Academic literature on the topic 'Judaism and theater'
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Journal articles on the topic "Judaism and theater"
Jay, Jeff. "The Problem of the Theater in Early Judaism." Journal for the Study of Judaism 44, no. 2 (2013): 218–53. http://dx.doi.org/10.1163/15700631-12340373.
Full textRoberts, John H. "False Messiah." Journal of the American Musicological Society 63, no. 1 (2010): 45–97. http://dx.doi.org/10.1525/jams.2010.63.1.45.
Full textRozik, Eli. "The adoption of theater by Judaism despite ritual: A study in the Purim‐Shpil." European Legacy 1, no. 3 (May 1996): 1231–35. http://dx.doi.org/10.1080/10848779608579555.
Full textGoodman, Daniel Ross. ""The Uncontrollability of Real Things": Operation Shylock, Sabbath's Theater, and Philip Roth's Falstaffian Theology of Judaism." Philip Roth Studies 16, no. 2 (2020): 39–59. http://dx.doi.org/10.1353/prs.2020.0013.
Full textSegal, Eliezer. "A Funny Thing Happened on My Way to Sodom." Journal for the Study of Judaism 46, no. 1 (February 10, 2015): 103–29. http://dx.doi.org/10.1163/15700631-12340094.
Full textRainey, Sue. "Illustration “Urgently Required”: The Picturesque Palestine Project, 1878–83." Prospects 30 (October 2005): 181–260. http://dx.doi.org/10.1017/s0361233300002039.
Full textArdizzola, Paola, and Joanna Grądzka. "Renato Rizzi." VITRUVIO - International Journal of Architectural Technology and Sustainability 7, no. 2 (December 30, 2022): 4–19. http://dx.doi.org/10.4995/vitruvioijats.2022.19041.
Full textArdizzola, Paola, and Joanna Grądzka. "Renato Rizzi." VITRUVIO - International Journal of Architectural Technology and Sustainability 7, no. 2 (December 30, 2022): 4–19. http://dx.doi.org/10.4995/vitruvio-ijats.2022.19041.
Full textLIPSHITZ, YAIR. "‘This Is a Historical Israeli Play’: Spectatorship, Ownership and the Israeli Localizations ofSalomé." Theatre Research International 42, no. 3 (October 2017): 249–64. http://dx.doi.org/10.1017/s0307883317000578.
Full textHoyt, Gabrielle. "Kaddish for Steve: On the Jewishness of Sondheim1." Studies in Musical Theatre 17, no. 3 (December 1, 2023): 299–303. http://dx.doi.org/10.1386/smt_00144_1.
Full textDissertations / Theses on the topic "Judaism and theater"
Marlin, Eric. "And come apart." Thesis, University of Iowa, 2019. https://ir.uiowa.edu/etd/6798.
Full textJeffreys, Margaret-Ellen. "Torah, Tradition, and Trina: Analysis and Development of Trina in William Finn's Falsettos From a Faith-Based Perspective." Master's thesis, Orlando, Fla. : University of Central Florida, 2009. http://purl.fcla.edu/fcla/etd/CFE0002546.
Full textWilson, Paul Wayne II. "The Breakdown of Theodicy as a Cross-Genre Event in Post-Shoah Tragedy, Using the Framework of Ron Elisha's TWO." Miami University / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=miami1082928875.
Full textSefel, John Michael. "Staging The [Disabled] Jew: The Thematic Use of Doctors, Disability, and Disease in Yiddish Plays on Modernization, 1790-1929." The Ohio State University, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1618433569764629.
Full textPedraza, Jennifer. "WHAT IS THEATRE'S ROLE AS A WORSHIP TOOL IN A MESSIANIC SYNAGOGUE?" Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4041.
Full textM.F.A.
Department of Theatre
Arts and Humanities
Theatre MFA
Horowitz, Joshua R. "Cracking Open Peanuts: Exploring Jewish Identity and the Theatre of the Holocaust in Donald Margulies's Found a Peanut." Miami University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=miami1438529955.
Full textCaplan, Debra Leah. "Staging Jewish Modernism: The Vilna Troupe and the Rise of a Transnational Yiddish Art Theater Movement." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:10869.
Full textNear Eastern Languages and Civilizations
Siegel, Elisheva S. "Challenging what we know with The Last Days of Judas Iscariot| Examining the reality." Thesis, California State University, Long Beach, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10102587.
Full textThe following report is on the point of view, conceptualization, and evolution in its final execution of the lighting design by Elisheva S. Siegel for California State University, Long Beach Theatre Department?s 2015 University Player?s production of The Last Days of Judas Iscariot by Stephen Adly Guirgis. It is submitted in partial fulfillment for completion of the Master of Fine Arts degree in Lighting Design. I believe that the core of this story is about challenging what we know is to be true. Furthermore, to physicalize the break down of these philosophical walls throughout the court proceedings against Judas Iscariot, a grid of severe lighting angles was employed. This grid evolved from extreme isolation to a blur as these black and white lines of moral principles becomes grey. Other visual metaphors include personifying Judas? despair, a contrasting atmosphere for the Past, and propelling into another dimension during Pilate?s testimony.
Savolskis, Martin A. "Scenic Design for The Last days of Judas Iscariot." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338398969.
Full textGraff, Peter. "Music, Entertainment, and the Negotiation of Ethnic Identity in Cleveland’s Neighborhood Theaters, 1914–1924." Case Western Reserve University School of Graduate Studies / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=case1522858050676766.
Full textBooks on the topic "Judaism and theater"
Albert, Eleanor. Jewish story theater. Los Angeles, Calif: Torah Aura Productions, 1989.
Find full textUrian, Dan. Yahaduto shel ha-teʼaṭron ha-Yiʹsreʼeli: Pirḳe meḥḳar. T"A [z.o. Tel Aviv]: Hotsaʼat ha-Ḳibuts ha-meʼuḥad, 1998.
Find full textShomre Mishmeret ha-ḳodesh (Organization : London). Ṿegn dem geplanṭn Idishn ṭeʼaṭer geshpilṭ tsu ṿern durkh a peritsusʼdige ṿeg: Groyse meydlakh mit has̀ene gehote froyen. לאנדאך: שומרי משמרת הקודש, 2005.
Find full textSchotter, Roni. Purim play. New York: Marshall Cavendish, 2010.
Find full textRutlinger-Reiner, Reina. Teʼaṭron nashim datiyot be-Yiśraʼel. [Israel: ḥ. mo. l., 2004.
Find full textha-Bamah ha-meshaḳeret: Ha-teʼaṭron ba-Yahadut ben moshav letsim le-vet ha-midrash. Azur: Sifre Tsameret, 2017.
Find full textThe Judaic nature of Israeli theatre: A search for identity. Amsterdam: Harwood Academic Publishers, 2000.
Find full textMasoret megulemet be-guf: Bitsuʻim teʼaṭroniyim shel ṭeḳsṭim Yehudiyim = Embodied Tradition : theatrical performances of Jewish texts. Or Yehudah: Devir, 2016.
Find full textHans-Peter, Bayerdörfer, and Schönert Jörg, eds. Theater gegen das Vergessen: Bühnenarbeit und Drama bei George Tabori. Tübingen: Niemeyer, 1997.
Find full textMidrash bamah: Ḳevutsat ha-teʼaṭron ha-Yerushalmi. Tel-Aviv: Yediʻot aḥaronot, 2009.
Find full textBook chapters on the topic "Judaism and theater"
Friesen, Courtney J. P. "Theater and/as Ritual." In Acting Gods, Playing Heroes, and the Interaction between Judaism, Christianity, and Greek Drama in the Early Common Era, 1–18. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003392132-1.
Full textFriesen, Courtney J. P. "A Tale of Two Cities' Theaters." In Acting Gods, Playing Heroes, and the Interaction between Judaism, Christianity, and Greek Drama in the Early Common Era, 19–31. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003392132-2.
Full textJohnson, Jake. "Exoticized Voices, Racialized Bodies." In Mormons, Musical Theater, and Belonging in America, 83–112. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042515.003.0005.
Full text"The Nineteenth-Century Jewish Playwright, Abraham Daninos, as a Bridge between Muslim and Jewish Theater." In Judaism and Islam: Boundaries, Communication and Interaction, 409–16. BRILL, 2000. http://dx.doi.org/10.1163/9789004453159_033.
Full textMcAlister, Elizabeth A. "“The Jew” in the Haitian Imagination: Pre-Modern Anti-Judaism in the Postmodern Caribbean." In Black Zion, 203–28. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195112573.003.0011.
Full textMcNair, Alexander. "Behind the Veil: Antonio Enríquez Gómez, Kabbalah, and the Immaculate Conception." In La comedia entre mundos: intersecciones críticas en el teatro de la temprana modernidad, 335–62. Sociedad Menéndez Pelayo, 2024. http://dx.doi.org/10.55422/ppsmp.9.17.
Full textAviv, Efrat E. "“Estos Makames Alegres” (These Cheerful Maccams)—External Cultural Influences on the Jewish Community of Izmir on the Eve of the “Young Turk Revolution”Theater and Music." In The Convergence of Judaism and IslamReligious, Scientific, and Cultural Dimensions, 284–96. University Press of Florida, 2011. http://dx.doi.org/10.5744/florida/9780813036496.003.0015.
Full textLubet, Alex. "Transmigrations: Wolf Krakowski’s Yiddish Worldbeat in its Socio-Musical Context." In Polin: Studies in Polish Jewry Volume 16, 296–312. Liverpool University Press, 2003. http://dx.doi.org/10.3828/liverpool/9781874774730.003.0016.
Full textWodziński, Marcin. "Growing Interest, Growing Conflict, 1831–1860." In Haskalah and Hasidism in the Kingdom of Poland, translated by Sarah Cozens and Agnieszka Mirowska, 116–53. Liverpool University Press, 2005. http://dx.doi.org/10.3828/liverpool/9781904113089.003.0005.
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