Academic literature on the topic 'Kimberly Broughton'

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Journal articles on the topic "Kimberly Broughton"

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Jannarone, Kimberly. "Puppetry and Pataphysics: Populism and the Ubu Cycle." New Theatre Quarterly 17, no. 3 (August 2001): 239–53. http://dx.doi.org/10.1017/s0266464x00014755.

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Many partisans of Alfred Jarry's work have discovered Ubu roi and the ‘science’ of pataphysics via a study of the Parisian avant-garde, and the play has been discussed for a hundred years in this context. Kimberly Jannarone also assesses Jarry in the context of the world of rural puppetry – for, like many other avant-garde artists at the fin de siècle, Jarry came to Paris from a small town, and brought with him such formative experiences as the makeshift puppet shows he saw as a child. Bringing the rural puppet into focus in a discussion of the Ubu cycle, Kimberly Jannarone exposes Père Ubu's identity as a class hybrid, whose maddening and elusive nature stems from the fusion of popular and elite forms. Further, she reveals that Jarry's use of puppet forms is radically different from that of the Symbolists, who conceived puppets as theoretical figures within a fully formed aesthetic doctrine. By contrast, Jarry used puppets for their very incompleteness – their makeshift nature making them ideal catalysts for the audience's imaginations. She sees Pataphysics as a model of the avant-garde itself: a system that focuses less on products than on effects. Kimberly Jannarone has taught at the University of Washington School of Drama, and is about to take up an appointment as Assistant Professor of Theater Arts at the University of California, Santa Cruz. She received her MFA and DFA from the Yale School of Drama, where her dissertation examined the historical avant-garde through the works of Jarry and Antonin Artaud.
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Motta, Ana Paula. "From Top Down Under: New Insights into the Social Significance of Superimpositions in the Rock Art of Northern Kimberley, Australia." Cambridge Archaeological Journal 29, no. 3 (February 18, 2019): 479–95. http://dx.doi.org/10.1017/s0959774319000052.

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Rock-art researchers have long acknowledged the importance of discerning superimposition sequences as a means for exploring chronology. Despite their potential for reconstructing painting events and thus informing on a site's production sequences, the social significance of superimpositions and their associated meanings have been little explored. In the Kimberley Region of northwestern Australia, interpretations of superimpositions as an analytical lens have often lingered on the ‘negative’ connotations of this practice (e.g. to destroy supernatural power embedded in previous paintings and/or to show cultural dominance). As a result, it has been proposed that the overpainting of previous images was tantamount to defacing, leading to the proposition that new images constituted a form of vandalism of older art. In this paper, a sample of rock-art sites from the northwestern and northeastern Kimberley is analysed with the aim of grounding the study of superimpositions in more nuanced practices, leading researchers to contemplate the role they played among populations within the same area. It is argued here that superimpositions brought together past and present experiences that served to reinforce the links between contemporary art production and the inherited landscape.
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Richards, Kimberly Skye. "On Mobilizing an Artist Brigade to Stay with the Trouble." Canadian Theatre Review 187 (July 1, 2021): 82–85. http://dx.doi.org/10.3138/ctr.187.025.

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The Artist Brigade is an exciting artist-activist project to “stay with the trouble” of global warming and changing climates. Since August 2020, four ‘lilypad’ gatherings co-convened by Kendra Fanconi (The Only Animal), the BC Alliance for Arts + Culture, Sherry Yano (the David Suzuki Foundation), Marie Lopes (Vancouver Park Board), Sue Biely (Story Money Impact), and Lolehawk (Stό:lō Nation) have brought together artists with other stakeholders on the land to discover how we can collaboratively respond to the needs for climate action around the Vedder River, Dakota Valley, Heather Lands, and Howe Sound. Drawing on Potawatomi scholar Kyle Powys Whyte’s distinction between an “epistemology of crisis” and an “epistemology of coordination,” Kimberly Skye Richards discusses the strategies deployed by the Artist Brigade for responding responsibly to our situation of living amid the earth’s sixth great extinction event.
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McGregor, William B. "Some issues in orthography design for Aboriginal languages." Australian Review of Applied Linguistics 9, no. 2 (January 1, 1986): 61–74. http://dx.doi.org/10.1075/aral.9.2.04mcg.

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Abstract The appropriateness of the standard practical orthographies for Australian languages, recommended by e.g. Dixon (1980:xxi-xxii), and used in languages such as Warlpiri and Walmajarri, has recently been called to question by linguists and Aboriginal users. A non-phonemic English based orthography has been developed for at least one language (Gooniyandi). However, the issues surrounding orthography design have not been fully brought out and evaluated. My main aim in this paper is to remedy this situation, identify as many relevant issues as possible, and discuss them in the sociolinguistic context of the Kimberley Aboriginal speech communities. The paper is intended to provoke discussion and elicit feedback from others involved in orthography design, rather than make recommendations.
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Edwards, Charity. "The ocean in (planetary) excess." Dialogues in Human Geography 9, no. 3 (October 1, 2019): 312–15. http://dx.doi.org/10.1177/2043820619878568.

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This commentary responds to Kimberley Peters and Philip Steinberg’s new provocation, ‘The ocean in excess: Towards a more-than-wet ontology’, and suggests a further contribution can be made by consideration of bodies that are other than human, and of worlds beyond our own. The Southern Ocean and its increasingly autonomous underwater drone intelligences are examined for their potential to flex the many multiplicities and possibilities that emerge from Peters and Steinberg’s arguments, and to reveal potentially destructive processes within a very much more-than-wet ocean. Thinly veiled intentions to export such actions beyond our own planet are also brought to bear on this discussion. Here, the imagined ocean reveals planetary and extra-planetary excesses often masked from human experience and oversight, and signals the scale of radical transformation required to make sense of both our own ocean-world and an increasingly fluid universe of multiple worlds.
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Harris, Angela, and Zeus Leonardo. "Intersectionality, Race-Gender Subordination, and Education." Review of Research in Education 42, no. 1 (March 2018): 1–27. http://dx.doi.org/10.3102/0091732x18759071.

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In this chapter, we unpack intersectionality as an analytical framework. First, we cite Black Lives Matter as an impetus for discussing intersectionality’s current traction. Second, we review the genealogy of “intersectionality” beginning with Kimberlé Crenshaw’s formulation, which brought a Black Studies provocation into legal discourse in order to challenge existing antidiscrimination doctrine and single-axis theorizing. The third, and most central, task of the chapter is our account of intersectionality’s utility for social analysis. We examine some of the issues raised by the metaphor of the intersection and some of the debates surrounding the concept, such as the tension between fragmenting and universalizing perspectives mediated by the notion of “strategic essentialism.” Fourth, we review how education researchers have explained race and gender subordination in education since Ladson-Billings and Tate’s Teachers College Record article. We conclude with some remarks concerning future research on intersectionality.
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Vlaskamp, Martijn C. "Balancing Fundamental Rights Protection and Effective Multilateralism: The EU and Zimbabwe’s Marange Diamonds." European Foreign Affairs Review 18, Special Issue (December 1, 2013): 529–46. http://dx.doi.org/10.54648/eerr2013039.

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This article analyses the role of the EU in the negotiations of the Kimberley Process (KP) regarding the Marange diamonds from Zimbabwe. As these gems did not comply with the requirements of the KP, they were banned from trading in 2009. The subsequent discussions between proponents of a hard line towards Zimbabwe and advocates of a rapid readmission of these diamonds brought the KP on the brink of collapse and it was not before the end of 2011 that an EU-brokered compromise ended this crisis. At the same time these diamonds remained on the EU-sanctions list until 2013.The article explains how the EU tried to find a balance between its normative policies regarding human rights violations and being a 'force for good', and aimed to preserve the KP as a tool of 'effective multilateralism'. It argues that these two objectives are sometimes hard to reconcile in a multipolar world.
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Start, A. N., and T. Handasyde. "Using photographs to document environmental change: the effects of dams on the riparian environment of the lower Ord River." Australian Journal of Botany 50, no. 4 (2002): 465. http://dx.doi.org/10.1071/bt01060.

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A series of photographs, mostly taken between 1952 and 1990 at three sites on the lower Ord River, Kimberley Region, Western Australia, was used to demonstrate that photographs can be used to describe environmental change in situations where there are no documented records. This study examined changes to riparian vegetation caused by the construction of two dams. The study has important implications for development of water allocation plans. In the post-dam era, relative hydrological stability brought about by curtailment of large floods and provision of perpetual flow in a once-seasonal river has allowed extensive development of emergent aquatic and fringing woodland communities throughout the study reach. The emergent aquatic communities and most of their component species were previously absent but the tree component of fringing woodland communities comprises species that were present before the dams were constructed, albeit in isolated, sheltered pockets. Limitations to the use of photographs included absence of any images through the first 50 years of pastoral use of the area, limited number of sites that attracted photographers and limits to the discernible detail (e.g. identity of species, even most trees, in landscape images).
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Gibbs, Pat. "Coal, Rail and Victorians in the South African Veld. The Convergence of Colonial Elites and Finance Capital in the Stormberg Mountains of the Eastern Cape, 1880–1910." Britain and the World 11, no. 2 (September 2018): 173–94. http://dx.doi.org/10.3366/brw.2018.0298.

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This article investigates an intermediary period in the Cape colony when the largely unknown convergence of British social and industrial capital around coal mining occurred in the Stormberg Mountains of the North Eastern Cape. Within the context of a triangular nexus of mining and its two major clients, the diamond mines at Kimberley and the newly arrived Cape Government Railway, a social coalescence of mainly British immigrants arose in the town of Molteno, exhibiting an distinctly British Victorian culture. This paper also shows how the town became a colonial enclave on the remote periphery of the Cape Colony, utilising a racialised class system, and the ways in which the singularity of Victorian society was emphasised by two surrounding cultures which were alien to the British. After the South African War ended, one of these cultures had begun to take root within the town. When the coal mines were brought to an end by the erratic orders of the Cape Government Railway and its access to superior and cheaper coal from Lewis and Marks at Viljoensdrift in the ZAR and the greater economic pull of the Rand gold mines which diverted labour to the north, this ‘colonial moment’ in the Stormberg was over.
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Mouat, Jeremy. "Creating a New Staple: Capital, Technology, and Monopoly in British Columbia’s Resource Sector, 1901-1925." Victoria 1990 1, no. 1 (February 9, 2006): 215–37. http://dx.doi.org/10.7202/031017ar.

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Abstract This paper examines the mining industry of British Columbia, the province's leading staple during the period when the region was brought within the network of world trade. Specifically, it describes the emergence of zinc production as the most profitable sector of the industry, from the early 1900s through to the mid-1920s. A good deal of importance was attached to discovering some means of treating zinc ore in the early 1900s. Increasing amounts of zinc were being found in the silver-lead ore of eastern British Columbia. Zinc was seen as a contaminant, and smelters penalised mine-owners who shipped ore that was over 10 per cent zinc. The presence of zinc rendered relatively valuable ore (in terms of its silver and lead content) uneconomical. Concern over “the zinc problem” was such that, by 1905, the federal government, responding to the lobbying efforts of mine-owners, appointed a commission “to Investigate the Zinc Resources of British Columbia and the Conditions Affecting Their Exploitation”. During the next twenty years, mining companies in the Kootenays explored a number of different ways to overcome zinc's unfortunate impact upon the mining industry. These efforts to discover an adequate means to treat zinc ore illustrate the way in which technology and capital became the key ingredients of a distinctively new mining industry. The paper argues that the emergence of zinc mining reflected a fundamental restructuring of the industry, as the focus shifted from the discovery and exploitation of bonanza deposits of gold and silver to the less spectacular production of copper, lead, and zinc. Technology, economies of scale, and substantial capital investment were the hallmarks of the new industry. Not only was the industry profoundly altered — experiencing what other scholars have described as the second industrial revolution — but new vertically integrated companies displaced the traditional mining company. The paper describes the clearest example of this trend, outlining the early career of the Consolidated Mining and Smelting Company of Canada [Cominco], a subsidiary of the Canadian Pacific Railway. Cominco was able to put in place the necessary technology to tap its enormous lead-zinc deposit at Kimberley, and successfully treat zinc at its Trail refinery. Within two decades, and largely as a result of its ability to treat zinc, Cominco became the most profitable mining company ever to operate in British Columbia. The conclusion suggests some consequences of Cominco's ascendancy.
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Books on the topic "Kimberly Broughton"

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Moore, Gavin. They brought us to Australia: The immigrant families of John Viccars Moore and Rita Patricia Neenan, and Geoffrey Douglas Kimberley and Berry Francess Hoskin : with an overview of the ancestry of those families before their arrival in Australia, and accounts of some of the more interesting members of those families, their descendants in Australia, and ancestors overseas. [Mont Albert North, Vic.]: Gavin Moore, 2007.

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Book chapters on the topic "Kimberly Broughton"

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Christou, Anastasia, and Eleonore Kofman. "Conclusion." In IMISCOE Research Series, 117–23. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-91971-9_7.

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AbstractAt the end of a short journey, we can attest to the flourishing production of knowledge on gender and migration that has built up over the past 30 years in particular. Though we have on the whole referred to works in English, there is an extensive literature in other major languages, such as French, German, Italian and Spanish which have emerged from different social science traditions, in recognition of the significance of gendered migrations and feminist movements. English has come to dominate writing in this field (Kofman, 2020), ironically in large part through the European funding of comparative research as well as transatlantic exchanges (Levy et al., 2020). The past 20 years have been a rapid period of intellectual exchange in this field through networks and disciplinary associations, such as the International and European Sociological Associations or IMISCOE which supported a cluster on Gender, Generation and Age (2004–2009). The IMISCOE Migration Research Hub (https://www.migrationresearch.com/) demonstrates the extensive production on gender issues and their connections with other theories and fields of migration. The economic and social transformations brought about by globalisation and transnationalism, and how its unequal outcomes and identities need to be understood through an intersectional lens (Amelina & Lutz, 2019), have heavily shaped studies of gender and migration (see Chap. 10.1007/978-3-030-91971-9_2). Indeed intersectionality has been suggested by some as the major contribution of contemporary feminism to the social sciences, and, has certainly been a theoretical insight that has travelled widely and rapidly from the Anglo world to Europe (Davis, 2020; Lutz, 2014) since it was defined by Kimberlé Crenshaw (1989). We should, however, also remember that it had antecedents in the writing of anti-racist feminists on racist ideology and sex by the French sociologist Claude Guillaumin (1995), on the trinity of gender, race and class in the UK (Anthias & Yuval-Davis, 1992; Parmar, 1982) and by scholars in Australia (Bottomley et al., 1991) and Canada (Stasiulis & Yuval-Davis, 1995).
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