Dissertations / Theses on the topic 'Korean Shamansim'
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Kim, Chul Hwan. "Central issues in proclaiming the Gospel to Korean shamanists." Online full text .pdf document, available to Fuller patrons only, 1999. http://www.tren.com.
Full textMin, Pil Won. "Shamanism as religion and culture a study of the relationship between shamanism and revival movements in Korean church growth /." Online full text .pdf document, available to Fuller patrons only, 2004.
Find full textYu, Mi-Yeoung. "Counseling for spiritual depression caused by Shamanism." Theological Research Exchange Network (TREN), 1992. http://www.tren.com.
Full textKim, Dong Kyu. "Looping effects between images and realities : understanding the plurality of Korean shamanism." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/40069.
Full textLee, Jin-Woo. "The influence of Shamanism on Korean Churches and how to overcome it." Lynchburg, Va. : Liberty University, 2000. http://digitalcommons.liberty.edu.
Full textRhie, Y. C. "Toward an authentic Korean biblical reading : shamanism and the Bible in dialogue." Thesis, University of Sheffield, 2013. http://etheses.whiterose.ac.uk/5494/.
Full textYoon, Hahn. "A study of implementation of encountering theology for overcoming shamanistic system of faith in Korean cultural context." Theological Research Exchange Network (TREN), 2003. http://www.tren.com.
Full textLee, Joon Seong. "Digital Spirituality and Governmentality: Contextualizing Cyber Memorial Zones in Korea." Ohio : Ohio University, 2006. http://www.ohiolink.edu/etd/view.cgi?ohiou1153929122.
Full textKim, Young-Ho. "People's tradition of religious education /." Access Digital Full Text version, 1991. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11169321.
Full textTypescript; issued also on microfilm. Sponsor: Douglas M. Sloan. Dissertation Committee: William B. Kennedy. Includes bibliographical references: (leaf 139-143).
Yun, Kyoim. "Performing the sacred political economy and shamanic ritual on Cheju island, South Korea /." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3278198.
Full textSource: Dissertation Abstracts International, Volume: 68-09, Section: A, page: 4015. Advisers: Richard Bauman; Roger L. Janelli. Title from dissertation home page (viewed May 7, 2008).
Min, Nam-Ki N. "Effective evangelism in shamanistic contexts of the Youngdong District in South Korea." Theological Research Exchange Network (TREN), 1995. http://www.tren.com.
Full textShinn, Samuel H. "Toward reconciling lifestyle through worship and service." Chicago, Ill : McCormick Theological Seminary, 1997. http://www.tren.com.
Full textMills, Simon Richard Stead. "The ritual music of South Korea's east coast shamans : inheritance, training and performance." Thesis, SOAS, University of London, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406536.
Full textNeideck, Jeremy. "The fabric of transcultural collaboration: Interweaving the traditional Korean vocal form of p'ansori and the contemporary Japanese dance form of butoh in a transculturally Australian context." Thesis, Queensland University of Technology, 2016. https://eprints.qut.edu.au/93720/1/Jeremy_Neideck_Thesis.pdf.
Full textShon, Eun-Kyung. "Le Sinawi, évolution et artistisation : études analytiques des caractéristiques musicales." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040087.
Full textThe tradition emerges from a balance between the continuity and the evolution, the change of the old. This is the case of sinawi, one of the Korean traditional instrumental music. This complex, improvised and heterophonic music played by an instrumental ensemble was used in shamanic rituals as accompaniment of song and dance of shamans. Over time, it became an artistic instrumental music representing the popular tradition of the country. Throughout this thesis, the author proposes the analytical studies of various sinawi’s musical characteristics (e.g., musical phrases, form) from her own transcriptions. This study characterizes how the sinawi speaks, expresses the life of the people and how it has been changing over time. The author also presents sinawi’s evolution and its artistisation process to the present day where it is performed on stage as a pure instrumental music. The sinawi, which is at the origin of the Korean popular music, the best known as sanjo or p'ansori, is now influenced back by these genres. Also, the analysis reveals that the improvisation and the heterophony that rated this complex music are replaced by the structure and the simplicity
Dang, Hyun sun. "Anthropologie culturelle de l'imaginaire coréen, l'apport de la méthodologie française." Thesis, Lyon, 2019. http://www.theses.fr/2019LYSE3011.
Full textThe purpose of our investigation is the Korean imaginary, and more broadly the contribution of cultural anthropology illuminating social imaginary and Korean culture. Our methodology integrates the contribution of French philosophical and mythological studies of the 20th century, because they are the best ones to nourish our reflection and show in a new and complementary way the work already done in Korea. We can therefore show that Korean symbols are universal in scope. Our study material incorporates Korean literary work which comes from archetypical images. To analyze them, we will rely on the conceptions of symbolic imaginary thinking from G. Bachelard on symbolic images and on the anthropological of the imaginary elaborated by G. Durand. All the while describing scientific rationality, Bachelard valued the mental image, considering it as a creative force and not only as an epistemological obstacle. He evoked several “complexes” in his work on poetic imaginary in a conception close to that of C.G. Jung for whom the notion of complex does not amount to a psychic block but includes creativity. The Bachelardian idea of complex therefore does not demarcate from Freudian thinking on pansexuality. According to Durand, in The Anthropological Structures of the Imaginary (1960), the author elaborated a grammar of the imaginary by proposing thirty complexes that came to enrich those established by Bachelard, O. Rank, M. Bonaparte and C. Baudouin. For Durand, the notion of complex is similar to that of the mytheme, as the smallest unit of discourse mythically significant, that reveals a psychic symptom of the collective unconscious. Durand develops his methodology in his second period with two concepts: mythocriticism and mythanalysis. Mythocriticism is a method of literary criticism, or rather a method of literary studies, and mythanalysis is a method of socio-cultural analysis of the imaginary, the two complementing the other. Our exploration of the literary image from Antiquity to the start of the 20th century integrates myths, popular tales and legends, allowing us to determine the cultural identity of the Korean people and show its universality. The two axes that characterize Korean mythology are the foundation of the state and the shamanic myth (the narrative song of the shaman). For the first axis, the great work of Samguk Yusa (1283) remains essential as it relates two foundational myths, notably the myth of the foundation of the Kingdom of Kojosŏn and that of Koguryŏ. These two myths are references because their archetypal figures take the form of the mytheme of the bear and that of the egg and the divine feminine characters of Ungnyŏ and Yu-hwa in relationship to these mythemes. We observe their repetitions in ulterior epochs, notably in the stories of suffering endured by women. The story of Changhwa and Hongnyŏn are exemplary as they induce social facts of the Chosŏn Dynasty, which marks Korean society by making the female figure a scapegoat for masculine power in the Confusion patriarchal system. This motif appears in the story of the “Princess Pari” in the form of a Shamanic song but also in the story of “Sim Ch’ŏng” expressed in the form of shamanic rite, or the p’ansori, or the novel. Among folkloric songs, the most famous are those of Arirang or Sijipsarinorae which equally pick up on the same patterns of overcoming suffering through a particular and properly Korean feeling, the “han (恨)”. The Han has that distinction of being dynamic and contradictory as it is founded on a subtle dialectic that introduces a vital force against resignation, depression, and anxiety. The Han serves a societal regulatory function as a figure of imaginary symbolism and that appears as universal
Hooton, Matthew James. "Silence, Shamans and Traumatic Haunting: A Novel and Accompanying Exegesis." Thesis, 2017. http://hdl.handle.net/2440/119973.
Full textMajor Work: Typhoon Kingdom In 1653, the Dutch East India Company’s Sparrowhawk is wrecked on a Korean island, and Hae-jo, a local fisherman, guides the ship’s bookkeeper to Seoul in search of his surviving shipmates. The two men, one who has never ventured to the mainland and the other unable to speak the language, are soon forced to choose between loyalty to each other and a king determined to maintain his country’s isolation. Three hundred years later, in the midst of the Japanese occupation, Yoo-jin is taken from her family and forced into prostitution, and a young soldier must navigate the Japanese surrender and ensuing chaos of the Korean War to find her. Based on the seventeenth-century journal of Hendrick Hamel and testimonies of surviving Korean “Comfort Women,” “Typhoon Kingdom” connects two narratives through an examination of language, foreignness and traumatic haunting. The novel seeks to make a unique creative contribution to the small body of literature in English representing the diverse and traumatic experiences of Korean “Comfort Women” and the tumultuous history of the Korean peninsula. Exegesis: Writing at the Intersection of Trauma and Haunting: Narrative Representations of Korean “Comfort Women” in English An examination of narrative representations of the traumatic experiences of Korean “Comfort Women” that explores a new way of reading and writing about literatures on the subject. Chapter One provides an historical context examining events and their forgetting. Chapter Two presents shamanic performance as a seemingly eruptive and counter-hegemonic force that transcends the familiar confines of ritual to enact a communal memory and provide a means of engagement with historical trauma and its ghosts. And Chapter Three asks how Nora Okja Keller’s Comfort Woman and Chang-rae Lee’s A Gesture Life exemplify the unsettling power of writing at this intersection of trauma and haunting.
Thesis (Ph.D.) -- University of Adelaide, School of Humanities, 2017
Kim, Sin Hong. "The role of Shamanism in Korean church growth." Thesis, 1993. http://hdl.handle.net/10413/7604.
Full textThesis (M.A.)-University of Durban-Westville, 1993.
Hwang, Merose. "The Mudang: Gendered Discourses on Shamanism in Colonial Korea." Thesis, 2009. http://hdl.handle.net/1807/32182.
Full textYi, Yong-sik. "Music and symbolism of the Hwanghae provincial shaman ritual in Korea." 2002. http://proquest.umi.com/pqdweb?index=0&did=727403041&SrchMode=1&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1179197071&clientId=23440.
Full textHUNG-PING, LU, and 呂鴻斌. "A Comparison study on Shamans of Korea and Taiwan." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/88626339922342147222.
Full text中國文化大學
韓國語文研究所
97
Abstract A Comparison Study on Shamans of Korea and Taiwan Hung-Ping, Lu Graduate School of Korean Language and Literature Chinese Culture University Shamanism is probably the oldest form of religious practice, referring to belief in a world inhabited by spirits which dates back to prehistoric times. Shamans’s roles and images are generally categorized as sick or abnormal, that is very negative and undesirable in social or cultural terms. This thesis intends to investigate and analyze the conceptions of shamanism, comparing Korean shamans with Taiwanese ones. Korean shamans, known as ‘mu-dang(巫堂)’, are similar in many ways to those found in Siberia, Mongolia, and Manchuria. As in the same Asian culture, Taiwanese shamans, known as ‘dang-gi(童乩)’, show rather similar folk religious practices in the communities with Korean shamans, including the worship of Buddhist gods, the concerns which are addressed to shamans, the ways in which shamans establish credibility, the significance of gods and ancestors in accounts of misfortune, etc. However, this thesis directs attention to very profound local differences which can exist in the midst of apparent similarity. One of the major differences is the central feature of a Korean shaman’s initiation, which is her affliction with an illness known as a ‘spirit sickness(神病)’. A ritual called a‘naerim-gut(降神祭儀)’ cures this illness, which also serves to induct the new shaman. Another difference can be found in a shamanistic rite where the shaman offers a sacrifice to the spirits to intercede in the fortunes of the humans in question. The central form of Korean shamanistic rite, known as ‘gut(巫祭儀)’, consists of singing and dancing as a shaman’s way to offer entertaining sacrifice in order to beg the gods to intercede in dealing with the problems of people. However, Taiwanese shamanistic rite relies heavily on offering bloody sacrifices by means of such methods as mutilating oneself and so on. Centering around the local differences and similarity of Korean mu-dang and Taiwanese dang-gi, this thesis attempt to explain several aspects of shamanism in both countries such as the social implication, the type of shaman’s initiation, ritual clothes and instrument, central process of rituals, offerings and expenses and so so. This thesis lacks of materials gathered from fieldwork owing to the author’s unavoidable circumstances, and thus the research inevitably relies heavily on references from previous studies. It is hoped that this study will provide additional insight into shamans’ world in Korea and Taiwan, and further research needs to be done with more historical documents and field work materials.
Bartošová, Lucie. "Srovnání přístupu japonských a západních badatelů ke studiu lidového náboženství Koreje v první polovině 20. století." Master's thesis, 2021. http://www.nusl.cz/ntk/nusl-438476.
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