Log in

Relevant bibliographies by topics / Keats, John, 1795-1821 Aesthetics

Academic literature on the topic 'Keats, John, 1795-1821 Aesthetics'

Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Journal articles
Dissertations / Theses
Books
Book chapters

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Keats, John, 1795-1821 Aesthetics.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Keats, John, 1795-1821 Aesthetics"

1

Sakula, Alex. "John Keats (1795-1821)." Journal of Medical Biography 10, no. 2 (May 2002): 108. http://dx.doi.org/10.1177/096777200201000210.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Taylor, Selwyn. "John Keats (1795–1821)." Journal of Medical Biography 2, no. 4 (November 1994): 209–16. http://dx.doi.org/10.1177/096777209400200404.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Carter, Richard. "John Keats (1795-1821): Poet and Physician." World Journal of Surgery 20, no. 3 (March 1996): 375–77. http://dx.doi.org/10.1007/pl00024595.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Keats, John, and James B. Young. "Two Sonnets by John Keats (1795-1821)." Methodist DeBakey Cardiovascular Journal 16, no. 4 (October 1, 2020): 326. http://dx.doi.org/10.14797/mdcj-16-4-326.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Livesley, Brian. "'Little Keats' and His Congenital Diseases." Bulletin of the Royal College of Surgeons of England 94, no. 4 (April 1, 2012): 1–7. http://dx.doi.org/10.1308/147363512x13189526440519.

Full text

Abstract:

Many articles and detailed biographies about John Keats (1795–1821) describe how he qualified as an apothecary in 1816 but I have found no evidence that those who have written about him, including several medical practitioners, have explored the significance of his small height. This was stated by his personal friend and portrait painter, Joseph Severn, to have been five feet and three quarters of an inch. It is therefore not surprising he was called 'Little Keats's by his fellow surgical students at Guy's Hospital.

APA, Harvard, Vancouver, ISO, and other styles

6

Linares, Gabriel. "“New phoenix wings”: el soneto “A John Keats (1795-1821)” de Jorge Luis Borges." Anuario de Letras Modernas 25, no. 1 (May 28, 2022): 60–73. http://dx.doi.org/10.22201/ffyl.01860526p.2022.25.1.1713.

Full text

Abstract:

El presente artículo propone una lectura del soneto “A John Keats (1795-1821)” del poemario El oro de los tigres (1972) del escritor argentino Jorge Luis Borges (1899-1986). Dicho soneto fue escrito con motivo del ciento cincuenta aniversario de la muerte del último de los grandes románticos ingleses. Hasta ahora, las relaciones entre ambos autores se han centrado básicamente y de forma colateral en el ensayo “El ruiseñor de Keats”, del volumen Otras inquisiciones (1952). En este sentido, el artículo busca arrojar luz sobre un texto poco estudiado. La lectura ofrecida se centra en diversos aspectos del soneto. Para empezar, toma en cuenta la estructura métrica y argumentativa del poema en relación con su doble origen —el soneto en español y el soneto en inglés—. Estas consideraciones contribuyen a apreciar el poema en su complejidad estructural. Por otro lado, el artículo describe los medios de los que el soneto se vale para enunciar un elogio del individuo al que está dedicado. Dichos recursos, evidentemente, atañen a aspectos sintácticos y retóricos del texto, en primer lugar. No obstante, una parte importante de éstos es un rico conjunto de alusiones que recorren el poema de principio a fin y que vinculan el breve soneto no sólo con la obra de John Keats, sino con otros poetas británicos, como John Milton, George Gordon, Lord Byron o Matthew Arnold. En este sentido, el presente artículo es no sólo una contribución al estudio de las relaciones entre el autor argentino y el último romántico, sino una aproximación al análisis de las relaciones entre Borges y la lírica inglesa, tema poco trabajado hasta ahora.

APA, Harvard, Vancouver, ISO, and other styles

7

Casaccia, Jessica, and Luca Borghi. "John Keats as a Medical Student." Acta medico-historica Adriatica 20, no. 2 (2022): 261–76. http://dx.doi.org/10.31952/amha.20.2.5.

Full text

Abstract:

John Keats (1795-1821), besides being the famous English poet, was a student of medicine at the United Hospitals in London. On the occasion of the bicentenary of his death, we would like to pay tribute to this versatile figure with a photographic itinerary of his medical life. This article, in connection with the project “Himetop – The History of Medicine Topographical Database”, retraces objects and places where the poet lived, studied, worked, and prematurely died, showing the importance of material culture. The photographic journey starts in London with the birthplace of the poet and continues through the places of his infancy and youth, the school in Enfield, the lodgings at 8 St. Thomas Street, the United Hospitals, etc. After giving up medicine to devote to poetry, the itinerary proceeds in the Hampstead and, as the ultimate destination, in Rome, where John Keats spent his last months of life due to tuberculosis. To conclude the path at the Protestant Cemetery in Rome, where he was buried, surrounded by grass and flowers. The material memories left by John Keats, as well as preserving his memory, take on a significant educational and inspirational role for everybody and, in particular, literary people and medical students.

APA, Harvard, Vancouver, ISO, and other styles

8

Lindsey, Kiera. "‘Grave-Paved Stars’: Comparing the Death of Two Artists in Nineteenth-Century Rome." European Journal of Life Writing 9 (July 6, 2020): LW&D108—LW&D131. http://dx.doi.org/10.21827/ejlw.9.36902.

Full text

Abstract:

Adelaide Ironside (1831–1867) is best known as the ﬁrst Australian-born artist to train overseas. While her life offers a portal into Republican Sydney, Pre-Raphaelite London and Risorgimento Rome, the nature of her archive also highlights the limits of historical method and the need to employ what Virginia Woolf called ‘the biographer’s licence’ when researching and writing about subjects with problematic sources. In this article, I employ biographical license to contrast the better-known and better-documented death of the English poet John Keats (1795–1821), with the few records associated with Ironside’s death some forty years later, to speculate about the silences in her sources. There are several factors encouraging this approach. Both artists died in Rome of pulmonary tuberculosis. Both were patients of the famous doctor, Sir James Clark (1788–1870), and both died during winter in the care of the person with whom they are now buried. By situating Ironside within these broader nineteenth-century contexts, my biographical subject evolves from a shadowy historical representative of demographic and an era into a ﬁgure who is more ﬂesh and blood than an accocount focused upon her accomplishments and acquaintances might otherwise allow.

APA, Harvard, Vancouver, ISO, and other styles

9

Soltan Beyad, Maryam, and Mahsa Vafa. "Transcending Self-Consciousness: Imagination, Unity and Self-Dissolution in the English Romantic and Sufis Epistemology." International Journal of Linguistics, Literature and Translation 3, no. 8 (August 30, 2021): 08–18. http://dx.doi.org/10.32996/ijllt.2021.4.8.2.

Full text

Abstract:

English Romantic literature of the late eighteenth and early nineteenth centuries often recounts an individual life journey which depicts physical and spiritual pilgrimage and traverses both the inner and outer world to liberate the self and reach a revelatory moment of unification where the division between human mind and the external world is reconciled. For the Romantic poets this reconciliatory state cannot be achieved through rational investigation but via the power of imagination. In this regard, there is striking resemblance between the mystical and philosophical thought of Sufism and the idealistic thought of the English Romantic poets as they both strive for a sense of unification with the Divine or the Ultimate reality, and they both rely on imagination and intuitive perception to apprehend reality. Applying an analytical-comparative approach with specific reference to Northrop Frye’s anagogic theory (1957) which emphasizes literary commonalities regardless of direct influence or cultural or theological distinctions, this study endeavors to depict that certain Romantic poets’ longing for the reconciliation of subject and object dualism via imagination and its sublime product, poetic language, echoes the mystic’s pursuit of transcendental states of consciousness and unification with the divinely infinite. Through analysis of the concept of self-dissolution (fana) in Islamic mysticism and Sufi literature, particularly the poems of Jalal ad-Din Mohammad Balkhi (1207-1273) known in the West as Rumi, the outcome of this study reveals that the Romantics’ yearning for a state of reconciliation, which is prevalent in the major works of the Romantic poets such as William Blake (1757-1827), William Wordsworth (1770-1850), Samuel Taylor Coleridge (1772-1834), Percy Bysshe Shelley (1792-1822), and John Keats (1795-1821), corresponds to the mystic’s pursuit of unity or the Sufi’s concept of self-annihilation or fana.

APA, Harvard, Vancouver, ISO, and other styles

10

"John Keats (1795-1821): Physician and Surgeon." American Journal of Ophthalmology 157, no. 2 (February 2014): 463. http://dx.doi.org/10.1016/s0002-9394(13)00807-6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Keats, John, 1795-1821 Aesthetics"

1

Kostantzer, Stephane Christian. "Les Odes de John Keats : une grammaire poétique." Université Marc Bloch (Strasbourg) (1971-2008), 2008. http://www.theses.fr/2008STR20081.

Full text

Abstract:

Le projet de cette étude consiste à mettre à profit les outils de la linguistique, notamment la linguistique énonciative, pour étudier les cinq grandes odes du poète romantique anglais John Keats. Il s’agira, en combinant la théorie des opérations énonciatives, la sémantique et l’interprétation littéraire, de mieux comprendre le rôle des marqueurs grammaticaux et leur usage original dans la poétique de Keats, et de voir comment l’auteur utilise de façon signifiante les catégories grammaticales et les valeurs qui leur sont associées pour donner aux termes de l’énoncé poétique un surcroît expressif tendant vers ce que Antoine Culioli appelle le haut degré notionnel. Ce faisant, nous serons amené à mettre à jour d’autres procédés créateurs d’expressivité poétique : la polysémie, la mise en réseaux lexicale, thématique ou prosodique, la discontinuité textuelle, logique, référentielle ou pragmatique, les figures de style (métaphores, métonymies, oxymores, synesthésies), la trans-polarité et la trans-énonciativité — notre objectif constant restant de voir comment la grammaire se prête à ces procédés expressifs. Pour mener à bien cette étude, nous étudierons d’abord l’expressivité au sein du groupe nominal, en nous concentrant sur l’emploi des adjectifs et des pronoms ; puis nous analyserons la détermination verbale ; et enfin, nous proposerons une étude des prépositions, afin de voir en quoi elles aussi participent de l’expressivité poétique
The aim of this study is to use the tools of linguistics, notably enunciative linguistics, to study the five great odes by the English romantic poet John Keats. By combining the theory of enunciative operations, semantics and literary criticism, we shall try to define the role of grammatical markers in Keats’s poetry and see how originally and significantly the author uses grammatical markers and their associated values to give his utterance a greater expressivity that points to what Antoine Culioli calls the haut degré. In doing so, we will bring to light other devices that partake in poetic expressivity: polysemy, lexical, thematic or prosodic network structuring, textual, logical, referential or pragmatic discontinuity, figures of speech (metaphor, metonymy, oxymoron, synesthesia), trans-polarity and trans-enunciativity. Our constant aim will be to focus on the way grammar lends itself to those expressive forms. We shall first analyse expressive forms in the nominal group, then in verbal determination, and finally, we shall see how prepositions are similarly turned into markers of poetic expressivity

APA, Harvard, Vancouver, ISO, and other styles

2

Johnstone, Michael 1971. "Breathing eyes : Keats and the dynamics of reading." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26692.

Full text

Abstract:

Starting with Jerome McGann's landmark 1979 essay "Keats and the Historical Method in Literary Criticism," the recent sixteen-plus years of Keats criticism brims to overflowing with the dominance of New Historicism and its archaeological recovery of the political, historical Keats against the previous preeminence of a formalist, aesthetic Keats. The grip of New Historicism now holds tightly enough, perhaps, to the point where it suffers from a lack of attention to formalist, aesthetic, stylistic differentials and peculiarities. A critical position, then, that addresses this lack of attention looks to be an assessment of the relationships between New Historicism and formalism: how, in fact, New Historicism owes a debt to the formalist ways of reading it works to overcome. Such ways of reading find one of their most powerful statements in Keats himself--and, in a startlingly close twentieth-century analogue, the reader-response theory of Wolfgang Iser. The readings here of Keats's poetry consider how it reveals that Keats, like Iser, holds the germ of New Historicism's methodology, as it falls under the general taxonomy of Iser's theory but for how it actually dramatizes and predicts that theory. Reading, for Keats, ultimately places one in a dynamic relationship with history--a relationship always of potential, perpetually "widening speculation" to "ease the Burden of the Mystery" that is history.

APA, Harvard, Vancouver, ISO, and other styles

3

Elprin, Jeremy. "Challenging unsettledness : approaches to reading the letters of John keats." Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCC059.

Full text

Abstract:

Cette thèse s'intéresse aux défis posés par le caractère instable des lettres de John Keats. Même si ces dernières comptent parmi les plus célèbres de toute la littérature anglaise, les critiques n'ont commencé que récemment à les envisager comme une création artistique à part entière, plutôt qu'un simple complément (aussi éclairant soit-il) à son oeuvre poétique, ou une source biographique. Afin de mener ce projet à bien, ce travail de recherche se propose d'étudier leur complexité, tant formelle que générique et matérielle. Cela implique de les examiner sous différents angles critiques — en ce sens que ces lettres semblent inviter et mettre à l'épreuve certaines approches interprétatives — mais aussi de s'intéresser à leur forme manuscrite, en regard de leurs transcriptions et leur diffusion une fois éditées. Plus spécifiquement, et grâce à la numérisation récente d'une quantité importante des lettres manuscrites, il est désormais possible de s'intéresser de plus près à l'engagement artistique de Keats pour son oeuvre épistolaire, d'étudier dans quelle mesure son écriture s'adapte à l'aspect visuel et matériel de la page manuscrite, et comment elle exploite savamment les limites de la lettre, en tentant d'y créer un nouvel espace de composition, engendré par la nature même du support. En remettant l'accent sur les différentes formes d'instabilité qui sous-tendent l'intégralité du corpus, cette thèse tente à la fois de souligner les problèmes de compréhension que posent encore certains des passages les plus emblématiques, et de mettre en lumière ces textes dont l'opacité relative continue de mettre le lecteur à l'épreuve
This thesis -explores the challenging unsettledness of John Keats's letters, and attempts to give them the sustained critical attention they have long deserved. Indeed, although the letters rank among the most famous in English literary history, critics have only recently begun to read them as a creative achievement in their own right, rather than as an illuminating supplement to his poetic oeuvre or as material for his biography. The present study argues that, in order to further this project, it is necessary to think more about their formal, generic, and material complexity. This entails looking at them from a variety of angles — as texts which seem self-consciously to invite and to challenge certain interpretive approaches — but also looking at the way they were originally written, in comparison with the way they have been transcribed and disseminated in print. In particular, thanks to the recent digitization of a substantial number of the extant holograph letters, it is now possible to read further into Keats's creative engagement with his epistolary materials: to study the ways in which his writing responds to the look and feel of the manuscript page, probes and strategically exploits the limits of individual letters, speculates on and prospects for an alternative compositional space opened up by the medium itself. By returning focus to the diverse forms of unsettledness (textual, theoretical, "literary") which underlie the corpus as a whole, this thesis attempts at once to expose some of the gaps in our understanding of the most canonical passages of the letters, and to shed light on those texts — often no less challenging — which have remained in relative obscurity

APA, Harvard, Vancouver, ISO, and other styles

4

Alegría, Corona Diego. "Walking as a visionary experience: the odes of John Keats." Tesis, Universidad de Chile, 2016. http://repositorio.uchile.cl/handle/2250/143422.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Gutiérrez, Malhue Lili. "The ambivalent depiction and presence of the feminine in the work of John Keats." Tesis, Universidad de Chile, 2015. http://repositorio.uchile.cl/handle/2250/137781.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Grodd, Elizabeth Stafford. "The Love Poems of John Clare and John Keats: A Comparative Study." PDXScholar, 1995. https://pdxscholar.library.pdx.edu/open_access_etds/4907.

Full text

Abstract:

This study addresses lesser known works of romantic poets John Clare and John Keats--Clare's Child Harold and Keats's poems to Fanny Brawne--which I refer to as their love poems because the works are informed by intense feelings the poets had for women they loved. Although these works have been the brunt of negative criticism because Clare was considered insane at the time of the composition of Child Harold and Keats was accused of using the poems to give vent to his personal sufferings, nonetheless I argue that the love poems are significant for several reasons. They are a reflection of the poets' personal experiences and also demonstrate their remarkable and surprisingly similar creative abilities in the way they use poetry as a means of devising new strategies for dealing with the painful realities of their disturbing lives. And because I feel it is important to understand Clare's and Keats's feelings for the women they love in order to understand their poetry (since the poetry is, after all, based on real life experiences), I provide chapters describing the poets's lives and loves, as well as their poetic processes, to serve as a framework for examining the poems. In the remaining chapters, I show how the poets incorporate highly sophisticated metaphor in attempting to reconcile the apparent conflicts the speakers in their poems are experiencing between their subjective responses to, and their rational assessment of human existence. In the process, the speakers experience various states of emotional upheaval ranging from what I refer to as periods of limbo, purgatory, and paradise, and they create personal thresholds and undergo differing states of self-awareness. In the final chapter I provide a summary of how these different emotional states are metaphorically effected, and then attempt to explain the value of Clare's and Keats's poetic achievements in the poems from a current perspective.

APA, Harvard, Vancouver, ISO, and other styles

7

Montheard, Oriane. "De l’un à l’autre : rencontres et contaminations dans la poésie et la correspondance de John Keats." Paris 3, 2007. http://www.theses.fr/2007PA030051.

Full text

Abstract:

Cette thèse cherche à identifier l’articulation qui organise la pratique keatsienne d’une écriture à deux visages. L’écriture épistolaire et l’écriture poétique keatsiennes donnent en effet des versions différentes d’une même conception du monde, de l’écriture et de l’expérience des rapports humains axée sur une logique de l’ouverture. Dans les poèmes et dans les lettres, la rencontre et la contamination sont les deux étapes qui marquent le chemin vers l’autre, que ce soit l’interlocuteur des poèmes, le destinataire, le lecteur, l’autre féminin ou l’autre genre littéraire. Ainsi, selon leurs stratégies et leurs motivations propres, la poésie et la correspondance apportent chacune leur réponse à des problématiques communes. Une première partie explore l’énonciation de l’adresse, qui convertit l’absence de l’autre en présence verbale et fait du texte un lieu de rencontre, voire de contamination entre les interlocuteurs. Ensuite, l’étude se penche sur la rencontre de Keats avec ses lecteurs. Redoutée ou ardemment souhaitée selon les cas, elle se révèle particulièrement pendant ces moments critiques que sont l’ouverture et la clôture des textes, ainsi qu’à l’approche de la mort, lorsque Keats livre à ses correspondants et à ses lecteurs des adieux ambigus. Une troisième partie examine les rapports entre le féminin et le masculin. Dans les poèmes, ces rapports hésitent entre la rencontre à distance et les fusions dangereuses. Ce discours amoureux poétique est alors transposé dans la rhétorique amoureuse épistolaire. Enfin, une dernière partie analyse la filiation générique entre poésie et correspondance à travers les discours et les genres hybrides qu’elles produisent
This thesis aims at identifying the connection which structures Keats’s twofold writing. Indeed, Keats’s epistolary and poetic writings offer different versions of the same conception of the world, of writing and of the experience of human relationships based on openness. In the poems and letters, the encounter and contamination are the two steps which pave the way to the other, either the interlocutor of the poems, the addressee, the reader, the feminine other or the other literary genre. Hence, according to their specific strategies and motivations, the poetry and the letters provide their own solutions to shared issues. The first part explores the enunciation of addressing which turns the absence of the other into a verbal presence and transforms the text into the locus of encounters and even of contamination between interlocutors. The study then focuses on Keats’s encounter with his readers. Either feared or eagerly wished for, it is best apprehended in the beginnings and endings, the key passages of the texts, and also when, as death approaches, Keats ambiguously bids farewell to his recipients and readers. The third part examines the relations between the feminine and the masculine. In the poems, these relations oscillate between the encounter from a distance and dangerous fusions. This poetic lover’s discourse is then translated into the rhetoric of love letters. Finally, the last part analyses the generic filiation between the poetry and letters through the hybrid discourse and genres they produce

APA, Harvard, Vancouver, ISO, and other styles

8

Gilbreath, Marcia L. (Marcia Lynn). "The Apocalyptic Marriage: Eros and Agape in Keats's The Eve of St. Agnes." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc501155/.

Full text

Abstract:

This analysis of Keats's poem proffers evidence and arguments to support the contention that The Eve of St. Agnes presents allegorically the poet's speculations regarding the relationship between eros and agape, speculations which include a sharp criticism of Christianity and a model for a new, more "humanistic" system of salvation. The union of Madeline and Porphyro symbolizes the reconciliation of the two opposing types of love in an apocalyptic marriage styled on the Biblical union of Christ and the Church. The irony inherent in the poem arises from Keats's use of Christian myths, symbols, and sacraments to accomplish this purpose.

APA, Harvard, Vancouver, ISO, and other styles

9

Theobald, John. "Paradoxical solitude in the life, letters, and poetry of John Keats, 1814-1818." Thesis, St Andrews, 2009. http://hdl.handle.net/10023/749.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Ramadier, Bernard-Jean. "L'errance romantique : Byron, Shelley, Keats." Grenoble 3, 1998. http://www.theses.fr/1998GRE39042.

Full text

Abstract:

Les trajectoires errantes des existences de byron, shelley et keats s'organisent en itineraires par l'ecriture poetique. D'autre part, l'etude de la traduction onirique de l'errance dans les oeuvres fait emerger une convergence profonde des trois poetes par leur usage des images et des symboles en relation avec le theme. Un + complexe d'ahasverus ; informe a des degres divers des poemes aussi differents que childe harold's pilgrimage, don juan , alastor , et endymion. La structure totalisante du mythe du juif errant, mise en evidence par les anthropologues et les sociologues, superpose ontogenese et phylogenese, et lui permet de representer a la fois l'individu et l'espece confrontes au grand mystere du temps. Errer, c'est d'abord prendre conscience d'un + avant ; et d'un + apres ; determinant la representation poetique d'un + etre du dehors ; exile du paradis qui avance dans l'espace et le temps, nostalgique de sa condition originelle d' + etre du dedans ;. A travers les poetes, c'est une histoire universelle, et pas seulement la voie d'une experience individuelle, qui nous est donnee, histoire que l'on entend dans les voix du texte et qui parlent de lieux quittes que l'on aspire a retrouver. C'est a partir du constat dresse par les poetes de la vacuite de la deambulation existentielle que le theme de l'errance trouve ses racines et ses prolongements dans le mythe du juif errant. Fixation onirique des experiences douloureuses de la vie, le personnage amplifie la condamnation du poete, liee a son statut de contemplateur marginal, aliene d'un monde qui refuse d'entendre sa voix
The meandering trajectories of the lives of byron, shelley and keats find an organising force in, and become itineraries through, poetry. Studying the theme of wandering as it appears in the dreams of poetic imagination highlights the three poets' deeply converging use of images and symbols related to the theme. An "ahasuerus complex" informs in various ways poems like childe harold's pilgrimage, don juan , alastor , and endymion , despite their obvious differences in tone and maturity. Furthermore the influence of the myth of the wandering jew spreads well beyond those major poems; the myth's encompassing structure, highlighted by anthropologists and sociologists, allows it to represent both the individual's and the species' puzzling position before the great mystery of time in the double exposure of ontogenesis and phylogenesis. Wandering means first and foremost realizing man's position between "before" and "after", which initiates a poetic representation of an outcast, an exile who wanders away, longing after his lost paradise and yearning to go home, to be part of a whole again. Through the poets we are given a story, not only an access to individual experience, but a universal story about lost places that man tries to trace and the path to which is wafted on the various voices speaking in the texts. From the poets' awareness of the aimless travel of life, the theme of wandering originates in, and grows from, the myth of the wandering jew. Poetic imagination links life's painful experiences with the eternal wanderer's thorny way, and the jew's curse with the poet's endless attempts to be reconciled with the universe

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Keats, John, 1795-1821 Aesthetics"

1

Keats, Hunt, and the aesthetics of pleasure. Houndmills, Basingstoke, Hampshire: Palgrave, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

The aesthetic development: The poetic spirit of psychoanalysis : essays on Bion, Meltzer, Keats. London: Karnac, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

John Keats. Cambridge [Cambridgeshire]: Cambridge University Press, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

John Keats. New York, NY: Oxford University Press, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Harold, Bloom, ed. John Keats. New York: Chelsea House Publishers, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

John Keats. Tavistock, Devon, U.K: Northcote House in association with the British Council, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Harold, Bloom, ed. John Keats. New York: Chelsea House Publishers, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

John Keats. Harmondsworth: Penguin, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

John Keats: The poems. Houndmills, Basingstoke, Hampshire: Palgrave, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Keats the poet. Princeton, N.J: Princeton University Press, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Keats, John, 1795-1821 Aesthetics"

1

Sallé, Jean-Claude. "Keats, John (1795–1821)." In A Handbook to English Romanticism, 149–62. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22288-9_42.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Sallé, Jean-Claude. "Keats, John (1795–1821)." In A Handbook to English Romanticism, 149–62. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-13375-8_42.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Orel, Harold. "John Keats (1795–1821)." In William Wordsworth, 84–89. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230501904_7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Eisner, Eric. "A Friendly Return of the Author: John Keats (1795–1821)." In Celebrity Authorship and Afterlives in English and American Literature, 23–42. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-55868-8_2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

"John Keats (1795–1821)." In London, 363–65. Harvard University Press, 2015. http://dx.doi.org/10.2307/j.ctv22jnsm7.81.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

"John Keats (1795–1821) 440." In The Longman Anthology of Gothic Verse, 460–514. Routledge, 2014. http://dx.doi.org/10.4324/9781315834023-40.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

"John Keats (1795–1821; English)." In Romanticism: 100 Poems, 103–9. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108867337.030.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

"John Keats (1795–1821) “To one who has been long in city pent”." In London, 363. Harvard University Press, 2015. http://dx.doi.org/10.4159/9780674273702-126.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

OSBORN, ANDREW. "JOHN KEATS (1795–1821 CE) AND PERCY BYSSHE SHELLEY (1792–1822 CE) AT THE KEATS-SHELLEY HOUSE AND THE CIMITERO ACATTOLICO." In People and Places of the Roman Past, 29–44. Arc Humanities Press, 2019. http://dx.doi.org/10.2307/j.ctvmd83p9.10.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

"Chapter Four. John Keats (1795–1821 CE ) and Percy Bysshe Shelley (1792–1822 CE ) at the Keats-Shelley House and the Cimitero Acattolico." In People and Places of the Roman Past, 29–44. ARC, Amsterdam University Press, 2019. http://dx.doi.org/10.1515/9781942401568-007.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!