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Relevant bibliographies by topics / Kazuo Ishiguro

Academic literature on the topic 'Kazuo Ishiguro'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 January 2023

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Journal articles on the topic "Kazuo Ishiguro"

1

King, Bruce, and Cynthia F. Wong. "Kazuo Ishiguro." World Literature Today 76, no. 1 (2002): 158. http://dx.doi.org/10.2307/40157103.

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King, Bruce, and Barry Lewis. "Kazuo Ishiguro." World Literature Today 76, no. 3/4 (2002): 100. http://dx.doi.org/10.2307/40157643.

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Charlwood, Catherine. "“Stop … and Remember”: Memory and Ageing in Kazuo Ishiguro’s Novels." American, British and Canadian Studies 31, no. 1 (December 1, 2018): 86–113. http://dx.doi.org/10.2478/abcsj-2018-0018.

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Abstract This article foregrounds representations of ageing and memory within Kazuo Ishiguro’s novels, particularly Never Let Me Go (2005) and, the less critically considered, The Buried Giant (2015). While criticism and reviews touch upon themes of ageing, loneliness, and loss of bodily function, scholars are yet to reveal either the centrality of this to Ishiguro’s work or how this might speak to real-life questions surrounding ageing. Few readers of Never Let Me Go realise that in writing it Ishiguro’s guiding question was ‘how can I get young people to go through the experience of old people’? The arguments here seek to restore such authorly intentions to prominence. Ishiguro is more interested in socio-cultural meanings of ageing than biologically impoverished memories: this article examines the shifting relationships Ishiguro presents between memory and age as regards what happens to the ways in which memories are valued, and how people might be valuable (or not) for their memories. Interdisciplinary with age studies and social gerontology, this article demonstrates how Ishiguro both contributes to, and contends with, socially constructed concepts of ageing. In refocusing Ishiguro criticism onto reminiscence rather than nostalgia, this article aims to put ageing firmly on the agenda of future research.

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Holmes, Chris, and Kelly Mee Rich. "On Rereading Kazuo Ishiguro." MFS Modern Fiction Studies 67, no. 1 (2021): 1–19. http://dx.doi.org/10.1353/mfs.2021.0000.

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YILDIZ, Fırat. "Kazuo İshiguro Romanlarında Sıradanlığın Yüceltilmesi." International Journal of Languages' Education 1, Volume 5 Issue 4 (January 1, 2017): 476–83. http://dx.doi.org/10.18298/ijlet.2374.

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Mason, Gregory, and Kazuo Ishiguro. "An Interview with Kazuo Ishiguro." Contemporary Literature 30, no. 3 (1989): 335. http://dx.doi.org/10.2307/1208408.

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Shaffer, Brian W., and Kazuo Ishiguro. "An Interview with Kazuo Ishiguro." Contemporary Literature 42, no. 1 (2001): 1. http://dx.doi.org/10.2307/1209082.

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Liu, Tingxuan. "Ambivalence of Cosmopolitanism: A Study of Kazuo Ishiguro’s Writing." Journal of Language Teaching and Research 12, no. 4 (July 1, 2021): 611–15. http://dx.doi.org/10.17507/jltr.1204.12.

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Although labeled as an immigrant writer, Ishiguro is not a typical one. His writing is not a repetition or successor of the diasporic literature. The various subjects and diversified locations of his works have been appropriately corresponded to his claim as “a kind of homeless writer”. He has always been locating himself in different cultures as well as engaged in a de-cultural writing, providing insights into the relationship between the subjective and the other, which shows his ambivalence dangling between different cultures. It is arguable that Ishiguro has several “deaths” before becoming a cosmopolitan. Nevertheless, the “killed” identity is inextirpable. The longing for subjectivity in his novels does not directly come from the cosmopolitan identity with whom he identified. Reading Ishiguro in the global context enables the detection of his compromise as a cosmopolitan writer constructed by a deliberate de-privileging and cultural alienation. Cosmopolitanism itself has been a paradoxical term in that its orientation points to the mutually inclusive “world” and “region”. Its implication is full of irreconcilable resistance and negotiation. The study is going to explore the ambivalence of cosmopolitanism in Ishiguro’s writing, to trace the progress of the making of the novelist as a cosmopolitan as well as embracing multiple cultures but denies clear boundaries, and to widen the scope of the discussion of globalization, localization, diasporic study, or postcolonial study.

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Emara, Maha Abdel Moneim. "Kazuo Ishiguro’s The Remains of the Day: A Historiographical Approach." English Language and Literature Studies 5, no. 4 (November 30, 2015): 8. http://dx.doi.org/10.5539/ells.v5n4p8.

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<p>This paper attempts to analyze Kazuo Ishiguro’s <em>The Remains of the Day</em>, in the light of various ramifications of postmodern critical historiographical approaches. It investigates the different narrative strategies Ishiguro uses to narrate historical events and dismantle objectivity mainly; backshadowing, intermixing of historical and personal incidents, and first-person unreliable narrator. Great deal of Ishiguro’s text depth and complexity arises from the unreliability of the narrator whose narration presents several interpretive versions and controversial issues.</p>

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qizi, Irsaliyeva Madina Anvarbek, Abrarova Sardora Najmiddin qizi, and Xoliqova Nazokat Batirovna. "Kazuo Ishiguro as an international novelist." ACADEMICIA: An International Multidisciplinary Research Journal 11, no. 3 (2021): 2595–98. http://dx.doi.org/10.5958/2249-7137.2021.01006.5.

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Dissertations / Theses on the topic "Kazuo Ishiguro"

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Liaschenko, Timothy. "Problems of professionalism in three novels of Kazuo Ishiguro." Click here for download, 2008. http://proquest.umi.com/pqdweb?did=1564034051&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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Teo, Yugin. "Kazuo Ishiguro and the work of memory." Thesis, University of Sussex, 2009. http://sro.sussex.ac.uk/id/eprint/38584/.

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Memory is among the most important of themes that form the basis for the novels of contemporary British novelist Kazuo Ishiguro (1954 -). The theme of memory pervades all of Ishiguro's six novels to date, and has proved to be a hallmark of his writing and a theme that he constantly returns to examine in his work. The significance of memory in Ishiguro's novels has often been mentioned by both critics and academics alike, but there has been very little research undertaken specifically on the work of memory in his novels.

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Sim, Wai-chew. "Globalisation and dislocation in the novels of Kazuo Ishiguro." Thesis, Online version, 2002. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.248840.

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Yazgi, Cihan. "Hegemony, And Value Construction In Kazuo Ishiguro&#039." Master's thesis, METU, 2013. http://etd.lib.metu.edu.tr/upload/12615521/index.pdf.

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This thesis analyses the hegemonic processes that are maintained by traditions, institutions and formations by discussing over the process of value construction the characters in Kazuo Ishiguro&rsquo
s two novels are engaged in. A Marxist approach is used along the way and the discussions over the novels were taken as an opportunity of underlining the necessity of a Marxist approach towards art in order to make use of its propaedeutic value and extract the hegemonic substance the artwork inheres. This thesis seeks to use the propaedeutic value of Ishiguro&rsquo
s novels to point out to the hegemony that is prevailing over our actual lives. It argues that the person always has to relate himself to a society, and hence that society and &lsquo
the hegemonic&rsquo
forces operant on that society come to shape his values and judgements at the end. In the end, what this study finds are the traces of the hegemonic processes that are hidden behind the individualized experience of Ishiguro&rsquo
s characters. Neither Stevens, nor Kathy can be underestimated to their individual choices. It is the hegemony, and the tradition and the institutions of that hegemony that construct their existence. Also, it is found out that it is again the hegemony that shapes the existence of Ishiguro&rsquo
s value judgements and his works&rsquo
value schemes that are studied here.

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Sim, Wai-chew. "Globalization and dislocation in the novels of Kazuo Ishiguro /." Lewiston : the E. Mellen press, 2006. http://catalogue.bnf.fr/ark:/12148/cb40938391j.

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Zinck, Pascal. "L'art de la fugue : L'alienation dans l'œuvre de kazuo ishiguro." Paris 4, 2003. http://www.theses.fr/2003PA040007.

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Tours, retours et détours sont l'estampille de l'œuvre de Kazuo Ishiguro. Cette étude se propose d'explorer l'hétérogénéité des rétrofictions de Kazuo Ishiguro Dans une perspective narrative, psychanalytique, ontologique, culturelle, historique, linguistique et littéraire. La première partie examine les diachronies, les ambigui͏̈tés et les stratégies de diversion/subversion inhérentes au genre de la confession. La seconde partie constitue un inventaire pathologique des traumatismes et des troubles du comportement liés au deuil de l'enfance. La troisième partie est consacrée à l'aimantation qu'exerce le passé sur Kazuo Ishiguro, sous diverses facettes : l'exil, la nostalgie, la problématique de l'histoire et l'intertextualité. Kazuo Ishiguro ne se contente pas de revisiter et de réviser le passé, mais il chine son double héritage anglais et japonais en une partition perpetuum mobile, à la fois singulière et plurielle
Tours, returns and detours are the hallmark of Kazuo Ishiguro's work. This study probes the heterogeneity of Kazuo Ishiguro's retrofictions from a narrative, psychoanalytical, ontological, cultural, historical, linguistic and literary perspective. The first part focuses on diachronies, ambiguities and evasive/subversive strategies in relation to the confession genre. The second part is a pathological inventory analysing traumas and behavioural disorders due to childhood loss. The third and final part is devoted to Kazuo Ishiguro's magnetic attraction to the past in the form of exile, nostalgia, the problematics of history and intertextuality. Not only does Kazuo revisit and revise the past, but he interweaves his dual English and Japanese heritage into a perpetuum mobile which is both singular and plural

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Ekström, Björn. "Nya toner inom styckena : Medietransformation i Kazuo Ishiguros Nocturnes." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-44150.

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Capellato, Júnior Edson Luiz [UNESP]. "Infância e memória em When We Were Orphans, de Kazuo Ishiguro." Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/91544.

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Made available in DSpace on 2014-06-11T19:25:23Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-03-31Bitstream added on 2014-06-13T20:53:10Z : No. of bitstreams: 1 capellatojunior_el_me_arafcl.pdf: 276039 bytes, checksum: 43006ced07fc1f75b1fe226bee0f10fa (MD5)
Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Este trabalho analisa o romance When We Were Orphans, de produção do escritor Kazuo Ishiguro, focando o emprego da memória no texto literário, como forma de examinar as estratégias empregadas pelo escritor. A principal preocupação estética do autor britânico volta-se para a maneira como seus personagens lêem e interpretam suas histórias de vida e para como eles percebem as forças que conduzem seus destinos e como reescrevem tais detalhes. A estratégia narrativa adotada é a do emprego da memória marcando a percepção a posteriori que caracteriza o relato. O estudo, portanto, aponta a técnica narrativa ligada aos processos psíquicos constituintes da memória, e auxilia na exposição do sofrimento humano, na crítica sutil ao imperialismo e colonialismo do século XX, tema e motivo de seus romances. Dessa forma, o autor enfatiza as técnicas que as pessoas usam para encobrir e às vezes até para suprimir suas emoções e, em particular, a maneira pela qual tais emoções são estimuladas pela memória. O trabalho terá como suporte teórico os estudos freudianos sobre a memória, o estranho e as experiências ocorridas na infância, particularmente considerando a atuação do narrador, o personagem Christopher Banks, como foco central.
This study analyses the novel When We Were Orphans, as part of the writer Kazuo Ishiguro’s production, focusing the application of the memory in the literary text, as a form of examining the strategies used by the author. The British author’s main aesthetical concern is turned to how his characters read and interpret their life story, and to how they apprehend the forces which lead their destiny, and how they write such details. The adopted narrative strategy is one which engages memory, determining the posteriori perception that characterizes the narration. The study, therefore, indicates the narrative technique linked to psychical processes which constitute memory, and help with the exposition of the human anguish; with the subtle criticism to the 20th century’s imperialism and colonialism, theme and motif of his novels. For that reason, the author emphasizes the techniques people use to cover, and sometimes even to supply their emotions and, particularly the way from which such emotions are aroused by memory. The paper shall have, as theoretical support, the Freudian studies about memory, the strange and the experience occurred during childhood, especially considering the narrator’s performance, the character Christopher Banks., as essential focus.

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Oyabu, Kana. "Cross-cultural fiction the novels of Timothy Mo and Kazuo Ishiguro /." Thesis, Online Version, 1995. http://ethos.bl.uk/OrderDetails.do?did=2&uin=uk.bl.ethos.294474.

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Capellato, Júnior Edson Luiz. "Infância e memória em When We Were Orphans, de Kazuo Ishiguro /." Araraquara : [s.n.], 2009. http://hdl.handle.net/11449/91544.

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Orientador: Maria das Graças Gomes Villa da Silva
Banca: Nelson Viana
Banca: Maria Clara Bonetti Paro
Resumo: Este trabalho analisa o romance When We Were Orphans, de produção do escritor Kazuo Ishiguro, focando o emprego da memória no texto literário, como forma de examinar as estratégias empregadas pelo escritor. A principal preocupação estética do autor britânico volta-se para a maneira como seus personagens lêem e interpretam suas histórias de vida e para como eles percebem as forças que conduzem seus destinos e como reescrevem tais detalhes. A estratégia narrativa adotada é a do emprego da memória marcando a percepção a posteriori que caracteriza o relato. O estudo, portanto, aponta a técnica narrativa ligada aos processos psíquicos constituintes da memória, e auxilia na exposição do sofrimento humano, na crítica sutil ao imperialismo e colonialismo do século XX, tema e motivo de seus romances. Dessa forma, o autor enfatiza as técnicas que as pessoas usam para encobrir e às vezes até para suprimir suas emoções e, em particular, a maneira pela qual tais emoções são estimuladas pela memória. O trabalho terá como suporte teórico os estudos freudianos sobre a memória, o estranho e as experiências ocorridas na infância, particularmente considerando a atuação do narrador, o personagem Christopher Banks, como foco central.
Abstract: This study analyses the novel When We Were Orphans, as part of the writer Kazuo Ishiguro's production, focusing the application of the memory in the literary text, as a form of examining the strategies used by the author. The British author's main aesthetical concern is turned to how his characters read and interpret their life story, and to how they apprehend the forces which lead their destiny, and how they write such details. The adopted narrative strategy is one which engages memory, determining the posteriori perception that characterizes the narration. The study, therefore, indicates the narrative technique linked to psychical processes which constitute memory, and help with the exposition of the human anguish; with the subtle criticism to the 20th century's imperialism and colonialism, theme and motif of his novels. For that reason, the author emphasizes the techniques people use to cover, and sometimes even to supply their emotions and, particularly the way from which such emotions are aroused by memory. The paper shall have, as theoretical support, the Freudian studies about memory, the strange and the experience occurred during childhood, especially considering the narrator's performance, the character Christopher Banks., as essential focus.
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Books on the topic "Kazuo Ishiguro"

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Kazuo Ishiguro. Abingdon: Routledge, 2009.

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Kazuo Ishiguro. Manchester: Manchester University Press, 2000.

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Groes, Sebastian, and Barry Lewis, eds. Kazuo Ishiguro. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34526-3.

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Kazuo Ishiguro. London: Continuum, 2009.

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Understanding Kazuo Ishiguro. Columbia, S.C: University of South Carolina Press, 1998.

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Ishiguro, Kazuo. Conversations with Kazuo Ishiguro. Jackson: University Press of Mississippi, 2008.

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Teo, Yugin. Kazuo Ishiguro and Memory. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137337191.

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Beedham, Matthew. The novels of Kazuo Ishiguro. Edited by Tredell Nicolas. New York: Palgrave Macmillan, 2010.

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The novels of Kazuo Ishiguro. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2010.

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Beedham, Matthew. The Novels of Kazuo Ishiguro. Edited by Nicolas Tredell. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-08062-2.

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Book chapters on the topic "Kazuo Ishiguro"

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Guignery, Vanessa. "Kazuo Ishiguro." In Novelists in the New Millennium, 44–64. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-29270-4_4.

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Birke, Dorothee. "Ishiguro, Kazuo." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8804-1.

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Nünning, Ansgar. "Kazuo Ishiguro." In Kindler Kompakt Englische Literatur 20. Jahrhundert, 169–71. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05526-2_45.

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Birke, Dorothee. "Kazuo Ishiguro." In Kindler Kompakt Kriminalliteratur, 196–98. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05537-8_50.

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Groes, Sebastian, and Barry Lewis. "Introduction: ‘It’s Good Manners, Really’ — Kazuo Ishiguro and the Ethics of Empathy." In Kazuo Ishiguro, 1–10. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34526-3_1.

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Berberich, Christine. "Kazuo Ishiguro’s the Remains of the Day: Working Through England’s Traumatic Past as a Critique of Thatcherism." In Kazuo Ishiguro, 118–30. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34526-3_10.

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Baxter, Jeannette. "Into the Labyrinth: Kazuo Ishiguro’s Surrealist Poetics in the Unconsoled." In Kazuo Ishiguro, 133–43. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34526-3_11.

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Smyth, Gerry. "‘Waiting for the Performance to Begin’: Kazuo Ishiguro’s Musical Imagination in the Unconsoled and Nocturnes." In Kazuo Ishiguro, 144–56. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34526-3_12.

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Jarvis, Tim. "‘Into Ever Stranger Territories’: Kazuo Ishiguro’s the Unconsoled and Minor Literature." In Kazuo Ishiguro, 157–68. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34526-3_13.

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Ringrose, Christopher. "‘In the End it Has to Shatter’: The Ironic Doubleness of Kazuo Ishiguro’s When We Were Orphans." In Kazuo Ishiguro, 171–83. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34526-3_14.

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Conference papers on the topic "Kazuo Ishiguro"

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Oprisnyk, Ya S., and I. A. Senchuk. "Intermedial рoetics of Kazuo Ishiguro’s fiction." In PHILOLOGICAL SCIENCES, INTERCULTURAL COMMUNICATION AND TRANSLATION STUDIES: THEORETICAL AND PRACTICAL ASPECTS. Baltija Publishing, 2021. http://dx.doi.org/10.30525/978-9934-26-039-1-28.

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Chang, Shu-Yuan, and Hsu-Hui Cheng. "Distorted Time and Chaotic Narrative in Kazuo Ishiguro’s The Unconsoled." In 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210609.033.

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