Relevant bibliographies by topics / Kazakh Folklore

Academic literature on the topic 'Kazakh Folklore'

Author: Grafiati
Published: 26 July 2024
Last updated: 27 July 2024

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Journal articles on the topic "Kazakh Folklore"

1

Rakysh, Zh, N. Sarsek, and A. Akan. "TRANSFORMATION OF MINOR GENRES IN KAZAKH POSTFOLKLORE." Keruen 83, no. 2 (June 25, 2024): 101–9. http://dx.doi.org/10.53871/2078-8134.2024.2-07.

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In the article, the targeted audience and thematic character of the instructive stories that are spreading through the networks are classified, and the correlation and comparison of the types of proverbs that have changed in accordance with the times has been carried out. Today, it is known that small genres of traditional folklore are changing due to the widespread use of the Internet. Because folklore is a kind of communicative tool created together with humanity, it can be called a living phenomenon that adapts to the social life due to changes in cultural and historical conditions. Post-folkloric sub-genres (instructive stories, online legends, proverbs) spread through the Internet and social networks were considered as the object of research. The article analyzed the foreign scientific research on post-folklore and made a scientific analysis of the level of distribution of domestic post-folklore in social networks, the ways of their representation. An overview of the state of classical folklore in the modern era, post-folkloric sub-genres was conducted, and its genre transformation was analyzed and differentiated. Looking at the state of distribution on the Internet, the interest of network users, the variability of small genres, the invariance of the text composition, and the dynamic level of social and cultural phenomena were investigated. The study of modern post-folklore makes it possible to assess the current life of the phenomenon of the multivariate text, to clearly distinguish its situation. This research will strengthen the data base of the Kazakh post-folklore study and will be a necessary material for future research.
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2

Rakysh, Zh. "THE TERMS OF THE KAZAKH FOLKLORE STUDIES: THE EXPERIENCE OF THE PREPARATION OF THE DICTIONARY." BULLETIN Series of Philological Sciences 73, no. 3 (July 15, 2020): 254–60. http://dx.doi.org/10.51889/2020-3.1728-7804.38.

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This article introduces the principles and practice of developing a terminological dictionary of Kazakh folklore, also were analyzed new terms based on the current achievements in Kazakh folklore. The main stages and directions of development of Kazakh folklore concepts and terms are directly related to the history of the terminology base formation in national folklore.The analysis showed that in Kazakh folklore there is a predominance of national and general Turkic terms, and the share of Russian language borrowed words is less.However, while folklore genres consist mainly of national terms, general folklore terms and concepts consist of international terms.In order to unify the terms in Kazakh folklore the systematization and formation of folklore scientific terms, transformation of authorized traditional terms, polysemy and competitive use of terms were considered.
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Konyrbaeva, Kulsiya. "COMPREHENSION OF PHILOSOPHICAL AND IDEOLOGICAL ASPECTS OF THE KAZAKH EPIC IN THE CONDITIONS OF SPIRITUAL MODERNIZATION OF SOCIETY." Adam alemi 89, no. 3 (September 26, 2021): 62–75. http://dx.doi.org/10.48010/2021.3/1999-5849.06.

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This article reveals the main elements of the epic world, which are the roots of Kazakh spirituality. Certain elements of modern Kazakh culture are also manifested. The ontological side of the topic is the spiritual and cultural philosophical values that make up the ideological basis of Kazakh folklore: freedom, honesty, conscientiousness, justice and resistance to promises. The purpose of our research is the social argumentation of the Kazakh epic, based on the national code and mentality at the present stage of modernization of the Kazakh society. The article states that the epic poems of the Kazakhs are archetypes of the mentality of values of modern Kazakhs. It is supposed to revive the philosophical and poetic creativity of the Kazakh people as mental qualities absorbed by future generations.
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Zhussupov, Nartay, Mukhabbat Baratova, Gulnaz Zhussupova, Yertay Zhussupov, and Kuralay Mukusheva. "Features of collecting Kazakh folklore and methods of collecting folklore of the first half of the XX century." Scientific Herald of Uzhhorod University Series Physics, no. 56 (February 1, 2024): 833–43. http://dx.doi.org/10.54919/physics/56.2024.84goe3.

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Relevance. The collection and study of Kazakh folklore are crucial for preserving the rich cultural heritage and ensuring its transmission to future generations. Understanding the processes involved in gathering, processing, and publishing folklore materials is essential for advancing the field of folklore studies and for maintaining the cultural identity of the Kazakh people. Purpose. This study aims to investigate the methods and practices of collecting Kazakh folklore in the first half of the XX century, highlighting the importance of systematic collection and the role of individual researchers in preserving and disseminating oral traditions. Methodology. The research involves a comprehensive analysis of historical records and scholarly works on the collection of Kazakh folklore, focusing on the techniques used by researchers to gather material directly from oral sources and the subsequent processes of transcription and preparation for publication. Results. The study reveals that the process of collecting Kazakh folklore in the early XX century was meticulous and required careful reproduction of oral narratives onto paper, ensuring their authenticity and accuracy. This method has been instrumental in preserving the genre-specific characteristics of folklore and providing a solid foundation for future research. Conclusions. The systematic collection and documentation of Kazakh folklore are vital for safeguarding the cultural heritage and supporting scholarly endeavors in folklore studies. By adhering to rigorous scientific standards in the collection and publication processes, researchers can ensure the integrity and longevity of this invaluable cultural resource. Keywords: folklore studies; collection; processing; publication; Kazakh folklore; genre
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5

Olzhabayev, B. K., and O. Soylemez. "THE CONCEPT AND CONCEPTUAL FIELD OF “HOMELAND” IN KAZAKH FOLKLORE." Keruen 83, no. 2 (June 25, 2024): 249–59. http://dx.doi.org/10.53871/2078-8134.2024.2-19.

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The article reveals the theoretical meaning of the concept and gives the definition of the conceptual field for a comprehensive analysis of the topic concept and conceptual field of homeland in Kazakh folklore. Also, the meaning of the concept of homeland in Kazakh knowledge was determined, the concept and conceptual field “homeland” in works of Kazakh folklore were considered. To consider the concept of “homeland” in Kazakh knowledge, which has become the core of our research work based on the heritage of folklore, we turn to the rich heritage of Kazakh people’s culture. The main core of any culture is language, revealing the essence and content of word concepts in the Kazakh language is the main problem of today. For this reason, the relevance of the topic requires the consideration of Kazakh folklore, which includes the cultural code of our people, to analyze the concept of Motherland in Kazakh knowledge and its conceptual field. The purpose of the study is to determine the peculiarity of the concept “homeland” reflected in Kazakh folklore, value attribute deeply reflected in the concept “homeland”. The objectives of the study are to examine the meaning of the concept of homeland in Kazakh knowledge, to consider the concept of native land in Kazakh folklore works and to determine the conceptual field of the concept “homeland”. For the Kazakh people, the concept of homeland is synonymous with the symbol of unlimited power in the people's understanding. From the conceptual field of the concept of the homeland, we understand the heroism, courage, freedom-loving, free nature of the Kazakh people and the character of the people who lived in prosperity and abundance. The results of the work can be used for research work of students in the humanitarian direction.
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6

Ishkalova, G. "KAZAKH TRADITIONAL HUNTING IN FOLKLORE." History of the Homeland 98, no. 2 (June 29, 2022): 244–54. http://dx.doi.org/10.51943/1814-6961_2022_2_244.

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The folklore of each nation is an indicator of national culture, its national identity, historical memory and worldview. Adapting to the environment, the people form their unique material and spiritual culture in accordance with the way of life. The Kazakh people, like other peoples, tried to interpret and convey the events of everyday life in various ways. Although folklore is an art created by the people, based on human wisdom, but it also acts as a true historical source. In folklore there are descriptions of historical events, pictures of everyday life and economic activity are reflected. Thus, the data of oral folk art are narrative sources among other types of sources. In accordance with the above facts, the author aims to consider traditional hunting on the examples of Kazakh folklore. In particular, on the basis of fairy tales, heroic and lyrical songs, ritual folklore and didactic folklore, the scenes of traditional hunting and the place of hunting in society are studied. An attempt was made through Kazakh folklore to show the national character and originality of traditional hunting, and the relationship between oral literature and ethnography was also revealed.
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7

Babizhan, B. Z., A. R. Berdibay, A. B. Baisakalova, Y. T. Chukmanov, and A. N. Ulkenbaeva. "Contemporary Song Folklore of the Kazakhs of the South-West Zhetysu: The Experience of Musical and Regional Research." International Journal of Criminology and Sociology 10 (December 31, 2020): 120–32. http://dx.doi.org/10.6000/1929-4409.2021.10.16.

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Kazakh music and dance has many unique features but also has many things in common with the music and dance of Mongolia and Central Asia. For Kazakhs the summer has traditionally been the best time for merry-making. They often sing and dance during summer nights on the pastures. The relevance of the study is due to the insufficient study of the Kazakh song folklore of the south-western part of Zhetysu, represented by eight districts of the borderland of Almaty and Zhambyl regions with Kyrgyzstan. This article is aimed at identifying the genre composition of the song folklore of the local tradition, the conditions of its existence, as well as the peculiarities of their musical-poetic structure and musical language. The results of this research are a contribution to the musical archeology of Kazakhstan. They can also be used in the study of the stylistic originality of the song folklore of the Kyrgyz and Uzbeks living in the border regions of Kazakhstan and Kyrgyzstan.
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8

Tanauova, Zh. "The Connection of Humorous Stories with Other Genres of Folklore." Iasaýı ýnıversıtetіnіń habarshysy 122, no. 4 (December 30, 2021): 47–56. http://dx.doi.org/10.47526/2021-4/2664-0686.05.

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Until now, Kazakh folk prose has been widely studied cognitively. In general, folklore as a science pays great attention to the genre of prose. However, it would be wrong to say that all genres of Kazakh folklore have been studied and known to the broad masses. Despite the large number of humorous stories, in Kazakh folklore they are considered within other genres of prose. In other words, humorous stories in Kazakh folklore were not the subject of a separate, special study. If we pay attention to the opinions expressed in the writings of famous scientists-researchers in the field of folklore, it is confirmed that humorous stories are a branch of folk literature that is passed down from generation to generation. Despite the fact that humorous stories have been previously studied, it is natural that the latest advances in science raise questions that need to be revised, so we realized the importance of humorous stories in the work of our people and their study is a scientifically relevant topic. Thus, based on previous studies of the genres of folklore, this article examines the connection between humorous stories and other genres.
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9

Zhunussova, T. B., D. S. Ryspayeva, and M. S. Kulakhmetova. "REPRESENTATION OF THE LINGUISTIC CULTURES THROUGH FOLKLORE TEXTS." Bulletin of Shokan Ualikhanov Kokshetau University. Philological Series 2023, no. 2 (June 30, 2023): 22–31. http://dx.doi.org/10.59102/kufil/2023/iss2pp22-31.

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This research is devoted to the study of the linguistic expression of the national cultural notion in the folklore text on the example of the Kazakh and English linguistic cultures. According to the principles of modern linguistics, based on the anthropocentric paradigm, the definition of the individuality of each linguistic cultures (in this case, the Kazakh and British linguistic cultures and their languages) correspond the national and cultural values with a particularк importance. The reserach's main aim is to describe the features of the concept "tapkyrlyk-ingenuity" in folklore texts of Kazakh and British linguistic culture. The subject of the study is two fairy tales of linguistic cultures, "Jack and Beanstalk" from British folklore and "Cunning Aldar Kose" from Kazakh folklore. This study was qualitative and used ethnographic strategies. In addition, data obtained through questionnaire and text analysis. The relevance of this work is seen in the need to preserve and develop the folklore heritage of the people, which is the cultural identity of a particular ethnic group and has accumulated centuries-old spiritual and practical experiences of linguistic cultures. The results of the analysis allow the reader to draw some particular conclusions that are of interest for research that having certain distinctions in usage of the concept “tapkyrlyk-ingenuity”. Keywords: values, folklore, fairy tales, linguistic picture of the world, concept, culture, linguistic culture, worldview.
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10

Baltymova, М. "Genre classifications of Kazakh children’s folklore." Bulletin of L.N. Gumilyov Eurasian National University. Philology Series 130, no. 1 (2020): 8–14. http://dx.doi.org/10.32523/2616-678x-2020-130-1-8-14.

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Dissertations / Theses on the topic "Kazakh Folklore"

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Dossumova, Aisha. "THE INFLUENCE OF KAZAKH FOLKLORE ON THE DEVELOPMENT OF VIOLIN PERFORMANCE IN KAZAKHSTAN." Diss., Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/381242.

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Music Performance
D.M.A.
The purpose of this monograph is to promote Kazakh violin repertoire by focusing on the influence of Kazakh folklore on the development of violin performance in Kazakhstan in the beginning of the twentieth century. The monograph will include a brief discussion of the history of Kazakhstan, a historical background of folk music and its importance to the development of violin performance in Kazakhstan, a discussion of Kazakh folk strings instruments in relation to violin performance in Kazakhstan, and discussion of selected violin works by Kazakh composers with strong folk influences. A catalogue of violin works of Kazakhstan that use folkloric material will be provided as well. In my study I will rely on available sources, including books, articles, dissertations, reviews, recordings, visual materials and musical scores. I hope my monograph will help to introduce, promote and give a better understanding of Kazakh violin repertoire to English-speaking scholars and musicians.
Temple University--Theses
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Books on the topic "Kazakh Folklore"

1

Malaĭsarin, Zh. Qazaq maqal-mătelderī. Almaty: "Ana tīlī", 2003.

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2

Ghabitkhanūly, Qaĭrat. Qazaq mifologii︠a︡synyn︠g︡ tīldegī kȯrīnīsī. Almaty: Arys, 2006.

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3

Smirnova, N. S. Issledovanii︠a︡ po Kazakhskomu folʹkloru. Almaty: "Zhibek zholy", 2008.

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Pri︠a︡khin, G. V. Lʹetsi︠a︡ pesni︠a︡ pod dombru: Folʹklor i literaturnye pami︠a︡tniki Kazakhstana. Moskva: Khudozhestvennai︠a︡ literatura, 2009.

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5

Sydiqov, Q. Kȯrkemdīk ȯrnekter: XV-XVIII ghasyrlardaghy aqyn, zhyraular mūrasynyn͡g︡ kȯrkemdīk erekshelīkterī. Almaty: "Rauan", 1992.

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6

B, Zakharov V., and Smaĭlova A. T, eds. Kazakhskie narodnye poslovit͡s︡y i pogovorki. Almaty: Izdatelʹskiĭ dom "Kochevniki", 2002.

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Divaev, Ăbubăkīr. Kazakhskoe narodnoe tvorchestvo. 2nd ed. Astana: Altyn kītap, 2007.

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Dăurenbekov, Zh. U̇kīlīm-aĭ: Arular zhaĭly alpys ăn. Almaty: Ȯner, 1991.

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Kerīmbaĭ, Sanzhar. Ăldiden ėposqa deĭīn: Otbasy khrestomatii︠a︡sy. 8th ed. Almaty: Orkhon, 2015.

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10

Sh, Ybyraev, and Ăuesbaeva P, eds. Qazaqtyn︠g︡ miftīk ăn︠g︡īmelerī. Almaty: "Ghylym" ghylymi baspa ortalyghy, 2001.

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