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Journal articles on the topic 'King John of Bohemia'

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Published: 10 December 2022

Last updated: 28 January 2023

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1

Birkel, Christa. "Vos autem estis advena." Historical Studies on Central Europe 2, no. 2 (December 22, 2022): 5–21. http://dx.doi.org/10.47074/hsce.2022-2.02.

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While Count John ‘the Blind’ is celebrated as a national hero in Luxembourg, in 1939 the Czech historian J. Šusta famously coined his image as the ‘King Foreigner’ (král cizinec). In fact, due to the murder of the last male Přemyslid, Wenceslas III, for the first time in history, the Kingdom of Bohemia was forced to elevate to king a representative of a non-Bohemian dynasty. To what extent was the first Luxembourg on the Bohemian throne considered ‘foreign’ in fourteenth-century Bohemia? What factors did his contemporaries use to define a potential otherness? The paper shows the phases of the rule of John of Luxembourg where the aspect of ‘foreignness’ determined public discourse, and the goals various groups of actors intended to achieve by recourse to it.

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2

Ptak, Marian J. "Zjazd książąt śląskich z 1329 roku." Prawo 321 (December 31, 2016): 115–38. http://dx.doi.org/10.19195/0524-4544.321.5.

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The Congress of Silesian dukes of 1329The study examines documents which originated in connection with avisit by the King of Bohemia and Poland, John of Luxembourg, to Wrocław in April and May 1329. So far scholars have pointed primarily to the reduction to vassalage of successive Silesian dukes from the Wroclaw line Bolesław III of Legnica and Brzeg and Głogów line Henry of Żagań, Conrad of Oleśnica and John of Ścinawa. They have stressed the pressure exerted by the Bohemian king, which the various dukes were unable to withstand. The author has attempted to take acloser look at the contents of the extant documents, particularly vassalage documents. They show that the King of Bohemia convened a congress of dukes to Wrocław, during which matters of vassalage were negotiated not only for individuals but also for the various lines. The negotiations featured atwo-person ducal deputation acting as acourt of arbitration. The documents list the dukes’ rights and freedoms with regard to the territories they governed and people settled there as well as the rights of the Bohemian king as the feudal lord. They also regulated the question of mutual relations between the dukes in property and other matters. Consequently, they should be viewed as the first written legislative acts fundamental and constitutional in nature, both in the various duchies and in their association referred to as the Duchy of Upper and Lower Silesia.Zusammenkünfte der schlesischen Herzöge aus dem Jahre 1329Zum Gegenstand der Bearbeitung wurden Dokumente, die im Zusammenhang mit dem Aufenthalt des Königs von Böhmen und Polen, des Johann von Luxemburg im April und Mai 1329 in Breslau entstanden sind. In der bisherigen Literatur wird vor allem auf die Vasalisierung weiterer schlesischer Herzöge der Breslauer Boleslaus 3. von Liegnitz und Brieg und Glogauer Heinrich v. Sagan, Konrad v. Oels und Jan v. Scinawa Linie hingewiesen. Hervorgehoben wurde dabei der durch den böhmischen König ausgeübte Druck, dem die einzelnen Herzöge sich nicht widersetzen konnten. Der Verfasser sah in die erhaltenen Dokumente ein und schenkte seine besondere Aufmerksamkeit den Lehensdokumenten. Aus diesen ergibt sich, dass der böhmische König die Zusammenkunft der Herzöge in Breslau einberufen hat, wo man die Angelegenheiten der Lehensverhältnisse nicht nur individuell, sondern auch gruppenweise verhandelte, im Rahmen einzelner Linien unter Beteiligung einer Zweipersonendeputation des Herzogs, die die Funktion eines Schiedsgerichtes erfüllte. In den Lehensdokumenten wurden die bisherigen Rechte und Freiheiten der Herzöge in Bezug auf die ihnen unterliegenden Gebiete und die dort ansässige Bevölkerung sowie die Rechte des böhmischen Königs als den Senior genannt. Sie regelten auch die gegenseitigen vermögensrechtlichen und sonstigen Verhältnisse zwischen den Herzögen. Folglich sind diese Dokumente als erste Rechtsakten eines fundamentalen und verfassungsrechtlichen Charakters anzusehen und das sowohl in den einzelnen Herzogtümern, als auch in ihrer Verbindung, für die der Name Herzogtum Ober- und Niederschlesien gängig ist.

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3

Puett, J. David. "Saint Agnes of Bohemia: A Thirteenth-Century Iconoclast and the Enduring Legacy of Her Convent as a Sacred Space for Religious Art." Religions 12, no. 10 (October 1, 2021): 826. http://dx.doi.org/10.3390/rel12100826.

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Refusing to accept her expected role of becoming an item of negotiation in an arranged marriage to strengthen a political alliance, Agnes of Bohemia (1211–1282), daughter of King Přemysl Otakar I of Bohemia and Queen Constance of Hungary, chose to use her royal dowry to finance construction of the first hospital, convent, monastery, and church in Prague committed to the teachings of Saint Francis. Her youth was influenced by nuns providing her education, by a strong familial precedent in the support of churches and convents, and by religious contemporaries. Joining the fledging Franciscan movement, this remarkably well-educated and deeply committed woman entered as abbess of the convent in 1234, dedicating her life to poverty without endowment, devotion, and service to the sick and poor. Agnes was beatified by Pope Pius IX in 1874 and canonized by Pope John Paul II in 1989. Her legacy remains in Prague today with the Gothic convent she constructed now serving as a premiere museum devoted to the Medieval and Renaissance religious art of Prague and Central Europe. Thus, the original goal of building a sacred space for sisters in order to foster spiritual mediation has now been redirected to provide the public the opportunity to become immersed in ecclesiastical reflection viewing the works of artists such as Master Theodoric, the Master of Vyšší Brod, the Master of the Třeboň Altarpiece, and others.

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4

Ptak, Marian J. "Zjazdy książąt śląskich w 1331 roku." Prawo 324 (December 31, 2017): 67–88. http://dx.doi.org/10.19195/0524-4544.324.4.

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Congresses of Silesian dukes of 1331 1331 was marked by four congresses of Silesian dukes, all featuring the King of Bohemia and Poland, John of Luxembourg. The first two were closely linked to John’s planned military expedition against Ladislaus the Elbow-High of Poland. The participants of the congress held between 25 and 30 September in Wrocław included the now vassal dukes of Wrocław and Głogów. It was followed by another congress, convened between 1 and 2 October in Głogów and featuring more or less the same participants, during which John of Ścinawa renounced his rights to Głogów, which was a dower dotalicium, Leibgedinge of Constance, the Duke of Głogów’s widow, in favour of the Bohemian king. This created a legal basis for seizing full ducal power over the duchy and combining it with the Duchy of Wrocław he was to inherit after the death of Duke Henry VI 1335. After his failure in the war against Ladislaus the Elbow-High, John of Luxembourg again came to Wrocław and during another congress, on 19 October, featuring the same dukes, he issued several documents with privileges for the city of Wrocław and Wrocław burghers. On the same day Boleslaus of Legnica gave the king Niemcza castle, town and district as a pledge, for a long time in possession of the independent Duke of Świdnica, Bolko, who opposed John of Luxembourg’s policy in Poland and Silesia. The last congress of Silesian dukes that year was held on 13 December in Prague. It featured nine Silesian dukes from the House of Piast and the Bishop of Wrocław. Those absent were the Dukes of Świdnica and Jawor as well as most dukes from Upper Silesia, with the exception of Ladislaus of Bytom and Bolko of Niemodlin. The congress is confirmed by just one document, which refers to the granting of the Duchy of Legnica, to be held jointly in fee investitura simultanea, Gesamtbelehnung, to Duke Boleslaus and his two sons in a compromise between the Polish ducal law and German feudatory law.Die Zusammenkünfte der schlesischen Herzöge im Jahre 1331Im Jahre 1331 fanden vier Zusammenkünfte der schlesischen Herzöge, alle unter Beteiligung von Johann von Luxemburg, dem König von Böhmen und Polen, statt. Die beiden ersten standen in strikter Verbindung mit dem von Johann gegen Władysław I. Ellenlang geplanten Kriegsfeldzug. In den Tagen des 25.–30. September fand die Zusammenkunft in Breslau statt, an der die bereits vasalisierten Herzöge der Linie Breslau und Glogau teilnahmen. An zwei folgenden Tagen, dem 1. und 2. Oktober fand die Zusammenkunft in Glogau in änhnlicher Zusammensetzung statt, an der Johann von Steinau auf die Erbrechte auf das Glogauer Land, das eine Mitgift dotalicium, Leibgedinge der Witwe Konstanze nach dem Glogauer Herzog darstellte, zugunsten des böhmischen Königs verzichtet hat. Dies gab ihm das Recht, dort die volle herzogliche Macht zu übernehmen und das Land mit dem Breslauer Herzogtum zu verbinden, das nach dem Tode des Herzogs Heinrich VI. 1335 an ihn fallen sollte. Nach den Mißerfolgen im Krieg mit Ellenlang erschien er wiederum in Breslau und an der folgenden Zusammenkunft am 19. Oktober unter Beteiligung von denselben Herzögen, stellte er mehrere Dokumente mit Privilegien für die Stadt Breslau und die Breslauer Bürger aus. An demselben Tage überließ Bolesław von Liegnitz dem König Nimptsch Schloß, Stadt und District als Pfand, der schon lange im Besitz des nicht vasalisierten Herzogs Bolko von Schweidnitz stand, der gegen die polnische und schlesische Politik des Luxemburgers war. Die letzte Zusammenkunft der schlesischen Herzöge in diesem Jahr fand am 13. Dezember in Prag statt. Beteiligt waren an ihr neun Herzöge der Piastendynastie aus Schlesien und der Breslauer Bischof. Abwesend waren die Herzöge der Linie Schweidnitz-Jauer und die meisten Oppelner Herzöge mit der Ausnahme des Władysław von Beuthen und des Bolko von Falkenberg. Ihr Stattfinden wird in nur einem Dokument bestätigt, welches die Belehnung des Fürstentums Liegnitz als Gesamtlehn, d. h. der gesamten Hand investitura simultanea, Gesamtlehn an den Herzog Bolesław und seine zwei Söhne feststellt, das ein Kompromiss zwischen dem polnischen herzoglichen Recht und dem deutschen Lehnrecht darstellte.

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5

Blažek, J., and F. Paprštein. "Development of fruit quality within top apple cultivars based on the consumer preference testing in last 34 years." Horticultural Science 41, No. 1 (March 13, 2014): 10–18. http://dx.doi.org/10.17221/264/2013-hortsci.

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Results of all public consumer preference testing sessions included in this study were to be divided into 3 time periods. During the oldest period (1979–1990), with regard to overall qualities and appearance of fruits, the cv. Rubín was the most preferred. Next, it was followed by the cvs Fantazie, McIntosh, Gloster, and Melrose. In the subsequent period (1991–2001), the cv. Bohemia was in the first position in all respects including taste and fruit appearance. Following it in downward sequence were the cvs Rubín, King Jonagold, Jonagold, McIntosh and Melrose. In the latest period (2002–2013), again both in the total scoring and fruit appearance, Bohemia was the most preferred. It was followed in descending order by cvs Orion, Meteor, Jomured, HL 623 and Gold Bohemia. Considering fruit taste alone, however, the most preferred cultivar was Orion. According to the overall results of studies from thirty-three years, in which a total of 198 cultivars or genotypes were included, the most preferred was cv. Bohemia, followed by cvs Meteor, Rubín, HL 623, Andera, Gold Bohemia, King Jonagold and Jomured. Regarding fruit taste itself, the top cv. Bohemia was directly followed by cv. Gold Bohemia and by the selection HL 1834.  

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6

Patterson, Robert B., and Ralph V. Turner. "King John." American Historical Review 101, no. 1 (February 1996): 166. http://dx.doi.org/10.2307/2169256.

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7

Vaughan, Virginia Mason, and A. R. Braunmuller. "King John." Yearbook of English Studies 22 (1992): 284. http://dx.doi.org/10.2307/3508412.

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8

Honigmann, E. A. J., L. A. Beaurline, Nicholas Brooke, Michael Hattaway, G. R. Hibbard, and John Margeson. "King John." Modern Language Review 87, no. 1 (January 1992): 166. http://dx.doi.org/10.2307/3732339.

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9

Miller, Gemma. "King John." Shakespeare Bulletin 38, no. 2 (2020): 259–63. http://dx.doi.org/10.1353/shb.2020.0023.

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10

Pfaff, Richard W. "King John." History: Reviews of New Books 23, no. 2 (January 1995): 70–71. http://dx.doi.org/10.1080/03612759.1995.9951000.

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11

Berman, Ronald, William Shakespeare, and Alvin Kernan. "King John." Journal of Aesthetic Education 32, no. 1 (1998): 101. http://dx.doi.org/10.2307/3333218.

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12

Jasiński, Wojciech. "Wokół kutnohorskiej elekcji Władysława II Jagiellończyka w świetle jego zobowiązań i czeskich postulatów." Historia Slavorum Occidentis 34, no. 3 (2022): 11–29. http://dx.doi.org/10.15804/hso220301.

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In this article I studied the undertaking of King Vladislaus II of Bohemia (1456– –1516), which he have to oblige to became a czech king after the death of George of Poděbrady and the demands of Czechs expressed on the Diet at Kutná Hora.

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13

Dylla, H. Frederick, and Rainer Weiss. "John Gordon King." Physics Today 67, no. 11 (November 2014): 68–69. http://dx.doi.org/10.1063/pt.3.2594.

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14

Merriam, T. "King John Divided." Literary and Linguistic Computing 19, no. 2 (June 1, 2004): 181–95. http://dx.doi.org/10.1093/llc/19.2.181.

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15

Mento, Joan. "King John (review)." Shakespeare Bulletin 24, no. 1 (2006): 125–28. http://dx.doi.org/10.1353/shb.2006.0013.

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16

Sill, R. "John Magoveny King." BMJ 341, jul30 1 (July 30, 2010): c4134. http://dx.doi.org/10.1136/bmj.c4134.

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17

Braunmuller, A. R. "King John and Historiography." ELH 55, no. 2 (1988): 309. http://dx.doi.org/10.2307/2873207.

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18

Jones, Robert C. "Truth in King John." Studies in English Literature, 1500-1900 25, no. 2 (1985): 397. http://dx.doi.org/10.2307/450729.

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19

Grennan, Eamon, and Deborah T. Curren-Aquino. "King John: New Perspectives." Shakespeare Quarterly 42, no. 1 (1991): 110. http://dx.doi.org/10.2307/2870666.

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20

Maguin, J. M. "The Theatre: King John." Cahiers Élisabéthains: A Journal of English Renaissance Studies 34, no. 1 (October 1988): 105–6. http://dx.doi.org/10.1177/018476788803400125.

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21

Holden, Brock W., and S. D. Church. "King John: New Interpretations." Albion: A Quarterly Journal Concerned with British Studies 33, no. 1 (2001): 77. http://dx.doi.org/10.2307/4053049.

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22

Bebiano, Rui. "John V: Sun-King." Revista de História das Ideias 8, Tomo I (1986): 111–21. http://dx.doi.org/10.14195/2183-8925_8-1_4.

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23

Haworth, Ben, and Peter J. Smith. "Play review: King John." Cahiers Élisabéthains: A Journal of English Renaissance Studies 101, no. 1 (April 2020): 119–21. http://dx.doi.org/10.1177/0184767820903229f.

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24

Liu, Jian. "Metamorphoses of Puccini’s “La bohème” in Jonathan Larson’s musical “Rent”." Aspects of Historical Musicology 21, no. 21 (March 10, 2020): 83–97. http://dx.doi.org/10.34064/khnum2-21.05.

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Theoretical background. Depending on the choice of the original source underlying the work, all Broadway musicals can be divided into three main types – with the original libretto and plot (“Next to normal” by T. Kitt), based on (or even on the material) of the same name cartoons (E. John’s “The Lion King”, D. Stewart’s and G. Ballard’s “Ghost”) and operas (E. John’s “Aida” after G. Verdi’s opera of the same name, J. Larson’s “Rent” written after “La bohème” by G. Puccini). In the latter group there is a contrasting branching, which can be observed even on the example of the two named musicals. If E. John seeks to preserve the historical correspondence to the epoch depicted in the opera, as well as to embody the conditionally Egyptian oriental color with the help of exotic orchestration, then J. Larson makes a radical modernization of the plot. His radicalism lies not so much in the time distance over which he “transposes” events, as in the “reduction” to naturalistic brutality and nudity of forbidden, but very “painful” in the 90s of the twentieth century topics – drugs, AIDS, same-sex relationships. In comparison with the problems of the musical, G. Puccini’s opera is perceived as a romanticized fairy tale. The social acuity of the musical is closer to the verismo aesthetics than the opera by G. Puccini, and encourages a more thorough analysis of its relationship with the opera prototype. The objective of the article is to reveal the specifics of the metamorphosis of the plot and musical drama of Puccini’s “La bohème” in the musical “Rent” by J. Larson. In accordance with the goal, research methods such as structural and functional are used to identify the components of the composer’s text and their role in the drama of the whole, comparative method to consider selected works in terms of plot interpretation, libretto features, general developing of the drama and musical text. Results of the study. J. Larson’s musical “Rent” demonstrate a free interpretation of G. Puccini’s opera original, with which a number of metamorphoses take place. The first is related to the modernization of the plot, which is transposed from Paris in the mid-nineteenth century to the 90s of the twentieth century and the “lower classes” of New York. The plot is reduced due to the saturation of its topical issues, which reflected the American spirit of the 90’s – AIDS, drug addiction, same-sex relationships. At the same time, the lyricization of drama is carried out, because in the musical J. Larson shows the development of the love affair of three couples. Almost all of them end tragically: Angel dies, Mimi is also on the verge of death. In turn, Joan and Maureen constantly quarrel and reconcile only at the end of the musical. At the same time, the plot outline of the development of Roger and Mimi’s relationship duplicates a similar line of the opera, starting from the scene of their acquaintance and ending with a duet in the finale, where the characters once again confess their love for each other. The key scene is the manifesto of bohemian life, as in the opera, is the scene in a cafe (“La Vie Boheme”, № 23). Musical dramaturgy of “Rent”, in contrast to the plot, is far removed from the operatic original, due to the genre tradition of the musical, which is reflected in the two-act structure, the principle of dramatic “relaxation” in the second act, where the denouement of all plot lines comes, number structure, where musical numbers alternate with conversational dialogues. At the same time, J. Larson strives for the integrity of the musical’s dramaturgy, which is reflected in the “musicalization” of dialogues, which mostly sound with musical accompaniment and flexibly flow into duet-ensemble scenes. The solo numbers, which brings a stop to the action, is mostly replaced by duets that “promote” the action and reveal the development of the characters’ relationships (the key pair has four such duets). Conclusions. All mentioned qualities of the musical “Rent” significantly distinguish the composition of J. Larson from another example of the musical based after the opera – “Aida” by E. John, which allows us to talk about the presence of individual compositional and dramatic solutions, even when working with a similar source. This shows the significant potential of the Broadway musical as a musical-theatrical genre, as opposed to its accusations of commercialism and the assertion of the priority of entertainment, which makes it an interesting and perspective material for research.

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25

Ashurst, F. Gareth, and John King. "John King 1795 Arithmetic Book." Mathematical Gazette 80, no. 489 (November 1996): 626. http://dx.doi.org/10.2307/3618553.

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26

Merriam, T. "Feminine Endings in King John." Notes and Queries 56, no. 4 (December 1, 2009): 576–78. http://dx.doi.org/10.1093/notesj/gjp190.

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27

Boyd, Newell D., and J. A. P. Jones. "King John and Magna Carta." History Teacher 18, no. 3 (May 1985): 454. http://dx.doi.org/10.2307/493072.

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28

Thatcher, David. "Prematurity in Shakespeare's King John." English Language Notes 38, no. 2 (December 1, 2000): 7–11. http://dx.doi.org/10.1215/00138282-38.2.7.

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29

Curren-Aquino, Deborah T., and Geraldine Cousin. "Shakespeare in Performance: King John." Shakespeare Quarterly 47, no. 2 (1996): 226. http://dx.doi.org/10.2307/2871115.

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30

Maslen, R. "The Strangeness of King John." Essays in Criticism 64, no. 3 (July 1, 2014): 247–65. http://dx.doi.org/10.1093/escrit/cgu012.

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31

Jansen, Marius B. "John King Fairbank (1907–1991)." Journal of Asian Studies 51, no. 1 (February 1992): 237–42. http://dx.doi.org/10.1017/s002191180004729x.

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32

MacFarquhar, Roderick. "John King Fairbank: A Memoir." China Quarterly 127 (September 1991): 613–15. http://dx.doi.org/10.1017/s0305741000031088.

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33

Gamble, John King. "Remarks by John King Gamble." Proceedings of the ASIL Annual Meeting 92 (1998): 230. http://dx.doi.org/10.1017/s0272503700057931.

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34

King Gamble, John. "Remarks by: John King Gamble." Proceedings of the ASIL Annual Meeting 89 (1995): 1–4. http://dx.doi.org/10.1017/s0272503700083403.

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35

Merriam, T. "Prosodic Symmetry in King John." Notes and Queries 53, no. 1 (March 1, 2006): 62–65. http://dx.doi.org/10.1093/notesj/gjj129.

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36

Drickamer, Lee C. "John A. King: 1921–2014." Journal of Mammalogy 96, no. 4 (August 3, 2015): 884–89. http://dx.doi.org/10.1093/jmammal/gyv088.

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37

LeRoy, Tamar. "King John by William Shakespeare." Restoration: Studies in English Literary Culture, 1660-1700 43, no. 1 (2019): 117–20. http://dx.doi.org/10.1353/rst.2019.0003.

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38

Quarmby, Kevin A. "King John (review)." Shakespeare Bulletin 30, no. 4 (2012): 555–59. http://dx.doi.org/10.1353/shb.2012.0068.

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39

Rogers, Jami. "King John (review)." Shakespeare Bulletin 31, no. 1 (2013): 95–99. http://dx.doi.org/10.1353/shb.2013.0012.

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40

Hartby, Eva. "The End of King John." Orbis Litterarum 55, no. 4 (August 2000): 263–95. http://dx.doi.org/10.1034/j.1600-0730.2000.d01-17.x.

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41

BARRATT, N. "The Revenue Of King John." English Historical Review CXI, no. 443 (September 1, 1996): 835–55. http://dx.doi.org/10.1093/ehr/cxi.443.835.

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42

Krafl, Pavel Otmar. "Czech Medieval Codifications: The Code of Vladislav (1500)." Czech-polish historical and pedagogical journal 12, no. 1 (2020): 69–73. http://dx.doi.org/10.5817/cphpj-2020-006.

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Legal culture in the Czech lands was based on customary law. The nobility did not trust codification efforts of the Bohemian kings Přemysl Ottokar II and Wenceslaus II. Wenceslaus' codification efforts were finally executed only in the sphere of special laws. Charles IV, King of Bohemia and Roman Emperor, tried to publish the Maiestas Carolina code in 1355. The last law code was written under King Vladislav II Jagiellon in 1500 (“Vladislavské zřízení zemské” / “The Code of Vladislav”). The essay follows the article “Czech Codifications in the High Middle Ages” published in 2014 and closely introduces the Vladislav Code.

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43

Žůrek, Václav. "Indigenous or Foreign?" Historical Studies on Central Europe 2, no. 2 (December 22, 2022): 43–59. http://dx.doi.org/10.47074/hsce.2022-2.04.

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In fifteenth-century Bohemia, the natural continuity of succeeding kings was interrupted, and the political situation resulted in searching for a new king and organizing the election. This procedure provoked comments on candidates from supporters and opponents. One of the criteria discussed was the candidate’s origins. His labelling as a foreigner, or emphasis on alien origin and mother tongue was very often part of the strategy to defame the potential king. The article analyses how this specific criterion was integrated into other requirements to challenge the candidate’s idoneity, introducing the various uses of this argument in contemporary sources.

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44

Veach, Colin. "King and magnate in medieval Ireland: Walter de Lacy, King Richard and King John." Irish Historical Studies 37, no. 146 (November 2010): 179–202. http://dx.doi.org/10.1017/s0021121400002212.

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While the reigns of England's Angevin kings, Henry II, Richard I and John, have sparked centuries of historical interest, the verdicts rendered have been as diverse as the times that produced them. Increasingly, historians have come to highlight the abrasiveness of Angevin kingship in general when discussing the great calamities of John’s reign (including the loss of Normandy in 1204, Magna Carta, and the civil war of 1215–17), before recounting John’s unique depravity.

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Gehrke, Christian. "David Ricardo, by John E. King." European Journal of the History of Economic Thought 22, no. 5 (August 17, 2015): 915–18. http://dx.doi.org/10.1080/09672567.2015.1074826.

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46

Curren-Aquino, Deborah T., and L. A. Beaurline. "The New Cambridge Shakespeare King John." Shakespeare Quarterly 43, no. 1 (1992): 109. http://dx.doi.org/10.2307/2870919.

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SAMS, ERIC. "THE TROUBLESOME WRANGLE OVER KING JOHN." Notes and Queries 35, no. 1 (March 1, 1988): 41–44. http://dx.doi.org/10.1093/nq/35-1-41.

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WOMERSLEY, DAVID. "THE POLITICS OF SHAKESPEARE'S KING JOHN." Review of English Studies XL, no. 160 (1989): 497–515. http://dx.doi.org/10.1093/res/xl.160.497.

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Holt, J. C. "King John and Arthur of Brittany." Nottingham Medieval Studies 44 (January 2000): 82–103. http://dx.doi.org/10.1484/j.nms.3.308.

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Breslow, Boyd. "The Household Knights of King John." History: Reviews of New Books 28, no. 2 (January 2000): 66. http://dx.doi.org/10.1080/03612759.2000.10525382.

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