship of Christ’s suffering and power of resurrection (Philippians 3:10). Orthopathos is a pneumatological transformation of suffering experienced by marginalized groups. Silent prayers of sorrow and lament have been foundational in empowering African American communities.
McGeachy, Margaret Gillian. "Lonesome words, the vocal poetics of the Old English lament and the African-American blues song." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0017/NQ45700.pdf.
Full textKing, Thomas Edward. "From Foreskin's Lament to Skin and Bone: Challenging Perceptions Of Masculinity in New Zealand, 1980-2003." Thesis, University of Canterbury. English, 2005. http://hdl.handle.net/10092/1019.
Full textDobbs-Allsopp, F. W. "Weep, O Daughter of Zion : a study of the city-lament genre in the Hebrew Bible /." Roma : Pontificio istituto biblico, 1993. http://catalogue.bnf.fr/ark:/12148/cb35577315x.
Full textMoreira, Jayme Alves. "\'Como caíram os valentes\'. Um estudo sobre a qinah em 2 Sm 1:17-27." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8158/tde-18052015-170706/.
Full textThis paper proposes a reading of the qînh (\"elegy\") that David wrote in honor of Saul and Jonathan (2 Samuel 1: 17-27). Begins with research of this genre within the Hebrew Bible, identifying the main features of it and comparing it to related genres in an attempt to understand its social function in biblical times and find possible reasons for its reduced presence in the Hebrew Bible. Also notes how this lament becomes evident traits of the character David, which enhances understanding of the reports contained in the books of Samuel, which tell his ascension to the throne and his reign. Finally, it presents an analysis of the chosen poem and the narrative space in which it emerges.
au, david cohen@vose wa edu, and David John Cohen. "An Examination of the Psychodynamic Effects on Individuals Using Psalms of Lament Intentionally, in the Form of Ritual Prayer, as a Way of Engaging With Experiences of Personal Distress." Murdoch University, 2008. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20081118.153252.
Full textBisol, Luciano Heidrich. "Threnos e goos: lamento e murmurio de andromaca." Universidade Federal do CearÃ, 2016. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=18333.
Full textO presente trabalho inclina-se sobre o mito grego de AndrÃmaca e tem por objetivo delimitar os caracteres de sua representaÃÃo. Consideraremos a evoluÃÃo das condiÃÃes de performance da autocaracterizaÃÃo da personagem, paralela à evoluÃÃo de dois gÃneros do discurso â os lamentos fÃnerarios thrÃnos (θρῆνος) e goos (γόος). Estas duas formas de lamento ritualÃstico manifestam-se sob forma de hexÃmetros em Homero e de versos elegÃacos em EurÃpides. Nesses lamentos, uma sÃrie de topoi â marido, cidade, viuvez, maternidade, alcova â sÃo utilizados pelos autores para delimitar os temas abrangidos pela personagem. Esta pesquisa investiga a autocaracterizaÃÃo feminina na Antiguidade. Buscamos reconhecer as relaÃÃes entre discurso e performance na Ãpica e na tragÃdia. Primeiramente, apresentamos um estudo em torno das origens do mito e sua circulaÃÃo, principalmente, entre autores da Antiguidade. Em seguida realizamos um estudo antropoliterÃrio em torno dos estatutos sociais femininos na Antiguidade, especialmente, na polis ateniense do sÃculo quinto. Sugerimos que esses estatutos dependem da relaÃÃo da mulher com sua alcova (θάλαμος). Esses estatutos serÃo discutidos atravÃs, sobretudo, do drama selecionado de EurÃpides. Por fim, verificamos a autocaracterizaÃÃo da personagem especificamente em uma sÃrie de trÃs lamentos encontrados na IlÃada de Homero (cantos VI, XXII e XXIV); e no lamento elegÃaco (v. 102 - 116) na tragÃdia AndrÃmaca (c. 425 a.C.) de EurÃpides (c. 480 - 406 a.C.).
Brooks, Jeremy. "Weeping at the grave, we make our song : Alleluia : lament and thanksgiving in Church of England funerals." Thesis, King's College London (University of London), 2013. https://kclpure.kcl.ac.uk/portal/en/theses/weeping-at-the-grave-we-make-our-song(bf12af74-22b4-4208-83bf-3bffa0db2272).html.
Full textRachmann, Miriam Kleingesinds. "A multiplicidade de vozes no salmo 137." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8152/tde-17042012-143501/.
Full textThis paper presents the analysis of Psalm 137. Pointed out which are the subject identifying speakers in this psalm, then a multiplicity of voices. Biblical exegetes and commentators analyze these voices from different perspectives. We propose a parallel display of these interpretations, as well as examine how these voices are arranged so that in the psalm, even with multiple speakers, the poem converge to a single point of view, forming the unity of the psalm: the lament for the exile and possible replies to the crisis brought.
Villanueva, Federico G. "The 'uncertainty of a hearing' : a study of the sudden change of mood in the Psalms of Lament /." Leiden [u.a.] : Brill, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016723092&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Full textVillanueva, Federico G. "The 'Uncertainty of a Hearing' : a study of the sudden change of mood in the individual lament psalms." Thesis, University of Bristol, 2007. http://hdl.handle.net/1983/6861fcf4-c4d9-4045-ad1d-612364c621de.
Full textSung-Hun, Lee. "Concept of God's Hesed as an explanatory feature in the shift to praise in the individual lament psalms." Thesis, University of Manchester, 1999. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.668963.
Full textÅström, Berit. "The Politics of Tradition : Examining the History of the Old English Poems The Wife's Lament and Wulf and Eadwacer." Doctoral thesis, Umeå University, Modern Languages, 2002. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-60.
Full textOld English literary studies is a fascinating field of research which spans many various approaches including philology and linguistics as well as literary and cultural theories. The field is characterised by a certain conservatism, what in this thesis is referred to as tradition. This thesis examines the scholarship on The Wife's Lament and Wulf and Eadwacer, projecting its cumbersome affinities with tradition as a conservative force as well as the resistance against it. The investigation focuses mainly on two aspects of scholarly research: the emergence of a professional identity among Anglo-Saxonist scholars and their choice of either a metaphoric or metonymic approach to the material. A final chapter studies the concomitant changes within Old English feminist studies. The thesis also summarises the approaches to points of ambiguity in the poems, and provides a comprehensive bibliography of scholarship on the two texts.
McIntosh, Constance. "Holy Union: The Original Unity of "The Wife's Lament" and "The Husband's Message" in Their Cultural and Ecclesiastical Context." Honors in the Major Thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/977.
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DeBoer, Cornelius J. "The use of lament in pastoral care exploring its use with those working through the loss of a child /." Theological Research Exchange Network (TREN), 1993. http://www.tren.com.
Full textLee, Seungyon-Seny. "Idiosyncrasy : pleasure, anger, lament and joie : an eight channel for real-time interaction composition for tape, mezzo-soprano and video /." May be available electronically:, 2002. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.
Full textIntroductory materials in English include program notes, performance instructions, technical requirements, staging diagrams, and video image examples. Duration: ca. 14:30.
Pritchard, Maureen elizabeth christine. "LEGENDS BORNE BY LIFE: MYTH, GRIEVING AND THE CIRCULATION OF KNOWLEDGE WITHIN KYRGYZ CONTEXTS." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243965149.
Full textGuenther, Eva. "Wisdom as a model for Jesus' ministry in the 'Lament over Jerusalem' (Matt 23:37-39 Par. Luke 13:34-35)." Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/48630/.
Full textCross, Katerina P. S. "From celebration to a "culture of lament" : a practical theological study of responses to suffering through the lens of a "secular congregation"." Thesis, University of Aberdeen, 2017. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=236308.
Full textFourla, Vasiliki. "Theodore Antoniou| The Greek components of his music for flute and an analytical presentation of his work "Lament for Michelle," for solo flute." Thesis, California State University, Long Beach, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10111171.
Full textAntoniou’s work for solo flute Lament for Michelle inspired my research. I will further analyze this piece in order to shape its historical background and the tradition of the lament, which remains vital in twentieth century Greek society.
Combining musical analysis and biography, I aim to prove how Theodore Antoniou utilized a plethora of nationalistic elements in his works for flute. In addition, I will point out these elements and explain how and why they are considered Greek. Overall, this paper will contribute to the understanding of Greek composers today and hopefully will motivate scholars and performers to do for further research into Greek music.
Auer, Janette Slater William J. "Electra in context: an investigation of a character in fifth century B.C. Athenian tragedy in the social context of the ritual lament and revenge /." *McMaster only, 2005.
Find full textAliberti, Chiara. "Listening as a Sanctuary from Human Annihilation: Euripides' Trojan Women and the Global Humanitarian Crisis." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8141.
Full textBroidy, Lauren. "“Ni a fuego, ni a pleto” as Jewish Lament: Re-Animating Diversity and Challenging Monolithic Assumptions in the Late Ottoman Empire and Nascent Middle Eastern Nations." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/cmc_theses/2278.
Full textMccoy, Andrew Michael. "Faith at the fractures of life : an examination of lament and praise in response to human suffering with special reference to the theology of Walter Brueggemann and David Ford /." St Andrews, 2009. http://hdl.handle.net/10023/824.
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