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Journal articles on the topic 'Kinsella'

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Published: 4 June 2021

Last updated: 31 July 2024

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1

Birns, Nicholas. "Stolen from the Snows: John Kinsella as Poet and as Fiction Writer." CounterText 6, no. 2 (August 2020): 232–38. http://dx.doi.org/10.3366/count.2020.0195.

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This piece explores the fiction of John Kinsella, describing how it both complements and differs from his poetry, and how it speaks to the various aspect of his literary and artistic identity, After delineating several characteristic traits of Kinsella's fictional oeuvre, and providing a close reading of one of Kinsella's Graphology poems to give a sense of his current lyrical praxis, the balance of the essay is devoted to a close analysis of Hotel Impossible, the Kinsella novella included in this issue of CounterText. In Hotel Impossible Kinsella examines the assets and liabilities of cosmopolitanism through the metaphor of the all-inclusive hotel that envelops humanity in its breadth but also constrains through its repressive, generalising conformity. Through the peregrinations of the anti-protagonist Pilgrim, as he works out his relationships with Sister and the Watchmaker, we see how relationships interact with contemporary institutions of power. In a style at once challenging and accessible, Kinsella presents a fractured mirror of our own reality.

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2

Obert, Julia C. "The Entomological Imagination: Thomas Kinsella's Insect Poems." Irish University Review 47, no. 2 (November 2017): 360–72. http://dx.doi.org/10.3366/iur.2017.0286.

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Insects are central to Thomas Kinsella's poetic ecologies. First, they highlight Kinsella's interest in process and change. Many of his volumes thematize circularity and cyclicality, growth and decay, and insects' short lives make these metamorphoses available to poetic perception. Second, Kinsella uses insect behaviour to reflect on human relationality. Such relationality often cannot hold in Kinsella's work; it is frequently hierarchical or exploitative. However, an index swarm is a non-hierarchical, self-organizing group, a leaderless yet cooperative assemblage that privileges collective intelligence over individual talent. Modes of animal organization, Kinsella implies, might teach humans how to live more symbiotically.

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3

Birns, Nicholas. "Introduction to John Kinsella's PINK LAKE." Thesis Eleven 155, no. 1 (December 2019): 3–7. http://dx.doi.org/10.1177/0725513619892170.

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John Kinsella’s fiction emphasizes similar themes of environmental activism, political protest, and critique of Australian society, as does his widely acclaimed poetry. As in his verse, his orientation as a fiction writer is both local and global, regional and cosmopolitan. But in his fiction Kinsella engages in a double interrogation of both mainstream society and his own posture in opposition to it. In the novella Pink Lake a film director is interviewed by an uncomprehending journalist and driven to desperation by the philistinism of Australian society. But his own arrogance, unexamined white and male privilege, and illusion that just because he practices what he calls cinema vérité he has in fact attained the truth mean that he is part of the problem as well. Kinsella examines the problematics of social critique in a neoliberal world, noting their ironies while still believing in their possibility and necessity.

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4

Ryan, John Charles. "On the Death of Plants: John Kinsella’s Radical Pastoralism and the Weight of Botanical Melancholia // Sobre la muerte de las plantas: El pastoreo radical de John Kinsella y el peso de la melancolía botánica." Ecozon@: European Journal of Literature, Culture and Environment 7, no. 2 (October 25, 2016): 113–33. http://dx.doi.org/10.37536/ecozona.2016.7.2.1004.

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Through the poetry of Australian writer and activist John Kinsella (b. 1963), this article emphasizes the actual, embodied—rather than metaphorical—dimensions of the death of plants vis-à-vis the pressing international context of accelerating botanical diversity loss (Hopper) and the anthropogenic disruption of floristic communities globally (Pandolfi and Lovelock). On many levels—scientific, ecological, social, metaphysical—a fuller appreciation of plant life necessitates an understanding of their decline, decay, and demise. Toward a more nuanced appreciation of plant lives, the discussion draws a distinction—but aims to avoid a binary— between biogenic and anthropogenic instances of plant-death. Considering the correlation between vegetal existence, human well-being, and our co-constituted lives and deaths, I assert that a more encompassing and ecoculturally transformative outlook on plants involves not only an acknowledgement of their qualities of percipient aliveness but also a recognition of their senescence and perishing. Kinsella’s poetry reflects such themes. His botanical melancholia derives from the gravely fragmented locus of his ecological consciousness: the ancient, native plantscape existing as small, disconnected remnants within the agro-pastoral wheatbelt district of Western Australia. Consequently, rather than an incidental occurrence, plant-death is essential to Kinsella’s enunciation of radical pastoralism as a counterweight to an idyllic textualization of botanical nature as existing in an unimpacted Arcadian state of harmony, balance, and equitable exchange with the built environment (Kinsella Disclosed 1–46). Resumen A través de la poesía del escritor y activista australiano John Kinsella (1963), este artículo hace hincapié en las dimensiones reales, en vez de metafóricas, de la muerte de las plantas frente al apremiante contexto internacional de acelerar la pérdida de diversidad botánica (Hopper) y la alteración antropogénica de las comunidades florísticas a nivel mundial (Pandolfi y Lovelock). En muchos niveles, científico, ecológico, social-metafísico, una apreciación más completa de la vida vegetal requiere una comprensión de su declive, decadencia y desaparición. Hacia una apreciación más matizada de las vidas de las planta, el debate suscita una distinción, pero tiene como objetivo evitar un dualismo, entre ejemplos biogénicos y antropogénicos de muertes de plantas. Teniendo en cuenta la correlación entre la existencia vegetal, el bienestar humano, y nuestras vidas y muertes co-constituidas, afirmo que una perspectiva más abarcadora y transformadora eco-culturalmente sobre las plantas implica no sólo un reconocimiento de sus cualidades de vitalidad perspicaz sino también un reconocimiento de su senectud y ruina. La poesía de Kinsella refleja este tipo de temas. Su melancolía botánica deriva del locus seriamente fragmentado de su conciencia ecológica: el paisajismo vegetal antiguo y nativo que existe como restos pequeños, desconectados dentro del distrito agropastoral del cinturón-de-trigo de Australia Occidental. En consecuencia, en lugar de un mínimo hecho en su obra, la muerte de la planta es esencial para la enunciación de Kinsella del pastoreo radical australiano. Su poesía proporciona un como un contrapeso a una textualización idílica de la naturaleza botánica que existe en un estado arcádico e inmaculado de armonía, equilibrio, e intercambio equitativo con el entorno construido (Kinsella, Disclosed 1–46).

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5

Steele, William. "The Essential W. P. Kinsella by W. P. Kinsella." NINE: A Journal of Baseball History and Culture 23, no. 2 (2015): 191–92. http://dx.doi.org/10.1353/nin.2015.0023.

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6

Gregory, Peter. "George Patrick Kinsella." Homeopathy 93, no. 4 (October 2004): 225. http://dx.doi.org/10.1016/j.homp.2004.08.003.

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7

Kellogg, David. "Kinsella, Geography, History." South Atlantic Quarterly 95, no. 1 (January 1, 1996): 145–70. http://dx.doi.org/10.1215/00382876-95-1-145.

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8

Block, Walter E. "Forestalling, Positive Obligations and the Lockean and Blockian Provisos: Rejoinder to Stephan Kinsella." Ekonomia 22, no. 3 (November 21, 2016): 27–41. http://dx.doi.org/10.19195/2084-4093.22.3.2.

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Forestalling, Positive Obligations and the Lockean and Blockian Provisos: Rejoinder to Stephan KinsellaThe Blockian proviso mandates that no one precludes or forestalls anyone else in their land homesteading patterns such that they prevent them from homesteading virgin encircled land. Kinsella 2007, 2009A takes issue with this position and likens it to the properly denigrated Lockean proviso. The present paper is an attempt to distinguish the two provisos one from the other, and defend the former from Kinsella’s critiques.

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9

McVeigh, Brian. "Reply To Kinsella (1997)." Journal of Material Culture 2, no. 3 (November 1997): 385–87. http://dx.doi.org/10.1177/135918359700200307.

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10

Abbate Badin, Donatella. "In Memoriam. Thomas Kinsella (1928-2021). Dublin, Turin, Philadelphia." Studi irlandesi. A Journal of Irish Studies 12 (June 30, 2022): 11–28. http://dx.doi.org/10.36253/sijis-2239-3978-13756.

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In remembering Thomas Kinsella in this obituary, the author has dwelt on a little-publicized event of the poet’s life, the granting of an honorary degree by the Turin University on 9 May 2006. The occasion is seen as a belated homage to a poet who had not always received his due in the past and as a harbinger of the full recognition that was to be granted to him in the succeeding years. By analysing his Acceptance Speech, the poem he read at the ceremony and the informal conversations that took place at the time, the author identifies some important concerns that would emerge in Kinsella’s Late Poems that dwell on ageing, taking stock of one’s life, understanding and belief.

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11

Dewi, Ni Luh Putu Septiadewi, and Desak Putu Eka Pratiwi. "Analysis Of Hyperbole In The Novel "Remember Me" By Sophie Kinsella." SPHOTA: Jurnal Linguistik dan Sastra 15, no. 1 (March 31, 2023): 32–42. http://dx.doi.org/10.36733/sphota.v15i1.5079.

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The research aims to identify types of figurative language, especially hyperbole, and analyze the meanings. The data are taken from the novel entitled "Remember Me” by Sophie Kinsella. The method used in collecting the data was the qualitative method. First, reading the novel repeatedly and understanding the novel "Remember Me" by Sophie Kinsella. Second, note-taking to find out a figurative language is used in the novel "Remember Me” by Sophie Kinsella. Third, analyzing the data. The writer analyzed the data descriptively by using the qualitative method. Two theories are used in this analyzing the data, the first theory is proposed by Perrine (1977) which is used to find out the types of figurative language used in the novel "Remember Me" by Sophie Kinsella. The second theory is delivered by Leech (1981) which is used to find out the meaning of the figurative language used in the novel "Remember Me" by Sophie Kinsella. The finding shows that the whole of the figurative language has connotative meaning. The writer found ten types of hyperbole used in the novel “Remember Me”. This research is expected to contribute as a medium for learning language styles because there are so many enthusiasts of novels that it makes more and more people like to read novels. After all, novels will be more interesting and have high scores in language style.

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12

Wong, P. L., and M. W. Lankester. "Revision of the genus Sciadiocara Skrjabin, 1916 (Nematoda: Acuarioidea)." Canadian Journal of Zoology 63, no. 7 (July 1, 1985): 1565–75. http://dx.doi.org/10.1139/z85-232.

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The genus Sciadiocara Skrjabin, 1916 is revised and the following species are recognized: Sciadiocara umbellifera (Molin, 1860); Sciadiocara bihamata (Mueller, 1897) with Sciadiocara denticulata Gibson, 1972 as its new synonym; Sciadiocara legendrei Petter, 1967; Sciadiocara serrata Wang, 1966; Sciadiocara cucullatus (Wehr, 1934); Sciadiocara chabaudi Schmidt and Kinsella, 1972; and Sciadiocara rugosa Schmidt and Kinsella, 1972. Sciadiocara secunda Skrjabin, 1916 is considered a nomen nudum. All species except S. legendrei and S. serrata are redescribed.

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13

McCooey, David. "JOHN KINSELLA AS LIFE WRITER." Angelaki 26, no. 2 (March 4, 2021): 92–103. http://dx.doi.org/10.1080/0969725x.2021.1892391.

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14

Maxton, Hugh, Thomas Kinsella, Thomas Kinsella, Paul Muldoon, and Paula Meehan. "The Elusiveness of Thomas Kinsella." Books Ireland, no. 97 (1985): 153. http://dx.doi.org/10.2307/20625619.

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15

Harmon, Maurice. "Thomas Kinsella: Jousting with Evil." Yearbook of English Studies 35, no. 1 (2005): 18–30. http://dx.doi.org/10.1353/yes.2005.0038.

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16

Kinsella, John, Ivan Callus, and James Corby. "The CounterText Interview: John Kinsella." CounterText 6, no. 2 (August 2020): 221–31. http://dx.doi.org/10.3366/count.2020.0194.

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17

Quealy-Gainer, Kate. "Finding Audrey by Sophie Kinsella." Bulletin of the Center for Children's Books 69, no. 1 (2015): 31–32. http://dx.doi.org/10.1353/bcc.2015.0648.

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18

Leavy, Adrienne. "An Interview with Thomas Kinsella." New Hibernia Review 15, no. 2 (2011): 136–48. http://dx.doi.org/10.1353/nhr.2011.0022.

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19

Phillips, Theodore L. "Response to Rodriguez and Kinsella." International Journal of Radiation Oncology*Biology*Physics 21, no. 3 (August 1991): 865. http://dx.doi.org/10.1016/0360-3016(91)90713-e.

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20

Maciel, Lucas. "An Interpretative Model of the Evolution of Hoppe’s Argumentation Ethics." Studia Humana 9, no. 2 (July 1, 2020): 110–20. http://dx.doi.org/10.2478/sh-2020-0019.

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AbstractThis article intends to be a simple guide to understand how Hoppe built the Argumentation Ethics. In my early studies of libertarian ideas, and of Argumentation Ethics in particular, I could not find a unique text that would explain how Hoppe put the necessary bricks together to build the Ethics. As I was curious about this issue, I assumed others would also like to know it. To write this article, I reviewed the main literature on Argumentation Ethics, starting with Kinsella’s Concise Guide [9]. Then, I interviewed Stephan Kinsella and Prof. Walter Block. Finally, I synthesized the main ideas from the literature and the interviews elaborating an interpretative model, presented in this article.

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21

Anderson, Mary. "Kinsella and Eriugena: "Out of Ireland"." Canadian Journal of Irish Studies 17, no. 2 (1991): 39. http://dx.doi.org/10.2307/25512871.

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22

O'Hara, D. T. "The Pen Shop of Thomas Kinsella." boundary 2 28, no. 2 (June 1, 2001): 53–55. http://dx.doi.org/10.1215/01903659-28-2-53.

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23

Tubridy, Derval. "Thomas Kinsella: a selected bibliography, 2008." Irish Studies Review 16, no. 3 (August 2008): 335–43. http://dx.doi.org/10.1080/09670880802217328.

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24

Tubridy, Derval. "Thomas Kinsella: prose occasions 1951–2006." Irish Studies Review 19, no. 4 (November 2011): 463–65. http://dx.doi.org/10.1080/09670882.2011.592783.

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25

Skloot, Floyd. "The Simple Wisdom: Visiting Thomas Kinsella." New Hibernia Review 7, no. 2 (2003): 9–18. http://dx.doi.org/10.1353/nhr.2003.0054.

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26

Dings, Fred. "Last Poems by Thomas Kinsella (review)." World Literature Today 97, no. 6 (November 2023): 57–58. http://dx.doi.org/10.1353/wlt.2023.a910270.

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27

Kinsella, John. "PINK LAKE: A novella by John Kinsella." Thesis Eleven 155, no. 1 (December 2019): 8–44. http://dx.doi.org/10.1177/0725513619896651.

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John Kinsella is widely known as an ‘international regionalist’, activist, anarchist, poet, novelist. As Nicolas Birns explains in the introduction to Kinsella and this particular novella, Pink Salt, this affords his work a kind of stretch across places and times, particulars and universals, region and the world system and its ecosystems. The publication of this work in Thesis Eleven is an auspicious occasion for us. The journal has long published writing about literature, its politics and performance. Here we present the act in literature itself. It is, as Birns shows, a kind of text where real is surreal, and the other way around. It offers an experiment in writing in politics that we hope opens new vistas, both closer to home and afar.

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28

Stenmark, Kurt. "Specialized Center in Clinical Oriented Research (SCCOR) Update: Mechanisms and Treatment of Lung Vascular Disease in Infants and Children." Advances in Pulmonary Hypertension 7, no. 3 (August 1, 2008): 341–42. http://dx.doi.org/10.21693/1933-088x-7.3.341.

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29

NAETH, M. A., D. J. PLUTH, D. S. CHANASYK, A. W. BAILEY, and A. W. FEDKENHEUER. "SOIL COMPACTING IMPACTS OF GRAZING IN MIXED PRAIRIE AND FESCUE GRASSLAND ECOSYSTEMS OF ALBERTA." Canadian Journal of Soil Science 70, no. 2 (May 1, 1990): 157–67. http://dx.doi.org/10.4141/cjss90-018.

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The impacts of long-term grazing on compaction were assessed in mixed prairie and fescue grassland ecosystems of Alberta. Grazing regimes were of light to very heavy intensities, grazed early, late, and continuously during the growing season. Bulk density was measured with a surface moisture/density gauge and a combination moisture/density probe to 65 cm. Penetration resistance to 30 cm was measured with a cone penetrometer. Solonetzic soils were less sensitive to compaction under grazing than Chernozemic soils. Heavy intensity and/or early season grazing had greater impacts on compaction than light intensity and/or late season grazing. Under the former grazing regimes, bulk density increased to 7.5 cm at Kinsella and 65 cm at Stavely; penetration resistance increased to depths of 2.5 cm at Brooks, 15 cm at Kinsella, and 30 cm at Stavely. Heavy trampling versus regular grazing increased penetration resistance to depths of 30 and 10 cm under heavy intensity and/or early season and light intensity and/or late season grazing, respectively. Late season grazing at Brooks and light to moderate grazing at Stavely may be used as management models to reduce compaction under grazing. Trends were not as clear at Kinsella, but light June and autumn grazing had the least compacting effect. Key words: Compaction, grazing, rangelands, penetration resistance, bulk density

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30

He, Yanli. "JOHN KINSELLA, INTERNATIONAL REGIONALISM, AND WORLD LITERATURE." Angelaki 26, no. 2 (March 4, 2021): 81–91. http://dx.doi.org/10.1080/0969725x.2021.1892388.

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31

Quealy-Gainer, Kate. "Fairy Mom and Me by Sophie Kinsella." Bulletin of the Center for Children's Books 71, no. 5 (2018): 208. http://dx.doi.org/10.1353/bcc.2018.0037.

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32

Arizona, Phoenix. "Thomas Kinsella in Conversation with Adrienne Leavy." New Hibernia Review 24, no. 1 (2020): 137–50. http://dx.doi.org/10.1353/nhr.2020.0006.

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33

Kinsella, John. "The Fever Chart." CounterText 6, no. 1 (April 2020): 116–64. http://dx.doi.org/10.3366/count.2020.0185.

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‘The Fever Chart’ is a new and extraordinarily timely novella by John Kinsella. Begun in late 2019 as the author was emerging from a prolonged bout of feverish ‘flu, and finished in the first few weeks of 2020 during the peak of the catastrophic Australian bush fires, Kinsella describes the work as ‘a storytelling “antifa” peace novella’. Responding to the climate activism of Greta Thunberg, and reacting against the attempts by industrialists and politicians at the 2020 World Economic Forum in Zurich to downplay the severity of climate change and biomic degradation, ‘The Fever Chart’ weaves a complex and compelling web of environmentally-attuned storytelling literary activism. Its publication during the feverish time of the COVID-19 pandemic is, ultimately, coincidental, but certainly no less relevant or significant for that.

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34

Ryan, John Charles. "‘The Name Blossomed’: Landscapes, Habitats and the Botanical Poetry of South-West Australia." Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ) 2 (April 8, 2013): 26–42. http://dx.doi.org/10.60162/swamphen.2.10594.

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Habitat poetry represents the lives of plants, animals and the features of the natural world within their ecological networks. Commonly detailing physical contact with nature, habitat poetry narrates moments in which the senses engage with ecological processes. Additionally, habitat awareness in poetry tends to convey a sense of grappling with scientific discourses. These characterisations of habitat poetry will be articulated in the context of the biodiverse South-West of Western Australia. The works of South-West poets Alec Choate (1915-2010) (Gifts; A Marking; Mind); Andrew Lansdown (1954-); and John Kinsella (1963) (Poems; The New Arcadia) use sensory language to express something about nature and convey the dynamics between science and poetry. The concept of habitat provides an interpretative framework for reading Choate, Lansdown and Kinsella. The three could be described not only as landscape poets but more precisely as habitat poets, a distinction pursued in this discussion.

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35

Cohen, J. "Key Player--Kevin Kinsella: The Industry's Top Showman ..." Science 275, no. 5301 (February 7, 1997): 773a—0. http://dx.doi.org/10.1126/science.275.5301.773a.

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36

Brazeau, Robert. "Thomas Kinsella and Seamus Heaney: Translation and Representation." New Hibernia Review 5, no. 2 (2001): 82–98. http://dx.doi.org/10.1353/nhr.2001.0021.

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37

Redshaw, Thomas Dillon. "‘The Dolmen Poets’: Liam Miller and Poetry Publishing in Ireland, 1951–1961." Irish University Review 42, no. 1 (May 2012): 141–54. http://dx.doi.org/10.3366/iur.2012.0013.

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With the publication of The Dolmen Miscellany (1962) and the inception of Poetry Ireland the same year, Liam Miller's Dolmen Press came to represent artistically and commercially Irish poets and their works within the Republic of Ireland and abroad. In Miller's publishing practice, the liberal notion of ‘Poetry Ireland’ had come to supplant a narrower one: the idea of the ‘Dolmen Poets.’ As the nineteen fifties drew to a close, the Dolmen Poets were Padraic Colum and Austin Clarke (but not Patrick Kavanagh), Richard Murphy, John Montague, and especially Thomas Kinsella. In Dolmen's earliest years, however, the notion of the ‘Dolmen Poets’ had entailed other figures – David Marcus, Donald Davie, Valentin Iremonger – as well as a “group” editorial method and small, economical print format suited to Dolmen's elementary technical facilities. When, in the ‘Dolmen Poets” format Miller printed the programme for the famous, three-way reading by Murphy, Montague, and Kinsella at the Royal Hibernian Hotel on 3 February 1961, both the occasion and the souvenir programme signalled Miller's embracing of the concept of ‘Poetry Ireland’.

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38

Block, Walter. "REJOINDER TO KINSELLA ON OWNERSHIP AND THE VOLUNTARY SLAVE CONTRACT." MEST Journal 11, no. 1 (January 15, 2023): 1–8. http://dx.doi.org/10.12709/mest.11.11.01.01.

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Kinsella (2022) separates selling from ownership. He denies the claim that if you can’t sell it, you don’t (fully) own it. He rejects the notion that if you fully own it, you can sell it. He also rejects voluntary slavery and specific performance contracts. The present paper is an attempt to defend both claims. Does this debate between Kinsella and I have any practical consequences? Certainly not vis a vis the voluntary slave issue. That can only have theoretical implications for the establishment and refinement of libertarian theory. But the specific performance issue does have some. Suppose a doctor, during a surgical operation, decides to walk out of the operating room right in the midst of this procedure, leaving the patient to die. Can he or can he not be compelled, with the full force of the law, to get back on the job? Or may a guard forcibly prevent the quit right at the moment of danger? These are some of the issues explored in the present paper.

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39

McCarthy, Dermot, Thomas H. Jackson, Brian John, and Thomas Kinsella. "The Whole Matter: The Poetic Evolution of Thomas Kinsella." Canadian Journal of Irish Studies 25, no. 1/2 (1999): 541. http://dx.doi.org/10.2307/25515297.

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40

Mckisick, Kendalyn. "Renga: 100 Poems by John Kinsella and Paul Kane." Antipodes 33, no. 1 (June 2019): 183–84. http://dx.doi.org/10.1353/apo.2019.0033.

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41

Staudohar, Paul D. "Baseball short stories: From Lardner to Asinof to Kinsella." Culture, Sport, Society 3, no. 2 (June 2000): 44–55. http://dx.doi.org/10.1080/14610980008721869.

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42

Prough, Jennifer. "Schoolgirls, Money and Rebellion in Japan by Sharon Kinsella." Journal of Japanese Studies 42, no. 1 (2016): 164–69. http://dx.doi.org/10.1353/jjs.2016.0001.

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43

Kelly, William H. "Schoolgirls, Money and Rebellion in Japan, by Sharon Kinsella." Japan Forum 27, no. 3 (July 3, 2015): 420–24. http://dx.doi.org/10.1080/09555803.2015.1068361.

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44

Steele, William. "Butterfly Winter by W. P. Kinsella (review)." NINE: A Journal of Baseball History and Culture 21, no. 1 (2012): 156–57. http://dx.doi.org/10.1353/nin.2012.0044.

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45

Terry, Fiona, Helen M. Kinsella, and Scott Straus. "Fiona Terry of the International Committee of the Red Cross talks about The Roots of Restraint in War and the intersection of research and humanitarianism." Violence: An International Journal 1, no. 1 (April 2020): 185–204. http://dx.doi.org/10.1177/2633002419899796.

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Fiona Terry is the Head of the Centre for Operational Research and Experience at the International Committee of the Red Cross (ICRC). She is the co-author of The Roots of Restraint in War ( https://www.icrc.org/en/publication/4352-roots-restraint-war ), which the ICRC published in 2018. The report examines how and why formal and informal norms shape armed group behavior in war. In addition to discussing some of the report’s main findings, the interview addresses the relationship between academic research and humanitarian practitioners; how external researchers are able, or not able, to shape internal organizational culture; the ethics of data collection; gender and the laws of war; and the differences between formal state militaries and other kinds of non-state actors that engage in violence. The interview was conducted by Helen M. Kinsella, Associate Professor of Political Science at the University of Minnesota, and Scott Straus, co-editor-in-chief of the journal. Author of The Image before the Weapon: A Critical History of the Distinction between Combatant and Civilian, Kinsella was a Council on Foreign Relations Fellow at the ICRC, where she focused on gender and armed conflict, in the 2018–2019 academic year.

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Pangestu, Muhammad Rizky. "Ketergantungan Transfer Senjata: Studi Kasus Pembelian F-35 oleh Italia." Insignia: Journal of International Relations 8, no. 1 (March 29, 2021): 37. http://dx.doi.org/10.20884/1.ins.2021.8.1.3326.

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Tulisan ini akan mencoba menjelaskan mengapa Italia sebagai negara yang bisa membuat pesawat tempur secara domestik tetap melakukan pembelian F-35 dari Amerika Serikat. Padahal menurut infromasi yang beredar F-35 memiliki beberapa kelemahan fatal yang tentunnya bisa melemahkan kemampuan militer Italia dan mendapat pertentangan di dalam negeri mereka sendiri. Selain pembelian ini dipertanyakan sebab Italia adalah salah satu negara yang bisa membuat pesawat tempur mereka sendiri yaitu Eurofighter Typhoon yang cukup canggih. Dalam menjelaskan kasus ini penulis akan menggunakan konsep ketergantungan transfer senjata oleh David Kinsella. Menurut Kinsella ketika sebuah negara sudah mengalami ketergantungan transfer senjata, maka negara tersebut akan selalu bergantung kepada negara yang menyuplai senjata untuk memenuhi kebutuhan keamanannya. Ada dua indikator utama untuk menilai apakah negara sudah mengalami ketergantungan transfer senjata pertama adalah rendahnya kapasitas dan produksi senjata dalam negeri dan terfokusnya supplier senjata suatu negara dengan satu atau beberapa negara lain saja. Data yang akan digunakan unutk menganalisis kasus ini adalah data yang berasal dari sumber daring seperti jurnal akademik, buku, dokumen resmi dan portal berita yang dapat dipertanggungjawabkan kebenarannya. Hasil tulisan ini menunjukan bahwa Italia masih memiliki ketergantungan transfer senjata dengan Amerika Serikat sebab kemampuan industri pertahanan dalam negeri mereka yang belum memadai dan masih terfokusnya pembelian senjata mereka dengan Amerika Serikat. Kata kunci: Amerika Serikat, F-35, Italia, ketergantungan transfer senjata This paper will try to explain why Italy, as a country that can make fighter aircraft domestically, continues to purchase F-35s from the United States.Because based on the information that is availvable, F-35 is having some critical flaws that can compromissed Italian defense, Italian decision to buy F-35 also creating domestic opposition regarding that act. This decision also raised some question because Italian is one of the countries that can domestically produce a rather sophisticated jet fighter, the Eurofighter Typhoon. In explaining this case the author will use the concept of arms transfer dependency by David Kinsella. According to Kinsella, when a country has experienced a dependency on arms transfers, that country will always depend on the country that supplies weapons to meet its security needs. There are two main indicators to assess whether a country has experienced a dependency on arms transfers. The first is the low capacity and production of domestic weapons and the focus on arms suppliers dari one country to one or several other countries. The data that is used in this paper will be based on online source such as academic journal, books, official documents and trusted news website. The results of this paper show that Italy still has a dependency on arms transfers with the United States because of the inadequate capability of their domestic defense industry and their weapons that is still based on United States import. Keywords: arms transfer dependence, F-35, Italy, United States

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Leavy, Adrienne, and Thomas Kinsella. "“The Continuity of the Tradition”: An Interview with Thomas Kinsella." New Hibernia Review 25, no. 1 (2021): 52–64. http://dx.doi.org/10.1353/nhr.2021.0004.

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Zabytko, Irene. "Love in Defiance of Pain: Ukrainian Stories by Ali Kinsella." World Literature Today 96, no. 5 (September 2022): 61. http://dx.doi.org/10.1353/wlt.2022.0223.

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Finan, Thomas M. "Homage to W.J. Kinsella: With Evocations of Irish Morean Lawyers." Moreana 34 (Number 131-, no. 3-4 (December 1997): 10–24. http://dx.doi.org/10.3366/more.1997.34.3-4.4.

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The article recalls some notable Irish contributors to the modern revival and continuation of interest in Thomas More. It begins with a commemoration of William J. Kinsella, late president of the Thomas More Society of Ireland. It goes on to recall briefly the contributions of a number of distinguished Irish-born lawyers since the nineteenth century. All those students of More had one thing in common: they saw in him a man of special interest for modern times –as a witness to unchanging values in an age of change. The article gives particular notice to Richard O’Sullivan– for the range and depth of his legal learning, and his sense of the importance of More in the history of law.

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Smithy, William B. "Colorectal Cancer: A Scientific Perspective.Anne R. Kinsella , Philip F. Schofield." Quarterly Review of Biology 70, no. 1 (March 1995): 121. http://dx.doi.org/10.1086/418966.

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