Relevant bibliographies by topics / Lament

Academic literature on the topic 'Lament'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 April 2022

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Journal articles on the topic "Lament"

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Fenigsen, Janina, and James Wilce. "Authenticities: A Semiotic Exploration1." Recherches sémiotiques 32, no. 1-2-3 (December 10, 2014): 103–22. http://dx.doi.org/10.7202/1027774ar.

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Charles Taylor has called ours an “Age of Authenticity”, and authenticity is a popular object of scholarly examination, not least in anthropology. A considerable number of scholars have even proposed models for multiple “authenticities”. None, however, has brought a modified Peircean theoretical tool-kit together with ethnographic evidence that “the natives know” that there are many authenticities. This article seeks to fill that gap. Working with Peirce’s model of the sign and with postmodern theories of originals and replicas, we draw on Wilce’s Finnish fieldwork to analyze what we consider clear evidence of four authenticities arising in recent debates surrounding traditional Karelian lament and particularly highly organized attempts in Finland to “revive” the practice. We call performances arising out of the revival “neolaments”. We treat authenticities as strictly relational, metasemiotic, and ideological phenomena. Authenticities that appear salient to actors on the revivalist scene may involve the following relationships : that between any neolament performance and any particular Karelian lament performances, with the question being whether the former is adequately “traditional” (i.e. relationship between replica and original); between a particular lament performance and the generic essence of that which makes lament a lament (i.e. token and type); between a lament performance and emotion – a relationship ideologically construed as “expressive” (i.e. sign and object); and finally, a relationship between some sort of dynamic interpretant of particular old Karelian laments (lament1) and new dynamic interpretants generated in and through new lament performances (lament2 or habitual participation in such performance) that in some way replicates the old dynamical interpretant (interpretant1 and interpretant2).
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Melton, Narelle Jane. "Lessons of Lament: Reflections on the correspondence between the Lament Psalms and early Australian Pentecostal Prayer." Journal of Pentecostal Theology 20, no. 1 (2011): 68–80. http://dx.doi.org/10.1163/174552510x526232.

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AbstractThis paper reflects on research which discovered a correspondence between the form of the biblical lament psalms and the early Australian Pentecostal (1908 – 1937) practice of prayer. It is argued that this has significant implications for Christians today in relation to the critique that the contemporary church has lost the practice of lament. Specifically four dimensions of lament-prayer were considered for contemporary Pentecostal Christianity, including (1) the lament dialogue, (2) the lament protest, (3) the margins of lament, and (4) the glossolalic lament. Overall, it is proposed that Pentecostal Christians are uniquely situated to forge a path in light of these results and re-incorporate laments into their worship and pastoral care practises.
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MacPherson, Chelsey, Brian James MacLeod, Lodaidh MacFhionghain, and Laurie Stanley-Blackwell. "Converses with the Grave: Three Modern Gaelic Laments." Genealogy 5, no. 1 (March 15, 2021): 22. http://dx.doi.org/10.3390/genealogy5010022.

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Within Scottish deathways, the Gaelic lament has long served as a poignant and powerful outlet for loss. In this creative piece, three Canadian-born, Gaelic-speaking poets present their previously unpublished Gaelic laments along with English translations. This collaborative article is designed to demonstrate, in a creative rather than an academic format, that the venerable lament tradition continues to enjoy longevity and vitality in the present day as a literary expression of grief among Gaels. This article further demonstrates that modern Gaelic laments are not constrained by a strict fidelity to literary rules but strive instead to work creatively within tradition while reaching their audiences in a relevant and resonant way. For each poem, the author offers a personal contextualization for his/her lament, which serves to explain the source of inspiration and demonstrates how the work draws upon and reflects its literary roots. In recognition of the strong oral tradition present within Gaelic poetry, this article includes an audio recording of each of the three authors’ laments.
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Scarborough, Connie L. "A Female Voice for Action in the Tragicomedia de Calisto y Melibea." Medievalia 53, no. 2 (December 12, 2021): 71–90. http://dx.doi.org/10.19130/medievalia.2021.53.2.67984.

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Although most critical attention on laments for the dead in the Tragicomedia de Calisto y Melibea has focused on Pleberio’s long lament for Melibea in Auto XXI, Elicia’s lament for the loss of her lover, Sempronio, his companion, Pármeno, and her protector, Celestina, is highly significant for plot development. Her lament is a decisive event that sets in motion a plan for revenge that will ultimately lead to the deaths of Calisto and Melibea. This article demonstrates how Elicia’s personal experience of loss brings about significant changes in her characterization. With the help of Areúsa, Elicia hatches a plan for vengeance on the aristocratic lovers that she despises. Building on Louise Haywood’s studies of female laments for the dead, it examines Elicia’s curse on Calisto and Melibea and shows how her words have real and tragic consequences. In Rojas’s world, a prostitute’s expression of grief is a force strong enough to topple the elites of society and fundamentally contribute to the tragedia embedded in his work’s hybrid title.
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Reynolds, Kent Aaron. "The Answer of Psalm cxix 9." Vetus Testamentum 58, no. 2 (2008): 265–69. http://dx.doi.org/10.1163/156853308x265927.

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Pranoto, Minggus Minarto. "The SPIRIT AND LAMENT." Jurnal Amanat Agung 17, no. 2 (February 17, 2022): 273–98. http://dx.doi.org/10.47754/jaa.v17i2.516.

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Abstract: This article aims to explain about lament from the perspective of psychology and pneumatology. Psychology helps to explain psychic state of one who laments because of experiencing grief and bereavement; and pneumatology understands lament theologically by seeing and knowing God, self, and the world through the experience with the Holy Spirit in the believers. The two perspectives above are synthesized to understand the lament in the context of the life of believer. The method used is an interdisciplinary study between psychology and pneumatology by looking for connecting points that might fill and complement each other, especially in explaining the lament of believer. The thesis of this article is that the act of lament is a self-actualization of believer which can be explained from a psychology-pneumatology perspective and in lament the Holy Spirit transforms the life of believer. Lamentation can lead to an attitude of trust in God and the courage to continue with life again or, in psychologically term, a "restoration-oriented” life. Keywords: Spirit/Holy Spirit, lament, psychology, pneumatology, transformation. Abstrak: Artikel ini bertujuan untuk menjelaskan perihal ratapan dari perspektif psikologi dan pneumatologi. Psikologi membantu untuk menjelaskan keadaan psikis orang yang meratap karena sedang mengalami kedukaan (grief) dan kehilangan (bereavement); dan pneumatologi memahami ratapan secara teologis dengan cara melihat dan mengenal Allah, diri, dan dunia melalui pengalaman dengan Roh Kudus. Kedua perspektif di atas disintesiskan untuk memahami ratapan dalam konteks kehidupan orang beriman. Metode yang dipakai adalah studi interdisipliner antara psikologi dan pneumatologi melalui mencari poin-poin penghubung yang mungkin saling mengisi dan melengkapi terutama dalam menjelaskan ratapan orang-orang beriman. Pernyataan tesis tulisan ini adalah tindakan ratapan merupakan sikap mengaktualkan diri dari orang beriman yang dapat dijelaskan dari perspektif psikologi-pneumatologi dan di dalam ratapan Roh Kudus mentransformasi hidup orang beriman. Ratapan dapat membawa kepada sikap percaya kepada Allah yang semakin mendalam dan berani melanjutkan kehidupan kembali atau istilahnya secara psikologi memiliki “restoration-oriented.” Kata-kata kunci: Roh/Roh Kudus, ratapan, psikologi, pneumatologi, transformasi.
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Swiss, T. "Lament." Literary Imagination 17, no. 1 (October 11, 2011): 54. http://dx.doi.org/10.1093/litimag/imr100.

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Cunningham, C. "Lament." Literary Imagination 14, no. 1 (November 10, 2011): 87. http://dx.doi.org/10.1093/litimag/imr115.

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Siegel, Joan I. "Lament." JAMA: The Journal of the American Medical Association 269, no. 3 (January 20, 1993): 341. http://dx.doi.org/10.1001/jama.1993.03500030037015.

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Lick, Renee C. "Lament." Journal of Christian Nursing 29, no. 3 (2012): 158–63. http://dx.doi.org/10.1097/cnj.0b013e31825824bd.

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Dissertations / Theses on the topic "Lament"

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Lebedin, Natalia A. "Displaced, a lament." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ62777.pdf.

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Tatýrek, Lukáš. "Prototyp zařízení pro recyklaci filamentu." Master's thesis, Vysoké učení technické v Brně. Fakulta strojního inženýrství, 2021. http://www.nusl.cz/ntk/nusl-442859.

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Master thesis is focusing on possibility of recycling waste from 3D prints. Goal was to degin a make lament extruder and winder. Design is based on research of avaible comercial and OpenSource solutions. The result is working machine with compact oor prejction, which is able to produce 110 grams of lament per hour. Deviation from diameter was ±0, 07. Conclusion place great emphasis on further improving and testing, beacuse it has not been reached limits of machine.
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Chung, Kyung-Young. "Reconsidering the lament form, content, and genre in Italian chamber recitative laments, 1608-1640 /." connect to online resource. Access restricted to the University of North Texas campus, 2004. http://www.library.unt.edu/theses/all/Dec2004/chung%5Fkyung-young/index.htm.

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Chung, Kyung-Young. "Reconsidering the Lament: Form, Content, and Genre in Italian Chamber Recitative Laments: 1600-1640." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4668/.

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Scholars have considered Italian chamber recitative laments only a transitional phenomenon between madrigal laments and laments organized on the descending tetrachord bass. However, the recitative lament is distinguished from them by its characteristic attitude toward the relationship between music and text. Composer of Italian chamber recitative laments attempted to express more subtle, refined and sometimes complicated emotion in their music. For that purpose, they intentionally created discrepancies between text and music. Sometimes they even destroy the original structure of text in order to clearly deliver the composer's own voice. The basic syntactic structure is deconstructed and reconstructed along with their reading and according to their intention. The discrepancy between text and music is, however, expectable and natural phenomena since text cannot be completely translated or transformed to music and vice versa. The composers of Italian chamber recitative laments utilized their innate heterogeneity between two materials (music and text) as a metaphor that represents the semantic essence of the genre, the conflict. In this context, Italian chamber recitative laments were a real embodiment of the so-called seconda prattica and through the study of them, finally, we more fully able to understand how the spirit of late Renaissance flourished in Italy in the first four decade of the seventeenth century.
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Torres, Kimberly. "Resurrecting Inanna lament, gender, transgression." Honors in the Major Thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/629.

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This essay, which is at once a literary critical examination and a theological exploration of the Hebraic scriptural book of Lamentations in relation to ancient Sumerian lament, employs a mixed critical approach (e.g., form, feminist, postmodern, reader response), to address various lyrical, contextual, and thematic elements common to both the biblical Lamentations and the older Sumerian compositions. Specific focus is given to issues of gender and gender-malleability, as well as the notion of "transgression" and the various meanings that may be attached to this word in various contexts, theological or otherwise. Also addressed is the means by which the lament genre reflects/reveals the ways in which individuals and communities attempt to construct meaning, or find solace, in the face of human suffering.
B.A.
Bachelors
Arts and Humanities
Humanities
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Cech, Andrew J. "Brother's lament for wind ensemble." Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1244578892.

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Hickok, Alan B. "Using the lament Psalms in counseling." Theological Research Exchange Network (TREN), 1990. http://www.tren.com.

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Polster, Ronald B. "Evil and the biblical discourse of lament." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0010/NQ41487.pdf.

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Aldrovandi, Cibele Elisa Viegas. "As exéquias do Buda Sãkyamuni : morte, lamento e transcendência na iconografia indiano-budista de Gandhara." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/71/71131/tde-10012007-095712/.

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Esta tese tem por objetivo verificar se a incorporação do esquema iconográfico do Lamento Fúnebre presente no repertório do Ciclo do Mahãparinirvãna do Buda Sãkyamuni, possuiu uma origem estrangeira: a representação da próthesis - a exposição do morto - grega. Essa iconografia foi desenvolvida entre os séculos I e III d.C. em Gandhãra, na fronteira noroeste do subcontinente indiano. O Corpus Documental desta pesquisa é composto por uma vertente indiano-budista e outra greco-romana, sistematizadas em um Banco de Dados e Imagens. Foram utilizadas evidências arqueológicas assim como fontes textuais. A representação formal do Lamento Fúnebre é uma expressão imagética de um momento do ritual funerário entendido como um rito de passagem. Duas estruturas de análise distintas, a Arqueologia da Imagem e a Arqueologia da Morte, foram combinadas para fundamentar a análise e a interpretação do conjunto imagético de temática funerária investigado nesta pesquisa. A análise arqueológica foi realizada sob uma perspectiva de longa duração que permitiu inferir as mudanças fundamentais à compreensão dessa gênese iconográfica. Reconstruções da práxis funerária nas diferentes sociedades que forneceram elementos iconográficos para a formação do repertório imagético de Gandhãra foram elaboradas. As fontes gregas e védico-bramânicas apresentaram paralelos na lamentação do morto. As análises esquemática e temática do Corpus Documental possibilitaram verificar a dimensão da assimilação do esquema formal da próthesis grega na gênese da representação do Mahãparinirvãna, a adaptação desse esquema à temática indiano-budista e os desdobramentos que essa representação apresentou nas demais regiões da Índia e da Ásia. Essa abordagem teórica permitiu analisar as mudanças no discurso textual e iconográfico sobre as exéquias do Buda Sãkyamuni e revelou quais os aspectos da persona social do fundador do Budismo foram favorecidos após o Mahãparinirvãna. O discurso budista de caráter proselitista, aliado à necessidade de criação de uma identidade budista, procurou desenvolver uma narrativa cada vez mais idealizada das exéquias de seu fundador. A persona social do sramana Gautama se modificou ao longo dos séculos e foi reelaborada com base na figura heroicizada do cakravartin védico-bramânico, de modo a legitimar o discurso engendrado pelas comunidades monásticas cada vez mais hierarquizadas. A iconografia de Gandhãra está inserida nesse estágio de desenvolvimento do Budismo, em que algumas das modificações doutrinárias já tinham sido incorporadas ao discurso sobre o Mahãparinirvãna do Buda Sãkyamuni. A partir desse período é observado um grande investimento dispendido com o aparato simbólico e a atenuação da ênfase iconográfica na morte e na lamentação a favor da transcendência
The purpose of this thesis is to evaluate if the iconographic scheme of the funeral lament found in the Mahãparinirvã of Buddha Sãkyamuni scenes had a foreign origin, that is the depiction of the Greek próthesis - laying in state. This theme was developed during the 1st and 3rd centuries AD in Gandhãra, the norwest frontier of South Asian subcontinent. The Documental Corpus of this research is composed of an Indo-Buddhist and a Greco-Roman portion, systematized in a Data and Image Base. Archaelogical and textual evidence is assembled. The formal depiction of the funeral lament is a visual expression of the funeral ritual, understood as a rite of passage. Two diferent theoretical structures are combined to establish the basis for an analysis of the funerary images investigated in the research: the Archaeology of Image and the Archaeology of Death. Archaeological analysis with a long duration perspective is undertaken, permitting the inference of fundamental changes in the iconographical genesis. The funeral praxis of the societies who contributed to the development of the Gandhãran repertoire is reconstructed. Both Greek and Vedic-Brahmanic sources reveal parallel mourning rites of their dead. Schematic and thematic analysis made it possible to verify the extent of assimilation of the Greek próthesis scheme in the development of the Mahãparinirvã depiction; the adaptation of this scheme to the indo-buddhist theme; and the development of this depiction in other Indian and Asian regions. Through this theoretical approach we are able to analyse changes in the textual and iconographical discourses about Buddha Sãkyamuni obsequies and to reveal which aspects of the social persona of the founder of Buddhism were favoured after the Mahãparinirvãna. Buddhist discourse, which had a proselytizing character associated with the necessity of creating a buddhist identity, developed an idealized narrative of its founder\'s obsequies. Sramana Gautama\'s social persona was modified through the centuries and reelaborated on the basis of the heroicized figure of the Vedic-Brahmanic cakravartin. This was used to legitimize the discourse engendered by monastic communities while they became more hierarchical. Gandhãran iconography is part of this stage of development of Buddhism, in which some of these doctrinal changes were already incorporated in the discourse about the Mahãparinirvã of Buddha Sãkyamuni. From this period on high expenditure in the symbolic apparatus was observed as well as a decrease in the iconographical emphasis in death and lament in favour of transcendence
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Mahokoto, Marlene S. "Lament in liturgy : a critical reflection from an URCSA perspective." Thesis, Stellenbosch : Stellenbosch University, 2015. http://hdl.handle.net/10019.1/97038.

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Thesis (PhD)--Stellenbosch University, 2015.
ENGLISH ABSTRACT: South Africa faces many challenges, as a country. Our communities are struggling with many issues such as poverty, inequality, rape, abuse, violence, corruption and many more. Yet, our faith community seems reluctant to lament these issues during their worship services. This research looks specifically at the practice of the Uniting Reformed Church in Southern Africa. The question that this research wrestles with is: “Given the challenging times that we live in, in what way could a re-discovery or a re-claiming of lament in liturgy, against the background of healing and hope, obtain new meaning in our congregations?” The assumption of the research is that if the church wants to be relevant in the lives of their members today, she would need to revisit and reclaim the process of lament in the liturgy. It could further be argued that a re-thinking and a re-introduction of lament in liturgy could have far-reaching and enriching implications in the life of the faith community, especially where the healing of memories is concerned. Part of the research was a literature study while another section consisted of empirical studies. Congregations from the Uniting Reformed Church in Southern Africa, in the Western Cape, took part in the studies. The main focus of the research was descriptive empirical and the information gathered had to be interpreted. Through the normative task, theological reflections could be carried out and finally possible criteria could be deduced in terms of how lament could be re-integrated into existing liturgies of our church.
AFRIKAANSE OPSOMMING: Suid Afrika word gekonfronteer met baie uitdagings. Ons gemeenskappe gaan gebuk onder geweldige druk en word daagliks gekonfronteer met armoede, ongelykheid, verkragting, mishandeling, geweld, korrupsie en nog vele meer. Ongeag hierdie uitdagings blyk dit asof ons geloofsgemeenskap teensinnig is om te weeklaag gedurende eredienste. Hierdie navorsing kyk spesifiek na die praktyk rondom weeklaag in die liturgie van spesifieke gemeentes in die Verenigende Gereformeerde Kerk in Suider Afrika. Die vraag waarmee hierdie navorsing worstel is: “Gegewe die uitdagende tye waarin ons lewe, op watter manier kan die herontdekking of die her-besit van weeklaag in liturgie (teen die agtergrond van heling en hoop), nuwe betekenis aanneem in ons gemeentes?”. Die uitgangspunt van die navorsing is dat as die kerk relevant wil bly in die lewens van haar lidmate, dan het sy nodig om die proses van weeklaag, binne die liturgie, weer te besoek en te eien. Verder kan dit geredeneer word dat ‘n nuwe denkpatroon en ‘n nuwe bekendstelling aan weeklaag in die liturgie verreikende gevolge kan hê in die lewens van die geloofsgemeenskap, veral waar daar na die heling van ons verlede gekyk word. Een deel van die navorsing was ‘n literêre studie terwyl die tweede deel ‘n empiriese studie was. Gemeentes van die Verenigende Gereformeerde Kerk in Suider-Afrika het deel uitgemaak van die empirisie navorsing. Die klem van die navorsing was beskrywendempiries en die data moes interpreteer word. Gedurende die normatiewe deel kon daar teologies gereflekteer word oor die maniere waarop weeklaag weer deel van die bestaande liturgie gemaak kan word in ons kerk. Verskeie moontlikhede het aan die lig gekom in hierdie verband.
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Books on the topic "Lament"

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Crnjanski, Miloš. Lament nad Beogradom: Lament for Belgrade = Lamento pour Belgrade = Il Lamento di Belgrado = Lamento über Belgrad = Lament nad Belgrad = Lamento por Belgrado. Beograd: Tanesi, 2010.

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Stiefvater, Maggie. Lament. London: Scholastic, 2011.

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Lament. Praha: Akropolis, 2008.

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Titche, Leon. Abishag's lament. Lewiston, N.Y: Mellen Poetry Press, 2000.

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Scott, DeLoras. Addie's Lament. Toronto: Harlequin Books, 1995.

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Green, Simon R. Nightingale's lament. New York: Ace Books, 2004.

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Auslander, Shalom. Foreskin's Lament. New York: Penguin Group USA, Inc., 2008.

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Henry, Christina. Black lament. New York: Ace Books, 2012.

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Louisiana lament. New York: Forge, 2004.

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Paul, Bailey. Gabriel's lament. Harmondsworth: Penguin, 1987.

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Book chapters on the topic "Lament"

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Zimmerman, Lee. "Pavel’s lament." In Trauma and the Discourse of Climate Change, 12–26. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429340222-1.

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Wiseman, Laura. "Lament Poetry." In Spatialized Injustice in the Contemporary City, 114–33. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429434570-8.

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"Lament." In Toward the Wild Abundance, 76–77. Michigan State University Press, 2019. http://dx.doi.org/10.14321/j.ctvfrxqr8.38.

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"Lament." In Hemlock, edited by David R. Foster, 224–30. Yale University Press, 2014. http://dx.doi.org/10.12987/yale/9780300179385.003.0012.

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"Lament." In Every Ravening Thing, 13–16. University of Pittsburgh Press, 2019. http://dx.doi.org/10.2307/j.ctvdtpjpk.11.

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"Lament." In Art and Eloquence in Byzantium, 91–108. Princeton University Press, 2019. http://dx.doi.org/10.2307/j.ctv8pzchb.11.

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"Lament." In The Path of the Ocean, 136. University of Hawaii Press, 2019. http://dx.doi.org/10.2307/j.ctvp2n4vm.79.

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"lament." In Music in Shakespeare. Bloomsbury Publishing Plc, 2005. http://dx.doi.org/10.5040/9781623560621.05361.

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"Lament." In Regret, 53–64. University of Notre Dame Press, 2021. http://dx.doi.org/10.2307/j.ctv19m62s0.8.

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Kinealy, Christine. "Lament." In Lives of Victorian Political Figures II, 254. Routledge, 2021. http://dx.doi.org/10.4324/9781003192299-34.

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Conference papers on the topic "Lament"

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Brown, Courtney. "Lament." In MOCO '20: 7th International Conference on Movement and Computing. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3401956.3404249.

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Li, Jiabao, and Cooper Galvin. "Glacier’s Lament." In 2021 IEEE VIS Arts Program (VISAP). IEEE, 2021. http://dx.doi.org/10.1109/visap52981.2021.00010.

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MARTIN, ROWAN. "THE FUTURE OF BIOLOGICAL DIVERSITY: A LAMENT OR HUNGARIAN RHAPSODY?" In Proceedings of the Conference on Future of the Universe and the Future of Our Civilization. WORLD SCIENTIFIC, 2000. http://dx.doi.org/10.1142/9789812793324_0023.

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"Got Filk? Lament for Apollo in Modern Sci-Fi Folk Music." In 55th International Astronautical Congress of the International Astronautical Federation, the International Academy of Astronautics, and the International Institute of Space Law. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2004. http://dx.doi.org/10.2514/6.iac-04-iaa.6.16.1.06.

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Ambe, Aloha Hufana, Margot Brereton, and Alessandro Soro. "An Oldy's Lament: Poem of Resistance and Resilience of the 'Othered' in Technology Colonisation." In CHI '20: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3334480.3381807.

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Suszko, Arthur, and Mohamed S. El-Genk. "A Composite Cu/HOPG Heat Spreader for Immersion Cooling of High Power Chips." In ASME 2015 International Technical Conference and Exhibition on Packaging and Integration of Electronic and Photonic Microsystems collocated with the ASME 2015 13th International Conference on Nanochannels, Microchannels, and Minichannels. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/ipack2015-48678.

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Presented are the results of a 3-D numerical analysis of a composite heat spreader for immersion cooling of a 20 × 20 mm microprocessor. The spreader is comprised of two 0.5 mm thick Copper (Cu) laments separated by a layer of highly ordered pyrolytic graphite (HOPG), 0.25–1.0 mm thick. The exposed surface of the top Cu lament has an average roughness, Ra = 1.79 μm and is cooled by saturation nucleate pool boiling of PF-5060 dielectric liquid. Investigate is the impact of δHOPG on the total power removed, the maximum temperature of the underlying chip, Tmax, and mitigating the chip hot spots. Increasing δHOPG increases the total power removed, but also increases Tmax. The spreader with a 1.0 mm-thick δHOPG is capable of removing 318 W, without exceeding 90% of the critical heat flux (CHF), at Tmax = 120°C. This power removal is significantly higher than that with an all Cu spreader of the same thickness of 90 W, but at much lower Tmax of 67°C. Composite spreaders with δHOPG = 0.25, 0.5, and 0.75 mm are capable of removing up to 160 W at Tmax = 85°C, 228 W at 100°C, and 292W at 115°C, respectively. The HOPG suppresses the transmission of hot spots to the spreader surface and increasing δHOPG does not mitigate the hot spots.
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Sihombing, Herdiana br. "Comparison of Lament Songs in the Old Testament and the Andung Andung in the Toba Batak Culture." In 1st International Conference on Education, Society, Economy, Humanity and Environment (ICESHE 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200311.034.

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Shumin Yang, Zhoutong He, Dezhang Zhu, and Jinlong Gong. "Effect of pressure on nanocrystalline diamond films deposition by hot (lament CVD technique from CH4/H2/Ar gas mixture." In 2008 2nd IEEE International Nanoelectronics Conference. IEEE, 2008. http://dx.doi.org/10.1109/inec.2008.4585636.

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Gong, Fangming. "Why is Luxun’s “Nora” Different: The Cultural Account for the Divergent Heroines Between A Doll’s House and Lament Over the Dead." In 6th International Conference on Humanities and Social Science Research (ICHSSR 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200428.006.

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A. McBrayer, G. "The End of a Civilization: What Moderns Might Learn from Thucydides’ Peloponnesian War." In Applied Human Factors and Ergonomics Conference. AHFE International, 2019. http://dx.doi.org/10.54941/ahfe100192.

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Thucydides self-consciously presents the Peloponnesian War as the greatest war the world had ever seen to that point in history, insofar as it was a contest between the two greatest Greek powers—Athens and Sparta—at the peak of Greek Civilization. The war, however, would mark the beginning of the end of this great civilization. Although Thucydides does not unequivocally blame Athens for the war that ultimately leads to the destruction of Greece, it is clear that he thinks Athenian devotion to motion, or to the perpetual pursuit of progress, spurred it on. Thucydides appears to lament the great expansion of education, in particular the sophistic education that became prevalent in Greece and contributed heavily to the theoretical justification behind the Athenian Empire. Even or especially education at its highest—Socratic philosophy—seems to bear some culpability for, or is at least symptomatic of, Athens’ decline, and ultimately Greece’s decline as well, in Thucydides’ view. This paper will examine Thucydides' teaching regarding the decline of civilization to see if it can offer any guidance to the current crisis of civilization in the West.
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Reports on the topic "Lament"

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Staniszewski, Jeffrey M., and Travis A. Bogetti. LAMPAT and LAMPATNL User's Manual. Fort Belvoir, VA: Defense Technical Information Center, September 2012. http://dx.doi.org/10.21236/ada570411.

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Kaste, Robert P. A User's Guide to LAMPAT and ANSYS. Fort Belvoir, VA: Defense Technical Information Center, March 2002. http://dx.doi.org/10.21236/ada402259.

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Sofair, Isaac. Application of the Lambert Problem to Inverse-Square Gravity. Fort Belvoir, VA: Defense Technical Information Center, December 2003. http://dx.doi.org/10.21236/ada451778.

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Hammerand, Daniel Carl, and William Mark Scherzinger. Constitutive models in LAME. Office of Scientific and Technical Information (OSTI), September 2007. http://dx.doi.org/10.2172/945916.

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Mumm, Jared M., Joseph D. Stock, Samaneh Azarpajouh, Chelsey Smith, Cassondra Elliott, Anna K. Johnson, Kenneth J. Stalder, and Julia A. Calderón Díaz. Time Taken for Lame and Non-lame Sows to Stand and Lie. Ames (Iowa): Iowa State University, January 2017. http://dx.doi.org/10.31274/ans_air-180814-370.

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Lawton, John A., and Craig A. Martell. Hybrid Neighboring-Optimal-Control and Lambert-Based Interceptor Boost-Phase Guidance,. Fort Belvoir, VA: Defense Technical Information Center, January 1997. http://dx.doi.org/10.21236/ada329043.

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Tabiei, Ala, and George A. Gazonas. Implementation of the Nonlinear Composite Analysis Code LAMPAT" into LLNL-DYNA3D". Fort Belvoir, VA: Defense Technical Information Center, September 2002. http://dx.doi.org/10.21236/ada408759.

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Frankel, Ari. Convergence of the Beer-Lambert-Bouguer Law in Discrete Particulate Media. Office of Scientific and Technical Information (OSTI), August 2015. http://dx.doi.org/10.2172/1212631.

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Nolan, Carol. Lampen und Laternen als Zeichen der Hoffnung in ausgewählten Werken Wolfgang Borcherts. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5432.

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Mumm, Jared M., Joseph D. Stock, Samaneh Azarpajouh, Anna K. Johnson, Kenneth J. Stalder, Alejandro Ramirez, and Julia A. Calderón Díaz. Dynamic Space Requirements of Lame and Non-lame Sows as they Lie and Stand. Ames (Iowa): Iowa State University, January 2017. http://dx.doi.org/10.31274/ans_air-180814-348.

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