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Journal articles on the topic 'Korean war novels'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Pease, Donald E. "The Uncanny Return of Settler-Colonial Capitalism in Toni Morrison’s Home." boundary 2 47, no. 2 (May 1, 2020): 49–70. http://dx.doi.org/10.1215/01903659-8193233.

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Toni Morrison’s 2012 novel Home is concerned primarily with the efforts undertaken by its protagonist, the black Korean War veteran Frank Money, to accommodate himself to civilian life. However, Home differs from other Korean War novels in that after Frank returns to the United States, he neither aligns his wartime experiences with the superpower rivalry nor conducts a critical meta-engagement with Cold War ideology. When Frank comes back to the United States in 1955 from a tour of duty as a combat infantryman in Chosin, Korea, he instead undergoes the unheimlich experience of becoming a fugitive within a carceral state. Morrison confronts readers with a comparably uncanny experience when she deletes from the narrative any trace of the Cold War ideology whose structures of feeling, epistemologies, and military architecture the Korean War was putatively fought to establish and that the so-called war on terror had eerily revived. When she disallowed Cold War ideology control over representations of Home’s characters, actions, and events, Morrison recast the Korean War as the Cold War’s uncanny Other that exposed readers to an ongoing settler-colonial war being waged within 1950s US domestic society.

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2

Kim, Dong-wook. "Korean war novels and Seojuyeonui(西周演義)." Research of the Korean Classical Novel 48 (December 31, 2019): 249–77. http://dx.doi.org/10.23836/kornov.2019.48.249.

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3

Choi, Bum-soon. "Korean War in Japanese Literature : Focusing on the Korean War novels of Japan in the 1950s." Journal of Japanology 58 (December 31, 2022): 359–82. http://dx.doi.org/10.21442/djs.2022.58.15.

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4

Xu Tong. "Visualization of the Korean War and the US Armyin Chinese and Korean Novels." Review of Korean Cultural Studies 64, no. 64 (December 2018): 67–90. http://dx.doi.org/10.17329/kcbook.2018.64.64.003.

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5

Piao. "The Construction of Korean Female Images in the Korean War Novels From an Orientalist Perspective." Comparative Literature Studies 54, no. 1 (2017): 195. http://dx.doi.org/10.5325/complitstudies.54.1.0195.

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6

서승희. "A Study on Gender Politics in Popular Novels during the Korean War." Women's Studies Review 30, no. 2 (December 2013): 3–24. http://dx.doi.org/10.18341/wsr.2013.30.2.3.

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7

Nan, Liang, and Weng Chih-Chi. "Cold War Modernity : A study of Korean Chinese Novels in the 1960s." Chinese Studies 75 (June 30, 2021): 99–114. http://dx.doi.org/10.14378/kacs.2021.75.75.5.

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8

우림걸. "On Writing Techniques of Stream of Consciousness in Post-War Korean Novels." 아시아문화연구 14, no. ll (May 2008): 61–84. http://dx.doi.org/10.34252/acsri.2008.14..004.

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9

Jongsoo Kim. "Documents of Survival and Trauma: Memories of the Korean War in Korean Novels of the 1960s." Review of Korean Studies 10, no. 3 (September 2007): 153–70. http://dx.doi.org/10.25024/review.2007.10.3.008.

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10

Oh, Hey-Jine. "The reality of daily life after the Korean War - focusing on Sonchangseop’s 1950’s novels -." Studies of Korean Literature 64 (October 31, 2019): 599–620. http://dx.doi.org/10.20864/skl.2019.10.64.599.

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11

김지혜. "Original experience of Korean War and Variation of Reconstruction - focusing on Lee Cheong - jun's novels." EOMUNYEONGU 88, no. ll (June 2016): 213–39. http://dx.doi.org/10.17297/rsll.2016.88..008.

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12

Baik, Ji-yeon. "Reality of Division and East Asian thought : Focusing on Women's Novels after the Korean War." Korean Journal of Japanology 123 (May 31, 2020): 1–16. http://dx.doi.org/10.15532/kaja.2020.05.123.1.

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13

Park, Tae-Il. "North Korean Literature and Bibliographic research of Choi Myung-ik." Modern Bibiography Review Society 25 (June 30, 2022): 671–744. http://dx.doi.org/10.56640/mbr.2022.25.671.

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This article is an empirical study on Choi Myung-ik’s literature conducted in North Korea(1945-1967). There are three things discussed. First, I found several new first-round records that give a glimpse of Choi Myung-ik’s literary and social activities during the period of his return to North Korea. These activities include the revision of the date of birth, the year of school, the activities of the Education Bureau during the liberation period, the joint exhibition of the novel collection Engineer, and the dispatch to the local area Second, the writer discovered six books of Choi Myung-ik’s works. Except for the Bunin book Buddhist monk Seosan which is a copy of the Yanbian Competition Society, the rest are historical materials and children’s and youth literature. After the war, the essence of the most important literature was in those two. Third, 21 new pieces of Choi Myung-ik’s words, which were published in the continuous media during the period of his stay in North Korea, were discovered. Thus, the total number of episodes will increase to 78. It was put into 12 branches by Choi Myung-ik. It is a story with medium-length novels, short stories, bean novels, wall novels, saga stories, true stories, essays, pelletons, reviews, political theories, and juvenile novels. Choi Myung-ik was a dagalae writer. This article greatly expanded the scope of Choi Myung-ik’s literature. Waiting for quick research.

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14

BUJA, Elena. "Korean and Romanian women: victims of foreign and native violence." Bulletin of the Transilvania University of Brașov, Series IV: Philology. Cultural Studies 13 (62), no. 1 (June 30, 2020): 89–108. http://dx.doi.org/10.31926/but.pcs.2020.62.13.1.6.

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"War and political rebellions turn people into beasts, and while men bring about most of these dreadful events, it is women and children who have to suffer their consequences. The aim of my paper is to bring to light the common fate of women in two spatially distant and culturally different societies (Korean and Romanian), showing that in the past century they were victims of both foreign and native violence. During WWII, Japanese soldiers have sexually exploited Korean women, whereas their Romanian sisters fell prey to the Russian soldiers withdrawing from war. Later on, during the communist regime in Romania and in the aftermath of the Gwangju Uprising in Korea in 1980, the Romanian and Korean women became the victims of their own compatriots. To illustrate this sad fate, I have employed fragments excerpted from various Romanian and Korean novels, as well as secondary data. The framework I made use of is the social theory according to which “agency /action and social structure are recognized as major dimensions of social reality” (Sibeon 2004, 117) and are in strong connection with power and interests. This theory claims that it is humans in the world that do things, but very often these things are performed by individual actors that have power or are empowered by institutions. Irrespective of whether the men who were the agents/actors of women’s abuse had physical or political power over their victims, what happened to the Romanian and"

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15

Kang, Jeong-gu. "Study on the Idea of Purity in Hwang Sun-won's Novels Published in the Korean War." Korean Thought and Culture 100 (December 31, 2019): 723–48. http://dx.doi.org/10.31037/ktac.100.23.

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16

Byounggill Kim. "The Development of the Serial Historical Novels in Newspaper from the 1945 Liberation to Korean War." Journal of Popular Narrative ll, no. 28 (December 2012): 159–92. http://dx.doi.org/10.18856/jpn.2012..28.006.

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17

Pang Wen-ting. "A Comparative Study on the War Experience and Female Subjectivity Formation in Korean and Chinese Female Novels." EOMUNYEONGU 93, no. ll (September 2017): 247–75. http://dx.doi.org/10.17297/rsll.2017.93..009.

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18

유임하. "The 60th anniversary of its ‘victory’ in the Korean War and Expression in North Korean Literature:an Aspect of War memory on novels in the July 2013 issue of Josun Munhak[조선문학]." DONAM OHMUNHAK 26, no. ll (December 2013): 7–35. http://dx.doi.org/10.17056/donam.2013.26..7.

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19

Kim, Hyun-saeng. "A Study on Vietnam War Novels of Korean, American, and Vietnamese Writers: Based on Bourdieu’s Theory on ‘Field’ and ‘Habitus." British and American Language and Literature Association of Korea 121 (June 17, 2016): 33–57. http://dx.doi.org/10.21297/ballak.2016.121.33.

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20

Petersen, Martin. "Patriots behind Enemy Lines: Hyperreality and the Stories of Self and Other in Recent North Korean War-Theme Graphic Novels." Journal of Korean Studies 18, no. 2 (2013): 371–402. http://dx.doi.org/10.1353/jks.2013.0017.

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21

Buja, Elena. "An Image of Korean Women during the Japanese Occupation of the Peninsula, as It Emerges from Literary Masterpieces." Acta Universitatis Sapientiae, Philologica 13, no. 1 (November 1, 2021): 73–88. http://dx.doi.org/10.2478/ausp-2021-0006.

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Abstract This paper1 aims to offer a picture of the darkest period in the history of the Korean women, namely that of the Japanese colonial rule (1910–1945). The only advantage Korean women enjoyed as a result of their country’s annexation to Japan was access to institutional education, even if this was done in Japanese and from Japanese course books. But this came with a price: many of the Korean teenaged females were turned into comfort women (sex-slaves) for the Japanese soldiers before and during the Pacific War. Not only did these girls lose their youth, but they also lost their national and personal identity, as they were forced to change their Korean names into Japanese ones and to speak Japanese. To build the image of the fate of the Korean women during this bleak period, the research method I have used is a simplified version of content analysis, “an analysis of the content of communication” (Baker 1994, 267). I have explored the content of fragments from a couple of novels authored by Korean or American-Korean authors, which cover the historical events in the peninsula leading to the end of WWII (Keller’s Comfort Woman (2019) and Bracht’s White Chrysanthemum (2018), to mention just a few) and which are focused on the topic of comfort women,2 i.e. young women that were sexually exploited by the Japanese military. The results of the analysis indicate that many of the surviving victims became “unpersons” and led a life of solitude and misery until their death.

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22

Lee, Sang-Jin. "Koreans in Germany in the Dictatorial Economic Development Period or Cold War era - A Study on Novels of Soon-sil Kim as a Korean writer in Germany." Studies of Korean Literature 61 (January 31, 2019): 267–99. http://dx.doi.org/10.20864/skl.2019.01.61.267.

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23

Chae, Dae-il. "Overcoming the War Trauma and Korean Peninsula’s Division on Lee Cheong-Jun’s Novels - Focused on “The Face of an Offender” and White Clothes -." Korean Literary Theory and Criticism 80 (September 30, 2018): 229–52. http://dx.doi.org/10.20461/kltc.2018.9.80.229.

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24

Lee, Eun-Seon. "A Study on the Imaginative Geographies of Vietnam and ‘War-Tourism’ That Appeared in South Korean Novels after the Establishment of Diplomatic Relations between South Korea and Vietnam." Korean Literature and Arts 32 (December 31, 2019): 257–83. http://dx.doi.org/10.21208/kla.2019.12.32.257.

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25

Sohn, Nagyung. "Thought Experiment about Gender and Utopia in the 1960s’ Science Fiction: In Cases of Left Hand of Darkness and The Perfect Society." Korean Society of Culture and Convergence 44, no. 10 (October 31, 2022): 307–22. http://dx.doi.org/10.33645/cnc.2022.10.44.10.307.

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The purpose of this paper is to discuss the thought experiment on the gender and utopia in Left Hand of Darkness by Ursula K. Le Guin and The Perfect Society by Moon Younsung. Both of these novels were published in the 1960s, sharing the topic: gender and utopia. Even if the authors have different cultural and gender backgrounds, they wrote their works under the social background of the 1960s, when the Cold War and the Freedom movements severely conflicted. Besides, more fundamentally speaking, both of them recognized the function of science fiction: thought experiment. By using thought experiment, Le Guin suggests the possibility of accepting cultural and gender diversity. Moon Younsung criticizes the oppressive contemporary Korean society and asserts human conflicts would not be eradicated without accepting diversity.

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26

Joung-hyun, Joung-hyun. "The Narrative Aspect of the Korean War Represented in the Others’ Eyes: In the Novels of Ha Jin, R. H. Moreno Duran, and James Salter." Journal of Language & Literature 68 (December 31, 2016): 203. http://dx.doi.org/10.15565/jll.2016.12.68.203.

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27

Ae-Kyung, Yoon. "The Aspect of the Embodiment of the Second-Generation of the Vietnam War in Korean Novels -Focusing on 󰡔Red Ao Dai󰡕, 󰡔A Saigon’s Sad Song󰡕, 󰡔Slow Bullet󰡕-." Society Of Korean Language And Literature 50 (September 30, 2014): 249–77. http://dx.doi.org/10.15711/050008.

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28

Lee, Eun-seon. "Narratives of Male Warriors and a U.S. Army Deserter in the Vietnam War that Appeared in Korean Novels - Focusing on Lee Dae-hwan’s Slow Bullet (2001) and Flowers Bloomed in the Muzzle (2019) -." Korean Language and Literature in International Context 84 (March 31, 2020): 303–24. http://dx.doi.org/10.31147/iall.84.10.

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29

Singh, Richa. "Book Review: Pachinko by Min Jin Lee." SMART MOVES JOURNAL IJELLH 8, no. 10 (October 29, 2020): 82–90. http://dx.doi.org/10.24113/ijellh.v8i10.10804.

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Pachinko by Min Jin Lee is a saga of the trials and tribulations, joys and sorrows of a Korean family spanning from 1910 to 1989. Lee is a Korean-American author whose work engages with themes of the diasporic Korean identity. Pachinko was published in 2017 to critical acclaim and it was in the running for the National Book Award for Fiction. Pachinko is a historical novel and its panoramic gaze encompasses twentieth century Korea giving us a terrifyingly real account of Korean society from the Japanese colonization of Korea to the Second World War. The Financial Times wrote in their review of the book: “We never feel history being spoon-fed to us; it is wholly absorbed into character and story, which is no mean feat for a novel covering almost a century of history.” It is the first novel about Korean history and culture written for English language readers.

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30

Watson, Jini Kim. "A Not-yet-postcolonial Peninsula: Rewriting Spaces of Violence, Division and Diaspora." Cambridge Journal of Postcolonial Literary Inquiry 1, no. 1 (February 12, 2014): 69–87. http://dx.doi.org/10.1017/pli.2013.10.

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In his controversial 2001 novel,The Guest(Sonnim), Hwang Sok-yong tells the story of elderly Korean American Ryu Yosŏp, who embarks on a journey back to his childhood home in Hwanghae province, now North Korea. At once a spatial, temporal, and psychological return, the novel revisits the early years of the Korean War to unveil the truth behind one of the war’s most horrific crimes: the slaughter of 35,000 Korean civilians in the Shinch’on massacre of 1950. In particular, Hwang examines the arrival of the two “guests” of the title—Christianity and Marxism—during the colonial period and their subsequent role in the violence of Shinch’on. By making visible forms of political agency achieved through the assimilation of these two guests, the novel complicates the ideological binaries that appear to have arrested decolonization of the Korean peninsula. Watson’s article reveals how Hwang’s experimental, multivocal narrative structure rewrites usual historical accounts of the Korean War and division by attending to the spatialized production of regions, nation, state, and diaspora. It offers a rethinking of the congealed ideologies, stories, desires, and topologies of this not-yet-postcolonial peninsular.

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31

Lee, A. J. Yumi. "Repairing Police Action after the Korean War in Toni Morrison’s Home." Radical History Review 2020, no. 137 (May 1, 2020): 119–40. http://dx.doi.org/10.1215/01636545-8092810.

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Abstract Narrating the fictional story of an African American veteran of the desegregated Korean War, Toni Morrison’s 2012 novel Home links the violence of US military “police action” in Korea to the long history of police violence at home. This article argues that Home’s critical portrayal of the Korean War punctures two enduring 1950s myths: the myth of a peaceful domestic “color-blind” society and the myth of heroic US military intervention abroad. The article reads Home as an allegory that invites readers to imagine forms of justice outside of a policing framework, both globally and domestically, through its narrative of repairing trauma and harm through community care rather than punishment or retribution. This reading shows that Morrison’s rewriting of the 1950s in Home places the contemporary idioms of police and prison abolition and transformative justice in a broader historical and global imaginative frame.

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32

Kim, Se Ho. "A Literature Review Study on Origin and Spatial Significance of Sondolmok." Institute For Kyeongki Cultural Studies 43, no. 1 (June 30, 2022): 1–19. http://dx.doi.org/10.26426/kcs.2022.43.1.1.

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Sondolmok is a waterway for ship passage located in Sinan-ri, Daegot-myeon, Gimpo-si, Gyeonggi-do. In the Goryeo era, it was called Chakryang(窄梁) or Geubsumun(急水門), and it was recorded as Sondolhang(孫乭項) or Sonseokhang (孫石項) in the literature from the Joseon era. Regarding the place name of Sondolmok, the following legend has been passed down. In the process of the king moving to Ganghwa Island(江華島) for safety from the war during the Goryeo era, Son Dol, who was a boatman, was killed under a false accusation. At the moment of his death, a wind caused by his resentment blew and people called it the Sondol Wind(孫突風), and the custom of performing an ancestral rites to comfort his soul on October 20, the anniversary of his death, has been passed down up to now. Although Sondolmok has been mentioned in many past literatures, research and analysis to compile them have been limited. It is estimated that Sondolmok was called by its present name from the late Joseon era. Afterwards, Yeojidoseo(輿地圖書) introduced its origin, and Joseon era's novels, through their own historical demonstration, offered various opinions, such as claiming that the origin was merely a legend. Nevertheless, the legend of Sondolmok seems to have been steadily passed down by the local people, and it has been established as a culture by modern times. Sondolmok reappeared on the stage of history due to its characteristic topography. In the early Joseon era, construction of a canal was considered to avoid the waterway of Sondolmok, and by the late Korean Empire, it was regarded as an important point of defense of the region. As shown in above, Sondolmok's image was formed in various ways through ancient poetry that sang this place. It is expected that the above results make a small contribution to revealing the historical and cultural value of Sondolmok.

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33

Meilinger, Phillip S. ""Into the Wild Blue Yonder": Ten Novels of the U.S. Air Force and the Wars in Asia." Journal of American-East Asian Relations 18, no. 2 (2011): 181–203. http://dx.doi.org/10.1163/187656111x596842.

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AbstractWar Narratives, unit histories, memoirs, and letters home from the combatants offer good accounts, but they cannot always convey the tension, violence, fear, dedication, futility, and chance that are so a part of war and that are more easily drawn by a good novelist. This review article discusses the ten top air war novels involving the U.S. Air Force (or the U.S. Army Air Forces as it was known during World War II) and the wars in Korea and Vietnam. These ten novels most accurately reflect the unique character, culture, and achievements of air power in those Asian wars.

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34

Iwata-Weickgenannt, Kristina. "Broken Narratives, Multiple Truths." positions: asia critique 28, no. 4 (November 1, 2020): 815–40. http://dx.doi.org/10.1215/10679847-8606510.

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Against the background of the decades-long international relations dispute over Japan’s wartime military “comfort women” system, this article explores one of the scant literary representations of comfort women in Japanese literature. Through a close reading of Yū Miri’s Hachigatsu no hate (The End of August, 2004), a family saga written by a female author of Korean descent, the article explores how the novel emerged from, participates in, and critically positions itself with respect to the ongoing ideological battles over war histor(iograph)y. Set mostly in colonial Korea, The End of August presents a challenge to historical revisionism’s desire for a single, document-based narrative, for Yū incorporates a multitude of oral accounts of personally experienced history into a nonlinear, highly fragmented narration. Zooming in on an episode in which a young Korean girl is tricked into sexual slavery, The End of August is read against a number of discursive paradigms that govern the debate on comfort women both in Korea and Japan. The article argues that, by drawing on postcolonial ways of understanding history, memory, and trauma, The End of August gives voice to those whose stories previously went unheard, thus allowing for a reading as a statement against the shelving of inconvenient pasts.

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35

Demiragić, Ajla. "Overcoming Traumatic Experience in Zdenko Lešić’s Polydiscursive Novel: About Tara as Practice of Compassion." Društvene i humanističke studije (Online) 7, no. 4(21) (December 30, 2022): 199–218. http://dx.doi.org/10.51558/2490-3647.2022.7.4.199.

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Zdenko Lešić, one of Bosnia and Herzegovina's most prominent literary theorists, published two novels in the period following the war: Sarajevo Tabloid (Split 2001) and About Tara (Sarajevo 2004). While the first novel, in the words of the author himself, can be read as a „contemplation of eternal human suffering, which tragically repeated itself in besieged Sarajevo” (2015:283), About Tara is a tragic family story from the immediate wartime past written through the experience of radical displacement in South Korea and the encounter with the Buddhist teachings. Relying on theoretical works about trauma fiction, this article aims to explore the novel About Tara as a polydiscursive text that reflects upon the possibilities of overcoming a traumatic experience through the Buddhist principle of compassion (karunā).

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36

Kim, mi-young. "Study on Impossibility of Mourning in Park Wan-seo's Novels - With Focus on the Mother-Daughter Relationship inThe Naked Tree-." Korean Language and Literature 98 (September 30, 2016): 135–60. http://dx.doi.org/10.21793/koreall.2016.98.135.

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37

Rahwati, Wawat, Budi Mulyadi, and Feri Purwadi. "The Negotiation of Zainichi Identity and Resistance to Japanese Domination in Kazuki Kaneshiro Literary Text." IZUMI 9, no. 2 (December 1, 2020): 155–65. http://dx.doi.org/10.14710/izumi.9.2.155-165.

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This study discusses the identity negotiation and resistance of the Zainichi minority to Japanese domination as the majority group in the literary text by Kazuki Kaneshiro. Zainichi is Korean people who came and have settled in Japan before and during World War II. As a minority group in Japan, Zainichi often faces discrimination from Japanese people due to his identity. Issues regarding the issue of Zainichi's identity are a dominant theme raised in the literary work of Zainchi (Zainichi bungaku). One of the authors of Zainichi's literary works is Kazuki Kaneshiro who wrote a novel entitled Go in 2007. Go novel as a literary text of Zainichi will be used as research data to reveal how Zainichi's identity negotiations are articulated by Zainichi characters and how their resistance against Japanese domination as the majority community group. By using postcolonial studies and analyses the structure of the narrative text, this research can reveal the forms of identity negotiation and resistances dis-course represented by Zainichi characters. Identity negotiation is seen through using Japanese name by Zainichi characters while interacting with the Japanese and changing the nationality from Korean to Japanese. Meanwhile, physical violence, mimicry (imitation), a mockery of Japanese behaviours, and maintaining their identity and Korean culture as resistances to counter the Japanese domination in the novel Go.

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38

LI, YUANYUAN. "A Comparative Study on Old Age Novels by Female Writers from Korea and China-Focused on the novels of Park Wan-seo and Zhang Jie." Chunwon Research journal 24 (August 31, 2022): 187–210. http://dx.doi.org/10.31809/crj.2022.4.24.187.

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39

Kim, jeong-nam. "A study on the labor reality in Lee Buk-myeong’s novels: Focused on the process of change in social situation and labor reality." Korean Language and Literature 121 (July 30, 2022): 141–74. http://dx.doi.org/10.21793/koreall.2022.121.141.

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The purpose of this study is to examine the changes in the labor reality in Lee Buk-myeong's novels according to social situations. Novelist Lee Buk-myung started as a literary writer who embodies the vivid reality of workers lives in relation to the Bolshevik line of KAPF in the colonial era. His literary flow can be brought up by the following periodical segmentation. First, in the novel by Lee Buk-myung, the oppression mechanism that he directly or indirectly experienced while working as a worker at the Joseon Nitrogen Fertilizer Factory in Noguchi(野口) Konzern for three years from 1927 is concretely embodied. This is embodied labor reality of factory environment full of noise and stench, industrial accidents related to injuries, diseases and deaths, layoffs and unauthorized dismissals through physical examinations, and ethnic discrimination resulting from duties, wages, and various types of treatment. Second, it is possible to find the labor reality symbolized by the accumulation mechanisms in which capital and imperial ideology continuously tame workers and the aspect of worker resistance at the points of awakening that reject it. These acclimation mechanisms are achieved in the Joseon Nitrogen Fertilizer Factory through religious magazines that exhort integrity and diligence based on Protestant ethics. However, the tragedy of a colleague who eventually dies due to an industrial accident and unlawful dismissal becomes a trigger for the workers to start the May Day struggle. In addition, it criticizes the acclimation mechanisms of the imperial educational ideology through the narrative in which an individual who has been disciplined by the ethics of integrity and honesty under the general education system of Japanese imperialism quickly turns to an action based on traditional and instinctive agent in a dramatic crisis situation. Third, Lee Buk-myung's work, written as part of a production novel, a national literature that was forced on writers under the wartime mobilization system at the end of the colonial period, was intended to be a narrative of irony in order to indirectly criticize it under the oppressive situation of patriotism in the rear. It seems to follow the logic of the Japanese imperialist patriotism in the rear by using a sick engineer with no field experience, but implicitly, not only was I touched by the tenacious life of grassroots, not the spirit of protecting the country with electricity. Ironically, he criticizes the labor reality of wartime mobilization under the new system of Konoe(近衛)'s cabinet by causing bitter laughter by his weak and sloppy behavior as an engineer. Fourth, the period of peaceful construction that came along with the liberation and the rapidly changing labor reality under the post-war reconstruction construction and socialist political system is eloquent as the typical form of labor ethic of state socialism. This leads to the strengthening of a work ethic of selflessness that taboos individual desires and turns all labor into social work, and leads to a monolithic leadership system that follows it like a halo. Therefore, whole society is transformed into a factory state in the state of unity of ‘life=labor’ and ‘individual=nation(people)’ by driving all individual lives into a social plaza. In order for this work ethic to permeate all parts of society and for the state to become a factory for production, education and agitation work must start from the family, the smallest unit of society, and the ячейка unit within the factory. Public labor as a product of forced ideology and refinement, and propaganda novels written in the dimension of public-refinement, to reinforce it, can be said to be another acclimation mechanism that forms the fundamental basis of North Korea's view of labor and art.

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Henke, Marina E. "Buying Allies: Payment Practices in Multilateral Military Coalition-Building." International Security 43, no. 4 (April 2019): 128–62. http://dx.doi.org/10.1162/isec_a_00345.

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Many countries serving in multilateral military coalitions are “paid” to do so, either in cash or in concessions relating to other international issues. An examination of hundreds of declassified archival sources as well as elite interviews relating to the Korean War, the Vietnam War, the Gulf War, the Iraq War, the North Atlantic Treaty Organization operation in Afghanistan, the United Nations–African Union operation in Darfur, and the African Union operation in Somalia reveals that these payment practices follow a systematic pattern: pivotal states provide the means to cover such payments. These states reason that rewarding third parties to serve in multilateral coalitions holds important political benefits. Moreover, two distinct types of payment schemes exist: deployment subsidies and political side deals. Three types of states are most likely to receive such payments: (1) states that are inadequately resourced to deploy; (2) states that are perceived by the pivotal states as critical contributors to the coalition endeavor; and (3) opportunistic states that perceive a coalition deployment as an opportunity to negotiate a quid pro quo. These findings provide a novel perspective on what international burden sharing looks like in practice. Moreover, they raise important questions about the efficiency and effectiveness of such payment practices in multilateral military deployments.

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Dos Santos, Melissa Rubio. "O corpo feminino e os lugares de Seul: espaço, gênero e identidade no romance coreano "The Mother's Stake" (Eommanui Malttuk), de Park Wan Seo." Jangada: crítica | literatura | artes, no. 9 (April 6, 2018): 52–71. http://dx.doi.org/10.35921/jangada.v0i9.55.

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RESUMO: O presente artigo tem como objetivo explorar a questão do espaço na Literatura Coreana a partir da obra The Mother's Stake (Eommanui Malttuk, 1980) de Park Wan Seo. O estudo propõe uma reflexão acerca dos trânsitos imagéticos no/pelo espaço, como também de destacar o papel desempenhado pela literatura de autoria feminina no âmbito literário contemporâneo da Coreia do Sul. A pesquisa tem as seguintes perguntas norteadoras: Como é o corpo feminino representado na narrativa? Qual é o papel que o espaço desempenha na narrativa? Quais são as linhas traçadas pelo corpo feminino no espaço nas cidades de Incheon e Seul? Como a escritora Park Wan Seo representa a autoria feminina no âmbito da Literatura Coreana Contemporânea? Para a realização do estudo, o referencial teórico utilizado se centra na obra da teórica Dorren Massey (Pelo Espaço, 2008). PALAVRAS-CHAVE: Literatura Comparada, Literatura Coreana, Gênero, Espaço, Imagem. _______________________ ABSTRACT: This paper aims to explore the issue of space in Korean Literature from novel The Mother's Stake (Eommanui Malttuk, 1980) by Park Wan Seo. The study proposes a flection on imagistic transits in / through space, as well as highlighting the role played by Women's in the Korean Contemporary literary sphere. The research has the following driving questions: How female body isrepresented in the narrative? What is the role that Space plays in the narrative? What are the lines drawn by the female body in space in the cities of Incheon and Seoul? How does writer Park Wan Seo represent Women's literature in the context of Korean Contemporary Literature? To conduct the research, the theoretical reference used is focused on the work of Dorren Massey (For Space, 2008). KEY WORDS: Comparative Literature, Korean Literature, Gender Studies, Space, Image.

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Yang, Hanjin. "A Study on the Postcolonialistic Characters in Lee Ho-cheol's Novel “Sosimin”." Korean Society of Culture and Convergence 44, no. 11 (November 30, 2022): 257–70. http://dx.doi.org/10.33645/cnc.2022.11.44.11.257.

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Postcolonialism can be said to be an attempt to reveal the contradictions and falsehoods of the colonialist governance system. Korea experienced an early democratic society through rapid changes after liberation. However, Korea also experiences confusion of values due to the war. U.S. economic aid and hatred of communism make small citizens Subalterns in the 1950s. This study summarizes the class characteristics of the characters in Lee Ho-chul's novel “Sosimin” and examines how the characters are silent as Subalterns. And by looking at the characters' realistic response patterns, we examine how various response methods affect the person's future. As a result, the characters in the novel eventually die or become small citizens. On the other hand, only “Cheonan Sagsi” breaks away from Subalternity and leads a decent life. Lee Ho-cheol shows his reflection on the lethargic individual of the 1950s through “Sosimin,” but on the other hand, he wants to find a solution to the chaotic situation in the 1960s from his helpless experience.

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Kondali, Ksenija M., and Sandra V. Novkinic. "Reassessing the Past: Memory and Identity in Toni Morrisonʼs Home." Филолог – часопис за језик књижевност и културу, no. 23 (August 7, 2021): 487–503. http://dx.doi.org/10.21618/fil2123487k.

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Toni Morrison’s superior literary oeuvre reconsiders the American past by introducing memories of subjects who have been ignored or misrepresented in official history, with particular attention to their identity construction. This paper aims to examine how the neglected history of African Americans is reconstructed in Morrison’s novel Home (2012) through remembrances of the protagonist, a Korean War veteran. His attempts to recall his personal and his family’s past shape the quest for identity. Concurrently, the narrative about the characters’ fates prompts a deeper retrospective of American race relations and debunks the myth of “the Fantastic Fifties” in the United States. Using scholarship on this topic and critical viewpoints of authors such as bell hooks about home in African Americans’ lives, this analysis seeks to explore Morrison’s novel Home, concentrating on how identity is constructed in the process of the main character’s remembrances of the past and growth toward self-respect

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정재림 and Lee,Nam-Ho. "The Value and Effect of Literature Discussion Jeong, Jai-rim(Korea Univ.)& Lee, Nam-ho(Korea Univ.) - focussing on discussion about Park Wan seo novels -." 한국문예비평연구 ll, no. 45 (December 2014): 417–42. http://dx.doi.org/10.35832/kmlc..45.201412.417.

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Seo, Seung-hee. "Joseon described by Japanese Settlers in Colonial Korea during the Period of the Pacific War - Focusing on the Novels written by Shioiri Yusaku and Miyazaki Seitaro." Korean Literary Theory and Criticism 68 (September 30, 2015): 257. http://dx.doi.org/10.20461/kltc.2015.09.68.257.

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Park, Cheol-Soo. "General Public Understanding on Residential Area and Housing of Seoul, the Capital City of Korea in 1970s through Park, Wan-suh's Novels." Journal of the architectural institute of Korea planning & design 30, no. 3 (March 25, 2014): 191–201. http://dx.doi.org/10.5659/jaik_pd.2014.30.3.191.

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Klinkowitz, Jerome. "Restrained Response: American Novels of the Cold War and Korea, 1945-1962, and: Suburban Ambush: Downtown Writing and the Fiction of Insurgency (review)." MFS Modern Fiction Studies 36, no. 4 (1990): 583–85. http://dx.doi.org/10.1353/mfs.0.0426.

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Seed, David. "Arne Axelsson, Restrained Response: American Novels of the Cold War and Korea, 1945–1962 (Westport, CT: Greenwood Press, 1990, £32.95). Pp. 221. ISBN 0 313 26291 8." Journal of American Studies 27, no. 2 (August 1993): 277–78. http://dx.doi.org/10.1017/s0021875800031777.

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Lee-Hokyu. "A Study on the Comparison of Oe Kenzaburo and Lee Cheong-jun’s Initial Novels ‒Focused on the new post-war generations’ sense of generation and consciousness of reality in Korea and Japan‒." Japanese Modern Association of Korea ll, no. 42 (November 2013): 193–214. http://dx.doi.org/10.16979/jmak..42.201311.193.

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Sohn, Ilsu. "Lewis Grassic Gibbon’s A Scots Quair: Ecological Imagination and Historical Consciousness." Institute of British and American Studies 56 (October 31, 2022): 77–100. http://dx.doi.org/10.25093/ibas.2022.56.77.

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This essay aims at two academic goals by analyzing Scottish writer Lewis Grassic Gibbon’s A Scots Quair. First, a study of Scottish literature, especially the Scottish Renaissance during the early twentieth century, will help to rethink England-oriented studies of British literature in South Korea and to widen the horizon of studying twentieth-century English literature and modernism. It is only recently that scholars began to appreciate how the primary writers associated with the Scottish Renaissance resisted regressive nationalism or idyllic regionalism. Although the Scottish Renaissance rarely received critical attention in South Korea, it had arisen to reestablish Scottish identity within the ever more complex relationship with the British Empire after the First World War and thus offers an invaluable position to investigate the inner contradictions of British literature. Second, this essay’s study of Gibbon’s masterpiece will focus on its ecological imagination and the ways in which it helps to design more inclusive and just social relations. The protagonist Chris’s ecological attitude and imagination allow her a critical stance toward a series of humanistic beliefs that seek to remodel humanity on their ideals; however, the novel never compromises its realistic recognition of grueling social conditions at the time in Scotland which made it difficult for her vision to be actualized. This powerful ecological imagination combined with the uncompromising historical consciousness creates a narrative tension in this magnum opus and helps to maximize its artistic greatness.

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