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Relevant bibliographies by topics / Korean Portraits

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Academic literature on the topic 'Korean Portraits'

Author: Grafiati

Published: 29 July 2024

Last updated: 30 July 2024

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Journal articles on the topic "Korean Portraits"

1

Yan, Yuchun, and Hyeon-Jeong Suk. "Affective Effect of Multi-source Portraits Under Various Illuminants on One Scene." Journal of Imaging Science and Technology 64, no. 2 (March 1, 2020): 20509–1. http://dx.doi.org/10.2352/j.imagingsci.technol.2020.64.2.020509.

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Abstract When portraits taken under various illuminants are placed together, they appear disparate from each other due to observers’ chromatic adaption to each portrait locally. Because the human perception has strong attachment to the memory color of human skin, it may cause an affective effect. This study intends to identify the affective effect of viewing multiple number of portraits whose white balance are not aligned. A visual assessment was conveyed, where portraits from different sources were matched. To simulate various illuminant conditions, three alterations of white balance were prepared for each portrait-warm (3000 K), neutral (6500 K), and cool tones (8000 K). This makes nine combinations for each stimulus. In Study I, 31 Korean college students were presented with a random one by one combination. Based on their subjective judgments on five criteria—authenticity, naturalness, professionality, content conveyance, and overall satisfaction—a statistical analysis was performed. In Study II, a creative writing session was followed in that the participants presumed the message of the portrait matches, and the content analysis was conducted. The results showed that a match of neutrally balanced portraits best appealed authentic and professional styles while minimizing any affective bias. When matches consisted of contrasting tones, on the other hand, they delivered content conveyance better while sacrificing naturalness of portraits. The white balance is limited to three types though this study provides evidence that it is a matter of choice to align, adjust, or alter the white balance of multi-sourced portraits depending on the aiming affective effect.

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Lee, Jiyeon, and Grace H. Chung. "Bi-ethnic Socialization of Marriage Migrant Women from Vietnam: The Five Practices at the Intersection of Hierarchies." Family and Environment Research 58, no. 3 (August 20, 2020): 375–90. http://dx.doi.org/10.6115/fer.2020.027.

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This paper explored the marriage migrant mothers’ experiences of parenting bi-ethnic children in South Korea based on the concepts of ethnic socialization and intersectionality. We analyzed in-depth interviews of 22 marriage migrant women from Vietnam residing in the capital region of South Korea. They had at least one child whose biological father is Korean. Children were 5 years old or older, attending preschool or elementary school. Five types of bi-ethnic socialization strategies were identified, which provide portraits of different situations in which marriage migrant women were placed. The five strategies that emerged from the data were 1) “Natural practice of bi-ethnic socialization” including two heterogeneous groups, “Coexistence of two cultures” and “Mixture of two cultures”, 2) “Active practice of bi-ethnic socialization”, 3) “Struggling practice of bi-ethnic socialization”, 4) “Silence on bi-ethnic socialization”, and 5) “Suppressed bi-ethnic socialization”. The strategies of bi-ethnic socialization that marriage migrant women chose to raise their children reflected personal perceptions of Korean society and individual ethnic identity formed within Korean society. This study complements existing research on ethnic socialization by examining how ethnic socialization practices are shaped by multiple contexts marriage migrant women embedded in Korean society.

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Chun, Claire. "Monstrous Beauty: Unruly Bodies and Diasporic Plasticity in kate-hers rhee’s The Multiverse Portraits." Asian Diasporic Visual Cultures and the Americas 8, no. 1-2 (May 22, 2023): 135–64. http://dx.doi.org/10.1163/23523085-08010007.

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Abstract This paper offers a close reading of interdisciplinary visual artist kate-hers rhee’s The Multiverse Portraits (2015–2016), a multimedia installation that incorporates photography and drawing in its speculative representation of rhee’s body across imagined parallel universes. I analyze the ways in which rhee appropriates ethnographic tropes and methods as an embodied mode of diasporic critique. By tracing the spectre and spectacle of artificiality and monstrosity that haunt the plastic Korean woman and the “inauthentic,” transracially adopted Korean in The Multiverse Portraits, this paper considers the possibility for diasporic visual art to restage notions of beauty and belonging in terms of illegibility, unruliness, and refusal. This paper animates an alternative genealogy of beauty that demonstrates how the enduring afterlives of the Cold War and US militarism produce monstrous bodies and histories that ultimately transgress the very promise and fantasy of assimilatory inclusion and transnational kinship.

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SEO, Heung-Seok. "Current Status and Tasks of Lim Deuk-Euy Utilization of General Relics." Korean Society of the History of Historiography 46 (December 30, 2022): 231–67. http://dx.doi.org/10.29186/kjhh.2022.46.231.

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Several research papers have been published in Korean literature and folklore about the “Rebellion of Lee Mong-Hak,” which was suppressed for Cheongnan-Gongsin, including General Lim Deuk-Euy, but research on General Lim Deuk-Euy has not been conducted academically. After Lim Deuk-Euy portrait was donated to the Chungnam History Museum, basic research on the Cheongnan-Gongsin was conducted, including a special exhibition in 2007 and a history documentary production (Daejeon KBS) in 2008 and an academic research service for Lim Deuk-Euy general cemetery maintenance (Hongseong-gun). However, there was no in-depth academic paper. In 2015, there was a simple research presentation data, and in 2017, a degree thesis and academic thesis were published by Lim Soon-hwan, a descendant of General Lim Deuk Euy In addition, General Lim Deuk-Euy appearance in the academic world is only one example of the “Portrait of Lim Deuk-Euy” among dozens or 100 portraits of the research subjects in the art history field studying portraits (Gongsinsang) of the Joseon Dynasty. This paper introduces the ruins related to General Lim Deuk-Euy by period or connection, followed by how the remains of Hongseong area (Seoboo-myeon) have been preserved and maintained and developed since the 2000s. And it is a simple suggestion on how to proceed to utilize the remains of Lim Deuk-Euy general in the future.

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Cha, Minyoung. "Aspects of identity of a returned adoptee presented in Jane Jeong Trenka’s Fugitive Visions." English Teachers Association in Korea 29, no. 4 (December 31, 2023): 149–64. http://dx.doi.org/10.35828/etak.2023.29.4.149.

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This study explores the aspects of psychological conflict and alienation experienced by a returned adoptee due to language and cultural differences in the home country in Jane Jeong Trenka’s Fugitive Visions. Fugitive Visions shows how Trenka, who finally moved to Korea after visiting Korea several times and lives in Seoul, cannot be absorbed into Korean society as she is neither a foreigner nor a Jaemigyopo. Trenka believes that the reason is the difference in language and culture. Ironically, the distance from their home country cannot be close due to limitations in communication and a heterogeneous culture. Also, Fugitive Visions goes beyond the personal history of an overseas adoptee and talks about Korea’s past, present, and future by reflecting on the self-portraits of other returned adoptees who have become parts of the evidence of Korean history. Overseas adoption should not be ignored. When we remember it and accept returned adoptees as members of our society, a multicultural educational foundation can be settled for realizing the ultimate transnationalism we pursue. In addition, English education that deals with literary texts showing various aspects of multiculturalism can have educational implications in broadening understanding of other cultures and listening to minority voices.

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히우라 사토코. "Imperial Portraits (Goshin’ei) in Korean Elementary Schools under Japanese Colonial Rule." History of Korean Education 38, no. 3 (September 2016): 137–54. http://dx.doi.org/10.15704/kjhe.38.3.201609.137.

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Lee, Taerim. "Cohesive Elements Which Appeared in Family Portraits After the Korean War." Journal of Humanities and Social sciences 21 11, no. 3 (June 30, 2020): 551–64. http://dx.doi.org/10.22143/hss21.11.3.40.

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Lee, Tae Rim. "“The pattern of Circularity” in Family portraits after the Korean War." Treatise on The Plastic Media 23, no. 2 (May 31, 2020): 195–205. http://dx.doi.org/10.35280/kotpm.2020.23.2.22.

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So, Hyo-Jeong, Dongsim Kim, and Dahyeon Ryoo. "Trajectories of Developing Computational Thinking Competencies: Case Portraits of Korean Gifted Girls." Asia-Pacific Education Researcher 29, no. 1 (June 1, 2019): 85–100. http://dx.doi.org/10.1007/s40299-019-00459-z.

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Jeonghwa kang. "Mt. Jiri and Mt. Taishan, Two Portraits of Korean and Chinese Excursion Literature." DONG-BANG KOREAN CHINESE LIEARATURE ll, no. 55 (June 2013): 303–37. http://dx.doi.org/10.17293/dbkcls.2013..55.303.

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Dissertations / Theses on the topic "Korean Portraits"

1

Ha, Hansoo. "A Walker’s Chronicle: Seeing Life and Death through Objects." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1372505102.

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Yeo, Mun-Ju. "Kitsch et photographie : étude historique du kitsch et de son statut dans la photographie (XIXe et XXe siècles)." Thesis, Paris 10, 2013. http://www.theses.fr/2013PA100037.

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Apparu vers le milieu du XIXe siècle comme jargon dans les cercles artistiques munichois désignant une image de piètre qualité, bon marché, le mot kitsch s’utilise aujourd’hui non seulement dans le monde de l’art mais aussi dans la vie quotidienne toujours avec un sens fortement péjoratif. Considéré en général comme « mauvais goût », « art sans valeur », « camelote artistique », ou « art vulgaire », le kitsch n’est pourtant pas un concept qui demeure seulement dans une dimension esthétique ou artistique. Les divers phénomènes historiques du kitsch, émergés dans le contexte de la modernité, comme « la bib[e]lotomanie », « le roman-feuilleton », « l’art pompier » en France au XIXe siècle, ou encore « la peinture de salon de coiffure » en Corée au XXe siècle, trahissent tous que le kitsch est en effet une attitude que l’homme adopte vis-à-vis de son existence et du monde dans la réalité. L’essentiel de ce concept réside donc dans sa négation ou mieux dans sa fuite de la réalité. Voilà pourquoi la photographie se présente comme un médium qui mérite d’être étudié en rapport avec le kitsch. Médium qui a un lien spécifique par excellence avec le réel, elle ne cesse de faire ontologiquement le va-et-vient entre le présent et le passé, l’instantanéité et l’éternel, l’ici et l’ailleurs, le sujet et l’objet, la vie et la mort, etc. C’est en effet à cause de cette ontologie paradoxale que la photo peut devenir, selon « l’acte photographique », non seulement de l’art mais aussi du kitsch. Ainsi, l’attitude envers ce dernier que les artistes laissent apercevoir à travers leur œuvre photographique s’avère extrêmement variée, et ambiguë, voire même contradictoire tout comme chez Pierre et Gilles, Vik Muniz, Sebastião Salgado et Oliviero Toscani
Appeared in the mid-nineteenth century as a jargon in the artistic circles of Munich designating a cheap image of poor quality, the term “kitsch” is used today not only in the art world, but also in everyday life, always with strongly pejorative sense. Generally considered as “bad taste”, “worthless art”, “artistic junk” or “vulgar art”, kitsch, however, is not a concept that remains only in aesthetic or artistic field ?. Various historical phenomena of kitsch which had been all emerged in the context of modernity, such as “bib[e]lotomanie”, “serialized novel”, “academic art” in France in the nineteenth century, or “barbershop’s painting” in Korea in the twentieth century, show that kitsch is indeed an attitude of human being toward his own existence and the world. The essence of this concept lies therefore in his negation of reality, or better in his escape from reality. That’s why photography deserves to be studied in relation with the kitsch. Having a specific link with the reality, the medium oscillate ontologically between the present and the past, the instant and the eternity, the here and the elsewhere, the subject and the object, the life and the death, etc. It is indeed because of this paradoxical ontology that the photography can become, according to the “acte photographique” not just art but also kitsch. Thus, the attitude to the latter the artists let reveal through their photographic work turn out extremely varied and ambiguous, even contradictory such as it does in the work of Pierre et Gilles, Vik Muniz, Sebastião Salgado and Oliviero Toscani

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3

Chun, Sang Ja. "Homage to Everyday People." VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/2554.

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Influenced by an ever-growing sense of alienation with my homeland, I have been determined to discover through my art practice an ability to challenge conventional notions of home, identity, communication and miscommunication. Exploring these themes, I became increasingly aware of the parallels between everyday life and art practice. By creatively connecting with a diverse amount of local people and their communities, I fulfilled desires to discover a sense of belonging and generated opportunities for others to break through traditional social boundaries and roles.

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HAVRÁNKOVÁ, Veronika. "Zlatokorunská škola a její vizuální didaktické aplikace základního vzdělávání." Master's thesis, 2010. http://www.nusl.cz/ntk/nusl-53040.

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The thesis deals with the School of Zlatá Koruna and its visual didactical application of basic education. First part is orientated on a pedagogical efficiency in the use of instruments and didactical pictures in the structure of teaching. The main part contains the digitizing of pictures from Zlatá Koruna with the encryption of hidden details. The conclusion of the thesis is engaged in the possible utilization of artafacts from Zlatá Koruna in current education.

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Books on the topic "Korean Portraits"

1

Kungnip Chungang Pangmulgwan (Korea). Misulbu., ed. Chosŏn sidae chʻosanghwa =: Joseon portraits. [Seoul]: Kungnip Chungang Pangmulgwan, 2007.

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Moon, Dongsoo. The secret of the Joseon portraits. Edited by Kungnip Chungang Pangmulgwan (Korea). Seoul: National Museum of Korea, 2012.

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author, Ch'oe Yun-gyŏng, Kim Ŭn-hye author, and Hŏ Sŏn-jŏng author, eds. Chŏnt'ong hwapŏp ŭro kŭrin Lut'ŏ hanbok ch'osanghwa chejak ilchi. Kyŏnggi-do P'aju-si: Chimmundang, 2017.

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4

Pangmulgwan, Yugyo Munhwa. Ch'osang, hyŏngsang kwa chŏngsin ŭl kŭrida: 2009-yŏn chŏnggi kihoekchŏn : chŏnsi kigan, 2009-yŏn 6-wŏl 22-il (wŏl)-8-wŏl 20-il (mok). Kyŏngbuk Andong-si: Han'guk Kukhak Chinhŭngwŏn, 2008.

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5

Han'guk Kukhak Chinhŭngwŏn. Han'guk Yugyo Munhwa Pangmulgwan. Ch'osang, hyŏngsang kwa chŏngsin ŭl kŭrida: 2009-yŏn chŏnggi kihoekchŏn : chŏnsi kigan 2009-yŏn 6-wŏl 22-il (wŏl)-8-wŏl 20-il (mok), [changso Han'guk Yugyo Munhwa Pangmulgwan]. Kyŏngbuk Andong-si: Han'guk Kukhak Chinhŭngwŏn, 2008.

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6

Pak, Sŏng-jin. K'idŭ nosŭt'aelchiŏ: Han'guk siptae ŭi ch'osang = Kid nostalgia : portraits of South Korean Youth. Kyŏnggi-do P'aju-si: P'ŭrop'aganda, 2014.

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7

Pak, Yong-yun. Ŏje wa onŭl ŭi Han'gugin: 1979-1994, Pak Yong-yun sajinjip = Yesterday & today's Korean : photographs by Park Yong-Yun. Sŏul-si: Nunpit, 2017.

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8

Bledsoe, Sherman. Portraits of patriots. Dallas, Tex: Quarry Press, 2004.

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9

Misulgwan, Sŏul, ed. Hanʼguk, 100-kae ŭi chahwasang: Chosŏn esŏ hyŏndae kkaji = Korea, 100 self-portraits : from Choson to contemporary. Sŏul-si: Sŏul Misulgwan, 1995.

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10

Pangmulgwan, Sŏul Yŏksa, ed. S.Y. Ttokkarep'ŭ ŭi tongnip undongga ch'osang: Honorable figures of independence activities. Sŏul T'ŭkpyŏlsi: Sŏul Yŏksa Pangmulgwan Chŏnsigwa, 2013.

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Book chapters on the topic "Korean Portraits"

1

Ha, Shang E. "South Koreans’ Attitudes Toward North Korea and Reunification, 2003–2018." In A Contemporary Portrait of Life in Korea, 269–98. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-5829-0_12.

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Kim, Jibum, and Sori Kim. "Religious Landscape in Korea." In A Contemporary Portrait of Life in Korea, 51–73. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-5829-0_3.

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Kwon, Heangga. "Royal Propaganda and National Identity in Emperor Gojong's Portrait Photography." In Interpreting Modernism in Korean Art, 49–57. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429351112-8.

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Pavis, Patrice. "Self-Portrait: Three Stages of Life. On a Solo by Nam Jeong-ho." In Performing Korea, 195–99. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-44491-2_12.

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Kim, Phil-Suk, and Yun-Suk Lee. "Familism in South Korea, 2006–2016." In A Contemporary Portrait of Life in Korea, 93–108. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-5829-0_5.

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Kim, ChangHwan. "Stratification and Economic Inequality in South Korea." In A Contemporary Portrait of Life in Korea, 139–65. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-5829-0_7.

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Kim, Harris Hyun-Soo. "Changing Perceptions of Societal Trust Among Koreans: Relative Deprivation, Downward Mobility, and Sociotropic Concern." In A Contemporary Portrait of Life in Korea, 211–38. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-5829-0_10.

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Im, Dong-Kyun. "Social Welfare Attitudes." In A Contemporary Portrait of Life in Korea, 239–68. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-5829-0_11.

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Kang, Jeong-han, and Eehyun Kim. "Interpersonal Trust and Its Associations with Respondents’ Community Characteristics." In A Contemporary Portrait of Life in Korea, 193–210. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-5829-0_9.

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Son, Jaesok. "Democracy and National Identity in South Korea After 1987." In A Contemporary Portrait of Life in Korea, 1–24. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-5829-0_1.

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Conference papers on the topic "Korean Portraits"

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Young, Choi So. "A STUDY ON THE ORIGIN OF CHEOYONG: THE ANCIENT CULTURAL EXCHANGE BETWEEN CENTRAL ASIA AND KOREA." In UZBEKISTAN-KOREA: CURRENT STATE AND PROSPECTS OF COOPERATION. OrientalConferences LTD, 2021. http://dx.doi.org/10.37547/ocl-01-18.

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In 879 (or 875), Cheoyong, who appeared with several people wearing unfamiliar appearance and strange clothes, performed singing and dancing in front of the king of Silla. After that, he moved to the capital with the king, and it is believed that he performed there. According to the legend, Cheoyong, who came in late at night after performing, found that the god of smallpox was with his wife, sang and danced without anger. The god, who saw Cheoyong's behavior, said he would not invade the place where his image was painted, so his portrait later served as an amulet to prevent disease and ghosts. After that, Cheoyong has left somewhere and his dances and songs remained as Cheoyongmu(dance of Cheoyong) and Cheoyongga(song of Cheoyoung), settling down as a Korean folk art. Cheoyong is seen as a sogd performer who escaped from the political turmoil in China when looking at his appearance, his profession, and the situation at the time, which was not familiar to Koreans.

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