Academic literature on the topic 'Juan Bonilla'
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Journal articles on the topic "Juan Bonilla"
Tadeo Hernández, Eduardo Luciano. "Juan José Ramírez Bonilla, coord. 2020. La República de Corea ante la influencia de la administración Trump. Ciudad de México: El Colegio de México. 304 pp." Estudios de Asia y África 56, no. 3 (May 11, 2021): 619–24. http://dx.doi.org/10.24201/eaa.v56i3.2729.
Full textCorrea López, Gabriela. "Juan José Ramírez Bonilla (coord.), <em>Tailandia y México II. Primicias del Programa de Estudios sobre Tailandia en México</em>, México, Miguel Ángel Porrúa (col. Las Ciencias Sociales), 2013, 128 pp." Estudios de Asia y África 49, no. 3 (September 1, 2014): 814–17. http://dx.doi.org/10.24201/eaa.v49i3.2087.
Full textPérez Dalmeda, Esther. "El síndrome de Alonso Quijano: un motivo intertextual en la narrativa breve de Juan Bonilla." Ogigia. Revista Electrónica de Estudios Hispánicos, no. 21 (January 10, 2017): 25–46. http://dx.doi.org/10.24197/ogigia.21.2017.25-46.
Full textMorales Gómez, Juan José. "El encargo del retablo de Santa Eulalia del Campo (1444-1445). Aportación a la biografía de Juan de Bonilla, maestro de retablos de Teruel." Artigrama, no. 24 (December 9, 2022): 321–39. http://dx.doi.org/10.26754/ojs_artigrama/artigrama.2009247745.
Full textCattaneo, Simone. "Ramonismos contemporáneos: la greguería en las obras de Juan Manuel de Prada, Juan Bonilla y Ray Loriga." Cuadernos de Investigación Filológica 40 (December 11, 2014): 115. http://dx.doi.org/10.18172/cif.2661.
Full textMartínez Corona, Beatriz. "LAS CAMPESINAS Y EL TRABAJO RURAL EN MÉXICO DE FIN DE SIGLO, DE MARÍA DA GLORIA MARRONI." BAJO EL VOLCÁN. REVISTA DEL POSGRADO DE SOCIOLOGÍA. BUAP 2, no. 3 (September 1, 2001): 245–50. http://dx.doi.org/10.32399/icsyh.bvbuap.2954-4300.2001.2.3.65.
Full textRamírez Rosas, José Gonzalo, Miguel Angel Torres González, Araceli Ortiz Carranco, and Salvador Antonio Arroyo Díaz. "Software development that determines IMSS quotas for SMEs." International Journal of Combinatorial Optimization Problems and Informatics 15, no. 1 (May 24, 2024): 76–85. http://dx.doi.org/10.61467/2007.1558.2024.v15i1.436.
Full textValladares Rodríguez, Juan. "Juan Valladares Rodríguez rescata un valioso documento que nos da pistas sobre la imagen de Francisco Morazán más difundida hasta el presente." Revista de la Universidad 1 (December 13, 2022): 142–45. http://dx.doi.org/10.5377/ru.v1i1.15420.
Full textReyes-Rodríguez, Mae Lynn. "Agradecimiento a personas que contribuyeron en procesos de revisión: Volumen 34, Número 1." Revista Puertorriqueña de Psicologia 34, no. 1 (May 17, 2023): 156. http://dx.doi.org/10.55611/reps.3401.11.
Full textGutiérrez López, Elizabeth Valentina. "Juan de Cigorondo Comedia a la gloriosa Magdalena, estudio introductorio y edición crítica de Alejandro Arteaga Martínez, México, Bonilla Artiga Editores-UACM, Colección Novohispana, 2016." Revista Valenciana estudios de filosofía y letras, no. 21 (January 2, 2018): 422. http://dx.doi.org/10.15174/rv.v0i21.341.
Full textDissertations / Theses on the topic "Juan Bonilla"
Chipi, Eneko. "Intimes liminalités, Poétique des frontières et figuration du Moi dans l'oeuvre nouvellistique de Juan Bonilla." Electronic Thesis or Diss., Pau, 2024. https://theses.hal.science/tel-04702409.
Full textThe aim of this thesis is to demonstrate the existence, in Juan Bonilla's short stories, of a double poetic articulation between the imagery of the frontiers, the specular redefinition of literarity through the generic hybridity of the text, and the construction of a specific self-referential modality based on this metaliterary re-actualization of the liminal representation. Bonillian reflexivity expresses itself through a mode distant from conscious mimesis, and the auctorial identity always remains at the margin of the object of discourse, perpendicular to the substance of the tale. The identity is expressed in other ways: firstly, through the style, which exploits a poly-referential pronominal system that maintains the ambiguity of enunciative levels; and secondly, through the hypotextual labyrinth that each story calls, like the immense cartography of a lectorial memory, an authentic depiction of a latent auctorial intimacy. The bonillian self is expressed through a “figuration” (Pozuelo Yvancos), or an auctorial “incorporation” (Maingueneau), which emerges in the act of reception and in the intimate exchange between text and reader, and by extension, between readers of common intertextual references. The many intertextual references, the literary analyses embedded in the stories, the metaliterary considerations and other specular and transfictional effects build up a vast library of the auctorial intimacy, a universe of reading experiences that reveals all that literature has constructed of the writer's identity. For the central object of the Bonillian discourse is none other than literature itself. In Bonilla's wandering lectorial memory, we see the figuration of an identity that he wishes to show through the intimate encounter that develops in the interstice of a shared literary remembrance. In this way, the transgenicity maintained to the point of generic ambiguity contributes to the construction of the unique catalog of his intimate library. Bonillian self-referentiality expresses itself at the boundaries of genres, in the liminal space of intertext, at the heart of the intimate interface created by the shared experience of reading, by the identity imprint that the text leaves on the reader and which informs the identity of all other readers of the same text. Bonilla's autobiography thus takes the form of a “bio-blography”: a writing of reading memories that have engraved in the auctorial identity a reality far more tangible, and more apt to be shared, than that of an empirical reality threatened by the shadow of post-mimetic doubt. In his intimate library, Bonilla offers us a vision of a new way of making identity meaningful, of depicting a liminal intimacy, set in the infinite utopia of the limes (Louis Marin), of the path at the ambivalent frontier between text and life
Cattaneo, Simone <1981>. "Nessuno conosce nessuno. Quattro emblematici percorsi narrativi sulle tracce di una presunta generazione: Juan Bonilla, Ray Loriga, Pedro Maestre e Juan Manuel de Prada." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amsdottorato.unibo.it/2349/1/Cattaneo_Simone_tesi.pdf.
Full textCattaneo, Simone <1981>. "Nessuno conosce nessuno. Quattro emblematici percorsi narrativi sulle tracce di una presunta generazione: Juan Bonilla, Ray Loriga, Pedro Maestre e Juan Manuel de Prada." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amsdottorato.unibo.it/2349/.
Full textBuck, Anna-Sophia. "El arte de hacer novelas : Metafiktionalität und Interdiskursivität im spanischen Roman der Gegenwart : Untersuchungen zu Texten von Juan Bonilla, Ángel García Pintado und Juan Manuel de Prada /." Frankfurt am Main : P. Lang, 2002. http://catalogue.bnf.fr/ark:/12148/cb39085977j.
Full textBooks on the topic "Juan Bonilla"
Bonilla, Juan. The nubian prince: A novel : Juan Bonilla ; translated by Ether Allen. New York, NY: Metropolitan Books, 2006.
Find full textCattaneo, Simone. La "cultura X": Mercato, pop e tradizione : Juan Bonilla, Ray Loriga e Juan Manuel de Prada. Milano: Ledizioni, 2012.
Find full textBuck, Anna-Sophia. El arte de hacer novelas: Metafiktionalität und Interdiskursivität im spanischen Roman der Gegenwart : Untersuchungen zu Texten von Juan Bonilla, Angel Garcia Pintado und Juan Manuel de Prada. Frankfurt am Main: Lang, 2002.
Find full textBuck, Anna-Sophia. El arte de hacer novelas: Metafiktionalität und Interdiskursivität im spanischen Roman der Gegenwart : Untersuchungen zu Texten von Juan Bonilla, Ángel García Pintado und Juan Manuel de Prada. Frankfurt am Main: P. Lang, 2002.
Find full text50 Poemas. Traduccion De Juan Bonilla. Editorial Renacimiento, 2006.
Find full textEl Arte de Hacer Novelas: Metafiktionalitat Und Interdiskursivitat Im Spanischen Roman Der Gegenwart Untersuchungen Zu Texten Von Juan Bonilla,. Peter Lang Publishing, 2002.
Find full textCatálogo de libros excesivos, raros o peligrosos que ha dado a la imprenta Juan Bonilla y edita la Universidad de Sevilla en mmxii. Editorial Universidad de Sevilla-Secretariado de Publicaciones, 2012.
Find full textPastrana Buelvas, Eduardo, Stefan Reith, and Fabricio Cabrera Ortiz, eds. Identidad e intereses nacionales de Colombia. Escuela Superior de Guerra, 2020. http://dx.doi.org/10.25062/9789585250499.
Full textBook chapters on the topic "Juan Bonilla"
Crespo López de Castilla, Juan Carlos. "Los Collaguas en la visita de Alonso Fernández de Bonilla." In Collaguas. I, Visitas de Yanque-Collaguas, 1591 y documentos asociados, 39–60. Pontificia Universidad Católica del Perú, 2023. http://dx.doi.org/10.18800/9789972429941.002.
Full text"El protagonista adolescente o la carrera de relevos: la adolescencia como motivo intertextual en la narrativa breve de Juan Bonilla." In La verdadera patria, 83–100. Vervuert Verlagsgesellschaft, 2019. http://dx.doi.org/10.31819/9783964568885-005.
Full text"Juan Bonilla’s Three-Legged and Two-Tailed Mayakovsky." In 2016, 371–82. De Gruyter, 2016. http://dx.doi.org/10.1515/9783110465952-017.
Full text"What Happens on the Other Side of the Strai(gh)t? Clandestine Migrations and Queer Racialized Desire in Juan Bonilla’s Neopicaresque Novel Los príncipes nubios (2003)." In African Immigrants in Contemporary Spanish Texts, 77–100. Routledge, 2016. http://dx.doi.org/10.4324/9781315566023-8.
Full textReports on the topic "Juan Bonilla"
Informe de Política Monetaria - octubre de 2023. Banco de la República, November 2023. http://dx.doi.org/10.32468/inf-pol-mont-spa.tr4-2023.
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