Academic literature on the topic 'Kingston S.E'
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Journal articles on the topic "Kingston S.E"
Lynn, Denis H., and Guy L. Gilron. "Strombidiid ciliates from coastal waters near Kingston Harbour, Jamaica (Ciliophora, Oligotrichia, Strombidiidae)." Journal of the Marine Biological Association of the United Kingdom 73, no. 1 (February 1993): 47–65. http://dx.doi.org/10.1017/s0025315400032641.
Full textAgbaje, M., B. Awosile, O. O. Kehinde, E. O. Omoshaba, M. A. Dipeolu, and N. O. Bankole. "Diverse non-typhoidal Salmonella serovars with multi-drug resistance potentials isolated from chicken faeces in Ogun State, Nigeria." Sokoto Journal of Veterinary Sciences 19, no. 2 (August 12, 2021): 98–105. http://dx.doi.org/10.4314/sokjvs.v19i2.4.
Full textPersard, Suzanne C. "Ancestral Coda." Small Axe: A Caribbean Journal of Criticism 23, no. 2 (July 1, 2019): 80–88. http://dx.doi.org/10.1215/07990537-7703305.
Full textLock, Helen. "Getting into the Game: The Trickster in American Ethnic Fiction." Ethnic Studies Review 26, no. 1 (January 1, 2003): 1–11. http://dx.doi.org/10.1525/esr.2003.26.1.1.
Full textDonovan, Stephen K. "Availability of fossiliferous sediment from the Red Hills Road Cave (late Pleistocene), Jamaica." Journal of Paleontology 71, no. 2 (March 1997): 351. http://dx.doi.org/10.1017/s0022336000039275.
Full textMcCann, S. M., and F. P. Keenan. "The Comparison of Helium-Like Ion Emission Line Ratios with Solar X-Ray Spectral Data." International Astronomical Union Colloquium 102 (1988): 331–34. http://dx.doi.org/10.1017/s0252921100108024.
Full textChan, Stephanie E., Jessica Pudwell, and Graeme N. Smith. "Effects of Preeclampsia on Maternal and Pediatric Health at 11 Years Postpartum." American Journal of Perinatology 36, no. 08 (October 31, 2018): 806–11. http://dx.doi.org/10.1055/s-0038-1675374.
Full textKlekociuk, Andrew R., David J. Ottaway, Andrew D. MacKinnon, Iain M. Reid, Liam V. Twigger, and Simon P. Alexander. "Australian Lidar Measurements of Aerosol Layers Associated with the 2015 Calbuco Eruption." Atmosphere 11, no. 2 (January 21, 2020): 124. http://dx.doi.org/10.3390/atmos11020124.
Full textSkeith, Leslie, Karim Abou-Nassar, Mark Walker, Tim Ramsay, Ronald Booth, Shi Wen, Graeme Smith, and Marc Rodger. "Are Anti-β2 Glycoprotein 1 Antibodies Associated with Placenta-Mediated Pregnancy Complications? A Nested Case–Control Study." American Journal of Perinatology 35, no. 11 (April 10, 2018): 1093–99. http://dx.doi.org/10.1055/s-0038-1641168.
Full textMoore, Paul S. "Rigakos George S. Nightclub: Bouncers, Risk, and the Spectacle of Consumption. Montreal & Kingston: McGill-Queen's University Press, 2008, 273 p." Canadian journal of law and society 23, no. 1-2 (April 2008): 195–96. http://dx.doi.org/10.1017/s0829320100009698.
Full textDissertations / Theses on the topic "Kingston S.E"
Uhlíř, Filip. "Optimalizace logistických procesů ve firmě Kingspan, a. s." Master's thesis, Vysoká škola ekonomická v Praze, 2013. http://www.nusl.cz/ntk/nusl-199542.
Full textPodola, Lukáš. "Autodílny s autoškolou." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2015. http://www.nusl.cz/ntk/nusl-227674.
Full textSchrámek, Martin. "Příprava realizace montované haly s administrativou v Praci." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2019. http://www.nusl.cz/ntk/nusl-392115.
Full textBoček, Milan. "Rekonstrukce prodejny ve Vyškově - stavebně technologický projekt." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2017. http://www.nusl.cz/ntk/nusl-265420.
Full textYu-fang, Wang, and 汪郁芳. "Reconstructing Subaltern Identities: Maxine Hong Kingston''s "The Woman Warrior" and Toni Morrison''s "Beloved"." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/87966574156806013588.
Full text國立臺灣師範大學
英語研究所
88
Abstract Maxine Hong Kingston and Toni Morrison are two prominent contemporary American ethnic female writers. Unlike the mainstream writers who follow the conventional white ideological framework, they compose their works, The Woman Warrior and Beloved from the perspective of racial minorities. The two texts aim to make public the injustice and enslavement Chinese and Africans have suffered in the U.S. and to subvert the distorted negative stereotypes of Chinese and Africans which have been constructed by the white Europeans. My juxtaposed reading focuses on Kingston''s and Morrison''s efforts to deconstruct the white ideologies first and then to reconstruct the subaltern identities. This thesis consists of five chapters. Chapter One provides a theoretical framework for the thesis, where I refer to Stuart Hall''s rationale on "new ethnicities," Homi K. Bhabha''s assertion on "cultural hybridity," and M. M. Bakhtin''s theory on "heteroglossia" to support my arguments. By breaking the white unitarianism that Chinese and Africans are essentially inferior, Kingston and Morrison try to equate their racial peoples with Americans, creating an interaction between the indigenous and mainstream cultures, making their voices echo with each other. Chapter Two explores the racial appropriation of Chinese Americans and African Americans. The two races are denigrated under the colonial dominance. In order to totally deprive the racial minorities of their voices and powers, the whites make them (Chinese Americans) assimilated by way of Gramsci''s "cultural hegemony" or make them (Afro-Americans) unlearned, ignorant of their own culture and history. Chapter Three centers on the physical and psychological assault on Chinese American women and African American women. Genderized and racialized, women of racial minorities suffer from patriarchal misogyny and imperial hegemony. However, since the two texts aim to subvert the patriarchal and racial stereotypes, Kingston and Morrison create a "power reversion" between their male and female characters by offering the females more strength and resourcefulness. Moreover, the exploitation on Chinese and African American women also influences their mother/daughter relationship, which is another concern in this chapter. Chapter Four records the processes for the racial minorities to evolve from silence to eloquence. Kingston takes writing as a "sword" welded by words and fights for an autonomous selfhood of herself and the other Chinese American women. Morrison''s revisionary text leads the characters to "re-member" their traumatic and erased past. Through rememory, the aboriginal history can be retrieved and their new cultural identities can be reconstructed. Chapter Five recapitulates the main ideas of this thesis and reaffirms Kingston''s and Morrison''s determination and contributions to representing the identities of their racial groups and offering them self-affirmation and national consciousness.
Yeh, Hui-lien, and 葉惠蓮. "(Mis) Representation of Chinese Men in Maxine Hong Kingston''s China Men and Gish Jen''s Typical American." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/76239767774898530508.
Full text國立高雄師範大學
英語學系
89
This study employs David Leiwei Li''s critical paradigm on Chinese American literature as a theoretical basis, and Frank Chin''s criticism as the contesting ground to re-examine both Maxine Hong Kingston''s and Gish Jen''s contributions in subverting American Orientalist discourse. While American Orientalist discourse as constructed by the hegemonic power dominates the American culture, Chinese American literature appears as a combating discourse. In the contemporary Chinese American discourse, Frank Chin draws on the Chinese heroism to subvert the effeminated image of Chinese men. Kingston also retrieves the ethnic source as inspiration in writing, yet revises the Chinese texts to interrogate the stereotypes in the authoritative American Orientalist discourse. Kingston recreates the Chinese American tradition by reproducing the emasculated image similar to that in the American Orientalist discourse. She, nonetheless, aims to deconstruct the false image instead of reinforcing it. In China Men, Maxine Hong Kingston speaks out for her forefathers and "claims America" by interrogating the American Orientalist discourse in the form of myth-revision. Through adopting both Chinese and western literary materials, and adapting them, Kingston deconstructs both Chinese authoritative texts and the American Orientalist discourse. Kingston''s China Men emphasizes the century-old presence of manual Chinese American labor in the United Sates. It delineates a Chinese American history and argues for subsequent generations'' rightful place in America, despite the fact that the Chinese are perpetually labeled as "foreigners." As Typical American shares the same aim in testifying Chinese American''s rightful place in American history, Jen exposes the racial bias of American cultural scripts and focuses on how the middle-class Changs transform themselves into "typical Americans." Through representing Chinese men, both Kingston and Gish Jen challenge American Orientalist misrepresentation of Chinese men. Though the similarities between these two writers do exist, the differences feature Gish Jen and Kingston in numbers of ways. Gish Jen endeavors to portray more economically privileged and better-educated Chinese Americans rather than the old-generation immigrants on sugar plantations and in building railroads. Also, without tracing back to the Chinese texts, Gish Jen adopts American literature and mocks the American myth with her satirical narrative. Gish Jen features her novel with a parody of the American myth. Using satire as the narrative strategy, Gish Jen poses her critique on racial discrimination. Through parodying the American myth, Gish Jen discloses that American society fails to recognize the Changs as Americans because of their skin color. Both Gish Jen and Maxine Hong Kingston reiterate what is typical/stereotypical so as to reject it and finally forge a national identity for Chinese Americans.
Chen, Chao-hua, and 陳昭華. ""Cross[ing] Boundaries Not Delineated in Space": Maxine Hong Kingston''s The Woman Warrior." Thesis, 1996. http://ndltd.ncl.edu.tw/handle/90445179386384722106.
Full text國立中山大學
外國語文學系
84
Maxine Hong Kingston''s The Woman Warrior is an unessentializing text that questions binary oppositions most ingrained in our reasoning. The space it opens up is one straddling over several boundaries; though those boundaries are not clear-cut, there is no mistaking the crossing act. This thesis tries to preserve that subtle, elusive and ever-changing quality inscribed in the text to avoid essentialization. The study of the ambiguous text reveals language to be related to the always- in-the-process subjectivity constructed in the book. Revival of ambiguity releases the free play of language and is thus preliminary to exposing the hierarchy that power and desire have arbitrarily imposed on meanings. The attempt to tropologize the five narratives of the book brings us to a better understanding of the (lack of) organization of the book. Since tropes describe not only the relation between words and things, but also how we relate ourselves to the world, this attempt shows us how the narrator comes to terms with the confusing world around her. The Woman Warrior has been warmly welcomed into the feminist canon; a close look at this enthusiasm shows such reception to be both self-defeating and self-delimiting. The text challenges the male/female hierarchy, but it goes beyond reversing that hierarchy or slavishing equalizing the unequal. And that space beyond is constructed not only by gender, but also by class, ethnicity, generation, and many others. With a critical and creative way of looking at difference, we can negotieate the above differences without erasing them. And altogether, they make both a community of Chinese Americans and an individual Chinese American woman. To tackle all these differences at the same time is a challenge the narrator faces and an approach the book demands of its readers.
Yu, Chia-jung, and 余嘉蓉. "Voice of the Other: Writing as Revision in Maxine Hong Kingston' s China Men." Thesis, 1997. http://ndltd.ncl.edu.tw/handle/17810313356356824286.
Full text國立高雄師範大學
英語教育研究所
85
This thesis amis to analyze how Maxine Hong Kingston, as a minority woman writer, uses umlti-versions of text to speak for the silenced Other--Chinese male immigrants--in her award- winning book China Men. Her writing reclaims Chinese American subjectivity as well as deconstructs/rereads old Chinese and Western texts. As a matter of fact, she revises American history and literature. As immigrants of color, Chinese Americans have been regarded as non-white Other by the mainstream society. They are depriveof voice in canonical American literature and history. Moreover, stereotyped by the discourse of American popular culture, they are portrayed as either the insidious Fu Manchu or the docile Charlie Chan. Reflecting upon the stereotyped images, Kingston attempts to reconstruct their identity. As the book's Chinese title, Gold Mountain Heroes [Jin-shan Yong-shi, 金山勇士] suggests, she intends to identify Chinese men as abrave Gold Mountain heroes and to make them the subjects of her narrative. Indeed, inChina Men, which she designates as the father-book, she empowers the Gold Mountain heroes with a justifiable identity to succeed Abraham Lincoln as American founding fathers. To present the true stories of the Gold Mountain founding father. To present the true stories of the Gold Mountain heroes, Kingston invents the new literary structures of multi-versions of text. She adapts mother's talk-stories to represent the Chinese immigrants' life experience. Besides, she appropriates Chinese and Western literary classics, news reports, personal diaries, and articles of law to supplement their stories. The multi- versions of text form intertextual references and dialectic relationships between texts, within texts, and beyond texts. Through writing, Kingston, in effect, revises the structure and contents of the white-male-centered American history and literature. She also successfully makes the history of Chinese immigrants a part of American history.
Lin, Yi-Ching, and 林怡親. "Parodic Postmodern Representation of New Ethnicities in M. H. Kingston''s "Tripmaster Monkey: His FAke Book"." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/10525100092621535595.
Full text靜宜大學
英國語文學系研究所
92
Maxine Hong Kingston interrogates and re-inscribes ethnicity with the collaboration of parodic postmodern representation and re-imagines a pan-ethnic community in Tripmaster Monkey: His Fake Book. The thesis begins with a historical reappraisal of the sixties in the United States, related to the awakening of the ethnic groups that subvert the dominant discourses by demystifying hegemonically defined relations to majority society and culture. Another major concern of the introduction chapter is how the discursive construction of representation plays an important role in the formation of ethnicity. Chapter Two lays a theoretical groundwork for the subsequent chapters, including Stuart Hall’s notion of “new ethnicities,” Patricia Durso’s act of performing identity, and Linda Hutcheon’s concept of parodic postmodern representation—all of these have been employed to examine the text. Chapter Three applies Hall’s and Durso’s ideas to propose that authority-interrogating re-inscriptions offer the always-in-the-process ethnicity to break down any possibility of stable binary opposition. In Chapter Four, Hutcheon’s view is appropriated to show a dialogical relationship among texts that Kingston reveals her artistic imagination and ambition of proclaiming the collaborative and changing nature of American art as well as de-naturalizing the essentialist notion of an American. To conclude, by using Wittman Ah Sing to perform his life scripts, parody films and literatures, and stage an epic theater, Kingston not only establishes a new prototype that embraces diversities but also advocates anti-war and peace loving messages.
Li-Ya, Wang, and 王俐雅. "Culture, Language and Self in Maxine Hong Kingston''s The Woman Warrior , and Amy Tan''s The Joy Luck Club and The Bonesetter''s Daughter." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/84405817950354485880.
Full text中國文化大學
英國語文學研究所
92
Abstract Maxine Hong Kingston and Amy Tan, two of the most successful contemporary Chinese American female writers, are engaged in providing voices from a minority female’s view point in America. In Kingston’s work The Woman Warrior and Tan’s The Joy Luck Club and The Bonesetter’s Daughter, the depression felt by females in a patriarchal society in China before WWII, the prejudice towards immigrant females in America, the conflict between American and Chinese cultures and two generations, and the difficulty in searching for a sense of self and identity are the main themes in their writings. In this thesis, I aim to examine how the Chinese culture creates conflict in the multiple cultures in America, especially where a gap and misunderstanding occurs between mothers and daughters. My thesis includes five chapters. Chapter One will briefly introduce the similarity of the two writers. Chapter Two will observe through Althusser’s theory how the patriarchal discourse in China depresses females by operation of State Apparatuses (SAs) and Ideological State Apparatuses (ISAs) and use Foucault’s theory to examine how the females subvert this power. Chapter Three will focus on the racism, sexism and cultural prejudice that the mothers and the daughters have to confront in the new land and explore why the cultural differences cause the severe conflicts between the immigrant mothers and their daughters. Chapter Four will focus on the purpose of employing story-telling and polyphony in the texts. Bakhtin’s theory on Dialogism and the function of language will be discussed to examine the exchanging of protagonists’ ideology and reconstruction of selfhood. The study will be devoted to the connection between the self, culture and language, to examine how the self forms itself in the influence of culture and reconstructs by employing language and an exchange of ideologies.
Books on the topic "Kingston S.E"
Schueller, Malini Johar. The politics of voice: Liberalism and social criticism from Franklin to Kingston. Albany: State University of New York Press, 1992.
Find full textHull schools in Victorian times: The development of education in the City of Kingston upon Hull during the 1800's. Cottingham: P. Railton, 1995.
Find full textChapman, Ben, and Mave Chapman. Kingston-upon-Hull (Archive Photographs S.). Tempus Publishing Ltd, 1996.
Find full textNeatby, Nicole. Women in Queen's in the 1920's: Separate sphere. 1986.
Find full textBook chapters on the topic "Kingston S.E"
Cheung, King-Kok. "(S)wordswoman versus (S)wordsman: Maxine Hong Kingston and Frank Chin." In Chinese American Literature without Borders, 29–66. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-44177-5_2.
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