Academic literature on the topic 'Keyboard compositions'
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Journal articles on the topic "Keyboard compositions"
Bond, Ann. "[Various Keyboard Compositions]." Musical Times 128, no. 1732 (June 1987): 353. http://dx.doi.org/10.2307/1193763.
Full textСербин, Павел Георгиевич, and Аскольд Владиславович Смирнов. "Composer Ivan Pratsch and His Instrumental Music." Научный вестник Московской консерватории, no. 1(48) (March 31, 2022): 116–49. http://dx.doi.org/10.26176/mosconsv.2022.48.1.03.
Full textFatianova, Elena Alekseevna. "Transcription for a synth keyboard (the case study of the work of A. Artemiev, V.Martynov, Yu. Bogdanov - the disc “Metamorphoses”)." PHILHARMONICA. International Music Journal, no. 5 (May 2021): 41–55. http://dx.doi.org/10.7256/2453-613x.2021.5.36938.
Full textOwczarek-Ciszewska, Joanna. "Hammer mechanism instruments and their role in shaping the composition style of pieces written for keyboard instruments in the period of 1730-1780, part 3 – Keyboard instruments in concert halls and in the high society." Notes Muzyczny 1, no. 11 (June 28, 2019): 43–64. http://dx.doi.org/10.5604/01.3001.0013.3521.
Full textBray, J. "Christopher Gibbons, Clare G. Rayner and John Caldwell eds., Keyboard compositions." Early Music XXI, no. 1 (February 1, 1993): 121–27. http://dx.doi.org/10.1093/em/xxi.1.121.
Full textPloch, Tomasz. "PROBE-STÜCKE By Carl Philipp Emanuel Bach. The Teaching and the artistic aspects of the cycle1." Notes Muzyczny 1, no. 13 (June 9, 2020): 95–123. http://dx.doi.org/10.5604/01.3001.0014.1942.
Full textBocharov, Yury S. "Voluntary and Lesson in English Music Sources of the 17th and 18th Centuries." Vestnik of Saint Petersburg University. Arts 12, no. 4 (2022): 562–90. http://dx.doi.org/10.21638/spbu15.2022.401.
Full textDean, Roger Thornton, and Marcus Thomas Pearce. "Algorithmically-generated Corpora that use Serial Compositional Principles Can Contribute to the Modeling of Sequential Pitch Structure in Non-tonal Music." Empirical Musicology Review 11, no. 1 (July 8, 2016): 27. http://dx.doi.org/10.18061/emr.v11i1.4900.
Full textPilch, Marek. "Harpsichord or piano? Different concepts in the 18th century keyboard music." Notes Muzyczny 1, no. 9 (June 20, 2018): 65–87. http://dx.doi.org/10.5604/01.3001.0012.9899.
Full textWoolley, Andrew. "From Arrangements to New Compositions: Seventeenth-Century French Dance Music in Portuguese and Spanish Keyboard Sources to 1720." De musica disserenda 16, no. 1 (March 10, 2020): 9–35. http://dx.doi.org/10.3986/dmd16.1.01.
Full textDissertations / Theses on the topic "Keyboard compositions"
Sublett, Virginia. "A recital of twentieth century compositions for voice and keyboard /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9804536.
Full textRecital performed on May 18, 1997 at UCSD. Vita. Videocassette is sound only in Beta format. Includes bibliographical references (leaves 55-56).
Kelly, E. M. "'A more beautiful era of art' : figurenlehre, style briseÌ and other baroque elements in Brahms' piano compositions : Brahms' involvement as a scholar, performer and editor of baroque keyboard music and the effect it exerted on his compositional style." Thesis, Queen's University Belfast, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268385.
Full textSherlock, James Francis. "Cognitive processes involved in recognizing compositional style in keyboard music." Thesis, Coventry University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402669.
Full textKim, Hae-Jeong. "The Keyboard Suites of Matthew Locke and Henry Purcell." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc501040/.
Full textRamacciotti, Paolo. "Elektron Elohim : a cosmic oratorio for soloists, chamber choir, electric guitars and keyboard synthesisers." Thesis, University of West London, 2016. https://repository.uwl.ac.uk/id/eprint/2961/.
Full textOuyang, Jing. "The influence of the English pianoforte on keyboard technique and composition from 1790 to 1826." Thesis, Manchester Metropolitan University, 2017. http://e-space.mmu.ac.uk/620029/.
Full textBouska, Katelyn. "UNDER THE PARTY FAÇADE: MILOSLAV IŠTVAN AND THE INNOVATIONS OF THE BRNO SCHOOL IN THE CZECHOSLOVAK SOCIALIST REPUBLIC." Diss., Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/369550.
Full textD.M.A.
The innovative compositions of Miloslav Ištvan (1928-1990) and his influential theoretical writings contributed to the creation of the modern composition school in Brno, capitol of Moravia in the present Czech Republic. Through the vehicle of his three piano sonatas (unpublished, but composed in 1954, 1959, and 1979), this monograph places Ištvan and his music against the political background of ideological repression in the Czechoslovak Socialist Republic. The unique blend of Moravian folk music and fierce pride in Czech culture are clearly evident throughout Ištvan’s compositional oeuvre and specifically in his piano music. In particular, his sheer creativity and courage to create his own voice under severe artistic deprivation combine to create a body of work that remains one of the most prominent influences in the present-day compositional scene in Brno. Each of the six chronological sections in this monograph employs a single year as a frame of reference. These years were selected both for their political significance and to represent an important event in Ištvan’s personal or musical life. In addition to the biographical details, political context and analysis of the piano sonatas, other significant compositions and contemporary writings are considered to trace the developmental thread of Moravian music. Ištvan’s search for artistic expression brings the lineage of his direct predecessor, Brno compositional giant Leoš Janáček, into the avant-garde New Music movement of the 1960s. Ištvan’s further work as a composition professor and writer of theoretical texts in the 1970s and 80s continues to influence the current generation of composers in the Czech Republic. This monograph calls attention to a composer and his rich body of work, created during politically turbulent times, that remains virtually unknown outside his country of origin.
Temple University--Theses
Tanner, Paul. "The 'marimba-vibe' double keyboard: An explorative investigation of a nascent solo percussion idiom." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2022. https://ro.ecu.edu.au/theses/2612.
Full textZHU, DI. "PROKOFIEV'S PIANO TRANSCRIPTIONS: A COMPARATIVE STUDY OF HIS TRANSCRIBING TECHNIQUES." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1153173318.
Full textZhao, Qiaoyue. "The influence of Bartok's approach to keyboard compositions on contemporary Chinese solo piano music: a portfolio of recorded performances and exegesis." Thesis, 2013. http://hdl.handle.net/2440/84426.
Full textThesis (M.Mus.) -- University of Adelaide, Elder Conservatorium of Music, 2013
Books on the topic "Keyboard compositions"
Bariolla, Ottavio. Keyboard compositions. [S.l.]: American Institute of Musicology, 1986.
Find full textComposing at the electronic keyboard. Harlow: Longman, 1988.
Find full textHaines, Nicholas. Composing at the electronic keyboard. Cambridge: Cambridge University Press, 1996.
Find full textKey + board = keyboard. Edina, Minn: Abdo Pub., 2004.
Find full textMiller, Mary Anne. Communication skills at the keyboard. London: Pitman, 1986.
Find full textKaye, Robert. The classical method: Classical improvisation & compositional theory and harmony. 4th ed. Blomington, IN: AuthorHouse, 2004.
Find full textThe classical method: Classical improvisation & compositional theory and harmony. Blomingtin, IN: AuthorHouse, 2004.
Find full textKaye, Robert. The classical method: Classical improvisation & compositional theory and harmony. Blomingtin, IN: AuthorHouse, 2004.
Find full textSweelinck's keyboard music: A study of English elements in seventeenth-century Dutch composition. 3rd ed. Leiden: E.J. Brill, 1987.
Find full textJonathan, Feist, ed. The songwriter's workshop. Boston: Berklee Press, 2005.
Find full textBook chapters on the topic "Keyboard compositions"
Masschelein, Anneleen. "Introduction: Literary Advice from Quill to Keyboard." In New Directions in Book History, 1–43. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_1.
Full textSchulenberg, David. "Bach the Organist." In Bach, 43–72. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190936303.003.0005.
Full textSchulenberg, David. "Bach the Concertmaster." In Bach, 92–129. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190936303.003.0007.
Full textTownsend, Peter. "Musical Development Assisted by Technology." In The Evolution of Music through Culture and Science, 17–30. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198848400.003.0002.
Full textSchulenberg, David. "Bach the Capellmeister." In Bach, 149–93. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190936303.003.0009.
Full textLeonard, Kendra Preston. "Women at the Pedals." In Over Here, Over There, 149–73. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042706.003.0009.
Full textAdolphe, Bruce. "Piano Puzzler Preparation." In The Mind's Ear, 175–90. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197576311.003.0007.
Full textDeutsch, Diana. "Strange Loops and Circular Tones." In Musical Illusions and Phantom Words, 61–70. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190206833.003.0005.
Full textVarwig, Bettina. "Embodied Invention." In Rethinking Bach, 115–40. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190943899.003.0006.
Full textRemeš, Derek. "Bach’s Chorale Pedagogy." In Rethinking Bach, 271–88. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190943899.003.0012.
Full textConference papers on the topic "Keyboard compositions"
Campbell, Jeffrey D., and Christine Naclerio. "Instant messaging comprehension with non-keyboard composition." In CHI '06 extended abstracts. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1125451.1125581.
Full textPramartha, Cokorda Rai Adi, and I. B. Gede Dwidasmara. "The composition approach non-QWERTY keyboard for Balinese script." In 2014 IEEE Canada International Humanitarian Technology Conference (IHTC). IEEE, 2014. http://dx.doi.org/10.1109/ihtc.2014.7147554.
Full textGhosh, Soumalya, Sayan Sarcar, and Debasis Samanta. "Designing an efficient virtual keyboard for text composition in Bengali." In the 3rd International Conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2407796.2407809.
Full textOgozalek, V., and J. Van Praag. "Comparison of elderly and younger users on keyboard and voice input computer-based composition tasks." In the SIGCHI conference. New York, New York, USA: ACM Press, 1986. http://dx.doi.org/10.1145/22627.22372.
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