Dissertations / Theses on the topic 'Judaism and theater'
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Marlin, Eric. "And come apart." Thesis, University of Iowa, 2019. https://ir.uiowa.edu/etd/6798.
Full textJeffreys, Margaret-Ellen. "Torah, Tradition, and Trina: Analysis and Development of Trina in William Finn's Falsettos From a Faith-Based Perspective." Master's thesis, Orlando, Fla. : University of Central Florida, 2009. http://purl.fcla.edu/fcla/etd/CFE0002546.
Full textWilson, Paul Wayne II. "The Breakdown of Theodicy as a Cross-Genre Event in Post-Shoah Tragedy, Using the Framework of Ron Elisha's TWO." Miami University / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=miami1082928875.
Full textSefel, John Michael. "Staging The [Disabled] Jew: The Thematic Use of Doctors, Disability, and Disease in Yiddish Plays on Modernization, 1790-1929." The Ohio State University, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1618433569764629.
Full textPedraza, Jennifer. "WHAT IS THEATRE'S ROLE AS A WORSHIP TOOL IN A MESSIANIC SYNAGOGUE?" Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4041.
Full textM.F.A.
Department of Theatre
Arts and Humanities
Theatre MFA
Horowitz, Joshua R. "Cracking Open Peanuts: Exploring Jewish Identity and the Theatre of the Holocaust in Donald Margulies's Found a Peanut." Miami University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=miami1438529955.
Full textCaplan, Debra Leah. "Staging Jewish Modernism: The Vilna Troupe and the Rise of a Transnational Yiddish Art Theater Movement." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:10869.
Full textNear Eastern Languages and Civilizations
Siegel, Elisheva S. "Challenging what we know with The Last Days of Judas Iscariot| Examining the reality." Thesis, California State University, Long Beach, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10102587.
Full textThe following report is on the point of view, conceptualization, and evolution in its final execution of the lighting design by Elisheva S. Siegel for California State University, Long Beach Theatre Department?s 2015 University Player?s production of The Last Days of Judas Iscariot by Stephen Adly Guirgis. It is submitted in partial fulfillment for completion of the Master of Fine Arts degree in Lighting Design. I believe that the core of this story is about challenging what we know is to be true. Furthermore, to physicalize the break down of these philosophical walls throughout the court proceedings against Judas Iscariot, a grid of severe lighting angles was employed. This grid evolved from extreme isolation to a blur as these black and white lines of moral principles becomes grey. Other visual metaphors include personifying Judas? despair, a contrasting atmosphere for the Past, and propelling into another dimension during Pilate?s testimony.
Savolskis, Martin A. "Scenic Design for The Last days of Judas Iscariot." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338398969.
Full textGraff, Peter. "Music, Entertainment, and the Negotiation of Ethnic Identity in Cleveland’s Neighborhood Theaters, 1914–1924." Case Western Reserve University School of Graduate Studies / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=case1522858050676766.
Full textLitwak, Jessica. "My Heart is in the East: Exploring Theater as a Vehicle for Change, Inspired by the Poetic Performances of Ancient Andalucía." Antioch University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1432152428.
Full textSousa, Jos? Ver?ssimo de. "No palco, os quadrinhos: a influ?ncia do teatro judaico no desenvolvimento das hist?rias em quadrinhos modernas." Universidade Federal do Rio Grande do Norte, 2012. http://repositorio.ufrn.br:8080/jspui/handle/123456789/12374.
Full textCoordena??o de Aperfei?oamento de Pessoal de N?vel Superior
This dissertation has its main goal on signing the modern Comic Books` narrative development aspects. It goes from its relationship with performing arts, specifically with the Yiddish (Jewish theatre). The research was done from the Will Eisner?s work analysis. He is a cartoonist and has a wide and influent in his area. Moreover he clearly reflects the similarities between Comic Books and Theatre. In this study was adopted the qualitative methodology on historic-comparative procedure through bibliography. The study indicates that, although their media and distinct principles, the Comic Books and Yiddish Theatre have close influence relationship considering their narrative solutions
Esta disserta??o tem como principal objetivo a sinaliza??o de aspectos do desenvolvimento narrativo das hist?rias em quadrinhos modernas (HQs) a partir das suas rela??es com as artes c?nicas, mais especificamente com o teatro i?diche (teatro judaico). A pesquisa foi feita partindo da an?lise da obra do quadrinhista Will Eisner, autor que possui um trabalho amplo e influente na sua ?rea de atua??o. Al?m disso, o autor tamb?m reflete claramente nas suas obras as tang?ncias de aspectos narrativos existentes entre HQs e teatro. A metodologia adotada para este estudo foi qualitativa, com m?todo de procedimento hist?rico comparativo, atrav?s de refer?ncias informacionais. O estudo indica que, apesar de serem formas midi?ticas a princ?pio distintas, as HQs t?m com o teatro i?diche uma estreita rela??o de influ?ncias, no que tange as suas solu??es narrativas
Moreland, Kathleen A. "Of Thee We Sing: Roots of the American Songbook." University of Akron / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=akron1428148686.
Full textWilson, Paul Wayne. "The breakdown of theodicy as a cross-genre event in post-Shoah tragedy, using the framework of Ron Elisha's Two." Oxford, Ohio : Miami University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1082928875.
Full textRondinelli, Bruna Grasiela da Silva 1985. "Martins Pena, o comediógrafo do Teatro de São Pedro de Alcântara : uma leitura de O judas em sábado de aleluia, Os irmãos das almas e O noviço." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270142.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-21T18:05:56Z (GMT). No. of bitstreams: 1 Rondinelli_BrunaGrasieladaSilva_M.pdf: 4061341 bytes, checksum: 7fa4a5a2e47935b288f76ae146b6cee3 (MD5) Previous issue date: 2012
Resumo: Este estudo reconstitui as condições em que foram representadas as peças de Martins Pena (1815-1848) no Teatro de São Pedro de Alcântara, entre os anos de 1838 e 1855, a partir de informações recolhidas nos anúncios de espetáculos, crônicas teatrais e cartas de espectadores publicadas pela imprensa fluminense oitocentista. A contextualização dos espetáculos - levantamento de dados acerca da mise en scène, do repertório, dos programas e artistas atuantes - iluminou assuntos e propôs respostas possíveis a questionamentos sobre a produção dramática de Martins Pena, tais como as motivações para a composição de suas comédias e as condições em que estas foram recebidas pela crítica e público. Martins Pena escreveu um total de 22 peças cômicas; destas, 18 estrearam entre outubro de 1838 e dezembro de 1846 no São Pedro de Alcântara, em sua grande maioria nos programas de espetáculos beneficentes em favor de atores, dentre os quais Estela Sezefreda (1810-1874), esposa de João Caetano (1808-1863), e os portugueses Manoel Soares (?-1859) e Ludovina Soares (1802-1868). O Judas em Sábado de Aleluia, Os Irmãos das Almas e O Noviço foram as suas comédias mais encenadas durante as décadas de 1840 e 1850. Essas peças, tecidas por recursos farsescos, dialogam com a estética do melodrama francês, adaptam discussões trazidas pelos periódicos do Rio de Janeiro e satirizam as ordens religiosas, a polícia, as leis civis e criminais do Império. A reconstrução do contexto de criação das obras de Martins Pena nos permite concluir que o comediógrafo foi influente na constituição dos benefícios teatrais oferecidos pelos artistas do São Pedro de Alcântara, espectador dos programas desse teatro, leitor e censor de seu repertório, e um autor que, além da busca de divertimento, tinha uma mensagem social para transmitir à platéia
Abstract: This study reconstitute the conditions in which Martins Pena (1815-1848) plays were represented at the São Pedro de Alcântara Theater, during the years 1838 to 1855, using information gathered from spectacles' announcements, theatrical chronicles and letters from spectators published in the fluminense press of the eighteenth century. The contextualization of the exhibitions - data acquisition about the mise en scène, the repertory, the programs and the acting artists - illuminated issues and proposed possible answers to questions about the Martins Pena's dramatic production, such as the motivations to compose his comedies and how was the public and critic reception. Martins Pena wrote 22 comic plays; 18 of these were first time staged between October of 1838 and December of 1846 at the São Pedro de Alcântara Theater, mostly during the programs of the spectacles in benefit of actors, as Estela Sezefreda (1810-1874), wife of João Caetano (1808-1863) and the portuguese Manoel Soares (?-1859) and Ludovina Soares (1802- 1868). O Judas em Sábado de Aleluia, Os Irmãos das Almas and O Noviço were his most staged comedies during the decades of 1840 and 1850. These plays, woven with farcical means, dialogue with the french melodramas' esthetic, adapt discussions present in the Rio de Janeiro daily journals and satirize the religious orders, the police, the civil and criminal laws of the Empire. The reconstruction of the Martins Pena's creation context allowed us to conclude that the comediograph had influence on the organization of theatrical programs in benefit of actors at São Pedro de Alcântara Theater, were spectator of these programs, reader and censor of their repertory, and an author who searched not only to give entertainment to the audience, but also to transmit a social message
Mestrado
Historia e Historiografia Literaria
Mestra em Teoria e História Literária
Hank, Sabine. "Die Kriegsfotoalben des Berliner jüdischen Arztes Willy Hans Crohn." HATiKVA e.V. – Die Hoffnung Bildungs- und Begegnungsstätte für Jüdische Geschichte und Kultur Sachsen, 2015. https://slub.qucosa.de/id/qucosa%3A34951.
Full textBerger, Karen. "Performing belonging: meeting on and in the earth." Thesis, 2013. https://vuir.vu.edu.au/25361/.
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