Journal articles on the topic 'Kyrgyz Small art works'
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1
Ormonova, Sabira. "THE HISTORY OF THE DEVELOPMENT OF THE GENRE OF SATIRE IN KYRGYZ LITERATURE." Alatoo Academic Studies 20, no. 4 (December 30, 2020): 270–77. http://dx.doi.org/10.17015/aas.2020.204.32.
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This article examines the history of the origin of Kyrgyz satire, the beginning and the emergence of satire in oral folk art, and development trends of Kyrgyz satire during the Soviet period. The origins of the history of the birth of Kyrgyz satire lie in the inexhaustible folk oral creativity. Due to the fact that satire by its nature is closely related to mentality, everyday life of the people and focuses on the character, behavior of a person, its examples can be considered in the proverbs, fables, stories of Apendi, Zhaerenche Chechen, Akyl Karachach, stories of the people's humorists and many others. Also, in the trilogy "Manas" and in such small epics as "Er Toshtuk", "Zhanyl Myrza" and in a lot of satirical ridicule. Satirical elements at the end of XIX-th at the beginning of the XX-th centuries developed in the work of akyns-improvisers, in professional literature - in the works of M. Elebaev, A. Tokombaev, K. Malikov, J. Bokonbaeva, later R. Shukurbekov, M. Alybaeva, B. Sarnoeva, E. Ibraeva, J. Ryspaeva and others. In general, Kyrgyz satire, like world satire, has recently been developing into traditional and new format, innovative in nature.
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Borbuchalova, Baktygul. "THE MAIN ELEMENTS OF FOLK SATIRE IN ORAL CREATIVITY." Alatoo Academic Studies 23, no. 3 (September 30, 2023): 236–48. http://dx.doi.org/10.17015/aas.2023.233.25.
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Having a separate place in the public consciousness (according to the critical point of view), satirical or humorous artistic thinking, which manages to approach literary creativity from a different angle, acquires a specific form as a work of art, and the personal creativity of a poet or writer is of great importance. Of course, when a creative person expresses his attitude to funny events, he does not intend to write in only one genre, but at the same time he is engaged in a wide genre range in order to make the thought satirical or humorous, and tries to place his own content from it. Typing genres, based on a known research problem, should generalize and draw a conclusion. Since 1957, satirical magazines have become more active, which, along with operational reviews, began to publish purposefully readable small satirical works, accompanied by funny words. Since it was impossible to raise the prestige of a magazine that was limited to criticism in all cases, poets and writers who turned to this genre were obliged to write original works that would cheer up the people using various genres of satire and humor. The fact that the authors, who began to gain fame in their chosen direction, found their place in Kyrgyz literature and began to be discussed in different conditions, also revealed the need to study this issue in literary science.
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Abdybaev, Kurmanbai. "WORKS OF ART OF THE ENESAI KYRGYZ." Известия Кыргызского государственного технического университета им. И. Раззакова, no. 3 (2022): 239–44. http://dx.doi.org/10.56634/16948335_2022_3_239.
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Kudaibergenova, Zeynep. "WOMEN’S PLACE IN ASSEMBLED WORKS OF K. MIFTKOV OF KYRGYZ NATIONAL TRADITIONS." Alatoo Academic Studies 22, no. 2 (June 30, 2022): 296–302. http://dx.doi.org/10.17015/aas.2022.222.38.
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The article provides information about the collection of national traditions and rituals in the Kyrgyz folklore of K. Miftakov. K. Miftakov collected manuscripts from the Talas, Chui and Naryn valleys in 1923. In the Fund of Manuscripts of the Department of Social Sciences of the Academy of Sciences of the Kyrgyz SSR, he handed over materials on the topic “Games”, “Folk crafts”, “Folk rituals”, “Wedding, “Seeing the bride » and Kyrgyz costumes, food, crafts, entertainment, customs, rituals and religious beliefs. He submitted a 599-page manuscript titled "Kyrgyz Ethnography".Among the ethnographic materials collected by K. Miftakov, there is a lot of information about the ancient art of making Kyrgyz ornaments. Miftakov spoke about blacksmithing, a form of folk art: “Kyrgyz craftsmen make the most expensive things from the simplest tools. He says that Kyrgyz craftsmen can make bird guns, shotguns, knives, axes, stirrups, saddles, swords, hoes, dishes and pans, ancient weapons and much more.
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Koichumanova, Gulzhan. "PHILOSOPHICAL IDEAS IN THE KYRGYZ POETS WORKS." Alatoo Academic Studies 2020, no. 3 (September 30, 2020): 218–25. http://dx.doi.org/10.17015/aas.2020.203.25.
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This article is investigating philosophical ideas in the Kyrgyz poet’s works based on theoretical problems of modern philosophical poetry and mastering the centuries-old heritage of the Kyrgyz people. It is known that the philosophical values of Kyrgyz people were formed through ancient time’s folklore, epics, proverbs, and singers’ work taken as a source of philosophical poetry in the modern professional literature. Aims of this research were to consider philosophical lyricism in the Kyrgyz poetry as a complex and contradictory issue from ancient nomadic times to the present days; finding the primary sources of philosophical lyricism; to consider the chosen scene in connection with the poet's philosophical thoughts and views following his artistic taste and worldview. Deep understanding of an artistic nature and philosophical thoughts, values of Kyrgyz poets' works achieved by focusing on their role in the literary process, and artistic values of Kyrgyz poetry, relying on literary and theoretical patterns in the synthesis of philosophical categories and art have been described.
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Khalilova, T. "Integration Teaching the Kyrgyz Language in the Kyrgyz Literature." Bulletin of Science and Practice 5, no. 12 (December 15, 2019): 442–49. http://dx.doi.org/10.33619/2414-2948/49/55.
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The article provides an example of the integration of antonyms, synonyms, homonyms in the Kyrgyz language. The novel The White Steamboat is analyzed. It has been established that many topics in Kyrgyz literature coincide with those of the Kyrgyz language and can be integrated. Any topic in the Kyrgyz language can be carried out by linking them to topics in Kyrgyz literature. If you teach students, comprehensively educating and guiding them into the future, through the integration of works of art, there will be an opportunity not only to interest students in learning, but also the possibility of education.
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Moldoshova, Gulmira. "KAYUM MIFTAKOV - IS THE FIRST FOUNDER OF KYRGYZ FOLKLORE." Alatoo Academic Studies 2021, no. 2 (June 30, 2021): 222–29. http://dx.doi.org/10.17015/aas.2021.212.25.
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This article provides a short excursion to the first sources of Kyrgyz folklore to collect and discuss scientific facts related to oral folk art. Then a complete overview of the life and work of one of the first founders of Kyrgyz folklore Kayum Miftakov is given. Kayum Miftakov from early childhood was interested in and knew well the content of oral folk art of the peoples of Bashkiria and Tatarstan. Accordingly, at one time, Kayum Miftakov made records of oral folk art of the above peoples. From the age of 14 he worked as a hired shepherd for the Kazakhs, which led to the interest and study of Kazakh folklore. Information about the Kyrgyz and the Kyrgyz people in 1912 from Kanatov and Arabaev, who were studying in Ufa at that time. After the information received, Kayum Miftakov decides to move to Kyrgyzstan. (Kyigizstan) At the beginning of his research, Kayum Miftakov spends a lot of time in Talas, Issyk-Kul, and Naryn. He meets and records (writes down) on paper the epic "Manas", several other works relating to the oral folk art of the Kyrgyz people. Summing up, we can say that in this article Kayum Miftakov is characterized as one of the first folklorists of oral folk art of the Kyrgyz people.
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Кенжешев, К. "ETHNOPEDAGOGY AND ANALYSIS OF LITERARY WORKS IN SENIOR GRADES." Vestnik Bishkek state university af. K. Karasaev 2, no. 60 (April 1, 2022): 26–30. http://dx.doi.org/10.35254/bhu/2022.60.26.
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This article examines the analysis of a literary work to address issues necessary for the development of a range of competencies in Kyrgyz literature in senior grade students. Its connection with ethno-pedagogy will be revealed during the analysis of the art work. What situations are taken into account when connecting the problem to Kyrgyz literary works depends on the content of the lesson. Competent analysis of literary works will increase the level of ethno-pedagogical education of students. Scientific and methodological development of the topics of Kyrgyz literature reveals to the students that ethno-pedagogical content is a social problem of cognition. Examples show that literary education is not taken into account in secondary school. It is interpreted on the basis of students' personal, socio-cultural competencies.
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Zhamangulova, Nazira. "LIFE AND WORK OF ABDYKALYK CHOROBAEV." Alatoo Academic Studies 2020, no. 3 (September 30, 2020): 238–44. http://dx.doi.org/10.17015/aas.2020.203.28.
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Abdykalyk Chorobaev is a great representative of the Kyrgyz poets of the older generation, an outstanding folklorist, Kyrgyz ethnologist, follower of Togolok Moldo, genealogist, Honored Worker of Culture of the Kyrgyz SSR, member of the Union of Writers of the USSR. The poet made a significant contribution to the development of Kyrgyz literature. He has his own writing style and his own creative theme, which makes him different from other poets. In the work of A. Chorobaev there are songs on the theme: Nostalgia for the homeland, longing, mourning, labor, love, falling in love, glorification of folk art, women's theme, freedom, children's world, the importance of education, etc. His works include art, sermons , legends and other diverse genres. What distinguishes the poet from his contemporaries is that he was able to move from folklore to professional literature and continue his activities in two main areas of literature: in folklore and in Kyrgyz written literature. This article provides a general overview of the life and work of the poet.
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Shagdurova, Olga Yu, and Elena V. Tyuntesheva. "Lexical and semantic correlations of verbs with figurative-characterizing meaning in the Khakas and Altai languages (in Contrast with the Kipchak languages)." Sibirskiy filologicheskiy zhurnal, no. 4 (2021): 241–51. http://dx.doi.org/10.17223/18137083/77/18.
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We study the correlations between figurative-characterizing verbs in Turkic languages of Siberia (Altai, Khakas) and Kipchak languages (Kyrgyz, Kazakh, Bashkir). In these languages, we distinguish a small ancient group of figurative stems common for all Turkic, and sometimes also Mongolian and Tungusic languages. In the Altai and Khakass languages, there are commonalities and differences in the formation of complex words from figurative bases both between these languages themselves and with Kipchak. One common trait of these languages is the simultaneous formation of figurative-characterizing verbs and their Aktionsart meaning defined by an auxiliary verb (in analytic word formation) or certain affixes: =y characterizes a state while =ŋda ~ =ŋna ~ =ŋnaa denotes an evenly distributed meaning of action. The =(а)y affix is also found in the Mongolian language while =ŋda ~ =ŋna ~ =ŋnaa is typical for the Siberian and Kipchak languages. The difference in the formation of complex verbs with figurative-characterizing meaning lies in the usage of different verb components: Alt. et= ‘to do’; Khak. tüs= ‘to go down’, pol= ‘to be’, it= ‘to do’ (rarely); Kyrg., Kaz. et= ‘to do’, ber= ‘to take’, qaq= ‘to knock’, etc. The analysis of correlations has shown their small number among complex words and greater number among synthetic words, with a high number of Mongolian loanwords common for Siberian and Kipchak languages. In figurative-characterizing verbs, most correlations found in Siberian languages (without those in Kipchak) are derived from all-Turkic stems. No Altai-Kipchak correlations without their presence in the Khakass language were found, while there are a few correlations with Kyrgyz language. Also, no Khakas-Kipchak correlations were detected.
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Iimangazieva, A. "Features of Oxymorons in the Art World of Ashim Dzhakypbekov." Bulletin of Science and Practice 10, no. 2 (February 15, 2024): 624–30. http://dx.doi.org/10.33619/2414-2948/99/73.
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An article analyzes the actual problems of language profiling, which is currently one of the most important studies of both the Kyrgyz language and Kyrgyz literature. The role of language, which is the main medium of communication, reviving artistic work, creating imagery, beauty, and expressiveness of speech, has been determined. It has been noted that it is poets and writers who use language in different ways to create a stylistic effect, and the main task of linguistics is to learn the language and style of writers. The most important object of research in linguistics is oxymoron. The article conducts a scientific and theoretical analysis of oxymoron. Oxymoron is regarded as a syntactic technique, formed based on an unusual combination of opposing concepts, as a peculiar figure of speech, created by a combination of words with opposite meanings. It is noted that now the oxymoron is used as a language norm in colloquial speech, journalism, in artistic works, that a person’s worldview, his ability to think, and imagination are expressed through speech activity with the help of language. As the examples show, on the one hand, if the oxymoron as the object of study is not subjected to extensive research, it is impossible to determine the nature and detail of speech. On the other hand, the author’s personal style, originality, and writing character are fully disclosed only when a high level of stylistic analysis of the work is carried out. In the example of the works of Ashim Dzhakypbekov, linguistic data on the internal structure of texts and themes of oxymorons are given. The oxymorons in the artistic world of the greatest master of the word, creatively using the wealth of the Kyrgyz language, have been deeply analyzed. The specificity of oxymorons in the work of Ashim Dzhakypbekov is considered together with the plot of the works. Text materials have been analyzed to determine the vocabulary richness of the Kyrgyz language, the importance and possibilities of linguistic means of expressiveness, the comprehensiveness of perception of reality with the help of expressions consisting of two contradictory words or phrases, and their impact on perception.
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B.D. Budaichiev. "MONUMENTAL SCULPTURE OF KYRGYZSTAN IN 1990-2010." Herald of KSUCTA n a N Isanov, no. 3 (September 23, 2019): 446–50. http://dx.doi.org/10.35803/1694-5298.2019.3.446-450.
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The article deals with the development of the Kyrgyz monumental sculpture in 1990-2010. The high growth of this art form is primarily due to the active creative activity of the outstanding figure of the national artistic culture, sculptor TS. Sadykov, the author of such remarkable monuments as "Fighters of the Revolution". "Manas", "Victory" "El Kutu" ("Lights of the people") and the monument of B. Beyshenaliev and others. Thanks to his indefatigable organizational and social activities, care for the destinies and future of Kyrgyz art in the early 1990s, with the support of the President and the Government of the Republic, a higher educational institution, the National Academy of Arts of the Kyrgyz Republic, was opened for the first time. The works of the master's pupils - S. Azhiev, A. Usukeev, U. Sadykov, T. Mederov - are also considered.
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Bilbaeva, Gulzada. "RELEVANCE OF ARTISTIC DETAILS IN KYRGYZ PROSE." Alatoo Academic Studies 2021, no. 4 (December 30, 2021): 102–11. http://dx.doi.org/10.17015/aas.2021.214.12.
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The actual problem of studying the evolution of art of artistic detail in Kyrgyz prose, which plays an important ideological and aesthetic role in the creation of the artistic world. The researcher gives a chronological overview of the study of artistic detail in Kyrgyz literary criticism, touches upon the issue of the formation and development of professional Kyrgyz literature, its originality and features, the interaction of Russian and Kyrgyz literature over the past centuries. Based on the analysis of the works of Russian and Kyrgyz prose writers, the researcher presents the most striking artistic details that carry a certain semantic and emotional load, proving what significant function it performs in the artist's creative laboratory. The scientific novelty of the research lies in the approach of studying artistic details by Kyrgyz writers from the point of view of genre originality, methodology of their use, revealing their important ideological and aesthetic role in a literary work.
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Kadyrbek kyzy, Nurkyz. "СҮЙҮНБАЙ ЭРАЛИЕВДИН ПОЭЗИЯСЫ КЫРГЫЗ ЖАН ДҮЙНӨСҮНҮН, ЖАШООСУНУН КӨРКӨМ ЭНЦИКЛОПЕДИЯСЫ." Alatoo Academic Studies 8, no. 6 (March 31, 2021): 195–202. http://dx.doi.org/10.17015/aas.2021.211.24.
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The publication analyzes in what aspect the very valuable and eternal theme of the poet and poetry in the work of the famous Kyrgyz poet Suyunbay Eraliyev is reflected and how he himself responsibly treats his profession. And it is also written about the peculiarities of the great poet's thinking. In order to reveal the ideological value, we stopped at newer works (after 2000). He is known not only as a great lyricist, but also as the best philosopher in Kyrgyz literature. His poetry is the epitome of patriotism and great sincere love for the motherland. The life and works of Suyunbai Eraliyev are the national heritage of our people, the pride of professional literature and a part of history. He is one of two poets who for 60 years wrote and worked without interruption. His work has an original Eralievs character, which combines Kyrgyz folk art and traditional romanticism of the twentieth century. Many of his works reflect the love of nature, which is inextricably linked with the love of the Мatherland.
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Kaldybaeva, Aichurok, and Azizbek Batyrov. "THE STUDY OF FOLKLORE WORKS AS A SOURCE OF PATRIOTIC EDUCATION IN KYRGYZ ETHNOPEDAGOGY." Alatoo Academic Studies 23, no. 4 (December 30, 2023): 117–24. http://dx.doi.org/10.17015/aas.2023.234.12.
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The article provides an overview of the works of Kyrgyz ethnopedagogues studying how the ideas of patriotic education are reflected in the folklore heritage. The views of Kyrgyz ethnopedagogues who express ideas on ethnopedagogy and patriotic education in folklore works are explained in a new way. The article was devoted to researchers of the theory and history of ethnopedagogy. In our opinion, in the patriotic education of students, works of literature perform the following functions: a communicator that unites in the collective recognition of the ideals, values of patriotic personalities in the children's environment; a means that allows a teacher-educator to instill in students feelings, values about the Motherland and patriotism; a means that deepens, complements, strengthens inner care and love for the Motherland, place birth, civic duty to the Motherland, reflection on their social role, as well as a means of self-education. In the studies of a number of scientists, opinions are expressed about Kyrgyz folklore, ethnography, philosophy, and pedagogical views in oral folk art.
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Cummings, Sally Nikoline. "Entangled interpretations and a transnational art exhibition:The case of (…) Ketsin! Art from the Kyrgyz Republic (Shoreditch, May 2013)." Museum and Society 13, no. 3 (July 1, 2015): 336–55. http://dx.doi.org/10.29311/mas.v13i3.334.
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Through the case study of a visual arts exhibition on the Kyrgyz Revolution, (...) Ketsin! (May 2013), this article traces the complex set of factors that influence how a transnational exhibition is interpreted. Combining literatures on visual representation, the role of intentionality in authorship, and, museum and gallery studies, I propose here the notion of ‘entangled interpretations’ to convey the overlapping and muddled layers rather than discrete parts that together constitute interpretation. These layers comprise: the artworks; other works in the same genre and other works by the same artists; the exhibition design and display; the architecture of the venue; the artists’ intentions; the roles of commissioner, sponsor and curator; and, the split audience: original and intended.
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Ulanova, Alina Ulanovna. "The epic of «Manas» in inculturation of modern youth." Vestnik of Saint Petersburg State University of Culture, no. 1 (54) (2023): 69–74. http://dx.doi.org/10.30725/2619-0303-2023-1-69-74.
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This article analyzes the significance of the epic «Manas» in the historical heritage of the Kyrgyz people, as well as its status and role in the modern cultural space of the republic. The significance of the epic «Manas» is defined as a core of traditional kyrgyz culture and one of the main institutions of modern artistic culture. Examines creative experiences in the interpretation of epic images embodied in the Kyrgyz fine art of the twentieth century (Theodore Gertsen, Taalai Kurmanov, Turgunbai Sadykov). The problem of inculturation of young generation through the use of epic heritage is raised. We are talking about multi-dimensional use of the rich content of artistic images of the epos in different spheres of culture and purposeful inclusion of the young generation of different ages to the system of fundamental values contained in them. In addition, the question is raised about the need to create modern professional art works based on the epos on a solid literary basis, on the basis of serious drama and a deep reading of the images and precepts of the ancestors, accumulated in the great poetic heritage of the Kyrgyz people.
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Ulanova, A. U. "“Feeling of Kyrgyzstan”: the role of L.M. Mosolova in the formation and development of artistic culture of Kyrgyzstan." Voprosy kul'turologii (Issues of Cultural Studies), no. 11 (November 30, 2023): 921–32. http://dx.doi.org/10.33920/nik-01-2311-01.
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The article deals with the role of Prof. L.M. Mosolova in the formation and development of artistic culture of Kyrgyzstan. Born in Jeti-Oguz district of the Kyrgyz Republic, L.M. Mosolova worked in the Ministry of Culture of Soviet Kyrgyzstan as an editor of the art-expert board and an art historian at the difficult moment of establishment of the new socialist content in the socialist republics. While studying the history of fine arts of Kyrgyzstan, L.M. Mosolova wrote the most unexplored part of this history — the oldest and most ancient. In addition to many analytical articles and monographs, essays on painters, sculptors in the art history heritage of L.М. Mosolova, monumental works on the history of art of Kyrgyzstan play an important role. Among the art historians of the Kyrgyz Republic L.М. Mosolova occupies a special place, due to a peculiar combination of experience in teaching, teaching and methodological, art-critical, scientific activity and personal qualities and in it lives “the feeling of Kyrgyzstan”, which can not be achieved without love — even by labor.
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Mametemin, kyzy M. "Scientific Research in Kyrgyzstan in 1920-1930." Bulletin of Science and Practice, no. 3 (March 15, 2023): 466–71. http://dx.doi.org/10.33619/2414-2948/88/63.
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The article describes the activities carried out in the scientific and cultural sphere in Kyrgyzstan after the establishment of Soviet power. As a result of the division of Central Asia into separate states in 1924, their intensive research began, in particular, the study of the history, ethnography, cultural life, language and folklore of the Kyrgyz people, as well as the natural resources of the region. Museums and archives have been opened, and extensive materials have been collected on the basis of which many works have been written, not only in history and other related social sciences but also in medicine, economics, agriculture, art and culture. With the establishment of the Turkestan Committee, expeditions to the territory of the country were organized. This was the start of a systematic study of the history of the Kyrgyz people and Kyrgyzstan. Museums and archival institutions were opened, extensive materials were collected, on the basis of which many works related not only to history and other related social sciences, but also to medicine, economics, agriculture, art and culture were written.
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Samsalieva, Meerim. "NARRATIVE AND VARIATIONS ISSUES IN KYRGYZ AKYN POETRY." Alatoo Academic Studies 22, no. 2 (June 30, 2022): 156–63. http://dx.doi.org/10.17015/aas.2022.222.20.
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The creativity of akyns (Kyrgyz folk poets and singers) is defined as a separate stage, an artistic and aesthetic phenomenon that combines folklorism and professionalism while forming the corresponding features on the path of oral folk art and fiction development. This article analyzes and discusses opinions about the quality of folklorism in the work of Kyrgyz akyns-improvisers, in particular, the ability of each listener to be a potential performer or about the narration of akyns-improvisers. In addition, the issue of variability in the work of akyns is analyzed. Based on the author’s opinion, the variation is considered in three directions. The first one is the emergence of variations in the narration of folk epics and legends. The second one is variations of such genres as lamentation songs, proverbs, and sayings in the work of akyns. And the third one is based on the example of akyns-improvisers works, such issues as the revival of traditional themes in the works of akyns are analyzed.
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Samsalieva, Meerim. "NARRATIVE AND VARIATIONS ISSUES IN KYRGYZ AKYN POETRY." Alatoo Academic Studies 22, no. 3 (September 30, 2022): 166–73. http://dx.doi.org/10.17015/aas.2022.223.20.
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The creativity of akyns (Kyrgyz folk poets and singers) is defined as a separate stage, an artistic and aesthetic phenomenon that combines folklorism and professionalism, while forming the corresponding features on the path of oral folk art and fiction development. This article analyzes and discusses opinions about the quality of folklorism in the work of Kyrgyz akyns-improvisers, in particular, the ability of each listener to be a potential performer or about the narration of akyns-improvisers. In addition, the issue of variability in the work of akyns is analyzed. Based on the author’s opinion, the variation is considered in three directions. The first one is the emergence of variations in the narration of folk epics and legends. The second one is variations of such genres as lamentation songs, proverbs and sayings in the work of akyns. And the third one is based on the example of akyns-improvisers works, such issues as the revival of traditional themes in the works of akyns are analyzed.
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Бакиров, А. А. "Artistic portrayal of the military art of the Kyrgyz people in the heroic epic Manas." Эпосоведение, no. 2(30) (June 30, 2023): 26–42. http://dx.doi.org/10.25587/svfu.2023.59.27.003.
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Актуальность статьи обусловлена тем, что в научной литературе практически отсутствуют труды, в которых эпос «Манас» привлекался бы в качестве основного источника для изучения военного дела кыргызов. Исключение составляют статья С. М. Абрамзона «Черты военной организации и техники у киргизов (по историко-этнографическим данным и материалам эпоса “Манас”»), в которой автор блестяще рассмотрел отдельные стороны военного дела кыргызов, а также очерк З. Ч. Мамытбекова «Отражение жизни и борьбы киргизов в эпосе “Манас”», в котором содержатся разделы, посвященные интересующей нас теме. Важными для нас являются также труды В. М. Жирмунского «Введение в изучение эпоса “Манас”» и А. Н. Бернштама «Эпоха возникновения эпоса “Манас”», в которых анализируются отдельные вопросы, связанные с военным делом кыргызов, например, оружие Манаса, дружина Манаса и др. Труды вышеуказанных ученых послужили методологической основой работы и определили основные методы исследования, каковыми стали сравнительно-исторический и историко-типологический. Как известно, формирование героического эпоса «Манас» происходило в течение многих веков в двух крупных историко-культурных регионах: в Южной Сибири и Центральной Азии и в горах и долинах Тянь-Шаня и Средней Азии. Эпос «Манас» относится к числу развитых, классических форм героических сказаний, в развитии сюжета которого доминирующую роль играли исторические события, связанные с реальной борьбой кыргызского народа против иноземных захватчиков. В соответствии с этим, материалы эпоса «Манас» становятся для нас одним из важнейших источников при изучении военного дела кыргызов, которые отчасти могут дополнить данные письменных источников и археологических памятников. В настоящей статье предпринимается попытка установить, по мере возможности, отдельные формы военной организации, вооружения, а также характерные особенности военного искусства кыргызов, какими они находят свое отражение в героическом эпосе «Манас». Художественное изображение отдельных сторон военного дела кыргызов рассматривается в статье в сравнительно-историческом плане с данными письменных источников и археологических материалов, касающихся военного искусства номадов Южной Сибири, Центральной и Средней Азии. Результатом исследования стал вывод о том, что военное искусство кыргызов находилось на высоком для своего времени уровне и эволюционировало вместе с достижениями окружающих народов и вобрало в себя богатейший военный опыт номадов евразийских степей эпох раннего и развитого средневековья. The relevance of this article is due to the fact that in the scholarly literature there are virtually no works in which the Manas epic would be used as the main source for the study of military affairs of the Kyrgyz people. The exception is the article by Saul Abramzon “Features of military organization and technology among the Kyrgyz people (according to historical and ethnographic data and materials of the Manas epic)”, in which the author brilliantly considered some aspects of military affairs of the Kyrgyz people. Another work is an essay by Zair Mamytbekov “Reflection of life and struggle of Kyrgyz people in the Manas epic”, which contains sections devoted to the subject of our interest. The works of Viktor Zhirmunsky “Introduction to the study of the Manas epic” and Alexandr Bernshtam “The era of the Manas epic” are also important for us, which analyze separate issues related to military affairs of the Kyrgyz people, such as weapons of Manas, the retinue of Manas, etc. The works of the above-mentioned scientists served as a methodological basis for the work and determined the main methods of research, which were comparative-historical and historical-typological. As is known, the formation of the Manas heroic epic took place over many centuries in two major historical and cultural regions: in Southern Siberia and Central Asia (Saian-Altai) and in the mountains and valleys of Tien-Shan and Central Asia. The Manas epic belongs to the developed, classical forms of heroic tales, the development of the plot of which was dominated by historical events related to the real struggle of the Kyrgyz people against foreign invaders. In accordance with this, materials of the Manas epic become for us one of the most important sources in the study of military affairs of the Kyrgyz people, which can partially supplement the data of written sources and archaeological monuments. This article attempts to establish, as far as possible, certain forms of military organization, armament, characteristic features of the military art of the Kyrgyz people as they are reflected in the Manas heroic epic. The artistic impression of individual aspects of the military affairs of the Kyrgyz people is considered in the article in a comparative-historical plan with the data of written sources and archaeological materials concerning the military art of the nomads of Southern Siberia, Central and Middle Asia. The result of the study was the conclusion that the military art of the Kyrgyz people was at a high level for its time and evolved with the achievements of surrounding peoples and absorbed the richest military experience of the nomads of the Eurasian steppes of the early and developed Middle Ages.
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Soltonoev, Aktilek. "SYNTACTIC HOMONYMS IN THE KYRGYZ LANGUAGE." Alatoo Academic Studies 22, no. 4 (December 30, 2022): 225–29. http://dx.doi.org/10.17015/aas.2022.224.29.
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This article discusses homonyms, one of the lexical units of the Kyrgyz language. Previously, a number of scientific papers on lexical and morphological homonyms were published. However, the study of syntactic homonyms in the Kyrgyz language was not carried out, we tried to conduct a small research work in this direction. Although there are few syntactic homonyms in the Kyrgyz language, they express various states, situations and other circumstances of what is happening on the part of people and creates a peculiarity in our language. The article analyzes the factual material based on the scientific and theoretical works of scientists on homonyms and provides a number of examples of syntactic homonyms.
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ABDYKADYROV, P. M. "RESEARCH OF THE ACTIVITY AND FINANCIAL STATE OF SMALL ENTERPRISES IN THE REGIONS OF THE KYRGYZ REPUBLIC IN MARKET CONDITIONS." EKONOMIKA I UPRAVLENIE: PROBLEMY, RESHENIYA 5, no. 10 (2020): 22–27. http://dx.doi.org/10.36871/ek.up.p.r.2020.10.05.004.
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This article includes the results of the author's research on the features of the functioning of small enterprises in the regions of the Kyrgyz Republic and the systematization of factors influencing their development. Today, in the difficult economic conditions of our state, the decisive factor in the development and future of each region is the processes of organizing regional small enterprises in various industries. Un-fortunately, the economic conditions of the Kyrgyz Republic are characterized by the following difficult factors: weak economy of small enterprises, institutional uncertainty, many risks, ineffective public administration, in-sufficient innovation and production, also insufficient technology, underdeveloped venture capital business, legal, legal and regulatory instability, insufficient activity Kyrgyz entrepreneurs in innovative activities, lack of full funding for research, competition and scientific works. In an era of competition and the beginning of the transition to the sixth technological mode, the organization and development of small enterprises at the re-gional level can solve many problems of the country's economy, because no state can cope with the situation without small business.
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Dyikanbaeva, Gulnura. "AL-FARABI'S INFLUENCE ON KYRGYZ PHILOSOPHY." Alatoo Academic Studies 23, no. 4 (December 30, 2023): 389–94. http://dx.doi.org/10.17015/aas.2023.234.40.
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This article reveals the activities of the great scientist-philosopher of the Middle Ages Al-Farabi and his influence on Kyrgyz philosophy. Al-Farabi was one of the most influential philosophers of the East in the 9th-10th centuries, made a significant contribution to the development of philosophical thought in Kyrgyzstan and other countries of Central Asia. In his works, Al-Farabi studied traditional philosophy, as well as scientific and mathematical sciences. His ideas and methods influenced the formation of Kyrgyz philosophical thought, which was reflected in many aspects of the culture and art of the people. It should be noted that in the 9th century Kyrgyzstan was part of the Turkic Khaganate and at that time there had not yet developed its own philosophical tradition. However, subsequently, Kyrgyz thinkers, within the framework of their culture and traditions, developed various philosophical directions, including Islamic philosophy, which was represented by the ideas of Al-Farabi.
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Urusova, G. "Syntactic Structure of Proverbs in the Kyrgyz and Other Languages of the Altai Family." Bulletin of Science and Practice 7, no. 12 (December 15, 2021): 458–62. http://dx.doi.org/10.33619/2414-2948/73/60.
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This scientific article examines the research and classification of complex sentences in the Kyrgyz and other languages of the Altai family. Different views of scientists are given when determining the types of complex sentences. When disassembling, syntactic differences and similarities of complex sentences are determined. The analysis identifies their syntactic similarities and differences. The Kyrgyz proverb can be used in works of art, colloquial style, journalistic art genres. And it is considered in close connection with their syntactic peculiarity, which often follows directly from this. There is not a single sphere of people’s life that is not reflected in proverbs and sayings. It sets out not only the totality of the everyday and social life experience of the people, but also its traditions, experiences, psychology, views on good, evil, nature and its phenomena. But such a rich and deep meaning is achieved through short and artistic syntactic constructs. Therefore, the thought expressed in it is very expressive and sharp, figurative. In proverbs and sayings, we see not only the best examples of folk wisdom, but also the richness of the folk language, the power of the word. This scientific article deals with the research and classification of complex sentences in the Kyrgyz and other languages of the Altai family. The use of complex sentences in Kyrgyz proverbs about animal husbandry. As well as their historical kinship and syntactic differences between the Kyrgyz and other languages of the Altai family. Different views of scientists are given in determining the types of complex sentences. When disassembling is determined by the syntactic differences and similarities of complex sentences.
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Toktosunova, A., and Zh Abdullaeva. "Types of Dialogue in Artistic Texts of Kyrgyz Writers Works From the Semantics Point of View." Bulletin of Science and Practice 7, no. 8 (August 15, 2021): 437–42. http://dx.doi.org/10.33619/2414-2948/69/51.
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The article is devoted to the analysis of the types and texts of works of art by Kyrgyz writers from the point of view of semantics. The works of Ch. Aitmatov, T. Kasymbekov were used for illustration. Research relevance: An analysis of the types of dialogue in works of art helps to identify not only the specifics of the individual author's word use, the peculiarities of the style of an individual writer or the figurative system of a particular work of art, but also an attempt to establish general patterns in the use of types of dialogue that help in revealing the idea of a work, in a psychological analysis of the peculiarities of the inner world heroes. Research materials and methods: the focus of motivation, first of all, by educational goals, the search for the most effective ways to study the types of dialogue in a literary text, which are an important component of the structure of a prose work, which have their own functions and tasks. Research results: During the dialogue, along with the thoughts, feelings of a person, his psychological and humane qualities, the national peculiarity is also transmitted. Concepts, thoughts, sensitivity and other virtues are present. Conclusions: Identification of various forms of dialogue, acquaintance, joke, cooperation, etc. In accordance with the position of speakers, the level of conversation changes and a dialogue were drawn up.
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Maulenov, A. A., and N. K. Matbek. "Neomythology in works of art." Keruen 74, no. 1 (March 15, 2022): 160–69. http://dx.doi.org/10.53871/2078-8134.2022.1-12.
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The article draws attention to the role of mythology in the literature of the twentieth century, particularly in postmodernism. It is asserted that the use of myth allows you to achieve various artistic goals: create images, convey relationships. It is noted that the mythological symbolism fits well into the process of formation of intertextuality as the main feature of postmodernism. The main statements are illustrated through the work of Ch. Aitmatov on the example of the novel “When the mountains are served” (“The Eternal Bride”). The writer uses mythological plot, which is transformed and acquires a new sound and meaning, corresponding to modern reality. In the modern world, the synthesis of mythology and realism has become an integral part of culture. These changes gave impetus to the search for new signs and symbols in the literary process. Myth, parable, legend have an active formative influence on modern prose, contribute to the appearance of images-symbols, images-metaphors, images-allegories. The myth, crystallized for centuries and even millennia of its existence in the minds of different peoples, people of different eras, gives the most vivid examples of life situations, eternal emotions – such as love, loyalty, hatred, betrayal, selflessness. Ch. Aitmatov’s mastery in this work consists primarily in the fact that the actual biblical events are pushed into the background here, as it were, and the author's main attention is focused on the study of the psychosocial state of the planet. The theme of Zoroastrianism is introduced through myths: the people believe that this is the only way to return the “Eternal Bride”. In the image of Ch. Aitmatov, myths change their structure. They become closer to modern life, synthesizing samples of the mythical creativity of the Kyrgyz people with the actual problems of our time, the writer creates a truly philosophical and psychological novel embodying the sacred covenant of the ancestors about love and protection of nature. Thus, the commonality between the symbolic image of Zhaabars and Arsen seems obvious, the writer turns to the origins of national cultures, to mythopoetic models of artistic thinking, deeply reveals the spiritual world of his heroes. In his works, Ch.Aitmatov through folk mythology was able to reveal the multifaceted symbolism of the meaning of human existence, preserved in the mythological consciousness of the people. It is no coincidence that the myth - making of Ch. Aitmatov became not only a school for Turkic writers, but also a moral reference point in the development of the mythological tradition. It is discussed the features of postmodernism at the final part of the article, its difference from other directions. The use of mythologems, their creative processing is evidence of the originality of the mythological thinking of modern writers.
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Zhumabaeva, D., and Zh Abdullaeva. "Technology of Teaching in Colleges Based on the Works of Togolok Moldo on an Ethnopedagogical Basis." Bulletin of Science and Practice 7, no. 7 (July 15, 2021): 405–11. http://dx.doi.org/10.33619/2414-2948/68/57.
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Research relevance: Everyone knows that in the 20th century more than 70 nationalities, ethnic groups finally lost their language, ethnoculture, national identity and assimilated into the Russian nation. Such a fate awaits all nations that, in the context of globalization, have not been able to preserve their ethnopedagogy and national identity. To prevent our Kyrgyz people from finding themselves in such a difficult situation, we must apply teaching methods on an ethnopedagogical basis. Research relevance: recently in colleges it is very important to improve the quality of knowledge, the spread of new learning technologies. First, it is said about the varieties of the art of improvisation (aitysh), which was characteristic of the Kyrgyz and Kazakh people, and then about the features of the philosophical aitysh. The author then discusses the teaching methods for this lesson. Research materials and methods: pedagogical observation of students during teaching and pedagogical experiment and dialogue. Research objectives: teaching the work of the great Kyrgyz poet Togolok Moldo “Talym Girl Aitysh and Koboka” on the basis of ethnopedagogy and reveal the artistic features of the work “Talym Girl Aitysh and Koboka”, convey its moral essence and ethnopedagogical idea through advanced educational methods and techniques. Research results: students were introduced to the recommended creative reading techniques. Conclusions: students gained knowledge and learned the values of folk pedagogy, which calls for wisdom and the application of the acquired skills in life.
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Saurykov, Е., K. Tamabaeva, R. Yelubaeva, and A. Kembaeva. "Sh. Aitmatov and Sh. Murtaza: harmony of thought and knowledge." Keruen 74, no. 1 (March 15, 2022): 103–13. http://dx.doi.org/10.53871/2078-8134.2022.1-07.
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Translation is a complex genre. It is an undeniable fact that a work of art requires a hard work, skill in order to understand nature and convey the feelings of the author. From this point of view we evaluate Sh. Murtaza as a talented translator who taught the Kazakh language to the great Kyrgyz writer Sh. Aitmatov. The article is devoted to two great personalities, for their ability to skillfully convey the national spirit, the true feelings of the artistic nature, the power of the art of the word. Sentiment of thinking in the creative personalities of Chingiz Aitmatov and Sherkhan Murtaza is analyzed on the basis of individual works of art. It is assumed that the features of the use of pictorial techniques in the translation of a work of art have their own self-actualization of the nature of the word. Engaging in the translation of an article is a creative art, including a cultural phenomenon that has its own beneficial effect on spiritual development. In this regard, the relevance of the topic is determined, the conceptual positions, the relationship of interests and goals of the two writers in the creative path are revealed. Most importantly, the integrity of the theme and idea is made obvious that Sherkhan Murtaza feeling the soul of Chingiz Aitmatov with his sharp thoughts and expressive linguistic expressions conveyed the nature of the struggle and the world of the hero in the work where comparative analysis, complex and other methods are used. Chingiz Aitmatov wrote his works of art in Kyrgyz and Russian languages. Sherkhan Murtaza also mastered the entire structure of the Russian, Kyrgyz languages, and had sufficient knowledge of the specific features of the language. Based on this, we see that Sherkhan Murtaza managed to translate the passages analyzed in the article very clearly, artistically. Based on the fragments obtained, one can directly judge the ideological specifics of a work of art, the realities of life of that time in general, and the life of people. Chingiz Aitmatov is a humanist writer who comprehensively conveys the philosophy of life, glorifying love and beauty. The manasiness of the epic style in the worldview space will also not go unnoticed. All this is successfully reflected in the translation of Sherkhan Murtaza and is perceived in the work of the great artist as a category of time and space - it is accepted as conditional concepts that serve artistic creativity. Sh. Aitmatov was a great master realist of the last century as well as Sh. Murtaza made an invaluable contribution to the development of national literature is a true supporter of spirituality, a master of words. The article provides an analysis and proves that the wide distribution of the works of Chingiz Aitmatov to Kazakh readers contributed to an increase share of a skilled translator Sherkhan Murtaza.
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Osmonova, A. "Relationship of Synonyms with Transitional Words." Bulletin of Science and Practice 7, no. 12 (December 15, 2021): 409–14. http://dx.doi.org/10.33619/2414-2948/73/51.
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The issue of the relationship of synonyms with transitional words is still actual. Because these two phenomena are important for linguistics. The article mentions the opinions of scientists in determining the nature of synonyms, as well as their specificity, the formation of synonyms in the Kyrgyz language, and their relationship with transitional words. Synonyms used figuratively for stylistic purposes have been corroborated by examples of irony, sarcasm, ridicule, euphemism, and discovery. Examples are given to show that euphemisms are a type of trope that conveys a figurative meaning of a word. In this regard, it is noted that in works of art, in addition to the generally accepted euphemisms for the Kyrgyz people, individual, contextual euphemisms are widely used, and transitional words are closely related to synonyms, especially with their contextual form and euphemisms. All of them are studied in fiction and serve as artistic means.
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Maksimov, Anatoly А., and Anatoly D. Ten. "Agricultural Cooperation in The Kyrgyz Republic: Potential, Problems and Prospects." Revista Amazonia Investiga 9, no. 27 (March 21, 2020): 552–59. http://dx.doi.org/10.34069/i/2020.27.03.59.
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The article has been written in order to disclose the development potential of agricultural cooperation in the Kyrgyz Republic in the conditions of its integration into the unified food market of Eurasian Economic Union member states. Cooperation is considered an efficient economic mechanism of integration of small agricultural producers into national and global food value chains. Upon examination of works revealing the potential of cooperation in the development of value chains, analysis of the agrarian structure and evaluation of the potential held by member states for cooperation, the authors of the article have proposed measures for comprehensive development of agricultural cooperation in the Kyrgyz Republic. The article is based on the materials by international organizations, the National Committee of Statistics of the Kyrgyz Republic, the Eurasian Economic Commission and results of research conducted by separate authors. The article’s materials can be used to generalize the international practice of studying the role of cooperation in the development of food value chains and to improve institutional conditions and government policy of supporting cooperation in the Kyrgyz Republic. They are also of interest for a broad group of researchers in the field of agricultural cooperation.
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Kudaibergenova, Zeinep. "REFLECTION AND THE MODERN ROLE OF THE CUSTOMS OF THE KYRGYZ PEOPLE IN LITERARY WORKS." Alatoo Academic Studies 23, no. 4 (December 30, 2023): 288–93. http://dx.doi.org/10.17015/aas.2023.234.30.
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The article discusses the issues of representation of Kyrgyz customs in literary works and their modern significance. The customs of the people have existed for a long time since the birth of each nation, were formed due to a certain ethnic environment and historical conditions, have relative stability only within each nation, group and nation living there and are constantly moving from one society to another. the other, with the help of the force of public opinion, is realized and supported. The customs have undergone some changes over time, and most of them still perform their function and live among the people. In particular, we are witnesses to the fact that the traditions of lullabies, weddings, blessings and consecrations are not in the form in which they are currently reflected in folk art and literary works, but have undergone significant changes. Customs have undergone some changes over time, moreover, customs and traditions are widely represented in Kyrgyz literature, and the article proves that they represent a social rule that has been continuously passed down from generation to generation as a heritage and has been preserved for a long time. The content of the article ended with the remark that in modern times, excessive use of traditions does not benefit our people.
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Urdolotova, Ch A. "STATE OF FABLE GENRE RESEARCH." Herald of KSUCTA n a N Isanov, no. 2-2020 (July 6, 2020): 258–63. http://dx.doi.org/10.35803/1694-5298.2020.2.258-263.
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In literature, which has always been a branch of art, works of different genres and trends have been created and presented to the reader. If readers can recognize different values through works, it becomes clear that they are the object of research of researchers and are in constant flux. One of such interesting genres, which has great educational, moral significance in the growth of mankind, is the genre of fable. Fable is one of the oldest and most widespread genres in literature. The article examines the origin, development and formation of a fable in world literature, including in Kyrgyz literature. The history of the study of the genre of fable and the work of previous researchers is also examined in detail.
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Kenzheshev, Kanybek. "ETHNO-PEDAGOGICAL SOCIALIZATION OF STUDENTS AND DEVELOPMENT OF TEACHING KYRGYZ LITERATURE IN GRADES 10-11." Alatoo Academic Studies 22, no. 2 (June 30, 2022): 86–94. http://dx.doi.org/10.17015/aas.2022.222.11.
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The actuality of this article is the need to teach Kyrgyz literature in high school on an ethnopedagogic basis, indicating that there are still no text developments in Kyrgyz literature that are ready for a reasoned presentation or presentation of thoughts using the means of artistic speech, as a result of which it is difficult for some students to convey their thoughts to other people in the social sphere. This article examines the importance of Ethno pedagogy in the subject standard of teaching Kyrgyz literature in general education schools and its role in the socialization of students. While the new literary education standard was created for secondary schools, it introduces the requirement to change the curriculum of Kyrgyz literature in secondary schools. The article explains the role of Ethno pedagogy in its implementation in the educational process, the definition of competencies based on the new subject standards, which are combined with the task of educating the younger generation in the socialization of the country and interpreted in the context of creating personal, socio-cultural competencies. Considering the analysis of the ideological content of works of art, a study was conducted to show how it can affect the development of the child as a person. The didactic nature of ethno- pedagogy is analyzed using examples related to the competencies defined in the subject standard. As a result, as the main purpose of the study, the author considers the practice of teaching methods of Kyrgyz literature in high schools on an ethnopedagogic basis, plans of classes, educational and methodological developments, methods, questions of the final module, the results of which are presented at literature lessons throughout the republic.
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Iimangazieva, Aida. "NUMERICAL ANTONYMS (based on the works of Ashym Dzhakypbekov)." Alatoo Academic Studies 23, no. 4 (December 30, 2023): 243–50. http://dx.doi.org/10.17015/aas.2023.234.25.
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Numbers occupy a special place in human life. It is impossible toimagine our life without numbers. Our daily life, all branches of science areclosely connected with these words. The above group of words numerals inlinguistics refers to parts of speech. This is a group of words well studied in thescience of the world and Kyrgyz languages and focused on one direction in thelanguage system. On the basis of scientific works related to this topic, the famous writer A. Dzhakypbekov, we can analyze the numerical antonyms in his works. We perceive and cognize the world around us, natural phenomena with our senseorgans. For example, our 24 hourday depends on the number of day. In this article, we aretalking about the formation of numerical antonyms, in the ratio of wordscontaining numerical values and the origin of words expressing number in stablephrases. In general, I would like to reveal the nature and originality of the opposite, which includes numerical values in the works of art byА. Dzhakypbekov.
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Toktomatova, A. "Cultural Lacunae: Lacunas of Activity as Intercultural Communication in Translation." Bulletin of Science and Practice 9, no. 12 (December 15, 2023): 454–60. http://dx.doi.org/10.33619/2414-2948/97/63.
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The article deals with the translation issues of lacunas of activity as cultural lacunae which are an integral part of the Kyrgyz culture and adequate interpretation of which plays a great role in intercultural communication. Through translated works of art cultures undoubtedly communicate in many ways. Traditions, rituals and other behavioral peculiarities characteristic to one culture might be quite unknown or even seem strange to foreign readers. The author tried to give examples for lacunas of activity described in the novels by Ch. Aitmatov and to show the difficulties of lacunas of activity translation as none of the methods proposed by scholars can be used in transforming them into English. Comparing lacunas of activity in the ST and TT, it has been found out that gestures, movements, actions that follow talking reflected in the works of art can’t be eliminated, compensated or commented in literary translation therefore it will be challenging for foreign recipients. Indifferent readers will find them strange while concerned ones will get more information about another culture. This way cultures communicate with each-other through translation.
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Kadyrov, Argen. "“DASMAN” - “MANKURT” - “IXROD”: CRISIS OF MODERNITY IN THE LATE PERIOD OF CHINGIZ AITMATOV’S ART." Metaphysics, no. 3 (December 15, 2023): 129–43. http://dx.doi.org/10.22363/2224-7580-2023-3-129-143.
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The article is devoted to the historical and philosophical analysis of the work of the Kyrgyz humanist writer of the Soviet period, Chingiz Aitmatov, whose early work is characterised as a fascination with the “Soul of Faust.” (Spirit of Faust) The result of this was the writer’s earlier works, where he fervently perceives the ideas of progress, socialism, and enlightenment, in other words, the main ideas of the modern era. Later, under the huge influence of Russian classical literature, as well as active study of traditional Kyrgyz culture, he spoke on such fundamental metaphysical topics as people, personality, fate, morality, etc., thereby trying to get rid of the “Soul of Faust” (Spirit of Faust), more and more asserting himself as a traditional humanist. But despite these attempts, the writer still retained some ambivalence: on the one hand, he acted as a staunch critic of modernity, and on the other, he perceived the modernization process as an objective development of history that needs to be perceived and comprehended. The results of the writer's later ideas are new concepts such as “Mankurt” and “Ixrod” usually used to describe the consciousness of a person who became possible at the junction of modernity with tradition. To a certain extent, these concepts are identical to the idea of “DasMan” by M. Heidegger. This indicates that after the Second World War, a critical understanding of the ideals of modernity reigned among European intellectuals, to which Chingiz Aitmatov also adjoins.
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Sharip Amantay Zharylkasynuly, Sharip Amantay Zharylkasynuly. "VERSATILE SCIENTIST." Turkic Studies Journal 5, no. 4 (2023): 163–71. http://dx.doi.org/10.32523/2664-5157-2023-4-163-171.
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The article is devoted to the life and activity of Turkologist, Doctor of Philology, Professor, Academician of the National Academy of Sciences of the Kyrgyz Republic Bolot Muratalyuly Yunusaliev (1913-1970). The outstanding scientist, whose 110th anniversary of birth was celebrated by the Kyrgyz Republic this year, left behind a significant creative legacy. A talented researcher, being a graduate of the Moscow Pedagogical Institute, began his career as a teacher and wrote a Primer Textbook for Kyrgyz schools. During difficult years, he served as the Minister of Education of Kyrgyzstan and the rector of the Kyrgyz State University. Nevertheless, science was the main vocation, passion and life’s activity for B.M. Zhunusaliev. Firstly, he was a famous scientist who wrote such fundamental works as “Kyrgyz Lexicology”, “Kyrgyz Dialectology”. His research in the field of linguistics was highly appreciated by such prominent Turkic scholars, as K.K. Yudakhin, V.V. Reshetov, A.K. Borovkov, N.K. Dmitriev, K.M. Musaev and others. Secondly, B.M. Yunusaliev made a great contribution to the Manas studies. He not only defended the great Kyrgyz epic from ideological attacks, but also combined the versions of the storytellers Sagymbay Orazbakov and Sayakbay Karalaev into one whole (“Manas”, “Semetey”, “Seytek”) and published it in four books. His preface, written for the first volume, is considered by experts to be one of the best articles about this grandiose epic. Another merit of B.M. Yunusaliev is that he found handwritten books of one of the founders of Kyrgyz written literature, Moldo Niyaz, and donated them to the manuscript collection of the National Academy of Sciences. Thus, 171А.Ж. Шарип Turkic Studies Journal 4 (2023) 163-171thanks to him, the poet’s legacy, banned in Soviet times, entered scientific circulation during the years of independence. One of the streets in Bishkek is named in honor of the Honored Scientist of Kyrgyzstan B.M. Zhunusaliev; and a monument was erected to him in his small homeland.
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Toktosunova, A. "The Role of the Dialogue in the Study of Artistic Texts." Bulletin of Science and Practice 7, no. 8 (August 15, 2021): 443–47. http://dx.doi.org/10.33619/2414-2948/69/52.
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The article is devoted to the analysis of the types of dialogue in the texts of fictional woks of Kyrgyz writers from the point of semantics. The woks of Ch. Aitmatov, T. Kasymbekov were used for illustration. The analysis of the types of dialogue in works of art helped to identify not only the specifics of the individual authors use of words, the peculiarities of the style of an individual writer or the figurative system of a particular work of art, but also an attempt was made to establish general patterns in the use of types of dialogue that help in disclosing the idea of a work, in the internal the world of heroes. This orientation was motivated, first of all, by educational goals- the search for the most effective ways to study the types of dialogue in a literary text, which are an important component of the structure of a prose work, which have their own functions and tasks.
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Musaeva, T., G. Karataeva, and Ch Asylbekova. "Some Theoretical Models of the Translation of Lacunar Vocabulary (Based on the Translation of Ethnographic Lacunae From the Kyrgyz Language Into Russian)." Bulletin of Science and Practice, no. 4 (April 15, 2023): 616–20. http://dx.doi.org/10.33619/2414-2948/89/80.
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This article deals with issues related to one of the key issues in the theory of translation. In particular, on the example of specific language illustrations, theoretical developments, models for translating lacunar vocabulary, namely ethnographic lacunae, which reflect cultural-specific concepts related to various aspects and manifestations of the spiritual and material culture of certain peoples, were considered. And also, on the example of relevant fragments from works of art and scientific works, a number of theoretical models for the translation of non-equivalent vocabulary, including ethnographic lacunae, are analyzed. As the most common techniques, such techniques as descriptive (explanatory) translation and the creation of analogue correspondences were considered, which are actively used in the transformational theory of translation as an effective model in recreating both the semantic and pragmatic components of the original.
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Soltonov, Aktilek. "HISTORY OF STUDYING WORDS OF THE SAME NAME IN THE KYRGYZ LANGUAGE." Alatoo Academic Studies 2021, no. 4 (December 30, 2021): 200–207. http://dx.doi.org/10.17015/aas.2021.214.24.
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The article examines the views and scientific work of scientists. Questions wera raised about the history of the origin of homonyms, the various ways of their formation and their connection with polysemous words. A study was caried out of these words, their differences from other words, their influence on our language and their type. In order to reveal the nature of the need for comparative historical analysis in the study of homonyms, we tried to give information about the development of the growth of meanings, the precise delineation of meanings and the peculiarities of their use. In our small work, we compared the scientific and theoretical works of scientists, articles and dissertations, analyzed the problems they raised, analyzed them with facts and materials and showed the specifics of each of them.
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Shalem, Avinoam. "“What a Small World”: Interpreting Works of Art in the Age of Global Art History." Getty Research Journal 13 (January 1, 2021): 121–42. http://dx.doi.org/10.1086/713432.
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Кенжешев, Каныбек Дуйшеналиевич. "Methods and Techniques of Teaching Kyrgyz Literature Based on the Principles of Ethnopedagogy in Secondary School and the Current State of Education." Bulletin of Science and Practice, no. 8 (August 15, 2022): 438–43. http://dx.doi.org/10.33619/2414-2948/81/45.
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Рассматриваются вопросы, касающиеся методов и приемов преподавания киргизской литературы на основе принципов этнопедагогики в средней школе, а также проблемы современной системы образования. Проанализированы проблемы, связанные с новым содержанием преподавания киргизской литературы на этнопедагогической основе после обретения независимости, приведены конкретные аргументы и примеры, доказывающие, что этнопедагогика является основой национального образования и воспитания. Анализируется роль этнопедагогических воззрений, заложенных в содержании художественных произведений, на фоне проблем, касающихся воспитания и развития ребенка в современном обществе. Данная проблема в статье рассматривается в контексте современных образовательных парадигм, функции которых проиллюстрированы конкретными примерами. Представлен анализ объективных причин возникновения сложных ситуаций в ходе практической реализации упомянутых выше принципов. Обосновывается необходимость этнопедагогического образования по предмету киргизская литература. This article discusses issues related to methods and techniques of teaching Kyrgyz literature based on the principles of ethnopedagogy in secondary school, as well as problems of the modern education system. The problems associated with the new content of teaching Kyrgyz literature on an ethnopedagogic basis after gaining independence are also analyzed, concrete arguments and examples are given proving that ethnopedagogy is the basis of national education and upbringing. Since its principles are interpreted in relation to the tasks of educating the younger generation in our country. In this regard, the role of ethnopedagogical views embedded in the content of works of art is analyzed against the background of problems related to the upbringing and development of a child in modern society. Thus, this problem is considered in the article in the context of modern educational paradigms, the functions of which are illustrated by concrete examples. In addition, an analysis of the objective causes of complex situations during the practical implementation of the principles mentioned above was presented. And also, the necessity of ethnopedagogical education on the subject of Kyrgyz literature is justified.
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Эралиева, Ы. "ИНДИЙСКАЯ ЛИТЕРАТУРА В РУССКИХ И КЫРГЫЗСКИХ ТРАНСФОРМАЦИЯХ." Vestnik Bishkek Humanities University, no. 50 (January 15, 2020): 88–91. http://dx.doi.org/10.35254/bhu.2019.50.52.
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Аннотация: В данной статье прослеживается эволюция переводов индийской литературы на русский язык, осуществленные в ХХ веке с санскрита, с урду, с хинди, с гуджарати, с ория, с маратхи, с бенгальского, а также с английских переводов. На кыргызский язык произведения индийской литературы были переведены с русских трансформаций во второй половине ХХ века. В статье анализируется эквивалентность оригиналов и переложений на русский и кыргызский языки, дана оценка значимости и художественной ценности переложений. Также оценивается интеллектуальный труд русских и кыргызских переводчиков, открывших для современных читателей богатый мир индийского художественного слова. Ключевые слова: перевод, литература, индийский рассказ, труд, значимость, переводчик, автор, поэзия, популярность, традиция, герой, культура, достояние. Аннотация: Бул макалада ХХ кылымда санскриттен, урду, хинди, гуджарати, ория, маратхи, бенгал жана англис тилдеринен индия адабиятынын орус тилине котормолорунун эволюциясына байкоо салынат. Индия адабиятынын чыгармалары кыргыз тилине ХХ кылымдын экинчи жарымында орус котормолорунан которулган. Макалада оригинал менен орус, кыргыз тилдерине котормолорунун экви- валенттүүлүгү талданат, котормолордун адабий баалуулуктарына баа берилет.Ошондой эле индия көркөм сөзүнүн бай дүйнөсүн азыркы окурмандарга ачып берген орус жана кыргыз котормочуларынын интеллектуалдык эмгегине баа берилет. Түйүндүү сөздөр: котормо, адабият, индия ангемеси, эмгек, маанилуулук, котормочу, автор, поэзия, популярдуулук, салт, каарман, маданият, баалуулук. Annotation: This article traces the evolution of translations of Indian literature into Russian, carried out in the twentieth century from Sanskrit, from Urdu, from Hindi, from Gujarati, from Oriya, from Marathi, from Bengali, as well as from English translations. The works of Indian literature were translated into Kyrgyz from Russian transformations in the second half of the 20th century. The article analyzes the equivalence of originals and transcriptions into Russian and Kyrgyz languages, assesses the significance and artistic value of transcriptions. The intellectual work of Russian and Kyrgyz translators, who have opened up the rich world of Indian art words to modern readers, is also evaluated. Keywords: translation, literature, Indian story, work, significance, translator, author, poetry, popularity, tradition, hero, culture, wealth.
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Et al., Raima Shirinova. "“SYSTEM OF IMAGE IN CREATIVITY OF CHINGIZ AYTMATOV”." Psychology and Education Journal 58, no. 1 (January 30, 2021): 5558–69. http://dx.doi.org/10.17762/pae.v58i1.1953.
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Background: this article is devoted to the work of the Kyrgyz Soviet writer ChingizAytmatov. In the vast world of fiction, Aytmatov's works amaze us with their figurative system. Against the background of everything and everyone, admires us with the simplicity, beauty, the variety of images created by the writer, whether it is the image of a person, politician, journalist, village shepherd, tree, horse, whale, ocean, etc.The Sarozek steppes, the vastness of space, Issyk-Kul, the Kremlin, Red Square in Moscow, a yurt in a Kyrgyz village, a church choir, Shostakovich's music, Georgian singing, Baikonur, legends about mankurt and many other concepts and phenomena of humanity make up the figurative system of ChingizAytmatov. The created artistic images cover huge layers of the life of peoples, an individual person, accompanying a person with his constant anxieties, experiences, joy, gains, losses and much of what we call life.
Results: Reading Aytmatov, getting imbued with his images, we are more and more convinced that literature in a number of other arts is closer and more understandable to a person, because the main means of artistic expression is the word, this is a natural need for communication between people. We love to speak out, hear someone's confession; we simply cannot do without speech. And then we ask ourselves the question, what is this - the art of the word, how the word turns into an artistic image and makes us compassionate, laugh and cry, think, agree and argue, and most importantly receive aesthetic pleasure, because literature is an art.
Conclusions: All ingenious is simple. Characters, descriptive elements of the plot, used by the author to create certain images, are in a certain system, filled with aesthetic, philosophical, realistic meaning.
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Adi, Sigit Purnomo. "PELATIHAN PEMBUATAN MINIPRINT DENGAN MENGGUNAKAN MEDIA TRIPLEK DI KOMUNITAS MAKMOER ART PROJECT SUKOHARJO." Abdi Seni 12, no. 1 (November 3, 2021): 45–50. http://dx.doi.org/10.33153/abdiseni.v12i1.3748.
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Abstract Miniprint is one of the print size formats in graphic arts that is not yet very popular in Indonesia. Miniprint format prints in small sizes both matrix and paper. Printing in small sizes is fun. Small format requires patience and technical skill in visualizing the artist's ideas and ideas. Considering that miniprints have many features apart from a small format, they can also be carried everywhere and can also be used as an aesthetic element or room decorator and have good selling power, encouraging the author to hold a workshop or training on making miniprints in the Makmoer Art Project Sukoharjo community. The selection of the training venue in the Makmoer Art Project Community is because this community is indeed engaged in the arts and humanity. A community that always provides free workshops to people in need. Community service methods, problem identification, training and mentoring, evaluation. The works produced in this training after completion are then framed in a minimalist way. The miniprints produced are small-sized works of graphic art, using a matrix of plywood. These works are used as aesthetic elements of the house or as room decoration. Works for the aesthetic element of the house are currently popular among the public so that they have a selling value and can be used as an alternative in entrepreneurship.
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Gentle, Paul, and Marco Giliberti. "Were valuable art works an economic form of money during the German Third Reich Period and its aftermath?" Public and Municipal Finance 6, no. 4 (December 20, 2017): 33–38. http://dx.doi.org/10.21511/pmf.06(4).2017.04.
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This examines the special use of art works as a store of value in Germany during the Third Reich era. Some Jews were able to buy their freedom, as the fascists closed in. Then as the Third Reich fell, some escaping fascists used art works to secure freedom outside of Germany. One of the characteristics of money is a store of value. When confidence in a currency is present, the more conventional form of money takes precedence. A respected, economic form of currency and coin has all three elements of money: medium of exchange, store of value and unit of account. This last trait is especially absent when using various art works as money, as there is no agreed upon unit of account with such different art. Furthermore, art works could not qualify as a medium of exchange, since only a very small amount of the population was involved in this way of dealing in art during the stressed times for the Third Reich.
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Г. Г., Король,. "THE PHENOMENON OF THE MEDIEVAL SAYAN - ALTAI SMALL ARTISTIC METALWORK AND THE ‘RIDDLES’ OF I. P. TOVOSTIN’S COLLECTION (HELSINKI)." SCIENTIFIC REVIEW OF SAYANO-ALTAI, no. 1(33) (October 26, 2022): 123–41. http://dx.doi.org/10.52782/kril.2022.1.33.005.
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Феномен расцвета декоративности преимущественно ременных украшений (торевтики малых форм, изготовленной из цветного металла) всадника в конце I - начале II тыс. связан с периодом экспансии Кыргызского каганата и обширнейших контактов енисейских кыргызов в Центральной Азии. Анализ структуры декора и семантики некоторых мотивов позволяет выделить пласт наиболее популярных мотивов и образов, связанных с влиянием «пришлых» религий - манихейства, возможно, буддизма. Многие мотивы воспринимались и становились популярными, адаптируясь к восприятию на основе местных традиционных представлений. Предметы (случайные находки) из коллекции И. П. Товостина (Museovirasto, Хельсинки) из Минусинской котловины Среднего Енисея, территории первичного развития культуры енисейских кыргызов, отражают не только почти весь спектр форм украшений и структуры декора в искусстве Саяно-Алтая, но и некоторые характерные особенности торевтики малых форм в целом. В коллекции выявлено два уникальных предмета, неизвестных по публикации А. М. Тальгрена 1917 г. Это ременная накладка с образами буддийского содержания и литник для отливки серег характерной формы. Даны их анализ и оценка важности для изучения вопросов контактов и влияний, а также местной цветной металлообработки. The phenomenon of flourishing decorativeness, primarily, of horseman belt ornaments (non - ferrous small artistic metalwork), in the late 1st - early 2nd millennium is associated with the period of ‘expansion’ of the Kyrgyz Khaganate and the extensive contacts of the Yenisei Kyrgyz in Inner Asia. The analysis of the main themes of décor and semantics of some motifs makes it possible to identify the layer of the most popular designs and images connected with the influence of ‘foreign’ religions - Manichaeism and, possibly, Buddhism. Many motifs were borrowed and became popular due to adaptation to the perception of locals based on their traditional concepts. Objects (chance finds) of I. P. Tovostin’s collection (the Finnish Heritage Agency, Helsinki) come from the Minusinsk Basin (the Middle Yenisei), the original territory of the Yenisei Kyrgyz culture. The collection reflects not only almost the entire range of ornamentation forms and main themes of décor in the Sayan-Altai art, but also some hallmarks of small artistic metalwork as a whole. Two unique objects were revealed in the collection: a belt end plaque with a composition of Buddhist images and a sprue for casting earrings of a specific shape. The paper presents their analysis and evaluates their significance for studying contacts and influences, as well as local non - ferrous metalworking.
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Bowen, Barbara C. "A Neglected Renaissance Art of Joking." Rhetorica 21, no. 3 (2003): 137–48. http://dx.doi.org/10.1525/rh.2003.21.3.137.
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This article proposes that we add to the small number of Renaissance works on the art of creating or using facetiae an almost unknown De arte iocandi by an almost unknown Mattheus Delius, who died young. The work is a poem in four books, in Ovidian elegiac couplets, obviously inspired by the De arte bibendi of Vincentius Obsopoeus; both works have been assumed to be paradoxical encomia but arein fact seriousalbeit playful compendia of rules. Delius is interested not in the rhetorical use of jokes as weapons, but in something very close to Erasmus's festivitas. The preface by Melanchthon almost qualifies as an independent art of joking, and together they add valuable information to our knowledge of Reformation wit.