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Dissertations / Theses on the topic 'Krystyna'

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1

Siudak, Krystyna [Verfasser]. "Immunhistologische Untersuchungen zur bovinen neonatalen Panzytopenie / Krystyna Siudak." Gießen : Universitätsbibliothek, 2015. http://d-nb.info/1073119130/34.

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2

Long, Christina Ay-Chen. "Selected Structural Elements and Aspects of Performance in Bagatelles (1971) and Konstellationen (1972) by Krystyna Moszumanska-Nazar, with Three Recitals of Works by Beethoven, Brahms, Chopin, Liszt, Messiaen, Prokofieff, and Schumann." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc277731/.

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This dissertation primarily concerns selected structural elements in Bagatelles and Konstellationen. These are pitch/interval, rhythm/meter in Bagatelles, the formal design and its relations with dynamics and texture in Konstellationen, as well as the usage of indeterminacy. There are also selected aspects of performance in regard to extended technique, pedaling, and certain dynamic control problems related to two works in question. Chapter one introduces the historical background of Polish music and the emergence of Poland as one of the leading forces in contemporary music. It also provides the musical background of Moszumanska-Nazar, as well as the stylistic features and representative works in her three compositional periods. Personal interviews and correspondence with the composer provide additional biographical and stylistic insight for this chapter. Chapter two focuses on the aspects of structural procedure. In Bagatelles, the structural elements are: organized pitch sets, the dominance of linear interval, scale pattern, dissonant intervals, as well as the rhythmic pattern and the various metric designs. Konstellationen present most interesting and unusual formal design in that the elements that delineate the form are dynamics, texture and certain pianistic devices, such as the ostinato, trills, abrupt high notes, irregular fast notes, and clusters. Chapter three addresses particularly the aleatoric elements. The study covers areas of pitch, rhythm, and form with a brief introduction of music in indeterminacy. Chapter four turns to several issues pertaining to the performance aspects. These include pedaling, extended techniques, and dynamic control. The last part of this chapter draws conclusions from the observation and analysis of the two works in question.
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3

Bachtin, Krystyna [Verfasser], and M. [Akademischer Betreuer] Hoffmann. "Elektrospinning von Kathodenmaterialien für Lithium Ionen Batterien / Krystyna Bachtin ; Betreuer: M. Hoffmann." Karlsruhe : KIT-Bibliothek, 2016. http://d-nb.info/1117701832/34.

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4

Kleiner, Krystyna [Verfasser]. "Die urheberrechtliche Wirksamkeit von Nutzungsbedingungen sozialer Netzwerke : Eine Analyse anhand des Praxisbeispiels Facebook / Krystyna Kleiner." Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2019. http://d-nb.info/1192103777/34.

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5

Kühn, Norma Krystyna [Verfasser], Tim [Akademischer Betreuer] [Gutachter] Gollisch, and Robert [Gutachter] Gütig. "Motion encoding in the salamander retina / Norma Krystyna Kühn ; Gutachter: Tim Gollisch, Robert Gütig ; Betreuer: Tim Gollisch." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2016. http://d-nb.info/1116709600/34.

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6

Okoye-Montis, Krystyna [Verfasser]. "Die Bedeutung des Urlaubszwecks für den Anspruch auf Urlaub nach dem Bundesurlaubsgesetz und die Behandlung von Urlaubsstörungen / Krystyna Okoye-Montis." Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2016. http://d-nb.info/1090773021/34.

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7

Groten, Raphaela Krystyna [Verfasser], Martin [Akademischer Betreuer] Buss, Hermann [Akademischer Betreuer] Müller, and Alois [Akademischer Betreuer] Knoll. "Haptic Human-Robot Collaboration : How to Learn from Human Dyads / Raphaela Krystyna Groten. Gutachter: Hermann Müller ; Alois Knoll. Betreuer: Martin Buss." München : Universitätsbibliothek der TU München, 2011. http://d-nb.info/1019588276/34.

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8

Schorlemmer, Uta. "Die Magie der Annäherung und das Geheimnis der Distanz Krystian Lupas Recherche "neuer Mythen" im Theater /." München : Sagner, 2003. http://books.google.com/books?id=8GdgAAAAMAAJ.

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9

Wagner, Krystina [Verfasser]. "Vesikuläres Recycling und retinale Degeneration – Photorezeptorzellen von Drosophila melanogaster als Modell für TTD14-, PLD- und Retromerkomplex-abhängige Transportprozesse / Krystina Wagner." München : Verlag Dr. Hut, 2019. http://d-nb.info/1202169333/34.

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10

Wallner, Olof. "Brahms första pianokonsert : Individualism genom texttrogenhet." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2870.

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Brahms första pianokonsert i d-moll är ett av pianorepertoarens största verk, med en genomspelning som tar cirka 50 minuter. Det är ett maratonlopp får pianisten som konstant måste hävda sin rätt gentemot den stora orkestreringen. I detta arbete undersöks sambandet mellan framförandet av tre olika pianister samt deras relation till notskriften i Brahms första pianokonsert i d-moll. Syftet är att starta en diskussion varför det kommer sig att olika pianister kan uppfatta och tolka musiken olika även om de utgår ifrån samma notbild.
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11

Krauel, Krystin [Verfasser]. "Interaktionen von Thrombozytenproteinen mit Bakterien als Brücke zwischen unspezifischer und spezifischer Immunabwehr / Krystin Krauel." Greifswald : Universitätsbibliothek Greifswald, 2012. http://d-nb.info/1027336019/34.

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12

Larmet, Chloé. "Expériences de voix : à l'écoute de Krystian Lupa, Christoph Marthaler, Joël Pommerat, Claude Régy et Anatoli Vassiliev." Electronic Thesis or Diss., Amiens, 2016. http://www.theses.fr/2016AMIE0044.

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Traversant les théories philosophiques, littéraires et psychanalytiques, notre réflexion se portera à l'écoute de représentations théâtrales qui s'affirment comme des expériences poétiques de la voix dont l'épreuve interroge les coordonnées du jeu dramatique, la perception du spectateur et, plus largement, la nature du geste esthétique théâtral. Quelle est cette voix que l'acteur, une fois sur scène fait résonner vers le spectateur et ses partenaires de jeu ? Est-ce la simple oralisation d'un texte ou bien y-a-t 'il ajout de signification, et si oui, quel est le statut d'une telle signification ? Qu'entend-on dans cette voix sur scène : une mélodie, un rythme, un timbre, un discours ou la résonance du tremblement d'un corps ? Que voit-on dans cette écoute : un corps tremblé, un visage vocal, des subjectivités entremêlées ? Ces quelques questions signalent l'endroit vers lequel nous souhaitons diriger notre regard et notre écoute : la représentation théâtrale, dans la contemporanéité de son présent, offre au spectateur la possibilité de faire l'expérience d'une multiplicité de modalités selon lesquelles la voix peut être pensée. Ce sont vers ces expériences théâtrales singulières proposées par Krystian Lupa, Christoph Marthaler, Joël Pommerat, Claude Régy et Anatoli Vassiliev que nous souhaitons tendre l'oreille afin d'y faire l'expérience d'une inquiétude de l'écoute. Ces esthétiques scéniques procèdent d'un "dessaisissement" du savoir et constituent pour nous un laboratoire expérimental privilégié pour une compréhension et une saisie de la voix : elles en éprouvent ses liens avec le langage et/ou avec le sujet et, a fortiori, sa perception
Our research will cross philosophy, literature, and psychoanalysis to question the notion of voice in specific works of directors who offer, through the present of the theater show, poetic experiences that challenge the perception of the spectator. What is the nature of this voice one can hear on stage ? Is it only the audible version of a preexisting text or is there another kind of signification that would be created by the voice itself ? What do one hear through this voice : a melody, a rhythm, a speech or something else ? What do one see in this voice : a body, a vocal subjectivity or various vocal subjects intermingled ? Those questions reveal the orientation of our approach towards theater : the contemporaneity of the show allows the experience of active and plural streams of thoughts regarding the notion of voice. We will listen to the works of Krystian Lupa, Christoph Marthaler, Joël Pommerat, Claude Régy, and Anatoli Vassiliev and see how they create an art that question the act of listening – or observing, we will prove that the act of listening, in the theater arts, is always an act of imagination, even a fantasied one – and reveal the complexity of voice. Our research will consider those creations as an experimental laboratory for voice and their experience will allow us to understand better the tensions that define voice
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13

Nahlik, Krystyna [Verfasser]. "The COP9 signalosome of Aspergillus nidulans : regulation of protein degradation and transcriptional pathways in sexual development / submitted by Krystyna Nahlik." 2007. http://d-nb.info/999370111/34.

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14

Ziegler, Danuta Krystyna [Verfasser]. "Verstärkt eine Dauertherapie mit Angiotensin-Converting-Enzyme-Inhibitoren die Blutdrucksenkung während einer totalen intravenösen Anästhesie mit Remifentanil und Propofol während kleinerer und mittlerer chirurgischer Eingriffe bei älteren Patienten? / von Danuta Krystyna Ziegler." 2011. http://d-nb.info/1012732010/34.

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15

Kowalczyk, Krystyna [Verfasser]. "The isotopic composition of valves and organic tissue of diatoms grown in steady state cultures under varying conditions of temperature, light and nutrients : implications for the interpretation of oxygen isotopes from sedimentary biogenic opal as proxies of environmental variations / vorgelegt von Krystyna Kowalczyk." 2006. http://d-nb.info/98039435X/34.

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16

Opalski, Krystina [Verfasser]. "Cell polarity in plant defense and fungal pathogenesis in the interaction of barley with powdery mildew fungi / submitted by Krystina Opalski." 2005. http://d-nb.info/977307247/34.

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17

Hojczyk, Krystian [Verfasser]. "Computergestützte 3D-Rekonstruktion der CD-15 Immunreaktivität im Tuberculum olfactorium des Hundes / vorgelegt von Krystian Hojczyk." 2006. http://d-nb.info/982292821/34.

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18

Chrobok, Krystian [Verfasser]. "Desinfektionsverfahren in der Schwimmbeckenwasseraufbereitung unter besonderer Berücksichtigung des elektrochemischen Aktivierungs-Verfahrens zwecks Verbesserung der Beckenwasserqualität / vorgelegt von Krystian Chrobok." 2004. http://d-nb.info/975530143/34.

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