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Sarah, Rima. "AN ANALYSIS OF THE SYMBOLS OF LOVE, LIFE, AND DEATH IN KAHLIL GIBRAN'S POEMS." Jurnal Adabiya 23, no. 2 (August 28, 2021): 154. http://dx.doi.org/10.22373/adabiya.v23i2.10287.
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Kahlil Gibran is a Lebanese-American artist, writer, and poet. He is no stranger to literary lovers and connoisseurs. His phenomenal works made Kahlil Gibran famous. His life experience also adds its unique value to his works. The various meanings hidden behind each of his works deserve further analysis. Some of them are typical poems from Kahlil Gibran. He has his way of expressing the true meaning of life through his poems. Therefore, this study will show the symbolic meaning of these poems by using the hermeneutical analysis method from Paul Ricoeur. This method explains the meaning of the symbol in real life. A symbol is a form that gives meaning to every word or sentence contained in a literary work. The result of this analysis is the discovery of various kinds of symbols contained in the poems by Kahlil Gibran, including symbols of love, life, and death. Based on these findings, it can be concluded that love, life, and death are some of the symbols found in Kahlil Gibran's poems.
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Anhar, Anhar. "Pergeseran Ideologi Agama dalam Puisi Almustafa Karya Kahlil Gibran." Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia 4, no. 2 (December 27, 2022): 97–106. http://dx.doi.org/10.26499/bahasa.v4i2.287.
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The purpose of this research; (1) describe, explore, and analyze the shift in religious ideology in Kahlil Gibran's poem Almustafa, (2) describe, explore, and analyze the construction of the reality of religious values in Kahlil Gibran's Almustaf poem. This type of research is classified as a qualitative descriptive research. The approach used is a critical literacy approach, which is to analyze the use of language aspects that experience a shift in religious values. The object of this research is the poem Almustafa by Kahlil Gibran. Data collection techniques used library techniques, namely reading, understanding, and analyzing the poem Almustafa by Kahlil Gibran. The data analysis technique uses library techniques, namely by reading, understanding, and analyzing the poem Almustafa by Kahlil Gibran through a critical literacy approach. The results showed that; (1) there is a shift in religious values in some parts of the poem. In poetry, Kahlil Gibran's views on religious values contain controversy between the title which is illustrated as a form of reflection of Islamic figures and the illustration presented. The shift in religious values occurs due to errors in the use of language aspects, namely concrete words, idioms, and figurative language used that are not in accordance with the context. The language aspect is fragments of poetry in the form of words, clauses, or sentences, (2) the shifts that occur, both in nature and in scope are different, this is due to differences in religious values conveyed by the construction of reality in the text. The shift is in the form of syncretism of several religious values, namely Islam, Hinduism, Christianity so that the benchmark for the value of truth in a message and the meaning of poetry becomes abstract. AbstrakPenelitian ini bertujuan untuk, (1) mendeskripsikan, mengeksplorasi, dan menganalisis pergeseran ideologi agama dalam puisi Almustafa karya Kahlil Gibran, (2) mendeskripsikan, mengeksplorasi, dan menganalisis konstruksi realitas nilai agama dalam puisi Almustaf karya Kahlil Gibran. Jenis penelitian ini tergolong penelitian deskriptif kualitatif. Pendekatan yang digunakan adalah ancangan literasi kritis, yaitu menganalisis penggunaan aspek bahasa yang mengalami pergeseran nilai-nilai agama. Objek penelitian ini adalah puisi Almustafa karya Kahlil Gibran. Teknik pengumpulan data menggunakan teknik pustaka, yaitu membaca, memahami, dan menganalisis puisi Almustafa karya Kahlil Gibran. Teknik analisis data menggunakan teknik pustaka, yaitu dengan membaca, memahami, dan menganalisis puisi Almustafa karya Kahlil Gibran melalui ancangan literasi kritis. Hasil penelitian menunjukkan bahwa; (1) terjadi pergeseran nilai-nilai agama dalam beberapa bagian puisi. Dalam puisi, pandangan-pandangan Kahlil Gibran tentang nilai-nilai agama mengandung kontroversi antara judul yang diilustrasikan sebagai bentuk refleksi tokoh Islam dengan ilustrasi yang disampaikan. Pergeseran nilai-nilai agama terjadi akibat kesalahan penggunaan aspek bahasa, yaitu kata konkret, idiom, dan bahasa figuratif yang digunakan tidak sesuai dengan konteksnya. Aspek bahasa tersebut merupakan penggalan-penggalan puisi berupa kata, klausa, atau kalimat, (2) pergeseran yang terjadi, baik sifat maupun cakupannya berbeda-beda, hal ini disebabkan oleh adanya perbedaan nilai-nilai agama yang disampaikan dengan konstruksi realitas yang ada dalam teks. Pergeseran tersebut berupa sinkretisme beberapa nilai agama, yaitu Islam, Hindu, Nasrani, dan Yahudi sehingga tolok ukur nilai kebenaran dalam sebuah pesan dan makna puisi menjadi abstrak.
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Fitria, Tira Nur. "Figurative Language in the Broken Wings by Kahlil Gibran: An Analysis of Language Style as Stylistic Effect." NOTION: Journal of Linguistics, Literature, and Culture 4, no. 2 (November 9, 2022): 104–16. http://dx.doi.org/10.12928/notion.v4i2.5798.
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The objective of this research is to find out the figurative languages in the Broken Wings by Kahlil Gibran. This research is descriptive qualitative. The data was taken from Kahlil Gibran’s novel entitled “The Broken Wings”. The researcher analyzes the data based on Abrams’s theory (1999) about figurative language. The result analysis shows that Based on table 9 above, shows there are several types of figurative language in “The Broken Wings” by Kahlil Gibran. 292 data contains figurative language in 8 types of figurative language including simile, personification, metaphor, synecdoche, hyperbole, paradox, symbol, and proverb. In a simile, there are 128 data (43.8 %). In personification, there are 34 data (11.6 %). In metaphor, there are 33 data (11.3 %). In synecdoche, there are 30 data (10.3 %). In hyperbole, there are 25 data (8.6 %). In a paradox, there are 22 data (7.5 %). In symbol, there are 13 data (4.5 %). In the proverb, there are 7 data (2.4 %). It shows that the most dominant type of figurative language in “The Broken Wings” by Kahlil Gibran is simile as 128 data or 43.8 %. The novel Broken Wings by Kahlil Gibran is a romantic literary novel that tells the fate of Gibran's love story for a Lebanese girl named Selma Karamy. The writing of this novel is very light and easy to read and the way he writes it makes us immersed in the situation of the love story. The style of language used by the author in this novel is very distinctive. The author provides proof that his love story wrapped in romance is written in beautiful and interesting language to the readers.
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Ulfa, Rusdiyana, Syukur Ghazali, and Anang Santoso. "Sarana Kohesi Dalam Kumpulan Puisi Cinta Karya Kahlil Gibran“Melancholic Gibran Karya-Karya Syahdu Penggugah Jiwa“." Jurnal Pendidikan: Teori, Penelitian, dan Pengembangan 5, no. 5 (May 30, 2020): 637. http://dx.doi.org/10.17977/jptpp.v5i5.13488.
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<p><strong>Abstract:</strong> This study aims to describe and explain the means of cohesion in the formation of the wholeness of discourse in a collection of love poems by Kahlil Gibran entitled "Melancholocic Gibran Works by Soul-Raising Syahdu". The approach used in this study uses a qualitative descriptive approach and this type of research uses the type of discourse analysis research. The data in this research are in the form of excerpts from poetry that can describe cohesion and coherence in a collection of love poems by Kahlil Gibran. The data source of this research is a collection of love poems by Kahlil Gibran entitled "Melancholocic Gibran Works by Soul-Saving Souls". The results of this research are grammatical cohesion tools used by a collection of love poems by Kahlil Gibran entitled "Melancholocic Gibran by Soul-Enhancing Syahdu Works" are exophoric references, anaphoric references, wordfora references, nominal substitution, elliptical clauses, additive and conjunctive coordinating conjunctions, are exophoric references, anaphoric references, wordaphoric references, nominal substitution, elliptical clauses, additive and conjunctive coordinating conjunctions, are exophoric references, anaphoric references, wordaphoric references, nominal substitution, elliptical clauses, additive and conjunctive coordinating conjunctions. resistance, attribute subordinative conjunction, and subordinative conjunction time.</p><strong>Abstrak: </strong>Penelitian ini bertujuan mendeskripsikan dan menjelaskan sarana kohesi dalam pembentukan keutuhan wacana pada kumpulan puisi cinta karya Kahlil Gibran yang berjudul “<em>Melancholocic Gibran Karya-karya Syahdu Penggugah Jiwa</em>”. Pendekatan yang digunakan dalam penelitian ini menggunakan pendekatan deskriptif kualitatif dan jenis penelitian ini menggunakan jenis penelitian analisis wacana. Data dalam penelitan ini berupa kutipan larik puisi yang bisa menggambarkan kohesi dan koherensi dalam kumpulan puisi cinta karya Kahlil Gibran. Sumber data penelitian ini ialah kumpulan puisi cinta karya Kahlil Gibran yang berjudul “<em>Melancholocic Gibran Karya-karya Syahdu Penggugah Jiwa</em>”. Hasil dari penelitan ini sarana kohesi gramatikal yang digunakan kumpulan puisi cinta karya Kahlil Gibran yang berjudul “<em>Melancholocic Gibran Karya-karya Syahdu Penggugah Jiwa</em>” adalah referensi eksofora, referensi anafora, referensi katafora, substitusi nomina, elipsis klausa, konjungsi koordinatif penambahan <em>dan, </em>konjungsi koordinatif perlawanan, konjungsi subordinatif atributit, dan konjungsi subordinatif waktu.
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Altabaa, Homam, Waleed Fekry Faris, and Adham Hamawiya. "A Review of Kahlil Gibran’s Major Creative Works (Ulasan Hasil Karya Kreatif Utama Kahlil Gibran)." Journal of Islam in Asia (E-ISSN 2289-8077) 18, no. 3 (December 31, 2021): 231–53. http://dx.doi.org/10.31436/jia.v18i3.1082.
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Kahlil Gibran is one of the most important writers of modern Arabic literature and one of the most successful poets of English in the twentieth century. He is undoubtedly a pioneer among Arab poets and novelists writing in English and the most important figure in the Émigré literary movement. His world-wide popularity is due in large part to his universal spiritual message of love and compassion. This study, focusing on both his Arabic and English works, seeks to explore the various contextual aspects that affect all of Gibran’s works since his birth in Mount Lebanon. It also presents a critical overview of all his works for readers and critics that seek a deeper appreciation and a more comprehensive understanding of this literary genius. The study highlights the spiritual element which serves as the link that unifies his Arabic and English works and propels them to enduring literary and popular success across cultures. Keywords: Kahlil Gibran, Āmigré Literature, Diaspora Writers, Spirituality, Perennialism. Abstrak Kahlil Gibran merupakan salah seorang penulis yang tersohor dalam kesusasteraan Arab moden dan salah seorang penyair Inggeris yang berjaya pada abad kedua puluh. Kredibiliti beliau tidak diragukan kerana beliau merupakan perintis dalam kalangan penyair dan novelis Arab yang menulis dalam bahasa Inggeris dan tokoh terpenting dalam gerakan sastera Émigré. Sebahagian besar popularitinya di seluruh dunia adalah disebabkan oleh mesej rohani universal cinta dan belas kasihannya. Kajian ini difokuskan kepada kedua-dua karya Arab dan Inggerisnya untuk meneroka pelbagai aspek kontekstual yang mempengaruhi semua karya Gibran sejak kelahirannya di Gunung Lubnan. Kajian ini juga memberikan gambaran keseluruhan yang kritis mengenai semua karya beliau kepada pembaca dan pengkritik yang mencari penghayatan yang lebih mendalam dan pemahaman yang lebih komprehensif tentang kehebatan sastera ini. Kajian ini juga mengenengahkan unsur kerohanian yang berfungsi sebagai penghubung yang menyatukan hasil karya Arab dan Inggerisnya dan mendorong mereka kepada kejayaan sastera dan popular yang berkekalan di seluruh budaya. Kata Kunci: Kahlil Gibran, Sastera Āmigré, Penulis Diaspora, Kerohanian, Perenialisme.
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Fitria, Tira Nur. "ANALYSIS OF LOVE IN “THE BROKEN WINGS” BY KAHLIL GIBRAN." ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture 6, no. 1 (June 24, 2022): 140. http://dx.doi.org/10.17977/um006v6i12022p140-152.
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Love is a priceless gift and without it, life feels empty. Therefore, keep love with loyalty, honesty, and be able to keep our heart from being stained just for self-satisfaction which will regret in the end. This expression may as the basis for the writing of the novel "Broken Wings" by Khalil Gibran, a poet, philosopher, and painter from Lebanon. This work is considered very beautiful and tells the story of the fate that broke the wings of Gibran's love for a Lebanese girl named Selma Karamy. The objective of this research is to describe the meaning of love found in “The Broken Wings” by Kahlil Gibran. Love is the main theme in this story. The love in it is not only for Gibran to Selma Karamy, but also Selma Karamy's affection for his father is a form of love. Selma Karamy, who is starting to grow up, feels restless about her father. He realized that she was a woman. "Indeed, the tears of an old man are more meaningful than the tears of youth”. Love is not only for lovers, a child can give love to his parents. But, in the novel Wings of Broken, the love of a couple is highlighted. With his extraordinary sensitivity, Kahlil Gibran weaves a love story about a beautiful and passionate couple. The strength of this novel lies in its poetic lyrics which are full of meaning and the criticism it conveys. Love is interpreted as an attempt to love, do not have to have a loved one. Because in the end all will be returned to God, the Owner of Love. In this case, Gibran sees Selma as a ray of light that leads him to understand the meaning of life. Selma led Gibran to enter willingly into the paradise of pure love and truth with her sweetness and love. In The Broken Wings, Gibran uses the story of Adam and Eve to illustrate his story. When the love has died (or forced to die), what remains is only a row of sorrow that resides on the tomb. Leaving sweet dreams and painful memories behind. Just like a broken wing, unable to flap anymore.
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Suraiya, Suraiya. "KRITIK SASTRA FEMINIS DALAM KARYA SASTRA KAHLIL GIBRAN." Jurnal Adabiya 18, no. 2 (March 13, 2017): 48. http://dx.doi.org/10.22373/adabiya.v18i35.1204.
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Sejarah panjang tentang perempuan dipanggung peradaban telah ditulis dalam berbagai karya. Termasuk karya sastra juga telah banyak melukiskan gambaran kedudukan perempuan, bahkan tentang ketidakadilan perempuan. sehingga perempuan mulai bangkit mempertanyakan dan menggugat dominasi dan ketidakadilan yang terjadi dalam sistem patriakhi, perempuan selama ini telah banyak mengalami subordinasi, represi, dan marjinalisasi dalam berbagai bidang. Kritik sastra feminis merupakan studi sastra yang mengarahkan fokus analisanya pada perempuan yang menginginkan adanya keadilan dalam memandang eksistensi perempuan, serta berusaha memahami ketertindasan terhadap perempuan dan mencari upaya bagaimana mengatasi ketertindasan tersebut. Sastrawan Gibran Khalil Gibran mencoba mengkritisi fenomena ketidakadilan terhadap perempuan khususnya yang tercermin dalam karya-karyanya baik syair maupun prosa. Permasalahan ini terangkum dalam pertanyaan bagaimana konsep kritik sastra feminis dalam sastra Gibran Kahlil Gibran, serta melihat bagaimana ungkapan-ungkapan kritik feminis dalam sastra Kahlil Gibran. Penelitian ini akan dianalisa dengan metode deskriptif untuk dapat menggambarkan dan mendeskripsikan fenomena dan kejadian yang ada. sehingga pada akhirnya dapat disimpulkan bahwa ketidakadilan gender yang dialami oleh perempuan dan wujud gambaran perempuan Arab yang terekspresikan dalam berbagai ungkapan perempuan bahwa perempuan menginginkan kebebasan dari ketidakadilan yang mengukungnya.
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Febriyanto, Dedi, Mulyanto Widodo, and Eka Putri Rahayu. "Penggunaan Deiksis dalam Kisah Negeri Lain Karya Kahlil Gibran." SUAR BETANG 17, no. 1 (June 13, 2022): 13–23. http://dx.doi.org/10.26499/surbet.v17i1.313.
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The Use of Deixis in Kisah Negeri Lain by Kahlil GibranThis study aims to describe the form and function of deixis in Kisah Negeri Lain by Kahlil Gibran. The method used is descriptive qualitative. The study data was collected through a reading-note technique. The data analysis was carried out using an interactive model which included, (1) data reduction (2) data presentation (3) temporary conclusion drawing, and (4)verification. The results showed that in Kisah Negeri Lain by Kahlil Gibran, various forms and functions of deixis were found. The forms of deixis in question include, (1) personal deixis consisting of the first person, second person, and third person, (2) place deixis, (3) time deixis consisting of past, present, and future times, (4) deixis discourse consisting of anaphora and cataphora, (4) social deixis. The deixis functions in question include, (1) expressive functions, (2) conative functions, (3) referential functions, and (4) phatic functions.AbstrakKajian ini bertujuan mendeskripsikan bentuk dan fungsi deiksis dalam Kisah Negeri Lain karya Kahlil Gibran. Metode yang digunakan bersifat deskriptif kualitatif. Data kajian dikumpulkan melalui teknik baca-catat. Adapun analisis data dilakukan dengan menggunakan model interaktif yang meliputi, (1) pereduksian data (2) penyajian data (3) penarikan simpulan sementara, dan (4) verifikasi. Hasil penelitian menunjukkan bahwa dalam Kisah Negeri Lain karya Kahlil Gibran ditemukan bentuk dan fungsi deiksis yang beragam. Bentuk deiksis yang dimaksud meliputi, (1) deiksis persona yang terdiri dari persona pertama, persona kedua, dan persona ketiga, (2) deiksis tempat, (3) deiksis waktu yang terdiri dari waktu lampau, sekarang, dan mendatang, (4) deiksis wacana yang terdiri dari anafora dan katafora, (4) deiksis sosial. Adapun fungsi deiksis yang dimaksud meliputi, (1) fungsi ekspresif, (2) fungsi konatif, (3) fungsi referensial, dan (4) fungsi fatis.
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Majdoubeh, Ahmad. "GIBRAN'S THE PROCESSION IN THE TRANSCENDENTALIST CONTEXT." Arabica 49, no. 4 (2002): 477–93. http://dx.doi.org/10.1163/15700580260375425.
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AbstractThe aim of this article is to examine Gibran Kahlil Gibran's ideas, as articulated in The Procession (Al-Mawākib), in the context of New England Transcendentalism, in particular Emerson's and Thoreau's. Even though critics recognize Ralph Waldo Emerson (and less frequently Henry David Thoreau) as an influence on Gibran, the precise nature of the influence has not been spelled out clearly. In this study, I shall attempt to do so. To the end of establishing the New England Transcendentalist influence on Gibran more firmly and coherently, I locate, explain, and highlight some of the striking echoes, similarities, and analogies (linguistic, philosophic, as well as structural) in Gibran's The Procession, on the one hand, and Emerson's essays and Thoreau's Walden, on the other hand. Such an examination of the relationship will certainly enrich the meanings of Gibran's poem, shed a new light on his ideas, and suggest an angle from which his philosophy is best viewed.
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هلمانيتا, كرلينا. "جبران خليل جبران في تطوير الأدب العربي الحديث." Buletin Al-Turas 20, no. 1 (January 29, 2020): 83–98. http://dx.doi.org/10.15408/bat.v20i1.3748.
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Abstrak Jubran Khalil Jubran (1883-1931) adalah seorang tokoh sastra Arab Modern. Namun karena ia tinggal di perantauan Amerika, akulturasi budaya dirinya pun terjadi, sesuai tradisinya di Barat, ia hanya menggunakan dua suku kata yaitu Khalil Jubran. Akan tetapi orang Amerika kesulitan melafalkan huruf kha ( خ) dari nama Khalil ( خليل ), maka lafalnya kemudian menjadi Kahlil. Transliterasi ini keliru dan tidak ada nama Arab yang ditulis sebagai Kahlil ) كهليل ). Namun Khalil menggunakannya untuk memberi kemudahan masyarakat menyebut namanya tanpa kesulitan. Sedangkan perubahan nama Jubran menjadi Gibran terjadi karena proses peralihan dialek. Diantara kontribusi sastra Arab yang sempat ia berikan adalah memperkaya keragaman sastra dengan puisi dan prosa liriknya, menyebarkan aliran simbolik dan mengangkat suara-suara kemanusiaan yang terzhalimi. Melalui karya itulah ia menyuarakan rasa cinta dan kerinduannya akan keadilan sejati sampai akhir hayatnya---Jubran Khalil Jubran(1883-1931)was a prominent figure in modern Arabic literature. According to the West tradition, he only uses two syllables, namely Khalil Jubran. Bu tthe Americans difficulty pronouncing the letter kha ( خ) of the name Khalil ( خليل ), then the pronunciation then becomes Kahlil. Actually, transliteration is wrong and there are no Arabic names are written as Kahlil ( كهليل ). But Khalil used it to ease the public naming him without any difficulties. Meanwhile, the name of Jubran changes to Gibran because of transitioning dialect. Among his contributions to the Arabic literary are enrich the diversity of literature with poetry and prose lyrics, spreading flow of symbolic and voicing of oppressed people. Through his work, he voiced a sense of love and longing for true justice until his death.
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Junaidi, M. Mahbub. "STYLISTIC ANALYSIS OF SURAKH AL-QUBUR: A SHORT STORY BY KAHLIL GIBRAN / ANALISIS STILISTIKA CERPEN SURAKH AL-QUBUR KARYA KAHLIL GIBRAN." Lughawiyah: Journal of Arabic Education and Linguistics 3, no. 2 (December 31, 2021): 143. http://dx.doi.org/10.31958/lughawiyah.v3i2.2981.
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This study aims to reveal the stylistic used in a short story written by Kahlil Gibran entitled “Surakh al-Qubur” and also to describe the effect of it toward meaning. This is a descriptive qualitative research that used stylistic analysis to show the aesthetics side found in the short story. Based on data analysis, it was found that there are five categories of language styles in short story Surakh al-Qubur, they are: first, lexical (synonym and typical words); second, grammatical (verb and noun); third, rhetorical (alliteration, asyndeton, assonance, chiasmus, polysyndeton, and hyperbole) and figure of speech (metaphor, personification, simile, and eponym); fourth, cohesion and connectors such as al-wawu, al-fa’u, tsumma, au, and am; and fifth, character speech that can be analyzed using narration and dialogue. The influence of stylistic on meaning is that readers get the information directly or indirectly, feels sadness, gives advice, gets a picture of injustice, makes readers curious and more focused.
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Ardila, Rahmawati. "Gaya Kepemimpinan Dalam Novel Sang Guru Karya Kahlil Gibran." Wacana Didaktika 6, no. 01 (June 30, 2018): 41–50. http://dx.doi.org/10.31102/wacanadidaktika.6.01.41-50.
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Leadership style in the novel of Sang Guru by Kahlil Gibran as understanding about the character and development of the community or of the literary works of the critics and historians especially reveals about the author who is influenced by the status of society where it originated, and social, political ideology, economic conditions as well as its target audience. With sociology of literature, the researcher wants to see the extent to which the literary work has a style of leadership. Here some leadership style found (1) Supportive Leadership, for example: the behavior of the teacher figure who always motivate the student, being friendly to the student, being good example, making himself as role model. (2) Participate Leadership, the involvement of the teacher in pursuing the success of the student, solving problems faced by the pupil, not apathy in dealing with the student.
Abstrak
Gaya Kepemimpinan dalam Novel Sang Guru Karya Kahlil Gibran merupakan pengetahuan tentang sifat dan perkembangan masyarakat dari mengenai karya sastra para kritikus dan sejarawan yang terutama mengungkapkan pengarang yang dipengaruhi oleh status lapisan masyarakat tempat ia berasal, ideologi politik dan sosialnya, kondisi ekonimi serta khalayak yang ditujunya. Dengan pendekatan sosiologi sastra, peneliti hendak melihat sejauh mana karya sastra itu memiliki Gaya kepemimpinan. Adapun kategori gaya kepemimpinan (1) Supportive Leadership, misalnya: perilaku tokoh sang guru yang selalu memberi motivasi kepada sang murid, bersikap ramah terhadap sang murid, memberi contoh yang baik, menjadikan dirinya sebagai teladan. (2)Participate Leadership.adanya keterlibatan sang guru secara aktif dalam mengupayakan kesuksesan sang murid, ikut memecahkan masalah yang dihadapi sang murid, tidak apatis dalam menyikapi respon balik sang murid.
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Muwaffa, Royyi. "Analaisis Struturalisme Ferdinand De Saussure pada Puisi الأم Karya Kahlil Gibran." `A Jamiy : Jurnal Bahasa dan Sastra Arab 10, no. 1 (June 25, 2021): 47. http://dx.doi.org/10.31314/ajamiy.10.1.47-63.2021.
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Karya sastra merupakan salah satu bentuk ekspresi pengarang dalam mengungkapkan perasaan atau pengalaman yang pernah dialami dan digunakan sebagai media untuk menyampaikan pesan kepada orang lain. Salah satu bentuk karya sastra adalah puisi. Puisi merupakan karya sastra yang mengutamakan keindahan bahasa dan kepadatan makna. Tidak semua pembaca dapat memahami secara langsung tentang makna yang terkandung dalam puisi. Untuk dapat memahami maknanya, maka dibutuhkan suatu pendekatan untuk menganalisis unsur-unsur intrinsik di dalam puisi tersebut. Pendekatan yang digunakan dalam artikel ini adalah pendekatan strukturalisme yang akan menjelaskan setiap unsur yang terdapat dalam puisi, seperti tema, gaya bahasa, amanat, dan sebagainya. Penelitian ini merupakan penelitian deskriptif kualitatif dikarenakan peneliti melakukan analisis dengan dua teknik, yaitu teknik simak dan catat. Teknik simak dilakukan dengan cara membaca dan memahami setiap baris sajak dalam puisi, dan teknik catat dilakukan dengan cara mencatat hasil penelitian setelah peneliti memahami makna yang terkandung dalam setiap baris. Objek yang digunakan dalam penelitian ini adalah puisi Ibu Kahlil Gibran yang merupakan puisi tentang peran dan karakter seorang Ibu yang memiliki kasih sayang yang tidak terbatas. Kata kunci: strukturalisme, struktur internal dan eksternal, puisi Ibu karya Kahlil Gibran
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Setiana, Anggun, Iing Sunarti, and Farida Ariani. "GAYA BAHASA DALAM KUMPULAN SYAIR RIWAYAT CINTA KARYA KAHLIL GIBRAN." Fon: Jurnal Pendidikan Bahasa dan Sastra Indonesia 18, no. 2 (October 29, 2022): 294–302. http://dx.doi.org/10.25134/fon.v18i2.5749.
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Sumariyanto, Eko Adhi. "NILAI MORAL DALAM NOVEL AL-AJNIḤAH AL-MUTAKASSIROH KARYA KAHLIL GIBRAN DAN MEMANG JODOH KARYA MARAH RUSLI." TSAQOFIYA Jurusan Pendidikan Bahasa Arab IAIN Ponorogo 2, no. 2 (September 30, 2020): 84–107. http://dx.doi.org/10.21154/tsaqofiya.v2i2.25.
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Al-Ajanihah Al-Mutakasirroh’s novel was written by Gibran Kahlil Gibran ( 1883 – 1931 ) a Lebanese-born literary writer. Various works have been published in various countries. One of them is the Al-Ajnihah Al-Mutakasirroh novel as an autobiograpical novel. This novel takes theme of a love story that fails when there is love for two human beings. Novel Memang Jodoh, by Marah Rusli ( 1889 – 1968 ) he is an Indonesian literary force at Balai Pustaka. Novel Memang Jodoh a match as an autobiographical novel of the author. This novel tells the story of love that happily interwoven. The method used is comparative descriptive method. Through this method teh date is first described and then compared. The approach used is the heuristic and hermeneutic approach, Michael Riffaterre to describe the role of moral values contained in the novel Al-Ajnihah Al-Mutakasiroh and Memang Jodoh. This study aims to determine the comparison of moral values contained in the novel. The results showed a dfiference between the characters who encourage the creation of moral values, the end of the love story in the novel and the causes of conflict in the novel.
Novel Al-Ajnihah Al-Mutakasirroh dikarang oleh Gibran Kahlil Gibran ( 1883-1931 ), seorang penulis karya sastra kelahiran Lebanon. Beragam karya nya telah diterbitkan kedalam berbagai negara. Salah satunya yakni novel Al-Ajnihah Al-Mutakasirroh sebagai novel otobiografi. Novel ini mengangkat tema kisah percintaan yang kandas dikala tumbuhnya cinta pada dua insani. Novel Memang Jodoh karya Marah Rusli ( 1889 – 1968 ) ia seorang sastrawan Indonesia angkatan Balai Pustaka. Novel Memang jodoh sebagai novel otobiografi dari pengarang. Novel ini bercerita tentang kisah cinta yang terjalin bahagia. Metode yang digunakan adalah metode deksriptif komparatif. Melalui metode ini terlebih dahulu data dideskripsikan kemudian dibandingkan. Pendekatan yang digunakan adalah pendekatan heuristik dan hermeneutik, Michael Riffater untuk mendeskripsikan peranan nilai moral yang terdapat dalam novel Al-Ajnihah Al-Mutakasirroh dan Memang Jodoh. Penelitian ini bertujuan mengetahui perbandingan Nilai Moral yang terdapat dalam novel. Hasil penelitian menunjukkan adanya perbedaan antara karakter tokoh yang mendorong terciptanya nilai moral, akhir dari kisah cinta dalam novel dan penyebab pertentangan dalam novel.
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MHA, Munas. "Philosophical dialogue in Arabic diaspora literature with special reference to Kahlil Gibran’s poems." Indian Journal of Tamil 3, no. 1 (February 2, 2022): 13–20. http://dx.doi.org/10.54392/ijot2213.
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Philosophy regulates the functioning of human life. Good philosophies are the cross-cutting faces of human life. This theoretical thinking in Arabic literature dates back to the Jahiliyya period. Arab literary figures that, have appeared throughout history, have made significant contributions to the regulation of human life by conveying philosophical ideas in their literary works. These philosophical dialogues have the potential to elicit a positive response in solving the various social, economic and political issues of human life. In this manner, the Lebanese Arab diaspora poet Khalil Gibran is one of the foremost contributors to the Arabic literary world. The research tries to introduce Arabic diaspora literatue and poet Khalil Zibran and to express the theoretical and social ideas expressed in his poems. For this purpose, descriptive and analytical methods were used and studied. The poet Khalil Gibran writes in these poems all his philosophical thoughts and social views, and speaks in it with the senses of nature and its details, arguing that nature is the cause of complete happiness and that the world is free from hypocrisy. This is what he describes as the characteristic of souls who strive to achieve their distant goal behind perfect human life away from the false world of materialism.
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Junaidi, Muhammad Mahbub. "HEGEMONI KEKUASAAN ANTONIO GRAMSCI DALAM CERPEN “SHARAHKH AL-QUBUR” KARYA KAHLIL GIBRAN." Jurnal Bahasa Lingua Scientia 13, no. 1 (June 2, 2021): 1–25. http://dx.doi.org/10.21274/ls.2021.13.1.1-25.
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Cerpen Sharahkh al-Qubur dalam antologi Al-arwah Al-mutamarridhah mengandung suatu hegemoni yang dilakukan oleh suatu pihak elit politis, terhadap beberapa kelompok yang didominasi. Hegemoni tersebut lebih dipengaruhi oleh ideologi-ideologi kaum penguasa di tengah-tengah masyarakat saat itu, sehingga cerpen ini membutuhkan pisau analisis hegemoni kekuasaan Antonio Gramsci untuk membedah isi dan kandungan yang menonjolkan sisi-sisi hegemoni yang ada. Penelitian ini bertujuan untuk mengungkapkan bentuk ideologi-ideologi tersebut beserta penjelasan terkait pengaruhnya pada kehidupan sosial masyarakat yang secara tidak sadar dikurung dalam hegemoni yang dibuat oleh kelompok penguasa. Penelitian ini merupakan sebuah penelitian literatur atau penelitian kepustakaan dengan objek cerpen Sharahkh al-Qubur dalam antologi Al-arwah Al-mutamarridhah. Sementara itu dalam menganalisis data, penulis menggunakan teknis analisis isi model aliran Miles dan Hubermen dengan beberapa langkah, diantaranya tahap reduksi data, tahap penyajian data, dan tahap penarikan kesimpulan. Hasil dari penelitian ini menunjukkan bahwa cerpen tersebut mengandung hegemoni integral atau menyeluruh berupa masyarakat yang terbawa ideologi penguasa membuat masyarakat masuk dalam politik dan dengan sendirinya akan memihak kepada keputusan sang raja, selain juga rajanya dikenal dengan tegas dan adil menegakkan supremasi aturan. Kedua, hegemoni decadent atau merosot berupa masyarakat seakan telah mengalami potensi disintegrasi dan masih mempertanyakan kemungkinan yang benar terjadi atau tidaknya terhadap kejadian seorang lelaki tua mencuri tepung hidangan suci yang terjadi saat keluarganya dalam keadaan kelaparan. Kesimpulan dari penelitian ini adalah hegemoni yang mendominasi dari ketiga hegemoni Gramsci yaitu hegemoni integral.
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Hassan, Salah D. "Unstated: Narrating War in Lebanon." PMLA/Publications of the Modern Language Association of America 123, no. 5 (October 2008): 1621–29. http://dx.doi.org/10.1632/pmla.2008.123.5.1621.
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This essay consists of three beginnings, then a deferred reading of a novel. One beginning, a theoretical beginning, reflects on the question implicit in my title: What is unstated in the state of Lebanon? Another beginning, a literary critical beginning, returns to the work of Kahlil Gibran, the most famous early-twentieth-century Arab North American writer. Gibran links modernist and postmodernist Arab North American writing and, in a historical parallel, connects the foundations of the Lebanese state under French colonial rule to its disintegration in the context of the civil war. A third beginning, a contextual beginning, evokes more recent events in Lebanon through a discussion of the July War of 2006, during which Israel bombed the country for over a month. These three points of departure, I suggest, are crucial to readings of contemporary Arab North American fiction, which is always conditioned by theories of the state, a post-Gibran literary sensibility, and the politics of the present. More specifically, I argue that Rawi Hage's representation of the civil war in Lebanon in DeNiro's Game negotiates the destruction of the Lebanese state through figures of the unstated, whose very existence questions more generally the state form as the preeminent site of political authority and contributes to unstating the state.
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Sulista, Cici, and Abdul Latif. "PERBANDINGAN GAYA BAHASA PADA PUISI ‘AKU MENCINTAIMU DALAM DIAM’ KARYA JALALUDDIN RUMI DENGAN PUISI ‘CINTA YANG AGUNG’ KARYA KAHLIL GIBRAN." Al-Fathin: Jurnal Bahasa dan Sastra Arab 3, no. 01 (August 10, 2020): 104. http://dx.doi.org/10.32332/al-fathin.v3i01.2000.
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The object of this study are two poems from different authors, namely the poem “I Love You In Silence” by Jalaluddin Rumi with the poem “Great Love” by Kahlil Gibran. This study aims to compare the style of language of the two poems. The method used by the authours in this study is the comparison method. The results showed that there where three similarities and two differences found in the two poems. First, there are there are similarities in the style of language. Secondly, there are similiraties in the style of language based on the structure of sentences, both poems use the name style of repetition language, and not only that the third equation is found in the direct or indirect meaning of meaning because both poems also use the style of personification. As for the difference between the two poems there are two differences. First, it lies in the phrase used in the repetitive language style, if in the poem Rumi uses the phrase ‘I Chose’ while Gibran uses the phrase ‘when’. Second, there is difference in the function of the repetitive language style used, when Rumi uses the repetitive language style to confirm the action taken against the person in love, in contrast to Gibran who uses the repetitive language style to explain the true nature of love.
Keyword: Poetry, Love, Silence, Great, Language Style.
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Hajj, Maya El. "Aporias in Literary Translation: A Case Study of The Prophet and Its Translations." Theory and Practice in Language Studies 9, no. 4 (April 1, 2019): 396. http://dx.doi.org/10.17507/tpls.0904.06.
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Literary translation is one of the most challenging tasks in the field of translation. This paper focuses on the aporias in literary texts written and/or translated into Arabic, French, Italian, and English. I contend that some terms/phrases are difficult to render in the target text. This argument is bolstered by examples extracted from The Prophet of the Arabo-American author Gibran Kahlil Gibran. I selected this particular oeuvre given its immense success in terms of vast cultural diffusion and translation into various languages. Also, The Prophet, has been translated several times into the same target languages in addition to the large number of languages to which it has been rendered. I will discuss the translator’s dilemma when undertaking the task of faithfully conveying the aesthetics of the original text into the same, or into the closest version of the original. This paper concentrates on the cultural differences between languages by emphasizing on untranslatability and various retranslations. It analyzes how these elements were rendered into the target culture and language. The argument put forth in this paper attempts to shed light on the importance of literary translation, as one of the most critical discourses of translation.
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Bush, Elizabeth. "Hope Is an Arrow: The Story of Lebanese American Poet Kahlil Gibran by Cory McCarthy." Bulletin of the Center for Children's Books 75, no. 11 (July 2022): 361. http://dx.doi.org/10.1353/bcc.2022.0365.
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Wulandari, UFN. "Teori Sastra Semiotik-Feminisme dalam Novel al-Ajnihah al-Mutakassirah (Sayap-Sayap Patah) Karya Kahlil Gibran." IJAS: Indonesian Journal of Arabic Studies 1, no. 1 (May 7, 2019): 33. http://dx.doi.org/10.24235/ijas.v1i1.4949.
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Yandrefo, Pratma, Ahmad Busyrowi, and Shinta Fitria Utami. "Representasi Perempuan dalam Cerpen Madju' Al -Urus dan Qissatul Fathiyyah Al-Misriyyah (Kajian Sastra Banding)." Diwan: Jurnal Bahasa dan Sastra Arab 12, no. 2 (December 25, 2020): 164–78. http://dx.doi.org/10.15548/diwan.v12i2.634.
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This study examines the representation of women in the short stories Madj'u Al-Urus by Khalil Ghibran and Qissatul Fathiyyah Al-Misriyyah by Nawal As-Sa'dawi. The approach used in this research is descriptive qualitative. This research is a comparative literature study with the help of feminism theory as the analytical knife. The results of this study are the self-image of women from the physical aspect depicted in the short story Fathiyyah Al-Misriyyah, a woman who has grown up is shown to experience changes in herself, namely biologically, namely being able to get pregnant, give birth and breastfeed. Meanwhile, in the short story Madj'u Al-'Urus, women are described as someone who likes to show off their body shape. In terms of the psychological aspect, women are weak figures, they experience acts of violence that make them look like crazy people. Meanwhile, Kahlil Gibran did not explain in detail the consequences of the violence he experienced. Based on the social aspect, women equally get help from other people.
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Tri Yanti Nurul Hidayati, Mufidah Nuruddiniyah,. "KEBEBASAN WANITA PADA TEKS “WARDAH AL-HĀNĪ” (1908) DALAM ANTOLOGI CERPEN “AL-ARWĀH AL-MUTAMARRIDAH” KARYA JUBRĀN KHALĪL JUBRĀN (KAJIAN SOSIOLOGI SASTRA)." Jurnal CMES 10, no. 1 (March 27, 2018): 80. http://dx.doi.org/10.20961/cmes.10.1.19868.
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Women and emancipation are two things that can not be separated, both are like two sides of the same coin. One form of women's emancipation is a freedom of determining a spouse. This research aims to describe the several forms of women's freedom of determining a spouse in short story of Kahlil Gibran entitled Wardah Al-Hānī based on literary sociology theory of Rene Wellek and Austin Warren. The methodology used to realize that aim is descriptive qualitative. The results reveal that women's freedom of determining a spouse is divided into two perspectives, one relates to the opinion of the character in a story and other determined by his behaviors. In the first side, the character has an opinion that the real happiness in the life only can be brought by love. So, she must choose the man she loved. And in another side, the women's freedom is shown by the way she left her legal husband and went to the other beloved man to make her happiness life.
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Tri Yanti Nurul Hidayati, Mufidah Nuruddiniyah,. "KEBEBASAN WANITA PADA TEKS “WARDAH AL-HĀNĪ”(1908) DALAM ANTOLOGI CERPEN “AL-ARWĀH AL-MUTAMARRIDAH” KARYA JUBRĀN KHALĪL JUBRĀN (KAJIAN SOSIOLOGI SASTRA)." Jurnal CMES 10, no. 2 (April 10, 2018): 193. http://dx.doi.org/10.20961/cmes.10.2.20210.
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<p>Women and emancipation are two things that can not be separated, both are like two sides of the same coin. One form of women's emancipation is a freedom of determining a spouse. This research aims to describe the several forms of women's freedom of determining a spouse in short story of Kahlil Gibran entitled Wardah Al Hānī based on literary sociology theory of Rene Wellek and Austin Warren. The methodology used to realize that aim is descriptive qualitative. The results reveal that women's freedom of determining a spouse is divided into two perspectives, one relates to the opinion of the character in a story and other determined by his behaviors. In the first side, the character has an opinion that the real happiness in the life only can be brought by love. So, she must choose the man she loved. And in another side, the women's freedom is shown by the way she left her legal husband and went to the other beloved man to make her happiness life.</p><p> </p>
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Altabaa, Homam, and Adham Hamawiya. "Émigré Creativity in a Historical Context." Society 7, no. 2 (December 3, 2019): 59–70. http://dx.doi.org/10.33019/society.v7i2.85.
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Émigré writers such as Kahlil Gibran and Mikhail Naimy proved that it is possible to transcend their historical limitations to become leading literary figures. An examination of the historical context of these writers is important for a rich understanding of their works. The themes addressed in such literary works are better appreciated within their cultural environment, and not as objects detached from their times, author and readers[1]. It can be rightfully argued that such works cannot be fully appreciated without delving into the intricacies of the political ideologies and economic crises of previous centuries. This article does not aim to perform such an undertaking, regardless of its literary merit; however, it presents an overview of the historical context surrounding the Émigré literary movement as a product of two cultures bridged by immigration at the turn of the 20th century. This is based on the belief that a profound critical engagement with Émigré works is better achieved with an examination of their historical and literary background. Thus, this article serves as a foundation for profound literary analyses of Émigré works. [1] Payne, 2005 : 3-4, on the importance of a historical context.
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Azizaliyeva, Besire. "The Influence of Indian Literary-Philosophical and Religious Works on the Eastern Literature." European Journal of Language and Literature 8, no. 1 (May 19, 2017): 44. http://dx.doi.org/10.26417/ejls.v8i1.p44-49.
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The religious and philosophical elements expressed in ancient Indian literature have had great influences on world literature. One notable example is the ancient Indian piece, "Panchatantra". This magnificent written work ofworld literature has become one of the most famous and influential works in the development of the European and Asian story genre. The Indian masterpiece has also influenced the Arabic-American immigration writer, Kahlil Gibran. Thus, the impress of Indian scripturecan be seen in many of Gibran’s works such as "The Prophet". The philosophical and religious teachings of the "Bhagavad Gita" have had an impactful role in M. Naimy’s development as an Arabic immigration writer. Mikhail Naimy, a poet, writer and a literary critic, was one of the prominent representatives of the early 21st century Arab-American immigrant literature. When conveying the idea of wholeness and unity between an individual soul and God in his work, “The Book of Mirdad”, the author used different religious and philosophical sources including the ancient Indian scripture Bhagavat-Gita. The concepts such as an eternal soul, “I”, a God’s messenger are very similar in “The Book of Mirdad” and the Indian religious-philosophical teachings. M.Naimy has accented the importance of issues that reflect many of the ancient Indian beliefs expressed in the "Bhagavad Gita" including the material sides of world and divinity, vision, soul, and spirit. The ancient Indian beliefs of "The People are Raised to the God’s level” are distinctively reflected by M. Naimy in his novel "The Book of Mirdad".
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Moropa, Koliswa. "The initiator in the translation process: A case study of The Prophet by Kahlil Gibran in the indigenous languages of South Africa." South African Journal of African Languages 32, no. 2 (December 2012): 99–109. http://dx.doi.org/10.2989/sajal.2012.32.2.1.1138.
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Kalra, Sanjay, Gagan Priya, and Sundeep Ruder. "Lessons for Diabetes Care from Kahlil Gibran's The Prophet." Journal of Social Health and Diabetes 07, no. 01 (June 2019): 011–15. http://dx.doi.org/10.1055/s-0039-1683469.
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AbstractKhalil Gibran's book The Prophet (1923) shares the conversations of a preacher, Almustafa, as he prepares to leave the city of Orphalese, where he spent 12 years. A collection of prose poetry fables continues to inspire people from all walks of life and remains as relevant as when it was written. This opinion piece uses curated verses from The Prophet to highlight the relevance of Gibran's timeless wisdom to modern diabetes care. It attempts to extract core lessons and present in a contemporary way for a modern health care professional to effect on and use.
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Jesikha, Dea, Purwarno Purwarno, and M. Manugeren. "POSITIVE PERSONALITY TRAIT IN KAHLIL GIBRAN’S THE BROKEN WINGS." AICLL: ANNUAL INTERNATIONAL CONFERENCE ON LANGUAGE AND LITERATURE 1, no. 1 (April 27, 2018): 394–403. http://dx.doi.org/10.30743/aicll.v1i1.50.
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The objectives of the research are to identify positive personality traits in the poetical novella of The Broken Wings and to expose some actions, thoughts and feelings of the major characters that could be categorized into positive personality traits. Some related theories on personality traits are applied in this research, one of which, is the one proposed by Lauther (2012) stating that personality traits appear in the forms of action, attitude and behavior some may be positive such as: love, friendship, respect, honesty, responsibility, adaptability, compatibility, resolution, compassion, patience, courage and loyalty; while some others negative such attitude as laziness, shyness, arrogance, closeness , dishonesty, cruelty, and intolerance. The research is conducted by means of qualitative descriptive method proposed by Kothari (2004) having a goal of a comprehensive summarization, in everyday terms, of specific events experienced by individuals or groups of individuals. The research results show that there are four significant positive personality traits found in the whole course of the story: Love, Friendship, Resolution and Respect and these traits are all experienced by the major characters.
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EL Khatibi, Mourad. "Challenges of Literary Translation: Kahlil Gibran’s the Prophet as a case study." Arab World English Journal 6, no. 1 (March 15, 2015): 144–58. http://dx.doi.org/10.24093/awej/vol6no1.12.
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Rihani, May. "Buckets of Imagination from a Deep Well: Kahlil Gibran’s The Prophet Adapted for Film." Review: Literature and Arts of the Americas 52, no. 2 (July 3, 2019): 284–86. http://dx.doi.org/10.1080/08905762.2019.1681837.
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Bushrui, Suheil. "THE ENDURING LEGACY OF KAHLIL GIBRAN." ODISEA. Revista de estudios ingleses, no. 12 (March 14, 2017). http://dx.doi.org/10.25115/odisea.v0i12.215.
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Abstract:This year marks the 128th anniversary of the birth of Kahlil Gibran, who was born in 1883, and died tragically at the early age of 48. Few writers are in a position to speak as directly and resonantly to our times as Gibran was. A man of broad human sympathy for all creation, he held a passionate belief in the unity of mankind. His message of peace and reconciliation is more timely and more sorely needed than ever as relations between Christian, Muslim and Jew, between East and West, become ever more pressing matters of concern.Keywords: Kahlil Gibran, East-West relations, Club of Rome, dialogue for con ict resolution, understanding between cultures and religions, spiritual revolution.Título en español: El duradero legado de Kahlil Gibran.Resumen:Este año marca el 128 aniversario del nacimiento de Kahlil Gibran, nacido en 1883 y fallecido trágicamente a la temprana edad de 48 años. Pocos escritores están en posición de dirigirse tan resonantemente a nuestros tiempos como él. Simpatizaba con toda la creación y creía apasionadamente en la unidad de la humanidad. Su mensaje de paz y reconciliación más oportuno y necesario que nunca en estos tiempos en que las relaciones entre cristianos, musulmanes y judíos, entre oriente y occidente se han convertido en grandes materias de preocupación.Palabras clave: Kahlil Gibran, relaciones oriente-occidente, Club de Roma, diálogo para resolución de conflictos, entendimiento entre culturas y religiones, revolución espiritual.
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Datta (Chaudhuri), Indrani. "The ‘Blue Flame’: An ‘Elliptical’ Interaction between Kahlil Gibran and Rabindranath Tagore." Rupkatha Journal on Interdisciplinary Studies in Humanities 2, no. 2 (June 10, 2010). http://dx.doi.org/10.21659/rupkatha.v2n2.02.
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Zuhdi, Muhammad. "SPIRITUALITAS SANG NABI (Analisis nilai dekonstruksi dalam puisi prosa Sang Nabi karya Kahlil Gibran)." Spiritualita 2, no. 2 (January 16, 2019). http://dx.doi.org/10.30762/.v2i2.1020.
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There is no one ever doubts the quality of Kahlil Gibran as a poet or man of letters. His great name is the guarantee of his literature works’ quality. Almost every work, most of them are prose poetry, gain great success, and one of the indications is by translating into various languages in the world, including Indonesian. One of his most success works and receives international acknowledgment as well as his own admission as his best work is The Prophet. The Prophet includes many lessons bearing deconstruction values, which has been proven in this study. Deconstruction values within The Prophet is still inherent in each statement of its main character (Al Mustafa/Gibran) about topic concerning with many kinds of human problems, such as love, marriage, child, friendship, beauty, happiness, sadness, work, religion, and even death. In this study those values were contrasted or compared to various realities in form of text and social fenomena of the community in order to find their contradictions or similarities. This qualitative study used moral approach because its review material is intrinsic aspect of a literature works related to values. While the analysis technique used content analysis because it tried to disclose, understand, and catch the massage beneath the literature work. While the “knite” used to cut and disentangle its values is deconstruction. Deconstruction is an idea which strive to cope the world view which has been boxed all along within a normative understanding that this world consists of two opposing elements, such as rational-irrational, traditional- modern, logic-illogic, good-bad, man-women, and so on. Then deconstruction tries to look for gaps or alternatives between the two opposing elements. Thus, deconstruction is not always extreme in its meaning: confirm or nullify.
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Washbourne, Kelly. "Transnational wisdom literature goes pop in translation." Translation Spaces, November 8, 2022. http://dx.doi.org/10.1075/ts.21047.was.
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Abstract The genre of self-help often is nurtured – or hijacked – from highbrow literary traditions such as conduct literature and sacred texts. Translation is the mechanism whereby an ‘esotouristic’ or new-ageified text travels in ready consumability, a commercializing process that asserts forms that themselves are ideological, and dramatically shifts ‘mirrors for princes’ and works considered ‘high literature’ to works of mass marketability. The branding of yogic and Kabbalistic texts, and of authors Kahlil Gibran, Baltasar Gracián, Rumi, and Sun Tzu, is analyzed in this light. I object to the ‘timeless classic’ positioning of texts that deterritorializes, dehistoricizes, and deculturizes, and map these publications as forms of manipulation, especially exoticizing, genre shifting, radical recontextualizing, and allegorizing. The resulting hyper-acceptability of the distorted products for a self-helpified readership calls into question the translator’s complicity in appropriative, otherized cultural production.
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EL Khatibi, Mourad. "Challenges of Literary Translation: Kahlil Gibran's the Prophet as a Case Study." SSRN Electronic Journal, 2016. http://dx.doi.org/10.2139/ssrn.2834438.
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