Relevant bibliographies by topics / Krystyna

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Krystyna'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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Journal articles on the topic "Krystyna"

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Miklaszewska, Joanna. "Literature and visual arts as a source of inspiration." Musicology Today 16, no. 1 (December 31, 2019): 113–21. http://dx.doi.org/10.2478/muso-2019-0006.

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Abstract This article is a contribution to scientific research on this aspect of Krystyna Moszumańska-Nazar’s musical output which concerns the connections between her music and other arts, primarily literature and the visual arts, as well as inspirations flowing from nature, religion, philosophy, and broadly understood culture. The article applies structuralist methodology. The starting point for the analysis of the phenomena in question is the musical work itself, its title and its structure, and in the case of vocal-instrumental works - the content and message of the literary text and the person of its author. In the part of the article which deals with the biography and artistic personality of Krystyna Moszumańska-Nazar, as well as by quoting the composer’s own statements in the text, I draw on the personalistic method, especially highly valued in 20th-century philosophy; this method emphasises the role of the human person and personality in analytic work. In the musicological literature to date there exists no separate, large-scale study dedicated to the subject of non-musical inspirations in the works of Krystyna Moszumańska-Nazar. This topic has been tackled, however, in scientific dissertations dealing with various aspects of the composer’s work. For example, inspirations from the sphere of the sacrum have been indicated by Marek Stefański (2011), whereas Ewa Mizerska-Golonek (1992) writes about inspirations derived from the Biblical text in Krystyna Moszumańska-Nazar’s Song of Songs, and Hanna Kostrzewska (2012) discusses painting as a source of inspiration in the composer’s oeuvre. The main source of information on this subject, however, are the composer’s own statements: her ‘Autorefleksja kompozytorska’ [‘The Composer’s Self-Commentary’]K. Moszumańska-Nazar, ‘Autorefleksja kompozytorska’ [‘The Composer’s Self-Commentary’], in K. Kasperek, Krystyna Moszumańska-Nazar. Katalog tematyczny utworów, Cracow, Academy of Music, 2004, pp. 149–153. and interviews.M. Woźna-Stankiewicz, Lwowskie geny osobowości twórczej. Rozmowy z Krystyną Moszumańską-Nazar [The Lviv Gene of Artistic Personality: Interviews with Krystyna Moszumańska-Nazar], Cracow, Musica Iagellonica, 2007; M. Janicka-Słysz, ‘Z walcem w tle’ [‘With Waltz in the Background’], interview with Krystyna Moszumańska-Nazar, Ruch Muzyczny, no. 18, 2004, pp. 8–9.
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Spier, Howard. "Retirement of Krystyna Sieradzka." East European Jewish Affairs 26, no. 2 (December 1996): 3–4. http://dx.doi.org/10.1080/13501679608577826.

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Boguszewska, Anna. "Twórcza działalność na rzecz książki dla dzieci Krystyny Lipki-Sztarbałły." Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica 6 (November 30, 2018): 154–67. http://dx.doi.org/10.24917/23534583.6.13.

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Krystyna Lipka-Sztarbałło’s creation for children bookShaping full personality includes an introduction to cultural messages understanding and requires preparation from the earliest years of life. The use of picture books and book illustrations as the key assumption in visual education of children. Picture books represent the first artistic medium as the primary carrier of aesthetic values and a potential chance to stimulate cognitive, social development of a child. History of Polish picture book dates back to the turn of XIX and XX centuries. However, the realizations gaining more widespread range occurred much later. Krystyna Lipko-Sztarbałło, a graphic artist and an animator of Polish book for children, has been of key importance for the development of Polish picture book for the last twenty-odd years. The significance of the illustrations book in child development is proven by the examples of graphic designs taken from Krystyna Lipka-Sztarbałło’s works.
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Materniak-Pawłowska, Małgorzata. "Krystyna Kamińska, Andrzej Gaca, Historia powszechna ustrojów państwowych, 2011." Czasopismo Prawno-Historyczne 65, no. 1 (November 2, 2018): 520–22. http://dx.doi.org/10.14746/cph.2013.65.1.30.

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Stec, Monika, and Krystyna Badurka. "Tak zwani partyzanci. Z Krystyną Badurką rozmawia Monika Stec." Studia Litteraria et Historica, no. 1 (December 31, 2012): 1–45. http://dx.doi.org/10.11649/slh.2012.024.

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So-called partisans. Monika Stec in an interview with Krystyna Badurka Referring to the story of her father’s death in 1945, Krystyna Badurka-Rytel discusses the times before and after World War II. Before WWII, her father, Felix Badurka, was a soldier of the Home Army, while after the war he served as the chairman of the National Council and built "the new system". For decades, the Badurka family has been trying to find out who is responsible for his murder.The story of tracking perpetrators is presented against a broader background: the attitude of the population and the Church towards the underground army during and after WWII; the socio-political changes (specifically in rural areas) after World War II, as well as the modern times, in particular the attitude to the past. Krystyna Badurka-Rytel objects to the current Polish political history, because, as she believes, it glorifies the war crimes committed by the so-called “conspiracy” by honouring the participants with books and monuments.
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Głusiuk, Anna. "Krystyna z Markyate – wprowadzenie do Żywotu." Seminare. Poszukiwania naukowe 2014(35), no. 2 (June 30, 2014): 163–74. http://dx.doi.org/10.21852/sem.2014.2.13.

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Sierakowski, Stanisław. "In memoriam of Professor Krystyna Bernacka." Reumatologia/Rheumatology 57, no. 2 (2019): 124. http://dx.doi.org/10.5114/reum.2019.84821.

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Jerka-Dziadosz, Maria, and Joseph Frankel. "In Memoriam: Krystyna Golińska (1933-2013)." Journal of Eukaryotic Microbiology 61, no. 3 (April 23, 2014): 328–32. http://dx.doi.org/10.1111/jeu.12111.

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Borowski, Dominik. "How to Research Culture? About Cultural Turns: New Trends in Cultural Studies Doris Bachmann-Medick." Respectus Philologicus 27, no. 32 (April 25, 2015): 213–16. http://dx.doi.org/10.15388/respectus.2015.27.32.21.

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Rice. "The Many Hats of Dr. Krystyna Modrzewska." Nashim: A Journal of Jewish Women's Studies & Gender Issues, no. 36 (2020): 177. http://dx.doi.org/10.2979/nashim.36.1.10.

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Dissertations / Theses on the topic "Krystyna"

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Siudak, Krystyna [Verfasser]. "Immunhistologische Untersuchungen zur bovinen neonatalen Panzytopenie / Krystyna Siudak." Gießen : Universitätsbibliothek, 2015. http://d-nb.info/1073119130/34.

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Long, Christina Ay-Chen. "Selected Structural Elements and Aspects of Performance in Bagatelles (1971) and Konstellationen (1972) by Krystyna Moszumanska-Nazar, with Three Recitals of Works by Beethoven, Brahms, Chopin, Liszt, Messiaen, Prokofieff, and Schumann." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc277731/.

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This dissertation primarily concerns selected structural elements in Bagatelles and Konstellationen. These are pitch/interval, rhythm/meter in Bagatelles, the formal design and its relations with dynamics and texture in Konstellationen, as well as the usage of indeterminacy. There are also selected aspects of performance in regard to extended technique, pedaling, and certain dynamic control problems related to two works in question. Chapter one introduces the historical background of Polish music and the emergence of Poland as one of the leading forces in contemporary music. It also provides the musical background of Moszumanska-Nazar, as well as the stylistic features and representative works in her three compositional periods. Personal interviews and correspondence with the composer provide additional biographical and stylistic insight for this chapter. Chapter two focuses on the aspects of structural procedure. In Bagatelles, the structural elements are: organized pitch sets, the dominance of linear interval, scale pattern, dissonant intervals, as well as the rhythmic pattern and the various metric designs. Konstellationen present most interesting and unusual formal design in that the elements that delineate the form are dynamics, texture and certain pianistic devices, such as the ostinato, trills, abrupt high notes, irregular fast notes, and clusters. Chapter three addresses particularly the aleatoric elements. The study covers areas of pitch, rhythm, and form with a brief introduction of music in indeterminacy. Chapter four turns to several issues pertaining to the performance aspects. These include pedaling, extended techniques, and dynamic control. The last part of this chapter draws conclusions from the observation and analysis of the two works in question.
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Bachtin, Krystyna [Verfasser], and M. [Akademischer Betreuer] Hoffmann. "Elektrospinning von Kathodenmaterialien für Lithium Ionen Batterien / Krystyna Bachtin ; Betreuer: M. Hoffmann." Karlsruhe : KIT-Bibliothek, 2016. http://d-nb.info/1117701832/34.

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Kleiner, Krystyna [Verfasser]. "Die urheberrechtliche Wirksamkeit von Nutzungsbedingungen sozialer Netzwerke : Eine Analyse anhand des Praxisbeispiels Facebook / Krystyna Kleiner." Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2019. http://d-nb.info/1192103777/34.

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Kühn, Norma Krystyna [Verfasser], Tim [Akademischer Betreuer] [Gutachter] Gollisch, and Robert [Gutachter] Gütig. "Motion encoding in the salamander retina / Norma Krystyna Kühn ; Gutachter: Tim Gollisch, Robert Gütig ; Betreuer: Tim Gollisch." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2016. http://d-nb.info/1116709600/34.

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Okoye-Montis, Krystyna [Verfasser]. "Die Bedeutung des Urlaubszwecks für den Anspruch auf Urlaub nach dem Bundesurlaubsgesetz und die Behandlung von Urlaubsstörungen / Krystyna Okoye-Montis." Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2016. http://d-nb.info/1090773021/34.

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Groten, Raphaela Krystyna [Verfasser], Martin [Akademischer Betreuer] Buss, Hermann [Akademischer Betreuer] Müller, and Alois [Akademischer Betreuer] Knoll. "Haptic Human-Robot Collaboration : How to Learn from Human Dyads / Raphaela Krystyna Groten. Gutachter: Hermann Müller ; Alois Knoll. Betreuer: Martin Buss." München : Universitätsbibliothek der TU München, 2011. http://d-nb.info/1019588276/34.

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Schorlemmer, Uta. "Die Magie der Annäherung und das Geheimnis der Distanz Krystian Lupas Recherche "neuer Mythen" im Theater /." München : Sagner, 2003. http://books.google.com/books?id=8GdgAAAAMAAJ.

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Wagner, Krystina [Verfasser]. "Vesikuläres Recycling und retinale Degeneration – Photorezeptorzellen von Drosophila melanogaster als Modell für TTD14-, PLD- und Retromerkomplex-abhängige Transportprozesse / Krystina Wagner." München : Verlag Dr. Hut, 2019. http://d-nb.info/1202169333/34.

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Wallner, Olof. "Brahms första pianokonsert : Individualism genom texttrogenhet." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2870.

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Brahms första pianokonsert i d-moll är ett av pianorepertoarens största verk, med en genomspelning som tar cirka 50 minuter. Det är ett maratonlopp får pianisten som konstant måste hävda sin rätt gentemot den stora orkestreringen. I detta arbete undersöks sambandet mellan framförandet av tre olika pianister samt deras relation till notskriften i Brahms första pianokonsert i d-moll. Syftet är att starta en diskussion varför det kommer sig att olika pianister kan uppfatta och tolka musiken olika även om de utgår ifrån samma notbild.
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Books on the topic "Krystyna"

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Stolpe, Sven. Krolowa Krystyna. Warszawa: Panstwowy instytut wydawniczy, 1988.

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Samozwaniec, Magdalena. Krystyna i Chlopy. Szczecin: Glob, 1990.

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Grygo, Marcin. Krystyna Janda: Kameleon-zawodowiec. Warszawa: Wydawnictwo "Swiat Ksiazki", 2004.

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Grygo, Marcin. Krystyna Janda: Kameleon-zawodowiec. Warszawa: Wydawnictwo "Świat Książki", 2004.

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Simon, Wiesenthal. Krystyna: Die Tragodie des Widerstands . Munchen: Nymphenburger, 1986.

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Wańkowicz, Melchior. Melchior i Krystyna Wańkowiczowie: Korespondencja. Warszawa: Twój Styl, 1993.

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Grochowska, Maria Marzena. Krystyna Krahelska: Obudźmy jej zamilkły śpiew. Warszawa: Oficyna Wydawnicza Rytm, 1996.

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Piotrowska, Krystyna. Krystyna Piotrowska: Jej włosy = her hair. Kraków: MOCAK Muzeum Sztuki Współczesnej w Krakowie, 2013.

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Simon, Wiesenthal. Krystyna: Die Tragödie des polnischen Widerstands. [München]: Nymphenburger, 1986.

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Simon, Wiesenthal. Krystyna: Die Tragödie des polnischen Widerstands. Frankfurt/M: Ullstein, 1989.

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Book chapters on the topic "Krystyna"

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Hultsch, Anne. "Gefärbt und verschachtelt – Minimalistisches von Krystyna Miłobędzka." In Haiku – Epigramm – Kurzgedicht, 135–50. Köln: Böhlau Verlag, 2021. http://dx.doi.org/10.7788/9783412513481.135.

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Gooch, Jan W. "Kryston." In Encyclopedic Dictionary of Polymers, 414. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_6716.

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Waligóra, Katarzyna. "Krystian Lupa: The Maestro They Criticise Love." In 20 Ground-Breaking Directors of Eastern Europe, 109–21. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-52935-2_9.

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Sobczyk, Agata. "KRYSTYNA KASPRZYK 1922-2012." In Portrety Uczonych. Profesorowie Uniwersytetu Warszawskiego po 1945, A−K. Warsaw University Press, 2016. http://dx.doi.org/10.31338/uw.9788323523314.pp.452-459.

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"RELUCTANT HEROISM: JAN AND KRYSTYNA LITYNSKI." In Poles Apart Cb, 65–86. Routledge, 2012. http://dx.doi.org/10.4324/9780203043967-8.

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"11. Krystyna Bierzyńska in Polish History." In Warsaw is My Country, 107–10. Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618117601-015.

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"Krystyna Marek (1978-79), 'Criminalizing State Responsibility'." In State Responsibility in International Law, 365–90. Routledge, 2017. http://dx.doi.org/10.4324/9781315242439-21.

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Courtney, Krystyna Kujawinbska. "Krystyna Skuszanka’s Shakespeare of Political Allusions and Metaphors in Communist Poland." In Shakespeare in the World of Communism and Socialism, edited by Irena Makaryk and Joseph G. Price. Toronto: University of Toronto Press, 2006. http://dx.doi.org/10.3138/9781442616585-016.

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"Self-Translation and the Language of the Perpetrators: Krystyna Żywulska's Auschwitz Testimony." In Witness between Languages, 143–65. Boydell and Brewer Limited, 2018. http://dx.doi.org/10.1017/9781787442153.006.

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"6 Interviewauswertung – Lili Keller, Krystyna Zaorska, Jakob Adam, Max Goldstein, Sara Adam." In Kinder im Konzentrationslager Ravensbrück, 169–313. Köln: Böhlau Verlag, 2017. http://dx.doi.org/10.7788/9783412510275.169.

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