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Books on the topic 'Judaism and theater'

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Author: Grafiati

Published: 26 July 2024

Last updated: 27 July 2024

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1

Albert, Eleanor. Jewish story theater. Los Angeles, Calif: Torah Aura Productions, 1989.

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2

Urian, Dan. Yahaduto shel ha-teʼaṭron ha-Yiʹsreʼeli: Pirḳe meḥḳar. T"A [z.o. Tel Aviv]: Hotsaʼat ha-Ḳibuts ha-meʼuḥad, 1998.

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3

Shomre Mishmeret ha-ḳodesh (Organization : London). Ṿegn dem geplanṭn Idishn ṭeʼaṭer geshpilṭ tsu ṿern durkh a peritsusʼdige ṿeg: Groyse meydlakh mit has̀ene gehote froyen. לאנדאך: שומרי משמרת הקודש, 2005.

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4

Schotter, Roni. Purim play. New York: Marshall Cavendish, 2010.

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5

Rutlinger-Reiner, Reina. Teʼaṭron nashim datiyot be-Yiśraʼel. [Israel: ḥ. mo. l., 2004.

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6

ha-Bamah ha-meshaḳeret: Ha-teʼaṭron ba-Yahadut ben moshav letsim le-vet ha-midrash. Azur: Sifre Tsameret, 2017.

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7

The Judaic nature of Israeli theatre: A search for identity. Amsterdam: Harwood Academic Publishers, 2000.

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8

Masoret megulemet be-guf: Bitsuʻim teʼaṭroniyim shel ṭeḳsṭim Yehudiyim = Embodied Tradition : theatrical performances of Jewish texts. Or Yehudah: Devir, 2016.

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9

Hans-Peter, Bayerdörfer, and Schönert Jörg, eds. Theater gegen das Vergessen: Bühnenarbeit und Drama bei George Tabori. Tübingen: Niemeyer, 1997.

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10

Midrash bamah: Ḳevutsat ha-teʼaṭron ha-Yerushalmi. Tel-Aviv: Yediʻot aḥaronot, 2009.

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11

Elion-Israeli, Aliza. Midrash bamah: Ḳevutsat ha-teʼaṭron ha-Yerushalmi. Tel-Aviv: Yediʻot aḥaronot, 2009.

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12

editor, Cohen Richard I., and Hasan-Rokem Galit editor, eds. ha-Dimyon ha-parshani: Dat ṿe-omanut ba-tarbut ha-Yehudit be-heḳshereha = The Interpretive imagination : religion and art in Jewish culture in its contexts. Yerushalayim: Mandel Skholiyon, 2016.

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13

Berkowitz, Joel, and Barbara J. Henry. Inventing the modern Yiddish stage: Essays in drama, performance, and show business. Detroit, Mich: Wayne State University Press, 2012.

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14

Berkowitz, Joel, and Barbara J. Henry. Inventing the modern Yiddish stage: Essays in drama, performance, and show business. Detroit, Mich: Wayne State University Press, 2012.

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15

Deleanu, Horia. Întâlniri memorabile. București: Editura Hasefer, 1995.

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16

Uberman, Iwona. Auschwitz im Theater der "Peinlichkeit": George Taboris Holocaust-Stücke im Rahmen der Theatergeschichte seit dem Ende der 60er Jahre. München: Dissertationsverlag NG-Kopierladen, 1995.

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17

Peter, Höyng, ed. Verkörperte Geschichtsentwürfe: George Taboris Theaterarbeit = Embodied projections on history : George Tabori's theater work. Tübingen: Francke Verlag, 1998.

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18

Shahar, Galili. Theatrum judaicum: Denkspiele im deutsch-jüdischen Diskurs der Moderne. Bielefeld: Aisthesis, 2006.

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19

Schotter, Roni. Purim play. New York: Marshall Cavendish, 2010.

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20

Hans-J, Weitz, Assmann Michael, Ungar Hermann 1893-1929, Mehring Walter 1896-, and Kornfeld Paul 1889-1942, eds. Drei jüdische Dramen: Mit Dokumenten zur Rezeption. Göttingen: Wallstein, 1995.

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21

Belkin, Ahuva. Ben shete ʻarim: Ha-maḥazeh ha-ʻIvri Śimḥat Purim. Lod: Mekhon Haberman le-meḥḳere sifrut, 1997.

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22

R, Shapiro Norman, ed. The fortune-teller. Urbana: University of Illinois Press, 2002.

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23

Fortis, Umberto. Il ghetto in scena: Teatro giudeo-italiano del Novecento : storia e testi. Roma: Carucci, 1989.

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24

ill, Hafner Marylin, ed. Purim play. Boston: Little, Brown, 1997.

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25

Lima, Perla Zayas de. Cultura judía, teatro nacional. Buenos Aires, Argentina: Editorial Nueva Generación, 2001.

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26

Elena, Loewenthal, ed. [Or-lusṭro] =: Il Ghetto, l'archivio, la cucina. Roma: Carucci, 1989.

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27

Gutfreind, Ieda. A imigração judaica no Rio Grande do Sul: Da memória para a história. Leopoldo, RS, Brasil: Editora Unisinos, 2004.

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28

Mlotek, Zalmen, Cecelia Raker, Lidiya Yankovskaya, Gabrielle Orcha, and Abraham Goldfaden. Shulamis: A Yiddish operetta. Cambridge, Mass: Harvard College Library, 2009.

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29

S, Fineman Charles, Berlin Charles 1936-, Gilboa Violet, Harvard Library, Harvard Library Judaica Division, and Harvard College Library. Judaica Division, eds. Gérard Allon: Catalog of a collection of photographs by Gérard Allon in the Judaica collection of the Harvard Library. Cambridge, MA: Harvard Library, 2012.

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30

Luis, Borges Jorge. Labyrinthi. Athens: Kastaniotis, 1986.

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31

Luis, Borges Jorge. Labyrinths: Selected Stories & Other Writings. New York: New Directions, 2007.

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32

Theatre and Judaism. Red Globe Press, 2019.

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33

Chambers, Adam Curt. Judaism, Hellenism, and the Greco-Roman theater. 2002.

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34

Urian, Dan. Judaic Nature of Israeli Theatre: A Search for Identity. Taylor & Francis Group, 2013.

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35

Caplan, Debra. Yiddish Empire: The Vilna Troupe, Jewish Theater, and the Art of Itinerancy. University of Michigan Press, 2018.

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36

Caplan, Debra. Yiddish Empire: The Vilna Troupe, Jewish Theater, and the Art of Itinerancy. University of Michigan Press, 2018.

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37

Yiddish Empire: The Vilna Troupe, Jewish Theater, and the Art of Itinerancy. University of Michigan Press, 2018.

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38

Chiriac, Alexandra. Performing Modernism: A Jewish Avant-Garde in Bucharest. de Gruyter GmbH, Walter, 2022.

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39

Urian, Dan. The Judaic Nature of Israeli Theatre: A Search for Identity (Contemporary Theatre Studies). Harwood Academic Pub, 2001.

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40

Urian, Dan. Judaic Nature of Israeli Theatre: A Search for Identity. Taylor & Francis Group, 2013.

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41

Urian, Dan. Judaic Nature of Israeli Theatre: A Search for Identity. Taylor & Francis Group, 2013.

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42

Urian, Dan. Judaic Nature of Israeli Theatre: A Search for Identity. Taylor & Francis Group, 2013.

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43

Judaic Nature of Israeli Theatre: A Search for Identity. Routledge, 2013.

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44

Inventing The Modern Yiddish Stage Essays In Drama Performance And Show Business. Wayne State University Press, 2012.

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45

Bayerdörfer, Hans-Peter, and Jörg Schönert. Theater Gegen das Vergessen: Bühnenarbeit und Drama Bei George Tabori. de Gruyter GmbH, Walter, 2011.

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46

Creative puppetry for Jewish kids. Denver, Colo: Alternatives in Religious Education, 1985.

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47

Die Gestaltung jüdischer Kultur im modernen amerikanischen Drama. Marburg: Tectum, 2005.

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48

Belkin, Ahuva, and Gad Kaynar. Jewish Theatre. Edited by Martin Goodman. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199280322.013.0035.

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Abstract:

This article describes the history of the Jewish theatre, Jewish theatre studies, the history of the Israeli theatre from 1889 to 2001, and Israeli theatre studies. Although Jews were known as the People of the Book, and despite the very rich literature attached to Judaism, the dramatic genre never became an integral part of Jewish civilization, and theatre as an institution was never a part of its cultural life. This may be in part because the Bible and the book of oral law — the Talmud and later rabbinical writings — contain vehement exhortations against the theatre. In Judaism, jesters are identified with idleness and heresy. Meanwhile, the extent of performative activity in Israel is impressive for a country with no theatrical tradition and a population of merely 4.5 million Jewish and Hebrew-speaking inhabitants. Between 1970 and 1990, Israel held first place in the world in theatre attendance per capita.

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49

Theatrum judaicum: Denkspiele im deutsch-jüdischen Diskurs der Moderne. Bielefeld, Germany: Aisthesis Verlag, 2007.

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50

Belkin, Ahuva. Ben shete arim: Ha-mahazeh ha-Ivri Simhat Purim. Mekhon Haberman le-mehkere sifrut, 1997.

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