Relevant bibliographies by topics / Kajoor

Academic literature on the topic 'Kajoor'

Author: Grafiati
Published: 10 May 2023

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Journal articles on the topic "Kajoor"

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Thomas, Douglas H. "The Lingeer’s Jihad: Challenging a Male-Normative Reading of African History." History in Africa 48 (June 2021): 309–36. http://dx.doi.org/10.1017/hia.2021.10.

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AbstractThis article is a retelling of the Sharr Bubba Jihad as it unfolded in Kajoor (present-day Senegal) in which I attempt to set aright an instance of ontological violence in the existing secondary literature. I attempt to correct this first through an exposition of how the prevailing academic history is complicit in the continual colonization of African history. Secondly, I explain how Eurocentric discourses relegate African women to ancillary bearers of children, hewers of wood, and drawers of water. I further explain that the relationships between gender and authority in African histories do not align with the European “template” explaining the position and role of lingeer. Thirdly, I give the details of the Sharr Bubba Jihad in Kajoor through a rereading of the sources, making sure to name Lingeer Yacine Bubu, and contextualizing the role of the lingeer in Kajoor and the other Senegambian kingdoms.
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Webb, James L. A. "The Horse and Slave Trade Between the Western Sahara and Senegambia." Journal of African History 34, no. 2 (July 1993): 221–46. http://dx.doi.org/10.1017/s0021853700033338.

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Following the late fifteenth- and sixteenth-century cavalry revolution in Senegambia, the horse and slave trade became a major sector of the desert-edge political economy. Black African states imported horses from North Africa and the western Sahara in exchange for slaves. Over time, under conditions of increasing aridity, the zone of desert horse-breeding was pushed south, and through crossbreeding with the small disease-resistant indigenous horses of the savanna, new breeds were created. Although the savanna remained an epidemiologically hostile environment for the larger and more desirable horses bred in North Africa, in the high desert and along the desert fringe, Black African states continued to import horses in exchange for slaves into the period of French colonial rule.The evidence assembled on the horse trade into northern Senegambia raises the difficult issue of the relative quantitative importance of the Atlantic and Saharan/North African slave trades and calls into question the assumption that the Atlantic slave trade was the larger of the two. Most available evidence concerns the Wolof kingdoms of Waalo and Kajoor. It suggests that the volume of slaves exported north into the desert from Waalo in the late seventeenth century was probably at least ten times as great as the volume of slaves exported into the Atlantic slave trade. For both Waalo and Kajoor, this ratio declined during the first half of the eighteenth century as slave exports into the Atlantic markets increased. The second half of the eighteenth century saw an increase in predatory raiding from the desert which produced an additional flow of north-bound slaves. For Waalo and Kajoor – and probably for the other Black African states of northern Senegambia – the flow of slaves north to Saharan and North African markets probably remained the larger of the two export volumes over the eighteenth century. This northward flow of slaves continued strong after the abolition of the Atlantic slave trade and was only shut down with the imposition of French colonial authority.
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Roberts, Richard, and James F. Searing. ""God Alone Is King": Islam and Emancipation in Senegal: The Wolof Kingdoms of Kajoor and Bawol, 1859-1914." International Journal of African Historical Studies 35, no. 1 (2002): 222. http://dx.doi.org/10.2307/3097415.

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Creevey, Lucy E. "Reviews of Books:"God Alone Is King": Islam and Emancipation in Senegal; The Wolof Kingdoms of Kajoor and Bawol, 1859-1914 James F. Searing." American Historical Review 108, no. 5 (December 2003): 1567–68. http://dx.doi.org/10.1086/530137.

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Younis, Hana. "(Pre)štampa(va)nje djela i autorska prava početkom 20. stoljeća u Bosni i Hercegovini." BOSNIACA 25, no. 25 (December 14, 2020): 88. http://dx.doi.org/10.37083/bosn.2020.25.88.

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Ovaj rad na primjeru slučaja Walny protiv Kajona zbog autorskih prava prikazuje stanje u Bosni i Hercegovini na ovom polju u periodu austrougarske uprave. Kako je regulisano zakonski pravo autora i kako se to pravo moglo otuđiti, autorica kroz (pre)štampa(va)nje djela Plan von Sarajevo und Umgebung – Plan Sarajeva i okolice jasno oslikava. Akteri ove parnice su poznati javnosti kao književnici, vlasnici i urednici uglednih časopisa i štamparija, zbog čega ovaj slučaj zavrjeđuje posebnu pažnju.------------------------------------------ (Re)printing and copyright in the beginning of the 20th century in Bosnia and HerzegovinaThis work focuses on the Walny vs. Kajon copyright infringement case, showing the situation in Bosnia and Herzegovina within this field during the Austro-Hungarian rule. The author shows how copyright was legally regulated and how it could have led to infringement, through methods of (re)printing of Plan von Sarajevo und Umgebung. Participants of this legal case are well known to public, as writers, owners and editors of respectable journals and printing houses. For this reason, this case deserves some special attention.
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Wahyono, Abdul Hendriyanto, and Anggraeni Fattah. "PERAN ALOKASI DANA DESA BAGI PENINGKATAN KESEJAHTERAAN MASYARAKAT DESA KAJAR TENGUULI KECAMATAN PRAMBIN KABUPATEN SIDAORJO." Bharanomics 1, no. 1 (August 30, 2020): 17–24. http://dx.doi.org/10.46821/bharanomicss.v1i1.13.

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Penelitian ini bertujuan untuk mengetahui dan menganalisis peran Alokasi Dana Desa bagi peningkatan kesejahteraan masyarakat Desa Kajar Tengguli. Data dalam penelitian ini menggunakan data primer dan data sekunder, data primer didapatkan saat melakukan penelitian di lokasi penelitaian, sedangkan data sekunder didapatkan dari jurnal, penelitian terdahulu dan beberapa referensi lainnya. Objek penelitian ini adalah Desa Kajar Tenguli Kecamatan Prambon Kabupaten Sidoarjo. Penelitian ini menggunakan metode penelitian kualitatif melalui deskriptif. Tujuan dari penelitian ini adalah: (1)Untuk mengetahui pengelolaan Alokasi Dana Desa (ADD) di Desa Kajar Tengguli Kecamatan Prambon Kabupaten Sidoarjo, (2) Untuk mengetahui peran Alokasi Dana Desa (ADD) bagi peningkatan kesejahteraan masyarakat Desa Kajar Tengguli Kecamatan Prambon Kabupaten Sidoarjo. Hasil penelitian ini adalah peran Alokasi Dana Desa bagi peningktan masyarakat Desa Kajar Tengguli sebagai berikut, Meningkatkan tingkat kesehatan mayarakat Desa Kajar Tengguli, Meningkatkan tingkat pendidikan di Desa Kajar Tengguli, Meningkatkan pendapatan masyarakat Desa Kajar Tengguli. Hal tersebut dapat dilihat dari adanya peningkatan dalam beberapa indikator kesejahteraan, mulai dari tingkat pendapatan, tingkat kesehatan, tingkat pendidikan, tingkat perumahan dan tingkat pengeluaran konsumsi masyarakat. Peningkatan yang terjadi karena adanya peningkatan pemberdayaan masyarakat desa yang dilakukan pemerintah desa.
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Lew, Walter K. "Isan Kajok Spora." Amerasia Journal 17, no. 1 (January 1991): 63–64. http://dx.doi.org/10.17953/amer.17.1.d267030113608263.

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Lew, Walter K. "Isan Kajok Spora." Manoa 14, no. 2 (2002): 106–7. http://dx.doi.org/10.1353/man.2003.0035.

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Syahruddin, Syahruddin. "Bermoderasi ala Kajao Laliddong (Kajian Moderasi Beragama melalui Naskah Latoa)." PUSAKA 9, no. 2 (November 25, 2021): 265–84. http://dx.doi.org/10.31969/pusaka.v9i2.528.

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Penelitian ini bertujuan untuk mengeksplor nilai moderasi beragama ala pasengna Kajao Laliddong yang termuat dalam naskah Latoa dengan mengkorelasikan konsep moderasi beragama yang ditawarkan oleh Kementerian Agama. Kajao Laliddong merupakan cendikiawan, negarawan dan diplomat dari Tana Bone yang dikenal pada masa kecilnya dengan La Mellong. Penelitian ini menggunakan metode kualitatif dengan pendekatan sejarah, filologi, dan antropologi. Penelitian ini berfokus pada moderasi beragama yang terdapat dalam manuskrip yang tersimpan pada koleksi lembaga maupun pribadi. Hasil penelitian menunjukkan bahwasanya Kajao Laliddong memiliki paseng yang sampai saat ini paseng ini terjiwai dalam diri masyarakat khususnya masyarakat Bugis. Paseng tersebut termuat dalam naskah Latoa sebagain termuat dalam Boeginische Chrestomatthie (B.CHr) dan tersimpan dengan cermat pada perpustakaan Universitas Leiden. Pappaseng yang diberikan Kajao Laliddong kepada Arumpone mengupayakan sebuah internalisasi nilai-nilai agama yang kemudian menjadi sebuah landasan moral, etika, spiritual dalam menjalani kehidupan berbangsa dan bernegara. Paseng itu termuat dalam naskah Latoa sebanyak 31 alinea yang saling berkesinambungan satu sama lain. Interpretasi dan implementasi moderasi beragama dalam Pasengna Kajao Laliddong yang termuat pada naskah latoa memuat pesan keagamaan yang dapat dijumpai pada beberapa Alinea pada pasengna Kajao Laliddong yang termuat dalam Latoa. Seperti mewujudkan perdamaian, menjunjung tinggi keadaban mulia, menjaga keselamatan jiwa dan sebagainya.
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Rafif, Hanif, and Tri Budi Prayogo. "Studi Efisiensi Hasil Perubahan Sistem Jaringan Irigasi Berbasis SIG (Sistem Informasi Geografis) pada Daerah Irigasi Kajar 2D, Kajar 2E, Kajar 2F, dan Kajar 2G Kecamatan Lowokwaru, Kota Malang." Jurnal Teknologi dan Rekayasa Sumber Daya Air 1, no. 2 (July 31, 2021): 393–404. http://dx.doi.org/10.21776/ub.jtresda.2021.001.02.05.

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Merujuk kondisi pada Kecamatan Lowokwaru terjadi pengurangan luas areal sawah yang disebabkan meningkatnya alih fungsi lahan sawah menjadi pemukiman penduduk. Studi ini bertujuan mengetahui perubahan sistem jaringan irigasi yang mempengaruhi sistem distribusi air pada D.I .Kajar 2D, 2E, 2F, dan 2G lalu di dadapatkan0selisih efisiensi penggunaan air pada D.I. tersebut. Studi ini dilakukan menggunakan data tahun 2012 dan 2017 yang meliputi analisa perbandingan luasan sawah menggunakan aplikasi Arc GIS. Analisa eksisting kondisi jaringan irigasi untuk perbandingan kebutuhan air bersih sawah. Dan analisa hasil selisih efisiensi penggunaan kebutuhan air untuk menunjukkan masih layak atau tidak untuk mengairi sawah yang berkurang karena alih fungsi lahan di tiap D.I. tersebut. Hasil dari studi meliputi analisa perbandingan luas area sawah pada tiap D.I. yaitu kehilangan 9%, kehilangan 7%,kehilangan 18% dan kehilangan 6%. Analisa selisih efisiensi penggunaan kebutuhan air pada tiap DI yaitu kenaikan 10.5%, kenaikan 24.33%, kenaikan 40.55% dan menurun 34.8%.
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Dissertations / Theses on the topic "Kajoor"

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Dieng, Bassirou. "L'Epopée du Kajoor, Sénégal poétique et réception /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb376045581.

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Fall, Mandiaye. "Pratiques rituelles et sauvegarde du patrimoine culturel immatériel dans le Kajoor (Sénégal) : évolution historique, défis et perspectives." Electronic Thesis or Diss., La Rochelle, 2022. http://www.theses.fr/2022LAROF004.

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Selon certaines croyances cosmologiques traditionnelles de la Sénégambie, les esprits des morts évolueraient dans un monde parallèle et seraient chargés de régir celui des vivants. Le phénomène religieux a pour fonction principale de donner un sens à la vie en comblant les incertitudes et en atténuant l’angoisse existentielle face à une nature capricieuse et souvent hostile. L’emprise directe, ou indirecte, du sacré sur les activités fige les concepts et pratiques essentialistes perpétués à travers une ritualisation nécessaire à la survie du patrimoine culturel immatériel des sociétés de l’oralité.La pratique rituelle s’est imposée comme étant le principal procédé servant à la conservation du patrimoine culturel immatériel des Ajoor. Les expressions et représentations sont entourées souvent d’un substrat surnaturel et/ou symbolique sur lequel se fixent les acquis théoriques, moraux, techniques et religieux. Les influences civilisationnelles reçues de part et d’autre ont opéré une forme d’hybridation culturelle avec des nuances spatiales dans la manière de pratiquer les croyances animistes ancestrales.Il va de soi que l’étude du passé des communautés devrait avoir comme principale finalité une meilleure compréhension du présent en vue de la préparation à un futur possible prospère, dans une posture qui prend en compte la durabilité. En s’inspirant du tréfonds culturel local, il serait possible de produire un modèle de citoyen capable de prendre en charge efficacement les défis qui lui sont contemporains. Cette thèse s’applique à modéliser cet argumentaire à travers l’exemple du patrimoine culturel immatériel du Kajoor majoritairement habité par des Ajoor
According to some traditional cosmological beliefs in Senegambia, the spirits of the dead evolve in an alternative world and are given the responsibility of ruling that of the living. The main function of the religious phenomenon is to give life a meaning by overcoming uncertainties and reducing existential anxiety in the face of a tricky and often hostile nature. The direct or indirect hold of the sacred over activities sets essentialist concepts and practices perpetuated through a ritualization necessary for the survival of the intangible cultural heritage of oral societies.The ritual practice has established itself as the main process for the conservation of the intangible cultural heritage of the Ajoor. Expressions and representations are often wrapped in a supernatural and / or symbolic substrate on which theoretical, moral, technical and religious achievements are based. The civilizational influences received on both sides have generated a form of cultural hybridization with spatial slight differences in the way of practicing ancestral animist beliefs. It goes without saying that the main purpose of studying the past of communities should be a better understanding of the present with a view to preparing for a possible prosperous future, in a position that takes sustainability into account. By drawing inspiration from the local cultural core, it will be possible to produce a model of citizen able to efficiently deal with the challenges that are contemporary with him. This thesis aims at modeling this argument through the example of the intangible cultural heritage of Kajoor mainly inhabited by Ajoor people
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Björnered, Anna, and Elin Almqvist. "Kommunalt kontra enskilt huvudmannaskap gällande kajer." Thesis, University West, Department of Technology, 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:hv:diva-700.

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Kasperionytė, Rima. "Mitinis pasaulis Donaldo Kajoko romane „Ežeras ir kiti jį lydintys asmenys“." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140722_115448-82185.

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Darbe aptariamas Vakarų (lietuvių kultūra) ir Rytų kultūrų santykis ir jungiamoji jų grandis – mitas, pateikiama mitinė Donaldo Kajoko romano „Ežeras ir kiti jį lydintys asmenys“ analizė. Analizuojamą romano pasaulį skirstome į tris personažo gyvenimo sferas: gyvenimą su gamta, gyvenimą su žmonėmis, gyvenimą su dvasinėmis esybėmis. Pastebėta, kad pagrindinis romane vaizduojamas objektas yra ežeras. Jis simbolizuoja pirminį chaosą. Ežero centre – dieviško grožio ir didžiulės energijos sala, ji taip pat yra visos romano erdvės centras. Ežero pakraščiai įkūnija mitinio pasaulio dalis: vienoje pusėje pelkė – anapusinis pasaulis, kitoje dvaras – žmogaus gyvenamasis pasaulis. Kuo toliau į pakraščius nuo salos, tuo aplinka klaidesnė. Dvaro gyventojai nesikeičia nei išvaizda, nei charakteriu, pagrindinio veikėjo Gabrieliaus Aušauto pasikeitimai priklauso nuo jo gyvenimo dvare laiko. Dvaro šeimininkę Augustę, pasaulio tvarkos prižiūrėtoją, nužudo jos virėja Juta, nes pastaroji nori sustabdyti kosmoso kūrimąsi ir grąžinti pasaulį į chaosą. Pelkėje gausu fantastinių veikėjų nesybių, arba anattų. Budizmo filosofijoje anattos sąvoka reiškia besieliškumą, vientisos ir patvarios esybės nebuvimą. Anattos savo pažiūromis į pasaulį teigia skirtingų teologinių ir filosofinių minčių susimaišymą, mirties visagališkumą. Ilgainiui pagrindinis veikėjas virsta anatta. Pagrindinės romano temos – amžinybė, chaoso ir kosmoso kova, pasaulio pirmapradiškumas, kurį žmogus išvysta tik miręs.
This paper deals with intercultural dialogue between Western culture (Lithuanian) and Eastern culture. We suggest to think of myth as a connection between those two cultures in Donaldas Kajokas’s Novel "Ežeras ir kiti jį lydintys asmenys". The main object of this novel is a lake. It symbolizes the primordial chaos. In the middle of the lake there is an island of divine beauty and enormous energy. In this novel the center of the space is an island. The edges of the lake embody the sections of the mythical world. On one side there is a swamp – the ulterior world. On the other side there is a manor house – the man‘s living place. Manor residents do not change their appearance neither their character. The main character Gabrielius Ašautas changes depends on the time he spends in the manor house. The manor house hostess Augusta is the warden of the world order. She was killed by her kitchener Juta because the last-mentioned wants to stop the creation of the cosmos and to recreate the chaos. There are a lot of unreal creatures in the swamp, so-called anatta. In Buddhism, the term anatta refers to the notion of soulless. Eventually the main character turns into anatta. The main themes in this novel are: an eternity, struggle between chaos and cosmos, and the primordiality of the world.
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Žielytė, Jūratė. "Indų mitologijos motyvai Vytauto P. Bložės, Donaldo Kajoko ir Rabindranato Tagorės poezijoje." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100617_112913-52106.

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Vytautas P. Bložė, Donaldas Kajokas ir Rabindranathas Tagorė yra gerai susipažinę su indų Vedų vaišnavizmo mitologija, todėl savo eilėraščiuose įdomiai ir gražiai ją taiko, atskleisdami įvairių reiškinių prasmes ir praturtindami lietuvišką poeziją. Daugiausiai dėmesio poetai skiria mėnuliui, sielos ir Supersielos ryšiui ir Dievo Krišnos archetipui, mažiau – šventam medžiui ir gėlei. Kajokas daugiau dėmesio skiria mėnuliui. Bložės mėnulis skatina dvasinį augimą ir neleidžia pasiduoti materialiai tamsai, taip pat dieviškas asmuo su begaliniu pasauliu, Kajokui jis – ne tik šviesa, lemtis bet ir pats Dievo Asmuo (su mėnulio veidu ir akimis), grojantis fleita, taip pat moters ir vaiko įvaizdis, kas atitinka indų mitologiją, o Tagorei mėnulį atstoja Pats Dievas Krišna, turintis mėnulio veidą. Jų mėnulis yra nuolatos veikianti dieviška asmenybė, kas būdinga indų mitologijai. Poetams labai svarbus sielos ir Supersielos santykio motyvas. Visi trys remiasi Vedų šventraščių alegorija ir šį įvaizdį pateikia kaip du paukštelius. Paukštelis Supersiela nuolatos pataria, ką daryti, kad jos antrininkė išsivaduotų nuo žemų įgeidžių ir pasiektų aukščiausią tobulumą, atgaivindama dievišką draugystę. Tagorės paukštis yra be galo laimingas, būdamas kartu su Viešpačiu, Bložė stebi šiuos paukštelius, o Kajoko paukštis nelaimingas, nes neįsiklauso į Supersielą. Kajoko ir Tagorės Supersiela ir siela dar lyginamos su saule ir jos šviesa, Supersielos nebuvimą sielos gyvenime – su... [toliau žr. visą tekstą]
Vytautas P. Bložė, Donaldas Kajokas and Rabindranath Tagore are well acquainted with indian Vedic mythology, therefore in their poetry they adjust it interestingly and beautifully, by revealing the meanings of different phenomenons, and in this way enriching lithuanian poetry. Most of the attention the poets allot to the moon trop, the relationship between the soul and the Supersoul and the archetype of God Krishna, less attention – to the sacred tree and flower. Kajokas attaches great importance to the moon. Bložė's moon induces spiritual growth and does not allow to yield to material darkness, it is also divine person with limitless world. To Kajokas it is not only the light, destiny, but also God (with moonlike face), who plays the flute, it is the trope of a woman and a child too. And for Tagore the place of the moon takes God Krishna Himself with His moonlike face. Their moon is always acting divine person, what is the characteristic of indian mythology. The motive of the relation between the soul and the Supersoul is very significant to the poets. All three of them lean on the allegory of Vedic scriptures and present this trop as two birds. The bird Supersoul always advises what to do for Her minor to make itself free from low whims, by reviving divine friendship. Tagore's bird is endlessly happy being together with the Lord, Bložė observes these birds and Kajokas' bird is unhappy, because it doesn't heed to the Supersoul. Kajokas' and Tagore's Supersoul and... [to full text]
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Rogers, Kristofer. "Mellan vattenspeglar och bebyggelse : En studie av innerstadens kajer i Stockholm." Thesis, Stockholm University, Department of Human Geography, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-39953.

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Denna uppsats behandlar innerstadens kajer i Stockholm. Syftet är att analysera hur innerstadens kajer fungerar som offentliga rum och hur de uppfattas av stadens invånare. Källmaterialet består till stor del av plandokument samt av intervjuer med både tjänstemän och stadens invånare.  En fallstudie vid en av innerstadens kajer har genomförts för att på ett tydligare sätt förstå kajernas dynamik. Resultaten från uppsatsen visar att planeringen kring kajområdena är splittrad och uppdelad mellan många olika instanser. Denna uppdelning tycks ge kajerna dess fysiska och psykiska utseende som antingen uppskattas eller ogillas av stadens invånare. Som offentliga rum fungerar kajerna på flera sätt, bland annat finns en osäkerhet och en kamp om rummet vilket skapar en dynamik som gör platserna levande och fungerande.

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Šimkus, Antanas. "Lietuviškas pėdsakas ant Vakarų liepto į Rytus (Donaldo Kajoko „Meditacijos“ ir „Lietaus migla Lu kalne“)." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100709_150705-05662.

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Darbe pirmiausia aptariamos prielaidos Vakarų ir Rytų kultūrų dialogui rastis. Temos problematika ir galima sklaida pristatoma iš esmės remiantis Carlo G. Jungo ir Martino Heideggerio įžvalgomis, lietuvių kultūros veikėjų mintimis, glaustai pateikiama lietuvių literatūros kritikos recepcija šiuo klausimu, apžvelgiami Donaldo Kajoko autokomentarais suformuluoti jo kūrybos bei gyvenimo vakarietiški ir rytietiški kontekstai. Pagrindinė darbo dalis skirta D. Kajoko kūrybos – eilėraščių ir esė – nagrinėjimui Vakarų-Rytų įtakos aspektu. Pastebėta, kad šių kultūrų sandūros kūrybinis padarinys yra autoriaus tekstuose atsiskleidžiantys gimtosios kalbos resursai. Tai suteikia galimybę minėtame civilizacijų dialoge įžvelgti lietuviškus pėdsakus kaip kūrėjo pa(si)rinktas gramatines formas, stilistinę raišką, poetines figūras. Tampa akivaizdu, jog esė, be citatinių, struktūrinių ir žanrinių paviršiaus žaidimų, priskiriamų vakarietiškam būdui siekti prozininko meistrystės, intelektiniai egzistenciniai ieškojimai, realizuojami mąstant kalbą, savo vidinę tikrovę, liudija nuolatinę kelionę vieningo pasaulio, kaip minėtų kultūrų sintezės, link.
This work discusses assumptions of the emerging West and East cultural dialogue. The topics and possible spread of the theme is presented using the insights of Carl G. Jung and Martin Heidegger, the thoughts of Lithuanian thinkers. The author concisely presents the reception of Lithuanian literary criticism on this question, surveys the Eastern and Western creative and life contexts of Donaldas Kajokas, which he formulated in his auto commentary. The main part of this work is committed to the analysis of D. Kajokas oeuvre – his poems and essays in the aspect of West and East. It is observed, that creative consequence of this cultural junction is unfolding resources of native language. It gives an opportunity to envisage in this civilization dialogue some Lithuanian trails as chosen grammatical forms, stylistic expression, poetical forms. It is obvious, that essay, besides it‘s quotation, structural and genre games, which are attributed to Western way of prose craftsmanship, intellectual and existential pursuance, which is realized in thinking about language and inner reality, testifies the continuous voyage towards unanimous world, towards the synthesis of abovementioned cultures.
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8

[Verfasser], Kajohn Boonrod. "A single chain antibody against a viral RNA polymerase (TBSV-BS3-Statice) / Kajohn Boonrod." 2003. http://d-nb.info/969561946/34.

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Rica, Joana. "Tratamento geoestatístico dos dados provenientes da prospecção geoeléctrica. O caso de estudo de Kajol - Peru." Dissertação, 2013. http://hdl.handle.net/10216/73557.

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Lopes, Joana Rica Laranjo. "Tratamento geoestatístico dos dados provenientes da prospecção geoeléctrica. O caso de estudo de Kajol - Peru." Master's thesis, 2013. https://repositorio-aberto.up.pt/handle/10216/70501.

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Books on the topic "Kajoor"

1

Diouf, Mamadou. Le Kajoor au XIXe siècle: Pouvoir ceddo et conquête coloniale. Paris: Karthala, 1990.

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Searing, James F. "God alone is king": Islam and emancipation in Senegal : the Wolof kingdoms of Kajoor and Bawol, 1859-1914. Portsmouth, NH: Heinemann, 2002.

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Kajŏn munhangnon. Sŏul-si: Pagijŏng, 2007.

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Zorman, Ivo. Kajnov rod. Ljubljana: Prešernova družba, 1992.

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Song, Sŏng-ja. Kajok kwanʼgye wa kajok chʻiryo. Sŏul Tʻŭkpyŏlsi: Hongikchae, 1987.

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An, Hyang-nim. Ihon kajok kwa chaehon kajok. 8th ed. Sŏul-si: Hongikchae, 2006.

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Song, Sŏng-ja. Kajok kwanʼgye wa kajok chʻiryo. Sŏul Tʻŭkpyŏlsi: Hongikchae, 1987.

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1962-, Yi Hun-jae, ed. Kajok: Uri kajok ppuri rŭl ch'ajasŏ. Sŏul T'ŭkpyŏlsi: Kŭl Moa Ch'ulp'an, 2010.

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Kim, Chi-yŏng oe. Kajok sangdam mit kajok ch'iryo: Pubu kajok sangdam ŭi iron kwa silche. Sŏul: Yangsŏngwŏn, 2017.

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Kajokpu, Korea (South) Yŏsŏng, ed. Kajok, haengbok ŭl mannada: Kajok, poyuk chŏngchʻaek. Sŏul-si: Yŏsŏng Kajokpu, 2006.

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Book chapters on the topic "Kajoor"

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Sykes, Percy. "The Founding of the Kajar Dynasty." In History of Persia, ii. 289—ii. 297. London: Routledge, 2022. http://dx.doi.org/10.4324/9780203426722-76.

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Stigand, C. H., and Reginald Wingate. "The Kajo Kaji District." In Equatoria, 63–77. London: Routledge, 2021. http://dx.doi.org/10.4324/9781315094403-7.

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Balnat, Vincent. "Vom Boul’Mich’ zur Kajo: Kürzung von Ortsnamen im Substandard (D-F) – ein Überblick." In Diskursive Verfestigungen, edited by Laurent Gautier, Pierre-Yves Modicom, and Hélène Vinckel-Roisin, 331–46. Berlin, Boston: De Gruyter, 2018. http://dx.doi.org/10.1515/9783110585292-021.

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Traoré, Ousmane. "State Control and Regulation of Commerce on the Waterways and Coast of Senegambia, ca. 1500-1800." In Navigating African Maritime History. Liverpool University Press, 2009. http://dx.doi.org/10.5949/liverpool/9780986497315.003.0004.

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This chapter examines the trade relationship between the Senegambian Wolof government and European maritime traders between 1500 and 1800. It analyses the separate approaches each side took during diplomatic relations over the rights to African waterways. It demonstrates that where European states considered Africa a ‘discovery’ and recognised it in terms of possession, monopolies, and exclusive rights over other European nations, Senegambian sovereigns considered the market free, and traded with Europe out of economic interest without willingness to give up dominion of their lands to maritime traders. In particular, it examines the reign of Lat-Sukaabe Faal, king of Kajoor-Bawol between 1696 and 1720, and how he undertook commercial relations with European maritime powers. By analysing how these two economically incompatible cultures interacted over trade, it determines that African leaders used military advantages to protect their interests, and that despite the Eurpoean ‘mastery of the sea’, African nations used their own maritime skills, especially navigation, to maintain control of their waterways and thereby control the terms of trade with Europe.
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NDOUR, Issa. "Les Luso-africains de la Sénégambie." In Les Annales du Sud, No. 1, 99–112. Editions des archives contemporaines, 2023. http://dx.doi.org/10.17184/eac.7239.

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Entre les XVIe et XVIIe siècles s’étaient développés sur la Petite-côte de nombreux comptoirs notamment à Rufisque et à Portudal qui devinrent de véritables zones de brassages culturels entre Européens et Africains. Dans ces lieux de traite s’étaient établis des Luso-africains appelés Lançados qui, de par leur implication dans le commerce de l’ivoire, des peaux, du cuir et des esclaves, eurent une influence économique considérable. Grâce à une forte présence sur la côte et un monopole de fait sur les transactions, ils étaient devenus les intermédiaires incontournables dans le commerce entre les traitants européens et les fournisseurs africains. En effet, installés par petits groupes, les Lançados étaient en rapport les uns des autres, étendant sur tout le littoral un vaste réseau commercial. Leur poids économique grandissant suscita l’hostilité du Portugal qui promulgua une législation visant à enrayer cette communauté, mais cette entreprise n'eut jamais le succès escompté. Car ces Luso-africains entretenaient des relations privilégiées avec les souverains des royaumes côtiers du Kajoor, du Bawol et du Siin dans lesquels ils résidaient. Toutefois, la perte du monopole commercial par les Portugais et les relations souvent conflictuelles avec certains chefs africains vont réduire de manière sensible leur nombre sur le littoral de la Sénégambie septentrionale à la fin du XVIIe siècle.
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"Nasz Pan Kajzer:." In Pomp and Politics of Patriotism, 33–51. Purdue University Press, 2001. http://dx.doi.org/10.2307/j.ctt6wq4g3.8.

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"Kajar, a Blacksmithing Village in Yogyakarta." In Surviving against the Odds, 82–154. Duke University Press, 2009. http://dx.doi.org/10.1215/9780822392613-003.

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"Kajar, a Blacksmithing Village in Yogyakarta." In Surviving against the Odds, 82–134. Duke University Press, 2009. http://dx.doi.org/10.2307/j.ctv11smh7d.11.

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Buhari-Gulmez, Didem. "Rap Music in Turkey." In Advances in Media, Entertainment, and the Arts, 204–20. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-1986-7.ch011.

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Benefiting from the theoretical debate between grobalization and glocalization, this chapter aims to shed light on the emerging role of rap music as an alternative venue for political communication in a polarized country, Turkey. The chapter will discuss the political contributions of the selected underground Turkish rappers – Norm Ender, Sagopa Kajmer and Rapzan Belagat – on the public debate in the country about identity, human rights, and other socio-political issues that go beyond the traditional “Kemalist versus Kurdish”, “Kemalist versus Islamist”, and “Islamist versus Kurdish” divide. This study suggests that the Turkish rap and its varieties reflect a complex set of interactions between the local and the global in line with the glocalization approach.
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Khatun Kajol, Sulema. "The Sunset." In The Silence That Speaks, 317—C35.P49. Oxford University PressDelhi, 2022. http://dx.doi.org/10.1093/oso/9780190132613.003.0036.

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Abstract March 1971. The border security forces have organised a White Flag meeting at the no man's land between India and East Pakistan. People who migrated to the other side of the border in the wake of the 1947 partition are eager to meet their relatives who were left behind. But they only have two hours to meet each other. The Bengali short story "The Sunset" by Sulema Khatun Kajol captures the sea of emotions that flood the minds and lives of villagers on this special day. It focuses on the psychological and social dimensions of the trauma of the Partition. Translated from Bengali by Arzuman Ara
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Conference papers on the topic "Kajoor"

1

Aprillia, Kusriantari Fenny, Estuti Rochimah, and Tjandra Kania. "Tata Ruang Perapen pada Pande Besi Desa Kajar Wonosari Gunungkidul Jogjakarta." In Temu Ilmiah IPLBI 2018. Ikatan Peneliti Lingkungan Binaan Indonesia, 2018. http://dx.doi.org/10.32315/ti.7.f046.

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Torruellas, W. E., D. Neher, G. I. Stegeman, and F. Kajzar. "Third-order susceptibility dispersion of polythiophene thin films." In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1990. http://dx.doi.org/10.1364/oam.1990.thaa3.

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F. Kajzar et al.,1 have previously reported dispersion measurements of only the magnitude of the third order nonlinear susceptibility of polythiophene films. We have performed tunableTFIG measurements in the range of 1 to 2µm on poly(3-butylthiophene) and poly(3-decylthiophene) thin film polymers. Both the magnutide and the phase dispersions of χ(3)(3ω) agree with a three level model. This model indicates the presence of a two-photon state below the first dipole allowed one-photon state. The transition dipole moment between both excited states dominates the dispersion of the magnitude and the phase of χ(3)(3ω) near the three photon resonance.
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