Books on the topic 'Kant`s critique of taste'

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1

Kant and the claims of taste. 2nd ed. Cambridge: Cambridge University Press, 1997.

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2

Paul, Guyer. Kant and the claims of taste. 2nd ed. Cambridge: Cambridge University Press, 1997.

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3

Allison, Henry E. Kant's theory of taste: A reading of the critique of aesthetic judgment. New York: Cambridge Univ Press, 2001.

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Allison, Henry E. Kant's theory of taste: A reading of the Critique of aesthetic judgment. Cambridge: Cambridge University Press, 2001.

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Kant's theory of taste: A reading of the Critique of aesthetic judgment. Cambridge: Cambridge University Press, 2001.

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Meredith, James Creed. Kant S Critique of Aesthetic Judgement. Creative Media Partners, LLC, 2018.

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Meredith, James Creed. Kant S Critique of Aesthetic Judgement. Creative Media Partners, LLC, 2018.

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Meredith, James Creed. Kant S Critique of Aesthetic Judgement. Creative Media Partners, LLC, 2018.

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Company, MacMillan and. Commentary to Kant S to Critique of Pure Reason. Creative Media Partners, LLC, 2022.

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10

Allison, Henry E. Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment. Cambridge University Press, 2001.

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11

Allison, Henry E. Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment. Cambridge University Press, 2001.

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Allison, Henry E. Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment. Cambridge University Press, 2001.

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13

Allison, Henry E. Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment. Cambridge University Press, 2010.

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14

Kivy, Peter. Hume’s Taste and the Rationalist Critique. Edited by Paul Russell. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199742844.013.13.

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The concept of genius—artistic genius in particular—is generally thought of as a quintessentially nineteenth-century phenomenon: the cornerstone, in fact, of German Romanticism. Kant’s treatment of the concept has always been recognized as the source from which the early Romantics drew. But the fact of the matter is that it is to the British Enlightenment that we must look for the first modern formulation of the concept of artistic genius. For it was already well formed and clearly recognizable before Kant got his hands on it. In this article, the author begins by suggesting two ancient sources for the concept of genius as it developed in eighteenth-century Britain, then goes on to discuss the contributions to the concept of Joseph Addison, Edward Young, Alexander Gerard, William Duff, and Gerard again, who dipped his oar in twice.
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The Social Authority Of Reason: Kant's Critique, Radical Evil, And The Destiny Of Humankind (S U N Y Series in Philosophy). State University of New York Press, 2005.

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