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Relevant bibliographies by topics / Kaesemann's thoughts on Paul

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Academic literature on the topic 'Kaesemann's thoughts on Paul'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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Journal articles on the topic "Kaesemann's thoughts on Paul"

1

Sedjo, Roger A. "Thoughts on Paul Samuelson's Classic,Economics of Forestry in an Evolving Society." Journal of Natural Resources Policy Research 4, no. 3 (July 2012): 223–25. http://dx.doi.org/10.1080/19390459.2012.706136.

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Schuback, Marcia Sá Cavalcante. "In-between Painting and Music—or, Thinking with Paul Klee and Anton Webern." Research in Phenomenology 43, no. 3 (2013): 419–42. http://dx.doi.org/10.1163/15691640-12341268.

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Abstract The present article discusses the relation between painting and music in the work by Paul Klee, bringing it into conversation with the music by Anton Webern. It assumes, as a starting point, that the main question is not about relating painting and music but rather about the relation between moving towards painting and moving towards music, hence the relation between forming forces and not between formed forms. Since for Klee the musical structure of the pictorial is understood as “active linear polyphony,” the article develops this notion in conversation with Webern’s thoughts on the polyphonic structure of twelve-tone music. The general purpose of the article is to determine what kind of thoughts emerge from the in-between of painting and music.

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Dolan, Stan. "Thoughts on a conjecture of Erdős." Mathematical Gazette 101, no. 552 (October 16, 2017): 449–57. http://dx.doi.org/10.1017/mag.2017.126.

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If two squares with no interior point in common are drawn inside a unit square then prove that the sum of their side-lengths is at most 1.This problem was posed in the 1930s by Paul Erdős [1]. It is the simplest case of a still unsolved conjecture.If k2 + 1 squares with no interior point in common are drawn inside a unit square then the maximum possible sum of their side-lengths is k [2].We shall use the notation S(n) to denote the maximum possible sum of the side-lengths for n squares drawn with no interior point in common inside a unit square. The main aim of this article will be to develop an approach to the study of the function S which will give surprisingly simple proofs of a number of known results. This approach will then be used to prove a new result about the asymptotic behaviour of S.

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Gomes, Andréia Patrícia, Rodrigo Siqueira-Batista, and Sergio Rego. "Epistemological anarchism of Paul Karl Feyerabend and medical education." Revista Brasileira de Educação Médica 37, no. 1 (March 2013): 39–45. http://dx.doi.org/10.1590/s0100-55022013000100006.

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The thoughts of the philosopher Paul Karl Feyerabend brought important contributions to the debate on Science in the 20th century. Most recently his views about non-existence of a single method for doing science have been employed to rethink science education and propose the use of multiple methods for effective teaching-learning process. This article employs the theoretical framework of the author expressed in the book Against Method, 1977, about the epistemological anarchism and the methodological pluralism and uses it in the contemporary discussion of medical education.

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Collinge, N. E. "Thoughts on the pragmatics of Ancient Greek." Proceedings of the Cambridge Philological Society 34 (1988): 1–13. http://dx.doi.org/10.1017/s0068673500005010.

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If any branch of linguistic analysis has in recent times been expansive and successful, it is pragmatics. This sector of the study of meaning concerns itself with what utterances achieve in interactive communication; that is, with how speaker works on hearer in real exchanges. The objects of this research are signs and their users (not signs-plus-designata, which is semantics, or expressions-plus-relations, which is part of semantics and all of syntax). It emerged as a riposte to both logical positivism and Carnapian formalism, out of the observations of John Austin, as elaborated by John Searle, and the maxims of Paul Grice. Many have since contributed and the discipline has its ownchefs d'oeuvreand its own journal and several series. To put in a nutshell what is conveyed in volumes, this approach has been by five avenues, as follows.

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Simbolon, Joy Moses E. "Eksistensialisme Tuhan Analisis Terhadap Pandangan Dan Kritik Jean-Paul Sartre." Jurnal Teologi Cultivation 4, no. 1 (July 25, 2020): 93–103. http://dx.doi.org/10.46965/jtc.v4i1.219.

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AbstractJean-Paul Sartre is an atheist philosophical figure that is well known for spreading his idea about existentialism. The purpose of this paper is to know what Jean-Paul Sartre knows about the existence of God. As for the purpose of this writing is to see Jean-Paul Sartre concept of God that said if God exist then humanity is nothing, man will be come it self if they nullify God himself. The method of the research ised is a literature research and descriptive method, which scientifically digs the flow and the core of Jean-Paul Sartre thoughts and what other factor that affects his thinking. The result of this research shows that for Sartre the existence of God only limits himself from freedom. With existence of God humans can’t be free to find their true identity. The real freedom according to Sartre is humans are willing to deny God’s existence in every aspect of their life. The implications tha we can get from Jean-Paul Sartre idea is we have to acknowledge that philosophical thinking can not be separated from the context of its era so we must be careful on understanding Sartre thoughts that stated that we become ourself when we deny the existence of God, that’s why as a human we must be willing to learn through education and our experiences with God, so we can develop meaning for ourself and those around us by prioritizing God. Because of that, we must be responsible with what we belief on reaching our own existence.Key Words: Exitensialism; Jean-Paul Sartre; God

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Chee-Jae Shin. "Comparison between the law and national thoughts of Paul and ones of Augustine." CHUNG_ANG LAW REVIEW 17, no. 1 (March 2015): 311–36. http://dx.doi.org/10.21759/caulaw.2015.17.1.311.

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8

Keay, Robert, and Seyoon Kim. "Paul and the New Perspective: Second Thoughts on the Origin of Paul's Gospel." Journal of Biblical Literature 122, no. 1 (2003): 179. http://dx.doi.org/10.2307/3268101.

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Weber, Samuel, Marta Nowicka, and Tomasz Wiśniewski. "The Foundering of Aesthetics: Thoughts on the Current State of Comparative Literature." Tekstualia 4, no. 31 (April 1, 2012): 129–44. http://dx.doi.org/10.5604/01.3001.0013.4655.

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The article investigates major preoccupations of comparative literature at the end of the twentieth century. Evoking René Wellek and Paul de Man, the discussion focuses on a rereading of selected aspects of Immanuel Kant. The argument points out the differences between Comparative Literature and „general literature”.

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Peroń, Małgorzata. "Promieniujący pogodą siłacz. Jan Paweł II w dzienniku Janusza S. Pasierba." Roczniki Humanistyczne 68, no. 1 Zeszyt specjalny (2020): 463–75. http://dx.doi.org/10.18290/rh.2068s-31.

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Janusz S. Pasierb kept his diary from 1943–1993. In Pasierb’s diary, the figure of John Paul II appears several times. The author writes about events from the Pope’s life (the conclave, pilgrimages, private meetings). The reporting is emotional, the words are lively, and there is mention of the author’s own emotions. The Pope has both a physical and a moral strength. Pasierb comments on the Pope’s sermons, his thoughts on culture, and also reads the poetry and dramas of John Paul II.

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Dissertations / Theses on the topic "Kaesemann's thoughts on Paul"

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Way, David Victor. "The Lordship of Christ : a critical analysis of Ernst Kaesemann's interpretation of Pauline theology." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.236206.

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HUANG, WAN-LING, and 黃婉綾. "Existential Thoughts and Dramatic Techniques in Jean-Paul Sartre’s No Exit and Harold Pinter’s The Dumb Waiter." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/6n4ywf.

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碩士
國立中正大學
外國語文研究所
104
This thesis aims to compare Jean-Paul Sartre’s No Exit with Harold Pinter’s The Dumb Waiter to guide readers to realize the importance of existential meaning and self-worth. After researching the two authors, Sartre and Pinter, I propose that their similar experiences and social backgrounds made them think about existential problems. Both Sartre and Pinter attempt to enable individuals to be self-reflexive and self-definitive. Regarding the methodology used, I apply existentialism to analyze Sartre’s No Exit and apply absurdism to analyze Pinter’s The Dumb Waiter. This thesis is divided into two chapters, each describing the methods to discuss the human situation and theatrical techniques in these two plays. Chapter One is divided into four parts examining the similarities of the existential problems in the two plays. Part One focuses on the theme of imprisonment because the characters are confined to an airtight room. In Part Two, the alienation of characters is discussed. All of the characters in No Exit and The Dumb Waiter are alienated from one another because they refuse to communicate mutually. Part Three focuses on the unknown power out of the imprisonment room. All characters are controlled by an unknown power; this strains their mental states. In Part Four, the characters’ aimless life and unpredictable waiting are analyzed. Chapter Two analyzes the techniques Sartre and Pinter use to present the problems of the human situation. I divide the chapter into three parts exploring different theatrical techniques in the two plays. In Part One, the concept of logic of Sartre’s No Exit and the concept of illogic of Pinter’s The Dumb Waiter are discussed. Part Two explores the interpersonal relationships of the human situation. Sartre’s No Exit focuses on the change of characters’ relationships that include self-deception, self-definition, and reconciliation. By contrast, Pinter’s The Dumb Waiter focuses on hierarchy, language, and the resistance against hierarchy. Part Three focuses on the different ways of endings in the two plays; specifically, the hopeful ending in No Exit and the suspense ending in The Dumb Waiter. That is, Sartre exactly presents to readers the encouragement to the existential problems. However, Pinter does not provide readers with an explicit resolution, even though he aims to guide readers to ponder over its existential meaning. In conclusion, although Sartre and Pinter use different techniques, the purposes of the two plays are the same: to motivate readers to contemplate the significance of existential meaning, and also to emphasize the importance of self-pursuit (and henceforth to affirm one’s self-worth).

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Books on the topic "Kaesemann's thoughts on Paul"

1

Musical functionalism: The musical thoughts of Arnold Schoenberg and Paul Hindemith. Hillsdale, NY: Pendragon Press, 2011.

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2

Aguas, Jove Jim Sanchez. Person, action, and love: The philosophical thoughts of Karol Wojtyla (John Paul II). Manila, Philippines: UST Publishing House, 2014.

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3

Seyoon, Kim, ed. Paul and the new perspective: Second thoughts on The origin of Paul's gospel. Tübingen: Mohr Siebeck, 2002.

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Dark feelings, grim thoughts: Experience and reflection in Camus and Sartre. New York: Oxford University Press, 2006.

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Solomon, Robert C. Dark feelings, grim thoughts: Experience and reflection in Camus and Sartre. New York, USA: Oxford University Press, 2005.

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Marillac, Louise de. Spiritual writings of Louise de Marillac: Correspondence and thoughts. Brooklyn, NY: New City Press, 1991.

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7

name, No. Personal viewpoints: Thoughts about paintings conservation : a seminar organized by the J. Paul Getty Museum, the Getty Conservation Institute, and the Getty Research Institute at the Getty Center, Los Angeles, June 21-22, 2001. Los Angeles, CA: J. Paul Getty Museum, 2003.

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8

Serving the Claims of Justice : The Thoughts of Paul B. Henry. Calvin College Alumni Assn, 2001.

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9

1923-, Silvestrini Achille, and Vereb Jerome M, eds. A pilgrim pope: Thoughts from the travels of Pope John Paul II. London: Fount, 2000.

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Paul and the New Perspective : Second Thoughts on the Origin of Paul's Gospel. Wm. B. Eerdmans Publishing Company, 2001.

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Book chapters on the topic "Kaesemann's thoughts on Paul"

1

Scriven, Michael. "Initial Thoughts." In Jean-Paul Sartre, 1–4. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27564-9_1.

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2

"Bad Thoughts by Paul Valéry." In Desperate Clarity, 188–95. Fordham University Press, 2021. http://dx.doi.org/10.1515/9780823291380-027.

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3

"Bad Thoughts and Not So Bad." In Collected Works of Paul Valery, Volume 14: Analects, 367–526. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400872091-006.

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"On the Birth of Trepanation: The Thoughts of Paul Broca and Victor Horsley." In Trepanation, 31–54. CRC Press, 2003. http://dx.doi.org/10.1201/b16983-5.

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Zboralska, Maria. "„Wybrać większą wolność”." In Horyzonty wolności, 127–38. Uniwersytet Papieski Jana Pawła II w Krakowie. Wydawnictwo Naukowe, 2019. http://dx.doi.org/10.15633/9788374388320.12.

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On October 19, 1986 in Florence, Pope John Paul II addressed a call to create a “new humanism”. The Holy Father however, did not offer an in-depth analysis of the proposed concept.This is not surprising to the researchers of his thoughts as often happened that the Pope did not explain the assumptions of the new proposed concepts. A similar situation occurred in the case of a call for “new evangelisation”, “new feminism” or “new imagina-tion of mercy”.The purpose of this article is to propose the key-words of the new humanism of John Paul II. The author bases her analysis both on philosophical and theological texts of Karol Wojtyła – John Paul II. According to her the new humanism of John Paul II is based on three dimensions: truth, freedom and love.

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Mokrzycki, Mieczysław. "Dialogi Jana Pawła II." In Horyzonty wolności, 11–24. Uniwersytet Papieski Jana Pawła II w Krakowie. Wydawnictwo Naukowe, 2019. http://dx.doi.org/10.15633/9788374388320.03.

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The text is an attempt to show the legacy of the thoughts of John Paul II in the context of reflection on dialogue. The author presents, among others the problem of language and communication as specific in relation to the entire Pontificate of the Pope. These reflections do not directly concern the subject of freedom. They were rather thought of as complementing the issues of freedom, with which the sphere of dialogue is closely related

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Pappas-Kelley, Jared. "The destruction of art." In Solvent Form, 1–54. Manchester University Press, 2019. http://dx.doi.org/10.7228/manchester/9781526129246.003.0001.

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Chapter one surveys examples from news articles, books, and exhibitions that take the destruction of art as their starting point, and attempts to gather these approaches and accounts as a framework for the book. Solvent form looks to recent examples such as critic Jonathan Jones’s concept of a Museum of Lost Art—a place where all the destroyed and lost artworks might hang—poet Henri Lefebvre’s book The Missing Pieces, the Tate Modern’s recent virtual exhibition Gallery of Lost Art, as well as literary parallels taken from Tom McCarthy’s Remainder and Georges Perec’s character Bartlebooth in Life A User’s Manual. From here, it considers Georges Bataille’s concept of the negative miracle from The Accursed Share in relation to thoughts from Giorgio Agamben and Paul Virilio, while providing examples such as Rachel Whiteread’s House, Robert Rauschenberg’s Erased de Kooning Drawing, and Jean Tinguely’s Homage to New York.

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Gussow, Adam. "The Blues Revival and the Black Arts Movement." In Whose Blues?, 197–226. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469660363.003.0010.

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This chapter, which originally appeared in somewhat different form in New Thoughts on the Black Arts Movement (2006), places that Black literary and cultural revolution in dialogue with another cultural earthquake of the 1960s, the emergence of a mass white audience for blues music. For some Black Arts writers and thinkers like Ron Karenga, Sonia Sanchez, and Haki Madhubuti (Don L. Lee), the blues savored of black southern abjection and were, in Karenga’s dismissive judgment, “invalid,” an outmoded form without the political utility urgently needed in a time of Black revolution. Yet for many others, led by Larry Neal, the blues were a cherished ancestral rootsock and inalienably Black cultural inheritance—“the essential vector of the Afro-American sensibility and identity.” Even as the blues were being debated within the Black intelligentsia, a white blues revolution was transpiring, one in which white fans imagined themselves forming a beloved community with aged Black blues players who had been brought back into national circulation at festivals and college gigs, and in which white blues artists like Paul Butterfield and Janis Joplin, enjoying mass popularity, drew the fierce condemnation of Black Arts writers Ron Welburn and Stephen E. Henderson.

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