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Journal articles on the topic 'Kurdish Folklore'

Author: Grafiati

Published: 29 July 2024

Last updated: 31 July 2025

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1

Khoshi Anwer Hasan Al-Jaf. "Competence and Performance through the Lens of a Psycho-cognitive Analytical Approach: Kurdish Folklore Vocabularies as Case Study." Zanco Journal of Humanity Sciences 29, no. 3 (2025): 279–89. https://doi.org/10.21271/zjhs.29.3.13.

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Effective communication demands heightened linguistic proficiency, particularly in the vocabulary used in today's interconnected world. This study, rooted in cognitive psychology, investigates how young native Kurdish speakers process and perform traditional Kurdish folklore words in their daily communication with a focus on mental functions such as perception, memory, and the systematic understanding of language rules that underpin effective communication. A critical issue arises from the disconnect between linguistic competence and performance among young native Kurdish speakers: while they

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2

Pertev, Ramazan. "The Effect of Modernism on The Early Works of The Kurdish and Turkish Folklore." Humanities Journal of University of Zakho 4, no. 1 (2016): 12–24. http://dx.doi.org/10.26436/hjuoz.2016.4.1.200.

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In the research the struggle of the Kurdish and Turkish folklore is historical. By history we mean second half of 19th and 20th century. In this research we would like to emphasize the effect of the modernism on the Kurdish and Turkish folklore. As it is know the folklore is a research ground for the concept of ‘Language’, ‘nationality’, homeland’, and ‘civilization’ for western Ottoman Empire educators. We are all affected by modernism. In this framework we will shed the light on the comparison between the Kurdish and Turkish folklore, this is why the work in this research has been evaluated

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3

Mustafa, Mustafa Said Mina, and Azad Hassan Nabi. "Intertextuality in the Novel (Koykha Swi) by (Aziz Mullah Rash)." Journal of University of Raparin 9, no. 2 (2022): 318–41. http://dx.doi.org/10.26750/vol(9).no(2).paper14.

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The novel (Kwekha Sewe), which means (Sheikha Siwi), by the creative Kurdish writer and novelist (Aziz Mulla Rash), which was issued and printed in 1986 AD, is considered one of those rare novels at the time that caused gossip and wrote research and articles about it at that time. The reason, as we can see, is due to the fact that it was written and narrated in an easy and simple Kurdish language and an fluent and eloquent Kurdish tongue, which emerged from the depth of its culture and popular heritage which is full of wisdom and sayings of the ancients, in which the Kurdish heritage and folkl

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4

Haroutyunian, Sargis. "Armenian Epic Tradition and Kurdish Folklore." Iran and the Caucasus 1, no. 1 (1997): 85–92. http://dx.doi.org/10.1163/157338497x00049.

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5

Çifçi, Tekin. "A Cultural Heritage in Kurdish Women's Clothing: The Tradition of Wearing Kofi (Headdress) in Adiyaman." International Journal of Kurdish Studies 11, no. 1 (2025): 297–313. https://doi.org/10.21600/ijoks.1641754.

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When it comes to Kurdish folklore, the role of women in the transmission of culture comes to the fore. All elements of culture, from food preparation to clothing, stories, tales and songs, are passed down from generation to generation by women. Kurdish folklore is characterised by the way women cover themselves, in particular by the custom of wearing the kofi (headdress). Kurdish women who adhere to their traditions start to cover their heads from an early age. For Kurds, this is seen as a requirement of both religious belief and tradition. Another function of the headscarf is to be used as an

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6

Yusupova, Zare A. "In Memory of the Eminent Kurdish Scholar Muhammad Mukri." Письменные памятники Востока 18, no. 4 (2021): 115–18. http://dx.doi.org/10.17816/wmo83935.

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The article is dedicated to the 100th anniversary of the prominent Kurdish scholar, researcher of Kurdish and Iranian culture, M.Mukri (19212007). It contains an overview of his major works, the most prominent of which are studies of the Kurdish religious movement known as the Ahl-i haqq, regarded by some scholars as an Islamic sect and considered by some others to be a non-Moslem ethno-confessional community with a rich religious and spiritual literature of its own, written in the South-Kurdish dialect Gorani. In addition, M.Mukri wrote a number of serious works on Kurdish folklore, ethnograp

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7

Boochani, Behrouz. "Film as folklore." Alphaville: Journal of Film and Screen Media, no. 18 (December 1, 2019): 185–87. http://dx.doi.org/10.33178/alpha.18.15.

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Codirector Behrouz Boochani offers a critical reflection on Chauka, Please Tell Us the Time in which he discusses the multilayered meanings of the film. He shares his thoughts about his cinematic vision and how it is connected to the land. In this respect, the film cherishes the sanctity of the island’s ecosystem and knowledge system and also criticises the way the Australia-run detention centre degrades nature and the social fabric of the island. Boochani also elaborates on issues pertaining to reception and the way folklore (both Kurdish and Manusian) frames his resistance and critique.

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8

Muhedeen, Bekhal Latif, and Shayma Mahmud Ahmed. "A Pragmatic Study of Overstatement in Kurdish Proverbs." Journal of University of Raparin 10, no. 3 (2023): 45–71. http://dx.doi.org/10.26750/vol(10).no(3).paper3.

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Language has been a communication tool from early human history up to date. It is by using this significant tool that events and traditions have remained from the forefathers of every nation. An instance of the remained treasures of history is the items of folklore, in essence, proverbs, which is the subject of the current study. Admittedly, proverbs of any language comprise numerous figures of speech. This paper entitled “A Pragmatic Study of Overstatement in Kurdish Proverbs” is an extract from an MA thesis which pragmatically investigates the trope of overstatement in Kurdish proverbs. Intr

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9

Yousefi, Hadi. "Comparative Study of Culture in Kurdish and Farsi Proverbs." International Journal of Learning and Development 2, no. 6 (2012): 41. http://dx.doi.org/10.5296/ijld.v2i6.2679.

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Proverbs are considered as part of folklore or public literature and one of important cultural treasures. Hence, discussing and studying proverbs can make us familiar with cultural aspects, value and norms of the owners of those proverbs. In this study Kurdish and Farsi proverbs are investigated based on cultural components and its species are presented and classified based on the same components. The present study shows that Kurdish and Farsi proverbs have spoken of two categories of values and norms, and anti-values and abnormalities, first, positive values and norms such as encouraging to t

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10

Taher, Nizar. "The Function of the Characters in the Kurdish Folklore Epic - lAlikhana Kofi." Humanities Journal of University of Zakho 8, no. 4 (2020): 566–76. http://dx.doi.org/10.26436/hjuoz.2020.8.4.647.

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The character is considered a prominent artistic element in the narrative text. The characters within the narrative text move and direct the events of the text forward. This study is an attempt to demonstrate the function of the characters in the epic narrative text in order to embody the meaning within the epic text.This study entitled (The Function of the Characters in the Kurdish Folklore Epic - lAlikhana Kofi) is divided into two parts. The first section was devoted to the theoretical aspect and we explored it in terms of the term personality And the concept, importance and types within th

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Pertev, Ramazan. "The Effect of Modernism on The Early Works of The Kurdish and Turkish Folklore." Humanities Journal of University of Zakho 4, no. 1 (2016): 12–24. http://dx.doi.org/10.26436/2016.4.1.215.

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12

Pobedonostseva-Kaya, Angelika O. "“Lenin and the Bolsheviks Were All Kurds”: Folklore and Politics in the Soviet Kurdish Culture of the 1920–1930s." Oriental Courier, no. 2 (2023): 183. http://dx.doi.org/10.18254/s268684310026755-8.

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To overcome imperial legacy, the Soviet policy after 1917 set itself new guidelines in the field of foreign and domestic policy. Among the policies of the Soviet government in the first decades of its existence was the systematic intensive development of the modern national identity of the non-Russian peoples of the USSR. This included, inter alia, training national specialists and developing a modern educational and cultural infrastructure, but also providing each of the ethnic groups of the USSR with a certain set of modern cultural institutions and products. This canon also included literar

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SAHITZHANOVA, Z., G. ARIPZHAN, and R. SERIMBETOVA. "THE İMAGE SYSTEM OF THE ENGLİSH AND KAZAKH VERSİONS OF THE EPIC “KORUGLY”." Iasaýı ýnıversıtetіnіń habarshysy 130 (December 2023): 30–44. http://dx.doi.org/10.47526/2023-4/2664-0686.03.

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The epic “Korugly” is one of the most popular folklore works in the world. Poems about Korugly, descended from the Turkmen Teke tribe, are ethnically, linguistically and religiously diverse in Kazakh, Turkish, Azerbaijani, Armenian, Georgian, Uzbek, Turkmen, Tajik, Kurdish, Tatar, Abkhaz, Kumuk, Karakalpak and other languages. It has been sung in the folklore of nations for centuries and has become a favorite work of the people. In addition, it is known that the epic “Korugly” has been studied by many scholars in accordance with the motivational and plot features. This article describes the pe

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Зарина Казбековна, Плаева,. "The Mythological Context of the Motif of Atsamaz Playing the Pipe in the Ossetian Nartiada." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 4 (January 2, 2023): 21–28. http://dx.doi.org/10.26158/tk.2022.23.4.002.

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В статье впервые на материале осетинской Нартиады подробно рассматриваются мифологические аспекты влияния музыки нарта Ацамáза на окружающий мир. Для анализа привлекаются тексты других национальных версий нартовского эпоса, а также фольклора персов, курдов и татов Дагестана. Чтобы завоевать сердце неприступной красавицы Агýнды, в осетинском эпосе нарт Ацамаз начинает играть на своей свирели. Его свирель, доставшаяся в наследство от отца, - дар лесного божества Афсáти. Музыка Ацамаза оказывает благотворное воздействие, усиливает радость, изгоняет болезни, помогает выразить мысли и чувства. Она

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Bocheńska, Joanna, and Farangis Ghaderi. "‘Gan qey bedenî yeno çi mana’ (What the Soul Means for the Body): Collecting and Archiving Kurdish Folklore as a Strategy for Language Revitalization and Indigenous Knowledge Production." Folklore 134, no. 3 (2023): 344–69. http://dx.doi.org/10.1080/0015587x.2023.2205777.

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16

Azeez, Ranjdar Azad, and Soran Kakarash Omer. "Administrative Thought in Kurdish Folk Proverbs." Journal of University of Raparin 8, no. 3 (2021): 362–86. http://dx.doi.org/10.26750/vol(8).no(3).paper18.

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This research aims to understand and find the relationship between administrative thoughts and theory and Kurdish popular traditional proverbs. This is a theoretical and applied research by comparing (32) Kurdish folk or saying examples with some classic (traditional) and modern theories of managerial thought. This includes two different sciences and fields of management and folk literature. The research is divided into three similar sections according to the title of the research, and its first chapter is devoted to administrative thought, schools and administrative theories, the second chapt

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Ababakr, Bahar Saleh, and Mawlud Ibrahim Hassan. "The Justice value in Kurdish folkloric tales." Halabja University Journal 6, no. 3 (2021): 58–71. http://dx.doi.org/10.32410/huj-10390.

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The present study which is entitled “The Justice Value in Kurdish Folkloric Tales” aims to explore the effect of justice in folkloric tales. It attempts to unfold different concepts and aspects pertaining to life through Kurdish folkloric tales. It also tries to find the different types of Kurdish tales, paying special attention to the social values underlying them. The study confirms that tales are an important source of information that serves pedagogical purposes. It also highlights the superiority of justices in social relations as it organizes individuals’ life in the society. The a

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18

Khanian-Sumari, Hamid. "A Hūra-Song in Kalhorī." Iran and the Caucasus 13, no. 2 (2009): 331–34. http://dx.doi.org/10.1163/157338410x12625876281343.

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AbstractKalhorī is the less investigated dialect of Southern Kurdish. The paper introduces a Kalhorī folk-song of the hūra genre (with parallel English translation and commentaries), selected from the vast corpus of the Southern Kurdish dialect and folkloric materials, which have been collected from the Kalhor-inhabited regions of Western Iran.

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19

Gubaeva, Alina Alisherovna, and Olga Valerievna Guseva. "Traditions of Polish literary cabaret as reflected in literature and folk culture." Philology. Theory & Practice 17, no. 12 (2024): 4473–79. https://doi.org/10.30853/phil20240634.

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This study aims to ascertain the national identity of Polish literary cabaret texts and their connection to traditional Polish culture. The article examines traditional genres of Polish literature and folk culture, which have been reflected in Polish literary cabaret from the early 20th century to the present day. The novelty of the work lies in its being the first in Polish studies to provide a scientific description of Polish literary cabaret, to trace the literary origins of cabaret genres, and to demonstrate a correlation with Polish folk culture. Analysis of cabaret texts has revealed tha

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Yusefvand, Reza. "Some Laki Demons." Iran and the Caucasus 12, no. 2 (2008): 275–79. http://dx.doi.org/10.1163/157338408x406047.

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AbstractThe Laks are a West Iranian ethnic group linguistically closely related to the Lurs and the Kurds. They mainly inhabit the provinces of Luristan, Kirmanshah, Ilam, and Hamadan in the Islamic Republic of Iran, as well as Kirkuk and Khanaqin in Iraq. The paper presents some imaginary figures from the folk beliefs of the Laks, recorded by the author within the framework of a larger project on the ethnography and folklore of the Laks.

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Ahmed, Israa Musheer Ahmed. "Snake Motif in Duhok Folk Beliefs." International Journal of Kurdish Studies 11, no. 1 (2025): 96–113. https://doi.org/10.21600/ijoks.1600449.

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In context of folk belief, serpent symbols carry deep symbolic meanings, especially evident in Duhok—in the Kurdistan region of present-day Iraq. The aim of the present paper is to bring to light and explore the mysteries of Duhok, a city and province where Kurdish is spoken and which has a history dating back to Sumerian civilization. Through interviews with the people of Duhok, the serpent motif of various cultures throughout a long history of passing civilizations has come to light. In addition, Babylonian, Egyptian, Chinese, Hindu, Greek, Iranian, and Turkish folklores are explored. The sy

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Kake Rash, Farhad, and Nasrin Rookesh. "A Comparative Sociocultural Analysis of the Folkloric Tale of Sheikh San'Aan in Kurdish and Persian Narratives from a Cultural Anthropological Perspective [In Persian]." Journal of Studies in Applied Language 6, no. 4 (2023): 79–94. http://dx.doi.org/10.61186/jsal.6.4.79.

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Rakhno, Kostiantyn. "Spring Calendar Rituals of the Medieval Ukrainians in Comparative Context." Ukrainian Studies, no. 4(85) (January 15, 2023): 180–209. http://dx.doi.org/10.30840/2413-7065.4(85).2022.269120.

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The article deals with the manifestations of the phenomena of substratum origin in Ukrainian culture, which appeared as a result of the interaction of the Slavic ancestors of the Ukrainians with the Iranian-speaking nomads of the steppe. Thanks to it, the Ukrainians have a lot in common in their spiritual and material culture with the Ossetians, who are the direct descendants of the Sarmatians and Alans, as well as with the Persians, Tajiks, Kurds, and Pamirs. In particular, closeness can be traced in the spring calendar rituals. Ukrainian customs of the Velykden holiday, identified with Easte

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ARSLAN, Mesut. "Hêmanên fal, reml û muneccimiyê di edebiyata Kurdî (Kurmancî) ya Klasîk de." RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, Ö13 (October 23, 2023): 1468–82. http://dx.doi.org/10.29000/rumelide.1379377.

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Kevneşopiya falê ji berê de parçeyekî jiyana civakî ye. Falbazî jî di dîroka mirovahiyê de yek ji pîşeyên kevintir tê hesibandin. Mirovan ji bo dîtina paşeroja xwe, ji bo ku di bûyerên girîng de biryara rast bigirin serî li falbaz û munecciman dane. Çawa ku hêmanên jiyana civakî di edebiyatê de reng vedidin fal û falvekirin jî di edebiyata klasîk a Rojhilatê de bûne insûrên girîng. Di nimûneyên edebiyata Kurdî (Kurmancî) ya klasîk de jî em rastî falê û falvekirinê tên. Li gorî vê kesên aşiq ji bo dîtina paşeroja xwe, ji bo gihiştina hezkiriya/ê xwe, pêkhatina meqsed û mirada xwe fal vedikin, d

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25

Bocheńska, Joanna. "From Dengbêj to Modern Writer: Heritagization of the Kurdish Oral Tradition and Revitalization of the Kurdish Language in the Works of Mehmed Uzun and Mehmet Dicle." Iranian Studies, April 29, 2022, 1–29. http://dx.doi.org/10.1017/irn.2022.1.

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Abstract Based on a textual analysis of the selected works of two writers from Turkey, Mehmed Uzun (1953–2007) and Mehmet Dicle (b.1977), as well as interviews with Kurdish writers and folklore collectors, this study focuses on the links between Kurdish folklore and modern Kurdish literature. Following Gregory Ashcroft's take on heritage, I argue that Kurdish writers’ approach to folkloric motives has evolved through the impact of growing literary experience, inspiration from world literature and deepening knowledge of the Kurdish oral tradition. What is more, Kurdish literature can be treated

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Bocheńska, Joanna, Wendelmoet Hamelink, Kaziwa Salih, and Hüseyin Rodi Keskin. "Small Circles of Empowerment." International Journal on Minority and Group Rights, June 12, 2023, 1–30. http://dx.doi.org/10.1163/15718115-bja10113.

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Abstract This article investigates the activities of Kurdish women aimed at protecting and revitalising Kurdish language, which include collecting and publishing folklore, translating into Kurdish, and writing literature in Kurdish. Throughout the 20th century, countries like Turkey, Syria, Iran, and Iraq, in varying degrees, imposed restrictions on the use of Kurdish. Our primary focus is on Turkey because this country has been most repressive toward Kurdish language since the establishment of the Republic in 1923, but also due to a recent increased visibility of women language activists and

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STEPANYAN, HASMIK. "ARMENIANS IN BITLIS AND ARMENIAN KURDISH HANDWRITTEN AND PRINTED LITERATURE." COUNTRIES AND PEOPLES OF THE NEAR AND MIDDLE EAST, 2018, 232–38. http://dx.doi.org/10.52837/18291422-2018.31-232.

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Bitlis is an ancient city where the Armenians were one of the oldest inhabitants. In 1878-79 the population of province was nearly 400.000, of which Armenians were 250.000. The population of Bitlis was 30.000, of which Armenians were 10.000. The Armenians had a great investment on the economic, trade and cultural life of the province as well as on the development of crafts and the penetration of the capitalistic relations. Armenians lived mainly with Kurds and Yezidis. During the Genocide the Armenians were forced to leave Bitlis. One of the main cultural ways of Armenians was Armenian Turkish

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SUBAŞI, Kenan, and Aram RODER. "Simurg and Its Manifestations in Kurdish Folklore." Journal of Mesopotamian Studies, September 5, 2023. http://dx.doi.org/10.35859/jms.2023.1330548.

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Yek ji pênaseyên herî manadar û balkêş ên mîtosê ew e ku ew zanîna seretayî, çîrokên afirandinê û endîşeya li ser hebûnê ye. Ya ku mîtosê xurt kiriye û zinde girtiye jî bawerîya pê ye. Sîmir û manaya wê jî hebûneke mîtolojîk a Kurdo-Îranî ye ku li ser afirandinê û xisûsen di afirandina her heyînekê da tecellîya herî nêzîk a Xweda ye. Raz û sirreke xwedayî ye. Kan û çavkanîya bereketê ye û hêj gelek manayên din lê barkirî ne. Ew hîn di vegotinên mîtolojîk da jî weku teyrekê hatiye şayesandin û mirovan ew wisa xeyal kiriye ku xwedî perên biheybet, hêlîneke ezamet, dinyayeke derveyî vê dinyayê qa

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SUBAŞI, Kenan. "Dēw/Demons and Their Manifestations in Kurdish Folklore." Nubihar Akademi, May 25, 2022. http://dx.doi.org/10.55253/2022.nubihar.1100092.

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Di nav mîtan de mexlûqateke herî berbiçav û pir tê qalkirin, dêw e. Dêw bi piranî weku mexlûqatên şênber ên gir, tirsnak, bihêz û weku mirovan tên şayesandin. Carinan jî ne weku mexlûqeke şênber lê weku xul, saw, xof, hîseke razber hatine pênasekirin. Xisûsen di nav miletên Îranî de berî Zerdeştiyê heyînên baş û heta Xwedavend dihatin hebandin û digel Zerdeştiyê ew hevalkar û temsîlkarên Ehrîmen hatin pênasekirin. Carinan bi navên taybet hatine binavkirin û carinan weku temsîleke giştî bi navê “Dêw” hatine binavkirin. Herwiha bi gelek navên cuda di heman xisûsîyetê de qala mexlûqên weku perî,

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"The Structure of Time in Kurdish Folklore Stories." Qalaai Zanist Scientific Journal 10, no. 1 (2025). https://doi.org/10.25212/lfu.qzj.10.1.14.

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"The Reflection of Culture and Folklore in the Kurdish Theatre." Qalaai Zanist Scientific Journal 8, no. 4 (2023). http://dx.doi.org/10.25212/lfu.qzj.8.4.9.

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Atlı, Hikmettin. "EPIC OF DERWÊŞÊ EVDÎ AND EDÛLÊ FORM THE PERSPECTIVE OF ETHNIC AND RELLIGOUS ATTITUDES." Humanities Journal of University of Zakho 10, no. 2 (2022). http://dx.doi.org/10.26436/hjuoz.2022.10.2.930.

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National epics are very important in the expression of social identities that we gain insights into society through research on them. This type of knowledge, although not based on historical documents, is in some way show us the emotional tendencies, hopes, perceptions of the past and future of that social group. As religious, social classes, gender, and ethnic groups emerge within society, so we see that folklore narratives reflect this diversity of society. Each folk epic, contains many social characteristics both from its own time and before its own time and transmits them to the future. Th

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"Social Culture in Kurdish Tale with reference to 25 copies of Asoy Folklore Journal." ZANCO Journal of Humanity Sciences 25, no. 5 (2021). http://dx.doi.org/10.21271/zjhs.25.5.13.

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SÖNMEZ, Nesim. "ANALYSİS OF THE STORY OF MR. HALİL AND MRS. PERİŞAN." Humanities Journal of University of Zakho 10, no. 2 (2022). http://dx.doi.org/10.26436/hjuoz.2022.10.2.929.

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The stories have been the subject of many researches in world literature and Kurdish literature in general. By definition, a story is a short, prose narrative that narrates a real or near-real event in a literary style. The story differs from the novel with its brevity and simple plot and few protagonists. In the story, the boundaries of the scene are generally explored, the narrator examines the subject in depth and the narration is clear.The story of Mr. Halil and Mrs. Perishan also took a literary form and became a product of Kurdish Folk Literature and folklore. Story; It passes in the Ser

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Jumanov, B.K. "EPIC TRADITIONS IN THE WORK OF SABIR SAYKALI IN UZBEK LITERATURE." September 4, 2024. https://doi.org/10.5281/zenodo.13684973.

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<em>The traditions of Uzbek folklore and epics date back to BC. Epic writing developed through Uzbek folk books, and "traveling plots" were based on them. The geography of "Traveling Plots" was wide and was reflected in the literature of the peoples of the Middle and Near East. Similar epics in Hindi, Jewish, Urdu, Georgian, Armenian, Turkish, Kurdish, Azerbaijani, Tajik, Uzbek languages, "Yusuf and Zulayho", "Tahir and Zuhra", "Ashiq Gharib and Shahsanam", stories like "Bahrom and Gulandom", "Bahrom and Dilorom" and others were created.</em> <em>Among these epics, "Bahrom and Dilorom" (or Gul

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Հակոբյան, Անահիտ. "Խաչատուր Աբովյանի «Քրդեր և եզիդիներ» ուսումնասիրության ստեղծման իրական շարժառիթները". Գրականագիտական հանդես=Literary Journal, 26 лютого 2023, 199–212. http://dx.doi.org/10.54503/1829-0116-2022.2-199.

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Հայ մեծ գրող և գիտնական Խաչատուր Աբովյանի պատմա-ազգագրական երկերի շարքում առանձնահատուկ տեղ է գրավում 1846 թ․ ստեղծված ,Քրդեր ևեզիդիներե գերմաներեն ուսումնասիրությունը (“Die Kurden und Jeziden”), որ պատվիրված է եղել կոմս Ալեքսանդր Խրիստոֆորովիչ Բենկենդորֆի կողմից։ Հոդվածը նվիրված է այս երկի ստեղծման պատմությանն ու իրական շարժառիթներին։ Իր ծավալուն հետազոտության մեջ Աբովյանը մանրամասն տեղեկություններ է հաղորդել քրդերի ու եզիդիների ծագման, դավանանքի, կրոնական ծեսերի, արտաքին տեսքի, լեզվահնչյունային համակարգի մասին։ Սրանով է սկսվում ոչ միայն քրդերի ու եզիդիների ազգաբանական ուսումնասիրությունը, այ

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ATLI, Hikmettin. "A REVIEW ON THE CAUCASIAN KURDISH NOVEL (The Examples of Hewarî, Gundê Mêrxasan and Hopo)." International Journal of Kurdish Studies, March 10, 2024. http://dx.doi.org/10.21600/ijoks.1440379.

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Wêje û ax digel ku wekî du têgehên ji hev dûr xuya dikin jî, her tim bandor li hev kirine û ev bandor ji aliyek ve karaktera wêjeyê diyar kiriye û ji aliyê din de watedayinên têgiha axê li gorî nêrînên xwe fireh an teng kiriye. Mebesta me ji têgiha axê ev e ku ew axa ku komeke civakê li serê dijî, bi têkiliya xwe ya bi wê re jiyanek ava dike û ji encama vê têkiliya hevberî çand derdikeve meydanê, ku ev çand li ser zemînê erdnîgariyekê ava dibe. Digel ku pirî caran em welatan ji axeke yekpare teşekulbûyî dizanin jî ya rast di nava sînorên welatekî de gelek erdnîgariyên serbixwe an jî ji hev cud

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Bromberger, Christian. "Folklore, religion et politique. Les différentes facettes de Noruz (« le jour nouveau », la nouvelle année) en Iran et au Moyen-Orient." IRIS, no. 45 (January 31, 2025). https://doi.org/10.35562/iris.4140.

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Noruz, la nouvelle année dans le monde iranien, correspond à l’équinoxe de printemps. Les rites et festivités auxquels donne lieu cette fête en Iran sont ici décrits. Mais célébrer la nouvelle année à une date fixe selon un calendrier solaire s’oppose aux usages du monde musulman régis par un calendrier lunaire. La coutume de la fête est d’autant plus remise en cause quand l’équinoxe de printemps et ses manifestations joyeuses correspondent à un rituel de deuil, comme ce fut le cas en 2006. La célébration de Noruz fut également prohibée sous le régime soviétique et l’une des premières mesures

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Matkarimova, Sadokat Maksudovna, and Nazokat Maksudovna Matkarimova. "FROM THE HISTORY OF ART OF KHORAZM OASIS (Scientific study of the epics of the Gorogli series)." JOURNAL OF MAMUN SCIENCE Volume - 1 (2023), Issue - 1 (2023). https://doi.org/10.5281/zenodo.10028852.

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The article provides information that the epics of the Gyorogly series, one of the rarest examples of the Uzbek epic, are very popular in the Near and Middle East and are loved by Uzbeks, Tajiks, Kazakhs, Tatars, Turkmens, Azerbaijanis, Armenians, Georgians, Turks and other peoples. Also, in various scientific studies, the study of the epics of the Gorogly series, which gained popularity among the Turkic and non-Turkic peoples - Iranian-speaking Tajiks and Kurds, Central Asian Arabs, was analyzed. 

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Վարդանյան, Արտակ, та Ալինա Փահլևանյան. "Ժողովրդական «Սարի աղջիկ» երգի ազգային պատկանելության շուրջ". Journal of Art Studies, 28 грудня 2023, 137–50. http://dx.doi.org/10.54503/2579-2830-2023.1(9)-137.

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Հայկական ժողովրդական «Սարի աղջիկ» (թուրքերեն՝ “Sarı gelin”, ադրբեջաներեն՝ “Sarı gəlin” («Շեկ նորահարս», «Շեկլիկ աղջիկ») երգը տարածված է ոչ միայն հայերի, թուրքերի և ադրբեջանցիների շրջանում, այլև որպես հայկական ժողովրդական երգ` թարգմանված, փոխադրված կամ բնօրինակով երգում են տարածաշրջանի այլ ժողովուրդներ՝ պարսիկները, քրդերը, հույները և այլք: Երգի ազգային պատկանելության շուրջ երկարատև և բուռն վեճեր են եղել ադրբեջանցիների հետ, որոնք ժողովրդական հանրահայտ այս ստեղծագործությունը իրենցն են համարում, թեև նրա հայկականության մասին բարձրաձայնել են անգամ թուրք հայտնի արվեստի գործիչներ: Այնուամենայնիվ, երգի

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Bromberger, Christian. "Iran." Anthropen, 2019. http://dx.doi.org/10.17184/eac.anthropen.108.

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Entre les mondes arabe (Irak, États du Golfe…), turc (Turquie, Azerbaïjan, Turkmenistan) et européen (par la trouée du Caucase et de la mer Caspienne), l’Iran forme un ensemble distinct dont la population est fortement attachée à sa spécificité. Cette forte originalité au sein du Moyen-Orient, les Iraniens la doivent à leurs origines symbolisées par leur langue, le persan, une langue indo-européenne, à la doctrine religieuse qu’ils professent en majorité, le chiisme, qui s’oppose au principal courant de l’islam, le sunnisme, enfin, paradoxalement, à leur forte occidentalisation due à un couran

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