Journal articles on the topic 'Kaija'
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Gray, Mary W. "Émilie by Kaija Saariaho." Mathematical Intelligencer 38, no. 4 (October 19, 2016): 84–85. http://dx.doi.org/10.1007/s00283-016-9642-5.
Full textMunk, J. "Kaija Saariaho. By Pirkko Moisala." Music and Letters 92, no. 1 (February 1, 2011): 174–76. http://dx.doi.org/10.1093/ml/gcq096.
Full textJärvensivu, Anu. "Näkökulmia työhön ja oppimiseen yksien kansien sisällä." Aikuiskasvatus 29, no. 1 (February 15, 2009): 71–72. http://dx.doi.org/10.33336/aik.94176.
Full textOjala, Hanna. "Avauksia toimijuuteen aikuiskasvatuksessa." Aikuiskasvatus 31, no. 3 (September 15, 2011): 220–21. http://dx.doi.org/10.33336/aik.93945.
Full textKaija, Sandra. "Izmeklēšanas noslēpums procesā par noziedzīgi iegūtu mantu." SOCRATES. Rīgas Stradiņa universitātes Juridiskās fakultātes elektroniskais juridisko zinātnisko rakstu žurnāls / SOCRATES. Rīga Stradiņš University Faculty of Law Electronic Scientific Journal of Law 2, no. 8 (2017): 14–24. http://dx.doi.org/10.25143/socr.08.2017.2.14-24.
Full textSternburg, Judith von. "Requiem für ein Genie." Opernwelt 65, no. 7 (2024): 14–15. http://dx.doi.org/10.5771/0030-3690-2024-7-014.
Full textPepper, Kaija. "kraftfelder." tanz 14, no. 2 (2023): 22–27. http://dx.doi.org/10.5771/1869-7720-2023-2-022.
Full textTsaregradskaya, Tatiana V. "Kaija Saariaho and Her Laterna Magica." Vestnik of Saint Petersburg University. Arts 11, no. 4 (2021): 607–35. http://dx.doi.org/10.21638/spbu15.2021.403.
Full textPasanen, Heikki. "Keskustelunavaus yli koulukuntarajojen." Aikuiskasvatus 31, no. 2 (May 15, 2011): 150–51. http://dx.doi.org/10.33336/aik.93929.
Full textPepper, Kaija. "krimifieber." tanz 15, no. 5 (2024): 4–7. http://dx.doi.org/10.5771/1869-7720-2024-5-004.
Full textMoisala, Pirkko, and Camila Durães Zerbinatti. "Gender Negotiation of the composer Kaija Saariaho in Finland: The Woman Composer as Nomadic Subject." Revista Vórtex 3, no. 2 (December 31, 2015): 1–24. http://dx.doi.org/10.33871/23179937.2015.3.2.886.
Full textSkhaplok, Galina. "ON THE REALIZATION OF NOANOA AND PRES, TWO PIECES FOR SOLO INSTRUMENTS AND IRCAM SIGNAL PROCESSING WORKSTATION (Xavier Chabot, Kaija Saariaho, Jean-Baptiste Barrière)." Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta, no. 12 (2021): 73–82. http://dx.doi.org/10.17223/26188929/12/7.
Full textSivuoja-Gunaratnam, Anne. "Desire and distance in Kaija Saariaho's Lonh." Organised Sound 8, no. 1 (April 2003): 71–84. http://dx.doi.org/10.1017/s1355771803001080.
Full textCornell, Meg. "The Order of Things by Kaija Langley." Bulletin of the Center for Children's Books 76, no. 10 (June 2023): 330–31. http://dx.doi.org/10.1353/bcc.2023.0289.
Full textSaamishvili, N. N. "True Fire by Kaija Saariaho: Poetics of Composition." Art & Culture Studies, no. 2 (June 2021): 198–229. http://dx.doi.org/10.51678/2226-0072-2021-2-198-229.
Full textKucia-Kuśmierska, Katarzyna. "Simone Weil i Kaija Saariaho. Paradoksy literacko-muzyczne." Czytanie Literatury. Łódzkie Studia Literaturoznawcze, no. 10 (December 30, 2021): 67–97. http://dx.doi.org/10.18778/2299-7458.10.04.
Full textStein, Robert. "London, Proms 2012 (2): Olga Neuwirth, Kaija Saariaho." Tempo 67, no. 263 (January 2013): 73–75. http://dx.doi.org/10.1017/s0040298212001416.
Full textCollin, Kaija. "Työssä oppiminen – kokemuksellisuutta ja jaettuja käytäntöjä." Aikuiskasvatus 25, no. 2 (May 15, 2005): 162–64. http://dx.doi.org/10.33336/aik.93625.
Full textRomero Ortiz, M. ª. Dolores. "Jardín japonés en Six Japanese Gardens de Kaija Saariaho." Quodlibet. Revista de Especialización Musical, no. 75 (June 22, 2021): 272–340. http://dx.doi.org/10.37536/quodlibet.2021.75.1458.
Full textRomero Ortiz, M. ª. Dolores. "Jardín japonés en Six Japanese Gardens de Kaija Saariaho." Quodlibet. Revista de Especialización Musical, no. 75 (June 22, 2021): 272–340. http://dx.doi.org/10.37536/quodlibet.2021.75.1458.
Full textKiseyeva, Elena V., and Emma S. Korotkiyeva. "Interpretation of the Genre in Kaija Saariaho’s Opera Innocence." Problemy muzykal'noi nauki / Music Scholarship, no. 4 (December 2023): 128–41. http://dx.doi.org/10.56620/2782-3598.2023.4.128-141.
Full textDe Felice, Chiara. "Kaija e Heikki Siren. Casa e padiglione a Lingonsö." Firenze Architettura 26, no. 1 (September 26, 2022): 114–25. http://dx.doi.org/10.36253/fia-13940.
Full textWeber, Sabine. "Grenzerfahrungen." Opernwelt 63, no. 4 (2022): 79. http://dx.doi.org/10.5771/0030-3690-2022-4-079.
Full textOliveira, Levy, and João Pedro Oliveira. "Procedimentos Estruturais na Peça A Twilight's Song de Matthias Pintscher." Per Musi, no. 40 (October 30, 2020): 1–19. http://dx.doi.org/10.35699/2317-6377.2020.15108.
Full textAnderson, Julian, and Kaija Saariaho. "Seductive Solitary. Julian Anderson Introduces the Work of Kaija Saariaho." Musical Times 133, no. 1798 (December 1992): 616. http://dx.doi.org/10.2307/1002509.
Full textKANKAANPÄÄ, VESA. "Displaced time: transcontextual references to time in Kaija Saariaho's Stilleben." Organised Sound 1, no. 2 (August 1996): 87–92. http://dx.doi.org/10.1017/s1355771896000106.
Full textLister, Rodney. "Boston: Saariaho's ‘Circle Map’." Tempo 67, no. 264 (April 2013): 74–75. http://dx.doi.org/10.1017/s0040298213000144.
Full textFriks, Elvis. "Atgriešanās garša: Agates Nesaules romāns “Zudušie saulgrieži gastropoētikas aspektā." Aktuālās problēmas literatūras un kultūras pētniecībā rakstu krājums, no. 28 (March 24, 2023): 273–83. http://dx.doi.org/10.37384/aplkp.2023.28.273.
Full textVriezen, Samuel. "Kaija Saariaho Only the Sound Remains, Dutch National Opera, Muziektheater, Amsterdam." Tempo 70, no. 277 (June 10, 2016): 96–97. http://dx.doi.org/10.1017/s0040298216000255.
Full textPotter, Caroline. "Kaija Saariaho - Kaija Saariaho: Graal Théâtre, Circle Map, Neiges, Vers toi qui es si loin. Peter Herresthal, violin/Oslo Philharmonic/Clément Mao-Takacs, conductor. BIS 2402." Tempo 74, no. 292 (March 6, 2020): 89–90. http://dx.doi.org/10.1017/s0040298219001347.
Full textHeikkinen, Kaija. "Avioliiton ongelmallisuus sota- ja kotirintamalla." Väki Voimakas, no. 28 (November 2, 2023): 151–73. http://dx.doi.org/10.55286/vv.122909.
Full textRiikonen, Taina. "Shaken or stirred – virtual reverberation spaces and transformative gender identities in Kaija Saariaho's NoaNoa (1992) for flute and electronics." Organised Sound 8, no. 1 (April 2003): 109–15. http://dx.doi.org/10.1017/s1355771803001122.
Full textRIIKONEN, TAINA. "Shared sounds in detached movements: flautist identities inside the ‘local-field’ spaces." Organised Sound 9, no. 3 (December 2004): 233–42. http://dx.doi.org/10.1017/s1355771804000421.
Full textSivuoja-Gunaratnam, Anne. "Miniatures and tensions: phenomenological reverberations in and around Kaija Saariaho's Lichtbogen (1985-86)." Articles 25, no. 1-2 (December 17, 2012): 44–66. http://dx.doi.org/10.7202/1013305ar.
Full textGotcheva, Angelina-Ogniana. "The True Sense оr to My Only Desire: The Music as a Reason for Sun Reflections." Filosofiya-Philosophy 33, no. 1 (March 25, 2024): 93–105. http://dx.doi.org/10.53656/phil2024-01-05.
Full textCagney, L. "Kaija Saariaho: Visions, Narratives, Dialogues. Ed. by Tim Howell, Jon Hargreave, and Michael Rofe." Music and Letters 95, no. 3 (August 1, 2014): 493–95. http://dx.doi.org/10.1093/ml/gcu052.
Full textHowell, Tim. "OUT OF THE SHADOWS AND SILENCES: THE LOTTA WENNÄKOSKI IN PROFILE." Tempo 66, no. 259 (January 2012): 2–14. http://dx.doi.org/10.1017/s0040298212000010.
Full textPeraino, Judith A. "Sonograms of Desire, Medieval and Modern." Paragraph 41, no. 1 (March 2018): 26–41. http://dx.doi.org/10.3366/para.2018.0248.
Full textvan, Herck. "Spatiality as creativity in the music of Kaija Saariaho: A reflection with a focus on 'Lichtbogen'." Zbornik Akademije umetnosti, no. 9 (2021): 155–73. http://dx.doi.org/10.5937/zbaku2109155h.
Full textCampion, Edmund. "Dual Reflections: A Conversation with Kaija Saariaho and Jean-Baptiste Barrière on Music, Art, and Technology." Computer Music Journal 41, no. 3 (September 2017): 9–20. http://dx.doi.org/10.1162/comj_a_00426.
Full textFernández Villalobos, Nieves, and Andrés Jiménez Sanz. "La disolución de los límites en el espacio religioso. La Capilla del Bosque de Heikki y Kaija Siren." Estoa 10, no. 19 (January 27, 2021): 21–32. http://dx.doi.org/10.18537/est.v010.n019.a02.
Full textGOTCHEVA, Angelina-Ogniana. "The Position of Women Composers in the World and in Bulgaria – is the Audience of Contemporary Classical Music Privileged or Deprived?" Balkanistic Forum 32, no. 3 (September 15, 2023): 290–308. http://dx.doi.org/10.37708/bf.swu.v32i3.17.
Full textRickards, Guy. "Kaija Saariaho: Visions, Narratives, Dialogues. Edited by Tim Howell with John Hargreaves and Michael Rofe. Ashgate, £55.00." Tempo 67, no. 265 (July 2013): 95–97. http://dx.doi.org/10.1017/s0040298213000612.
Full textPousset, Damien, Joshua Fineberg, and Ronan Hyacinthe. "The works of Kaija Saariaho, Philippe Hurel and Marc-André Dalbavie—Stile concertato, stile concitato, stile rappresentativo." Contemporary Music Review 19, no. 3 (January 2000): 67–110. http://dx.doi.org/10.1080/07494460000640371.
Full textAnderson, Martin. "London, Barbican: Saariaho's ‘L'amour de loin’." Tempo 57, no. 224 (April 2003): 42–43. http://dx.doi.org/10.1017/s0040298203220155.
Full textKucia, Katarzyna. "The Figure of Kenosis in Literature and Music. The Case of Kaija Saariaho’s Oratorio La Passion de Simone." Rocznik Komparatystyczny 8 (2017): 231–61. http://dx.doi.org/10.18276/rk.2017.8-11.
Full textFernández-Cobián, Esteban. "¿Son protestantes nuestras iglesias modernas?" Actas de Arquitectura Religiosa Contemporánea 5 (July 25, 2018): 66–85. http://dx.doi.org/10.17979/aarc.2017.5.0.5143.
Full textBesada, José L., and Cristóbal Pagán Cánovas. "Timelines in Spectral Composition: A cognitive approach to musical creativity." Organised Sound 25, no. 2 (August 2020): 142–55. http://dx.doi.org/10.1017/s1355771820000059.
Full textBauer, Amy. "Reconfiguring Myth and Narrative in Contemporary Opera: Osvaldo Golijov, Kaija Saariaho, John Adams, Tan Dun. By Yayoi Uno Everett." Music and Letters 99, no. 3 (August 1, 2018): 500–502. http://dx.doi.org/10.1093/ml/gcy089.
Full textKeinästö, Kari, and Doris Wagner. "Jarmo Korhonen: Alles im Griff. Homma hanskassa. Saksa–suomiidiomisanakirja. Idiomwörterbuch Deutsch–Finnisch. Laatimisessa avustaneet Kaija Menger ja saksa–suomi-fraseologian työryhmä. Unter Mitarbeit von Kaija Menger und der Arbeitsgruppe Deutsch–Finnische Phraseologie. Helsinki: Werner Söderström Osakeyhtiö. 1. Auflage 2001. 2. Auflage 2002." Lexicographica 19, no. 2003 (August 2, 2004): 376–78. http://dx.doi.org/10.1515/9783484604568.376.
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