Relevant bibliographies by topics / Klinger, Max, 1857-1920. Intermezzi

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Academic literature on the topic 'Klinger, Max, 1857-1920. Intermezzi'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Klinger, Max, 1857-1920. Intermezzi"

1

Schoneveld, Erin. "Shirakaba and Rodin: A Transnational Dialogue between Japan and France." Journal of Japonisme 3, no. 1 (December 4, 2018): 52–83. http://dx.doi.org/10.1163/24054992-00031p02.

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This essay examines the role ofShirakaba(White Birch, 1910-1923) as an art magazine that aspired to create new audiences and foster the exchange of ideas by providing an alternate space to address diverse views about modern art, literature, theory, and identity. In addition to introducing European modernism to Japan through the writings of western artists, authors, and thinkers,Shirakabacreated access to and direct exchange of artwork with a number of artists such as Auguste Rodin (1840-1917), Heinrich Vogeler (1872-1942), Max Klinger (1857-1920), and Bernard Leach (1887-1979). Among these,Shirakaba’stransnational dialogue with the French sculptor Auguste Rodin was the most significant. I argue thatShirakaba’sdiscourse with Rodin not only facilitated new forums for the public access and display of modern art in Japan, but also was emblematic of its humanist ideology rooted in artistic subjectivity and self-expression.
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Dissertations / Theses on the topic "Klinger, Max, 1857-1920. Intermezzi"

1

Heinrich, David. "Max Klinger's Intermezzi : a critical analysis." 2002. http://web4.library.adelaide.edu.au/theses/09ARM/09armh469.pdf.

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Bibliography: leaf 83-86. A critical analysis of Intermezzo, a portfolio of twelve etchings published in 1881 by the German printmaker, Max Klinger (1857-1920) and held by the Art Gallery of South Australia. Recorded as Opus IV, Intermezzi is a relatively unknown and unusual work in Klinger's printmaking oeuvre. It is unlike Klinger's other graphic cycles in that it does not appear to be a related set of prints but a series of free fantasies without associative or thematic connection.
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Books on the topic "Klinger, Max, 1857-1920. Intermezzi"

1

Klinger, Max. Max Klinger, 1857-1920: Radierungen. Stuttgart: Institut für Auslandsbeziehungen, 1991.

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Klinger, Max. Max Klinger, 1857-1920: Radierungen. Stuttgart: Institut für Auslandsbeziehungen, 1991.

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3

Klinger, Max. Max Klinger, 1857-1920: Printed graphic. Stuttgart: Goethe Institut, 1990.

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Klinger, Max. Max Klinger, 1857-1920: Il bianco e nero. Udine: Triennale europea dell'incisione, 2008.

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Klinger, Max. Max Klinger, 1857-1920: Il bianco e nero. Udine: Triennale europea dell'incisione, 2008.

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6

Italy) Galleria Marca d'Acqua (Milan. Max Klinger (Lipsia 1857-Grossjena N. 1920): Brahmsphantasie, Opus XII,1894. Milano: Galleria Marca d'Acqua, 2002.

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7

Schneider, Carola. Max Klinger (1857-1920): Graphische Zyklen : eine Ausstellung des Suermondt-Ludwig-Museums und des Museumsvereins Aachen, 22.4.-16.6.1990. Aachen: Das Museum, 1990.

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Klinger, Max. Max Klinger, 1857-1920: Städtische Galerie im Städelschen Kunstinstitut Frankfurt am Main, 12. Februar bis 7. Juni 1992. [Leipzig]: Edition Leipzig, 1992.

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9

Gisela, Götte, and Clemens-Sels-Museum, eds. Zwischen Tag und Traum: Max Klinger (1857-1920) : grafische Zyklen aus dem Besitz der Letter Stiftung, Köln, und dem Clemens-Sels-Museum Neuss. Neuss: Clemens-Sels-Museum, 2006.

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Klinger, Max. Max Klinger, 1857-1920: Ein Handschuh : Traum und künstlerische Wirklichkeit : Städtische Galerie im Städelschen Kunstinstitut, Graphische Sammlung, Frankfurt am Main, 13. Februar bis 8. Juni 1992 : Hamburger Kunsthalle, 26. Juni-16. August 1992. Frankfurt am Main: Die Galerie, 1992.

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