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Quinteros, Marcela Cristina. "Juan Natalicio González (1897-1966): um intelectual plural." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-07022017-151430/.
Full textThis thesis seeks to identify the main intellectual and political objectives of Juan Natalicio González (1897-1966), a Paraguayan writer who played an extensive variety of activities (journalist, essayist, editor, politician, Colorado Partys member and diplomatic). From the analysis of their biographies, their own texts (autobiography, essays and magazine Guarania) and the study done by historians we consider that Gonzalez partially achieved his political ambitions, because he became president of his country but he was deposed and did not return to play a leading role in the national political scene. He succeeded in spreading and consolidation of the revisionist interpretation of Paraguayan history, after participating in various groups of Latin American intellectuals who widely reproduced his version of the history.
Lee, A. E. "Order and chaos in Juan Goytisolo's fictional works from 1966 to 1982." Thesis, University of Cambridge, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384499.
Full textJermyn, Tracy Aileen. "Savage impossibility : the paradox of rebellion in the novels of Juan Goytisolo, 1966-1988." Thesis, University of Cambridge, 1998. https://www.repository.cam.ac.uk/handle/1810/283935.
Full textTeixeira, Romeu da Silva. "Embates sociais da Espanha nos anos 50 em Últimas tardes con Teresa (1966), de Juan Marsé /." Assis, 2020. http://hdl.handle.net/11449/192120.
Full textResumo: O trabalho em questão visa, a partir de Últimas tardes con Teresa (1966), de Juan Marsé, discutir os embates sociais da década de 50 na Espanha franquista. Marsé cria a história da relação amorosa de dois integrantes de classes sociais diferentes, que por olhos mais superficiais pode ser considerado como tradicional e debate, durante a narrativa, questões de significativa importância histórica. Há a intenção de discutir as questões sociais presentes em Lazarillo de Tormes, clássico produção espanhola e suas relações com o romance de Juan Marsé, seus temas e subtemas. A utilização de diversas vozes persuasivas e irônicas na obra de Marsé possibilita o estudo de questões importantes no período pós-guerra espanhola. Os conceitos de Cronotopo e Dialogia (teorias difundidas pelo Círculo de Bakhtin) permeiam a interpretação da obra e, juntos à narrativa, constroem uma personagem emblemática da literatura espanhola contemporânea: Pijoaparte, jovem andaluz, representante de migrantes, ladrão de motos, que elabora uma relação peculiar com a burguesia estudantil dos anos 50, especificamente em Barcelona.
Resumen: El trabajo en cuestión tiene como objetivo, a partir de Últimas tardes con Teresa (1966), de Juan Marsé, discutir las luchas sociales de la década de 1950 en la España franquista. Marsé crea la historia de la relación amorosa de dos miembros de diferentes clases sociales, que desde un punto de vista más superficial puede considerarse tradicional y debatir, durante la narración, cuestiones de importancia histórica significativa. Su objetivo es discutir los problemas sociales presentes en Lazarillo de Tormes, la producción clásica española y sus relaciones con la novela de Juan Marsé, sus temas y subtemas. El uso de varias voces persuasivas e irónicas en el trabajo de Marsé permite estudiar cuestiones importantes en el período de la posguerra en España. Los conceptos de Cronotopo y Dialogismo (teorías difundidas por el Círculo de Bakhtin) impregnan la interpretación de la obra y, junto con la narrativa, construyen un personaje emblemático de la literatura española contemporánea: Pijoaparte, joven andaluz, representante de migrantes, ladrón de motocicletas, que construye una peculiar relación con la burguesía estudiantil de los años cincuenta, específicamente en Barcelona.
Abstract: The work in question aims, starting from Juan Marsé's Últimas tardes con Teresa (1966), to discuss the social struggles of the 1950s in Francoist Spain. Marsé creates the story of the love relationship of two members of different social classes, which by more superficial eyes can be considered as traditional and debate, during the narrative, issues of significant historical importance. It is intended to discuss the social issues present in Lazarillo de Tormes, classic Spanish production and its relations with the novel of Juan Marsé, its themes and subthemes. The use of various persuasive and ironic voices in Marsé's work makes it possible to study important issues in the postwar period of Spain. The concepts of Chronotope and Dialogy (theories spread by the Bakhtin Circle) permeate the interpretation of the work and, together with the narrative, build an emblematic character of contemporary Spanish literature: Pijoaparte, young Andalusian, representative of migrants, motorcycle thief, who builds a peculiar relationship with the student bourgeoisie of the 1950s, specifically in Barcelona.
Mestre
Chipi, Eneko. "Intimes liminalités, Poétique des frontières et figuration du Moi dans l'oeuvre nouvellistique de Juan Bonilla." Electronic Thesis or Diss., Pau, 2024. https://theses.hal.science/tel-04702409.
Full textThe aim of this thesis is to demonstrate the existence, in Juan Bonilla's short stories, of a double poetic articulation between the imagery of the frontiers, the specular redefinition of literarity through the generic hybridity of the text, and the construction of a specific self-referential modality based on this metaliterary re-actualization of the liminal representation. Bonillian reflexivity expresses itself through a mode distant from conscious mimesis, and the auctorial identity always remains at the margin of the object of discourse, perpendicular to the substance of the tale. The identity is expressed in other ways: firstly, through the style, which exploits a poly-referential pronominal system that maintains the ambiguity of enunciative levels; and secondly, through the hypotextual labyrinth that each story calls, like the immense cartography of a lectorial memory, an authentic depiction of a latent auctorial intimacy. The bonillian self is expressed through a “figuration” (Pozuelo Yvancos), or an auctorial “incorporation” (Maingueneau), which emerges in the act of reception and in the intimate exchange between text and reader, and by extension, between readers of common intertextual references. The many intertextual references, the literary analyses embedded in the stories, the metaliterary considerations and other specular and transfictional effects build up a vast library of the auctorial intimacy, a universe of reading experiences that reveals all that literature has constructed of the writer's identity. For the central object of the Bonillian discourse is none other than literature itself. In Bonilla's wandering lectorial memory, we see the figuration of an identity that he wishes to show through the intimate encounter that develops in the interstice of a shared literary remembrance. In this way, the transgenicity maintained to the point of generic ambiguity contributes to the construction of the unique catalog of his intimate library. Bonillian self-referentiality expresses itself at the boundaries of genres, in the liminal space of intertext, at the heart of the intimate interface created by the shared experience of reading, by the identity imprint that the text leaves on the reader and which informs the identity of all other readers of the same text. Bonilla's autobiography thus takes the form of a “bio-blography”: a writing of reading memories that have engraved in the auctorial identity a reality far more tangible, and more apt to be shared, than that of an empirical reality threatened by the shadow of post-mimetic doubt. In his intimate library, Bonilla offers us a vision of a new way of making identity meaningful, of depicting a liminal intimacy, set in the infinite utopia of the limes (Louis Marin), of the path at the ambivalent frontier between text and life
Bury, Laurence. "Les élections de juin 1968$$eévénements [i. E. évènements], traces, mythes : l'exemple du département du Nord." Tours, 1997. http://www.theses.fr/1997TOUR1007.
Full textThis thesis originates in this statement : if the events of may-june 68 have aroused the production of numerous written works, the june 68 electoral episode, often described as a simple conclusion to a crisis which is the only one that does attract people's attention, plays a minor role in the written works. The ballot has not been completely and systematically analysed unlike other electoral consultations. This lack of curiosity has favoured a hasty generalization of comments by journalists and observers at that time : "fear elections", "big swing to the gaullists", "impossible chamber" represent these common-place ideas set in 68 and which still come back to our ears. Therefore, it seems that, at the expense of historical and political observations, a mythical discourse has been built concerning the results of the ballot. This is the mechanism of this structuring that we aim, here, to display. Our main hypotesis, being that the june elections have been percieved in a particuliar way, we have chosen to analyse it from a monographique point of view, before understanding, how, yet based on tangible facts, a number of representations were born. It seemed interesing to us to observe them as time goes by, thus, from june 68, up to now. In fact, one can put forward the following assumption : are the representions associated with the electoral consultation not assembled like a legendary tale by a succession of sedimentations. From immediate comments to thoughtful interpretations, it was all about searching for the different discours generated by the consultation. And yet, if our proposition is proved to be a fertile one, we shall notice, in the numerous written works publisched one after the others, the influence of the early comments, as wel as, its alteration, as time goes by. This rechearch revolves around two main themes : we analyse this awkward electoral consultation and then we study the evolution of discourse and represention linked to the june consultation
Lavergne, Lucie, and Lucie Lavergne. "L'écriture poétique, d'espaces et de rythmes : regards croisés sur six recueils de la poésie hispanophone contemporaine : Rubén Darío, Cantos de vida y esperanza (1905) ; Juan Ramón Jiménez, Diario de un poeta reciencasado (1916) ; Rafael Alberti, Marinero en tierra (1924) ; Vicente Aleixandre, Espadas como labios (1932) ; Pere Gimferrer, Arde el mar (1966) ; Leopoldo María Panero, Teoría (1973)." Phd thesis, Université Blaise Pascal - Clermont-Ferrand II, 2011. http://tel.archives-ouvertes.fr/tel-00942945.
Full textLavergne, Lucie. "L’écriture poétique, d’espaces et de rythmes : regards croisés sur six recueils de la poésie hispanophone contemporaine : Rubén Darío, Cantos de vida y esperanza (1905) ; Juan Ramón Jiménez, Diario de un poeta reciencasado (1916) ; Rafael Alberti, Marinero en tierra (1924) ; Vicente Aleixandre, Espadas como labios (1932) ; Pere Gimferrer, Arde el mar (1966) ; Leopoldo María Panero, Teoría (1973)." Thesis, Clermont-Ferrand 2, 2011. http://www.theses.fr/2011CLF20021/document.
Full textThrough the combined analysis of six poem books of contemporary Spanish poetry, this thesis aims to define poetic writings and its rhythm. Rhythm is considered in relation with the notion of space. Starting with the traditional association of rhythm and meter, the first part studies how the metrical space of the writing of verses, with its structures and boundaries, involves the law and its transgression. On the other hand, the second part considers space as a “substance”: poetic writing is analyzed through its development in the language and sentences. Centered on the figure of the “line”, the second conception of rhythm also implies temporality, which is included in the words themselves (the verbs) and generated by the combination of the sentences. However, in the poem books, sometimes linearity is deconstructed by different phenomenon that deal with language (the dissolution of syntaxes), verse (the enjambment, the dissemination on various lines), and the page. The last chapter is dedicated to the visibility of writing on the page. As a concretization of the writing act, the page is also a revelation of the writer of the poem. Our third and last part is centered on the subject, its different faces and representations. Rhythm appears, at last, as a mosaic of discursive and semantic spaces that imply the speaker as much as the reader
Castillo, Arce Macarena. "El ingreso al museo mediante la canonización cenicienta de Juan Emar en la exposición “Juan Emar ¡Armonía! eso es todo”." Tesis, Universidad de Chile, 2008. http://repositorio.uchile.cl/handle/2250/109790.
Full textTennenini, Roberta. "El fulgor de la palabra : el oficio poético de Juan Gelman (1956-2014)." Thesis, Toulouse 2, 2017. http://www.theses.fr/2017TOU20115.
Full textIn this thesis, we analyse the complete work of the Argentinian poet Juan Gelman (1930-2014). Even though his poetry has earned great renown, the collections he published later in his life remain largely unknown. Accordingly, we wrote a study that focuses on his later works while bringing a new perspective on his previous books. The richness and originality of his riting as well as the complexity of the historical context in which he lived, led us to adopt a post-theoretical approach to his poetry. The dialectic relationship we established between literary analysis and epistemological questioning allowed us to draw a rhizomatic map of Gelman's work. In particular, we focused on what we consider to be the fundamental aspects of his poetry: the political commitment, the fictionalisation of the poetic voice, the notion of literary testimony, the work of mourning and the experience of exile. In this way, our thesis aims to complete and update the critical discourse on Gelman’s poetry and to reflect the complexity of his writing
Ben, Ezzedine Zitouna Bedis. "Mythes fondateurs, mythes reconstructeurs : étude de Don Quichotte, Don Juan et La Célestine chez Azorín (1873-1967), Miguel de UNAMUNO (1864-1936) et Ramiro de MAEZTU (1874-1936)." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2011. http://tel.archives-ouvertes.fr/tel-00743958.
Full textCanseco-Jerez, Alejandro. "Poétique et réception de l'oeuvre de Jean Emar aua Chili." Paris, EHESS, 1993. http://www.theses.fr/1993EHES0322.
Full textThe purpose of this thesis is to examine, systematically and for the first time, the complete literary works of the chilean writer alvaro yanez bianchi (1893-1964), who adopted the pseudonym jean emar. This study also seeks to shed light on the curiosu phenomenon of the reception of jean emar's works in chile, by exploring the socio-cultural, historical and esthetic mechanisms that caused this work to be obscured for several decades. The first part of the study examines jean emar's personal itinerary. This biographical section, which covers his journeys, including his long stay in france where, beginning in 1919, he was in close contact with the literary avantgarde, attempts above all to reveal the genesis of his work. Built around a palimpsest, for emar in fact worked for his entire career on a single work, umbral, which was presented in various forms (ayer, un ano and miltin 1934, which we have called a "narrative tryptic", and diez)
Rosa, Daniele dos Santos. "Poesia e história em Pedro Páramo, de Juan Rulfo." reponame:Repositório Institucional da UnB, 2014. http://repositorio.unb.br/handle/10482/16660.
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Este estudo buscou contribuir com a crítica já consolidada do romance Pedro Páramo, de Juan Rulfo. Tendo por base a complexa relação entre forma literária e processo social, em especial as relações dialéticas entre poesia e história, esta pesquisa centrou-se na análise das instâncias narrativas da obra, em sua relação com o caráter fantasmal e a permanência da verossimilhança do relato, que possibilitaram ao romance transfigurar em si o movimento próprio da história humana, podendo ser considerado, nos termos de Lukács, um romance realista. ____________________________________________________________________________________ ABSTRACT
This study sought to contribute to the criticism already consolidated the novel Pedro Páramo by Juan Rulfo. Based on the complex relationship between literary form and social process, especially the dialectical relations between poetry and history, this research focused on the analysis of instances of narrative work, in its relationship with the ghostly character and permanence of the likelihood of reporting, that allowed the novel to transfigure itself the proper motion of human history can be considered in terms of Lukacs, a novel realistic.
Cluff, Benjamin. "Remembering the Ghost: Pedro Páramo and the Ethics of Haunting." BYU ScholarsArchive, 2009. https://scholarsarchive.byu.edu/etd/1936.
Full textSánchez, Kornfeld Alejandra Isabel. "Construcción del sujeto textual en la obra de Juan Emar." Tesis, Universidad de Chile, 2012. http://www.repositorio.uchile.cl/handle/2250/113643.
Full textEn este trabajo, se estudia la construcción del discurso y del sujeto poético en las novelas Ayer y Un año de Juan Emar, analizando las relaciones entre utopía, lenguaje y narración, con una perspectiva crítica, en relación a la sociedad chilena de los años treinta. A partir de este contexto, el narrador establece un discurso utópicoutilizando la alegoría como lenguaje propiamente literario, alejado de la referencialidad que se le impone en su cotidianidad. El Ser del lenguaje aparece así como elemento esencial en la elaboración de un relato abierto e inacabado, otorgándole al sujeto que narra, la posibilidad de relatar su experiencia sin verse amenazado por su propia disolución, al enfrentarse con la temporalidad y transitividad del vivir.
Chiaradia, Éric. "L'entourage du Général de Gaulle : (juin 1958-1969)." Bordeaux 3, 2006. http://www.theses.fr/2006BOR30045.
Full textTwo hundred and ten people form General de Gaulle's working entourage. The latter one was successively the last Prime minister of the Fourth Republic (June 1 1958-January 8 1959) and the first president of the Fifth Republic (January 8 1959-April 28 1969). The organs are dominated by the cabinet on 1958-1959 and by the general secretary's office from 1959. In several organs, civilian people and soldiers work together. Supporters, politicians and high civil servants shove presidential choices and they widen the head of state constitutional prerogatives. These works earn the confidence of the first state magistrate. After three years on average, at the end of the passage, the efficient civil servants are granted other powers : state or private firm managers, great command, interior or external representation of the French state, political career. The daily norms go on by the regular contact with General de Gaulle. The opposition, the extremes and the national press watch this phenomenon as a super government or a monarch courtship managed between a lot of technocrats without any democratic checking. The shocks between the presidential resolutions and the Prime minister, his conceptions and his assistants explain the Algerian war of May 1968. In 1969-1970, General de Gaulle's withdrawal and death built the unity of the group. The old collaborators represent another Gaullism and they spread their common work and a glorious remembrance to our time
Denglos, Guillaume. "Juin l'Africain : le "dernier maréchal d'empire" (1888-1967)." Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010600.
Full textAlthough Alphonse Juin remains one of the major characters in the History of the French Army of the 20th century, his memory seems weak and almost gone today. He is the last military alive to be named Marshal in May 1952. He is also the victor of the Garigliano battle, many others in Tunisia in 1943 and Italy the next year at the head of the French Expeditionary Corps (F. E. C.). Behind his accomplishments lies a carrier devoted entirely to the defense of the French Empire colonies in North Africa. Either under Lyautey in Morocco and Lucien Saint, during Vichy France or as governor in Tunie in 1943 and Rabat between 1947 and 1951, Juin is the archetype of African Army’s officer. Indeed, his behaviour toward the political power in place, and his relationship with the direct subordination with Lyautey, Pétain or de Gaulle, has varied depending on the imperial fundamentals. Although his failure to deposit the sultan Mohamed V in Morocco in 1951, Juin enjoys the climax of its political and military influence in the early 1950 before being progressively marginalized due to both the decolonization process and de Gaulle’s new politic line in Algeria. Great victor in the battlefield, the Marshal Juin appears as the loser in the battle for Memory, due to his Vichy and colonialist past
Pualuan, Holmberg Liliana. "Juan Rulfo. Pedro Páramo: entre la creación y la destrucción, las huellas de un duelo." Tesis, Universidad de Chile, 2003. http://repositorio.uchile.cl/handle/2250/108780.
Full textCarcelén, Jean-François. "Juan José Millás ou les territoires postmodernes de l'écriture." Grenoble 3, 1994. http://www.theses.fr/1994GRE39051.
Full textThe novels of juan jose millas are subject to a double tension, referential and autoreferential. Reference is carried out by means of historical "anchors" discreetly disseminated throughout the text, so as to avoid any misunderstanding on the part of the reader. This kind of historical reference is related to the construction of a virtual referent. The conjunction of the two, together with the establishment of a rhetoric, create the conditions in which meaning emerges by a kind of exudation : world view and individual view arise out of the dialectic relation between what the text says and what it does. One can see however a change toward a kind of writing which becomes the object of its own epistemological concern. By emphasizing autorerentiality. Juan jose millas questions the referential illusion itself, without entirely obliterating it. By making the reader adopt a critical view of the elaboration of the novel, he forces him to reflect on what the novel designates. What follows later is a kind of writing that exploits confusion, the transgression of genres and codes, in this postmodern aesthetics, the fragment appears as an expression of the absence of unity, and of de-centering. Although it occupies center stage, the fiction of millas does not withdraw into itself. Millas' novels are a far cry from the kind of watered-down fiction to which some would reduce postmodernism. Far from refusing the critical function of the world of which they are a product, they affirm a referential intention. Millas is an exemplary representative of postmodern resistance, whose major bid is that of asking the most basic ontological and axiological questions
Ramos, de Cox Josefina. "ANTIGUO PERÚ, espacio y tiempo, Lima, Librería Editorial Juan Mejía Baca. 1960, 400 páginas." Pontificia Universidad Católica del Perú, 2017. http://repositorio.pucp.edu.pe/index/handle/123456789/114096.
Full textVuillequez, Carine. "Poétique de l'étrange dans les nouvelles de Juan José Millás." Montpellier 3, 2009. http://www.biu-montpellier.fr/florabium/jsp/nnt.jsp?nnt=2009MON30031.
Full textThis thesis aims to analyse the strange in a specific genre – the short story – which occupies an important place in contemporary Spanish literature (1975-2004). The idea is to reflect upon the terms of a filiation with the fantastique/strange genre whose contours and consequences on the pact of reading need to be defined. The modern short story seems to be taking the route of renovation, whilst retaining traditional elements, in the thematic field as well as the field of discourse, which places the notion of “strangeness” at the heart of its fiction. The body of work consists of short stories by Juan José Millás. Over the course of the publication of each of his collections of stories, this contemporary Spanish writer is developing a particularly intense strange universe to which space, time, characters and writing all contribute. The strangeness of his avatars (monstrosity, madness, alienation, defamiliarisation, deliverance, etc. ) is expressed in a range of devices used in his texts and seems to be the result of one of the essential characteristics of post-modernism: decentrement, in which a person gradually becomes a stranger to himself. The analysis of multiple and surprising “crossings”, towards a new reality that can be detected in the writing assumes the existence of boundaries that represent all the obstacles to freedom. Millás’ stories all have the same objective, an objective that makes their unity, that of placing his characters and his readers outside of normality with the curious effect of contagiousness and destabilisation. The strange and the fantastique do not, however, obliterate the referential dimension of these texts, which also implies the need for an analysis of the links between the author and a particular context, that of a boundary between two centuries and of a Spanish reality whose singularity must be clearly established
Faria, Larissa Müller de [UNESP]. "Aspectos do real maravilhoso no romance Pedro Páramo, de Juan Rulfo." Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/127897.
Full textConselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
O romance escolhido para análise é Pedro Páramo, do escritor mexicano Juan Rulfo, publicado em 1955. A obra de Rulfo é capaz de suscitar diversas leituras, tanto dos aspectos da vida social quanto da individual, concretizando-se como espaço de uma nova linguagem. Nesse sentido, o que se propõe é uma abordagem da relação entre a realidade e o mundo ficcional, a memória e o elemento sobrenatural no desenvolvimento da narrativa. Para tanto, o objetivo deste trabalho é estudar a obra Pedro Páramo a partir do viés do romance moderno hispano-americano e do real maravilhoso, valorizando o estudo das vozes que eclodem a todo momento no decorrer da narrativa. A pesquisa será realizada através de levantamento bibliográfico que terá como fontes os periódicos e bancos de dados de pesquisas virtuais, além de bibliotecas. A base teórica está centrada nas obras de Chiampi, Propp e Octavio Paz, bem como em outras que possam contribuir ao problema proposto. Assim, o estudo do mito, do contexto histórico, do narrador, do espaço, bem como da 'função' de leitor e da lírica na prosa de Rulfo também se fará presente. Importante atentarmos para o fato de todos esses aspectos possuírem pontos em comum quando relacionados e tratados dentro das vertentes elencadas, o romance moderno e o real maravilhoso. Dessa forma, traçar um paralelo e entrelaçar tais categorias é uma preocupação que está por trás do objetivo apresentado
La novela elegida para el presente análisis es Pedro Páramo, del escritor mexicano Juan Rulfo, publicada en 1955. La obra de Rulfo es capaz de suscitar diversas lecturas, tanto de los aspectos de la vida social como de la individual, concretizándose como el espacio de un nuevo lenguaje. En ese sentido, lo que se propone es un abordaje de la relación entre la realidad y el mundo ficcional, la memoria y el elemento sobrenatural en el desarrollo de la narrativa. De este modo, el objetivo de este trabajo es estudiar la obra Pedro Páramo a partir de la perspectiva de la novela moderna hispanoamericana y del real maravilloso, valorizando el estudio de las voces que surgen a cada momento en el transcurrir de la narrativa. La investigación se realizará sirviéndose de la consulta bibliográfica que tendrá como fuentes los periódicos y bancos de datos de investigaciones virtuales, además de las bibliotecas. La base teórica está centrada en las obras de Chiampi, Propp y Octavio Paz, así como en otras que puedan contribuir con el problema propuesto. Por lo tanto, el estudio del mito, del contexto histórico, del narrador, del espacio, así como de la 'función' del lector y de la lírica en la prosa de Rulfo también se hará presente. Es importante estar atentos para el hecho de que todos estos aspectos poseen puntos en común cuando se les relaciona y son tratados dentro de las vertientes abordadas, la novela moderna y el real maravilloso. De esa forma, trazar un paralelismo y entrelazar tales categorías es una preocupación que está latente por detrás del objetivo presentado
Marques, Gracielle [UNESP]. "Geografias do drama humano: leituras do espaço em São Bernardo, de Graciliano Ramos e Pedro Páramo, de Juan Rulfo." Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/94071.
Full textCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
O presente trabalho pretende realizar uma análise comparativa dos romances São Bernardo (1934), do escritor brasileiro Graciliano Ramos (1892-1953), e Pedro Páramo (1955), escrito pelo mexicano Juan Rulfo (1918-1986), com o fim de demonstrar como se dá o processo de construção do espaço que permeia tais obras, procurando, com isso, explicitar as analogias e os contrastes entre as duas obras, a partir da percepção de que ambas projetam, no processo de construção do espaço, lugares que revelam conflitos sociais, psicológicos e existenciais do homem em confronto com sua origem e seu destino. O espaço em ambos os romances é construído por uma linguagem poética que prima por recursos de composição técnica e estrutural inovadores o que aproxima, entre outras coisas, as obras desses dois grandes expoentes da literatura latino-americana que, dessa maneira, retrataram a complexidade das sociedades da América Latina, simbolizadas num espaço rural emblemático que expressa, em perspectiva poética e sem caráter documental, diversas facetas da realidade.
El presente trabajo propone a desarrollar un análisis comparativo entre las novelas São Bernardo (1934), del brasileño Graciliano Ramos (1892-1953), y Pedro Páramo (1955), del mexicano Juan Rulfo (1918-1986), con el objetivo de demostrar cómo se articula el proceso de construcción del espacio en dichas obras, tratando de explicitar las similitudes y contrastes entre ellas, desde la percepción de que ambas proyectan, en dicho proceso, los lugares que revelan los conflictos sociales, psicológicos y existenciales del hombre en la confrontación con su origen y su destino. El espacio en ambas novelas se articula en un lenguaje poético que da primacía a los recursos de la composición técnica y estructural innovadores. Ello, entre otros aspectos, acerca a las obras de estos dos grandes exponentes de la literatura latinoamericana que, al hacerlo, describen la complejidad de las sociedades en América Latina, simbolizado, en un espacio rural emblemático que expresa en perspectiva poética y sin carácter documental, los diversos aspectos de la realidad.
Grillo, Sabrina. "Juan Negrín et l'écriture de soi : analyse de pratiques textuelles et photographiques." Thesis, Artois, 2017. http://www.theses.fr/2017ARTO0005.
Full textThis thesis lies within the framework of the revival of the memory of Spanish Civil War victims, through consideration of one of the myths of contemporary history—Juan Negrín, last head of government of the Second Spanish Republic (1931-1939). This work revisits the circulation of the memory of Juan Negrín in contemporary public space by studying various materials conveying his memory—his private and official correspondence (1931-1937), his memoirs, his photographs and the film productions that have used some of these documents. This thesis is based on a diverse corpus of texts and images gathered as materials reflecting an experience of the self, thus shedding light on Juan Negrín’s viewpoint on the beginnings of the war, the conflict and its aftermath. Through Juan Negrín’s textual and photographic practices, the three parts offer a record both of his sense experience of the period and of his role as a politician and a citizen ahead of his time. This research work investigates the black legend that was built and keeps on being conveyed concerning his memory and his role in political life. Thanks to the various materials analysed, this work is an invitation to consider how the memory of a man is closely linked to collective memory and historical memory
Jordana, Darder Marta. "Contra la España Sagrada : los mitos en el compromiso literario de Juan Goytisolo (1964-1970)." Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL010.
Full textThis thesis examines the abrupt change in Juan Goytisolo's literary commitment from 1964 and his early dogmatism until 1970, when, in the novel Don Julián, he culminates the literary process of destruction and denunciation of myths, values, schemes, words and literary automatism, as well as the solid and consistent analysis of the sacred and nationalist myths of Spain that he develops in his historical and literary critical essays of that period. From the constant contrast between Goytisolo's words and his influences, we have tried to situate the writer in his cultural, political and literary context, divided between the influence of his expatriation in France, his links with Latin America and its most avant-garde and peripheral writers, and his personal, political and dramatic positions towards Spain. In the broader context of the transformations and fluctuations that both "myth" and "commitment" will undergo in the twentieth century, Goytisolo chooses to place "myth" and its multiple and ambivalent definitions at the centre of his new literary and political commitment
Vargas, Peirano María Constanza. "El drama de fideicomiso en Umbral de Juan Emar: obra total y acto ético." Tesis, Universidad de Chile, 2015. http://repositorio.uchile.cl/handle/2250/133872.
Full textEste trabajo se propone como un estudio referido a la obra de Juan Emar, en específico de El Drama de Fideicomiso, transcripción híbrida que se constituye como una novela/drama al interior del Primer Pilar de Umbral, El Globo de Cristal. Para ello, nuestro autor reubica y descoloca las tradicionales fronteras ónticas entre las categorías de autor/actor/espectador/lector, texto dramático/puesta en escena/novela autobiográfica, lo que conlleva un cuestionamiento directo respecto de nuestras formas de representación (Crítica a los artistas y públicos burgueses). Al interior del DF, sin embargo, Emar no solo se preocupa de problemas relativos a la esfera artística, sino que también configura esta Novela/Drama como una acérrima crítica a las relaciones que se gestan entre Estado e Iglesia en Chile. En dicho sentido, Emar advierte en los ideologemas de la Patriotería y de la Beatería, respectivamente, la raíz de nuestra nación chilena. Para ello, despliega en el DF una transcontextualización paródica (Hutcheon) de diversos momentos históricos asociados a la genealogía en Occidente de dichos ideologemas, los que, junto con el valor satírico que logran tras su nueva disposición en la novela/drama, también dan cuenta de una nueva perspectiva de la historia. Con ello, Emar busca demostrar el nexo ineludible entre las Estéticas de lo Total y la implantación de determinados ideologemas al servicio del poder. Es esta denuncia la que se constituye en un Acto Ético (Bajtín).
Cornejo, Poblete Carlos. "Ayer de Juan Emar: Transculturación y Museo en San Agustín de Tango." Tesis, Universidad de Chile, 2007. http://www.repositorio.uchile.cl/handle/2250/110499.
Full textSantistevan, Gutti Alejandro. "Entre el nacionalismo y el peso del dólar : Perú y Estados Unidos durante el gobierno de Juan Velasco (1968-1975)." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2018. http://tesis.pucp.edu.pe/repositorio/handle/123456789/12131.
Full textThe Peruvian military government (1968-1975) came out as a “headache” for the United States government in a global context framed by the weakening of its hegemony. The expropiation of the International Petroleum Company or the defense of the thesis of the 200-mile territorial waters were oriented to recover national dignity and not to subvert the traditional “friendly” relations between the two countries. As a matter of fact, Peruvian military were convinced that dependence on capital and loans from the US was inescapable in the short term. In that sense, Peruvian foreign policy was oriented to overcome the financial blockade impossed by the US in order to sanction the non-compensation of the IPC by the Peruvian government, without losing their nationalist and independent credentials. In sum, the decisions that Peruvian policy-makers made were conditioned by the nationalist commitment, the power equilibrium inside the regime and, mainly, the need to promote private investment and foreign loans.
Tesis
Llanes, García Manuel de Jesús. "Idea de Hispanoamérica en la obra de Juan Villoro." Doctoral thesis, Universitat de Barcelona, 2013. http://hdl.handle.net/10803/98342.
Full textHispanic American Idea in the work of Juan Villoro This thesis is devoted to analyze the work of the Mexican writer Juan Villoro, whose literature will continue to gain presence in the field of literature written in Spanish. Therefore, this is a systematic study of the way in which the work of Villoro can be placed in the context of twentieth-century Mexican literature, while this is a result of a particularly complex process and here we proceed to unravel. We start from the idea that the so-called collective identity is often associated with psychological peculiarities that would be in the ideological foundation of the political nations. Faced with this idea, which seems insufficient, we recover far-reaching historical processes that will result in a transnational platform as Hispanic, that we will overcome essentialism. In Mexico, the work of Octavio Paz, The Labyrinth of Solitude, will be considered when configuring canonical character of the inhabitants of that country, according to the poet, conditioned for the myth of pre-Columbian roots. Other scholars such as Roger Bartra in The Cage of Melancholy, will criticize that belief to open the way to much more skeptical positions, as take place with Villoro. Juan Villoro will use this crisis to restate Mexican identity through the forms of the comic for his novels and essays, in the line of Jorge Ibargüengoitia and others. This can be seen in a collection of stories, which are proof of that radical break with the obscurantist myth, recognized as a simple anachronism. However, that deconstruction does not lead to a mere postmodernism, as they say about Villoro, who never fails to appeal to the Spanish language, including an extended set of institutions able to unite the Spanish-speaking countries.
Martinovich, Salas Francisco. "Topografía de un arte nuevo: espacios de la vanguardia en la obra poética de Juan Marín." Tesis, Universidad de Chile, 2012. http://www.repositorio.uchile.cl/handle/2250/113783.
Full textEn el horizonte de la cultura chilena, la figura de Juan Marín Rojas (Talca, 1900 – Viña del Mar, 1963) está lejos de ser recordadaexclusiva o preferentemente como la de un destacado escritor. Un gran número de reseñas sobre la vida y obra literaria del autor no escatiman en halagos hacia la figura del multifacético hombre que fue Marín. Médico cirujano, doctor militar, diplomático, crítico, novelista, cronista, cuentista, ensayista y poeta, Juan Marín fue ante todo un hombre prolífico, cuya carrera literaria comenzó en su adolescencia, cuando en 1916 antes incluso de recibirse a los 21 años como médico cirujano, ya había publicado algunos poemas en El Jardín Profanado1, y colaborado en revistas literarias como Aliados2 y Selva Lírica3. A partir de estos tempranos hitos, su extenso recorrido por los diversos géneros literarios ha sido reconocido por la crítica literaria nacional, destacando su trabajo como novelista y cuentista4 (géneros en los que recibió galardones, amplia cobertura en diarios y revistas literarias nacionales e internacionales, y en los cuales ha sido traducido a idiomas como portugués, francés e inglés). Una breve revisión de la prensa nacional y de la teoría especializada de la época hace evidente esta aseveración, la que es reforzada por el hecho de que la crítica consolida como hitos literarios a muchas de sus novelas, dejando en segundo, e incluso tercer plano su obra poética. Esta, aunque breve en proporción a la totalidad de su trabajo literario, corresponde a una labor interesante y destacada en el contexto del desarrollo de la vanguardia en la literatura chilena.
Arellano, Iván. "Casa O'Gorman : habitando la cueva (1949–1969)." Doctoral thesis, Universitat Politècnica de Catalunya, 2016. http://hdl.handle.net/10803/386318.
Full textJuan O´Gorman fue uno de los arquitectos más influyentes del siglo pasado en México. Su arquitectura, como su obra pictórica, ha trascendido en el tiempo, dejando huella en el panorama contemporáneo del arte en México. El presente trabajo titulado "Casa O´Gorman, habitando la cueva" se basa en el estudio y análisis de la última obra de Juan O´Gorman, la casa de la avenida San Jerónimo 162 en la Ciudad de México, la cual desafortunadamente fue destruida en el año 1969 a manos de la artista plástica Helen Escobedo. Esta casa construida a partir de una cueva aprovechaba las ondulaciones y cavidades del terreno volcánico dejado por la erupción del volcán Xitle hace más de mil seiscientos años. Esta cueva habitable, que en las palabras de O´Gorman fue también su laboratorio, deja con su pérdida un hueco en el patrimonio histórico de la arquitectura mexicana contemporánea. Lo que queda de esta obra es una forma apenas reconocible de lo que fue un experimento de arquitectura orgánica; seguramente debajo del revoco que cubre algunos de los muros y techos quedan restos de murales multicolores, de dibujos alusivos a la cultura prehispánica y de la historia misma de sus habitantes. He dividido esta investigación en tres grandes bloques: el primero es una aproximación hacia el autor, es una visión global de s u pers ona, de su trabajo como arquitecto y de sus palabras; el segundo bloque, titulado “Dos lugares”, analiza dos obras dentro de su trayectoria que por su trascendencia en tiempo y lugar influyeron en la conceptualización y construcción de la casa de la avenida San Jerónimo; y el tercer bloque, “De la casa a la cueva”, es una reconstrucción gráfica de dicha casa, utilizando la poca información existente y en muchos casos incongruente hallada en las diversas publicaciones donde se muestra. Para este efecto, he recopilado, archivado y catalogado las fotografías, los textos, los testimonios y los planos que existen de la casa, para formular un nuevo material lo más ajustado posible a lo que fue esta obra. Representar lo ya destruido, redibujar las figuras entrelazadas, los mosaicos de animales de colores y las ondulaciones de la roca volcánica son los mayores aportes de este trabajo, pues hasta la fecha no se han encontrado planos que reflejen esta información. Se espera que esta investigación sirva para que las futuras generaciones hagan una reflexión acerca de la conservación y el estudio de las obras que pertenecen a la memoria histórica de México.
Gómez, Fierro Rocío. "Ayer, la ciudad de los centros. La búsqueda de la unidad del sujeto emariano." Tesis, Universidad de Chile, 2004. http://www.repositorio.uchile.cl/handle/2250/110169.
Full textEl sujeto emariano, entonces, se instalaría en la observación del entorno, pero ya no de una objetivación de la realidad, sino desde el sujeto mismo, que busca su centro entre los recovecos de lo inverosímil, lo singular, e incluso lo que está en las cosas del diario vivir, pero que al pasar por el cedazo de la mirada superrealista, adquieren un especial enfoque estético. La forma, entonces, obtendrá un lugar privilegiado en la narración de Emar, quien indaga dentro de la ciudad de San Agustín de Tango su propia unidad confirmándose como individuo íntegro en la medida que recuerda y relata.
Rodriguez, Penagos Juan Manuel. "Temporalité et Psychose : une étude de trois cas." Paris 7, 2005. http://www.theses.fr/2005PA070070.
Full textIn this research, we will debate the question about the time psychological phenomenon, in relation within the psychotic state. We begin with one specific context - a novelist (Juan Rulfo), a mathematician (Georg Cantor) and a patient. We will analyse the unconscious formations, and also the way they relate to time, from the work of each of these three cases. We will discuss each one, to consider their fields as a formal System of knowledge, that can allow us to make specific remarks about their relation to time and psychosis
Cabrera, Hormazábal Javier. "Panorámica de la ciencia ficción mexicana: mundos posibles y utopía en Ruido gris de Juan José Rojo." Tesis, Universidad de Chile, 2013. http://repositorio.uchile.cl/handle/2250/113087.
Full textEn este trabajo pretendo hacerme cargo de dos ideas sobre la ciencia ficción no tan explotadas por la teoría de las últimas décadas, con algunas excepciones de autores como Fredric Jameson, cuya propuesta teórica me ha inspirado a realizar este trabajo. El primero de estas problemáticas es la idea de las posibilidades de la utopía y de los temas asociados a su conceptualización, y la literatura de ciencia ficción. De tal modo, en esta tesina se indagará sobre las semejanzas que tiene el proceso creativo del autor en la ciencia ficción con el del autor utópico. Esto implica profundizar en el concepto de "utopia" desde un análisis de su forma y temas en la tradición y la recuperación que hace la ciencia ficción de ella. El segundo aspecto tiene relación con los mundos posibles creados en esta literatura, y la manera en que estos aúnan el quehacer cotidiano del tiempo presente con un discurso sobre un imaginario tecnológico y su implicancia en la sociedad. Además de cómo, por qué y desde dónde arrancan estos mundos creados en la ficción. Estos dos aspectos además serán los utilizados para realizar un análisi de la obre de Ruido de Gris de Juan José Rojo.
Pareja, Carneros Nuria. "El aprendizaje de la galerista Juana Mordó. La Galería Biosca 1958-1964." Doctoral thesis, Universitat Politècnica de València, 2017. http://hdl.handle.net/10251/90545.
Full textRESUMEN La presente Tesis trata sobre la trayectoria de la marchante Juana Mordó en la Galería Biosca, Madrid. Ella fue la primera mujer que abrió en 1964, una galería de arte en España, la Galería Juana Mordó. Con el tiempo, se convirtió en una mujer decisiva en el mercado del arte español. Anteriormente, entre los años 1958 a 1964, periodo que abarca nuestro estudio, colaboró con la Galería Biosca. Aquí aprendió el oficio de marchante de arte, conoció a los principales personajes de la escena cultural española, artistas, críticos, funcionarios, escritores, intelectuales, políticos, miembros de la nobleza, comisarios de exposiciones, etc. Esto nos ha permitido estudiar el panorama artístico español de postguerra y establecer un recorrido por la programación y las estrategias de una galería de arte particular, que fue el reflejo de cómo las circunstancias políticas marcaron el ambiente cultural. La Galería Biosca surtió de artistas a un gobierno deseoso por demostrar en el exterior y a través del arte, una normalidad política más maquillada que real. Pero también cultivó, a través de la programación de sus exposiciones, una relación con los jóvenes artistas que marcaron la renovación de las artes en España. Se han estudiado las fuentes, especialmente el Archivo Biosca depositado en el Museo Nacional Centro de Arte Reina Sofía, seleccionando la información para estructurar el recorrido expositivo de la galería. Se ha recreado la actividad expositiva anual de la galería, desde el 1958 hasta el 1964, a través de la creación de gráficas anuales que ejemplifican la importante actividad de la galería en esos años. Se ha medido la incidencia cualitativa de cada exposición a través su presencia en la crítica de la prensa nacional y, por otro lado, se ha observado la evolución técnica en los montajes y en la publicación de catálogos.
RESUM La present Tesi tracta sobre la trajectòria com a marxant d'art de Juana Mordó al capdavant de la Galeria Biosca, Madrid. Ella va ser la primera dona que va obrir una galeria d'art, la Galería Juana Mordó (1964), a Espanya. Amb el temps, es va convertir en una dona decisiva en el mercat de l'art espanyol. Anteriorment, entre els anys 1958 a 1964, període que comprén el nostre estudi, va col·laborar amb la madrilenya Galeria Biosca. Ací va aprendre l'ofici de marxant d'art, va conéixer els principals personatges de l'escena cultural española: artistes, crítics, funcionaris, escriptors, intel·lectuals, polítics, membres de la noblesa, comissaris d'exposicions, etc. Açò ens ha permés estudiar el panorama artístic espanyol de la postguerra i establir un recorregut per la programació i les estratègies d'una galeria d'art particular, que va ser el reflex de com les circumstàncies polítiques van marcar l'ambient cultural. La Galeria Biosca va assortir d'artistes a un govern desitjós per demostrar en l'exterior i a través de l'art, una normalitat política més maquillada que real. Però també va cultivar, a través de la programació de les seues exposicions, una relació amb els jóvens artistes que van marcar la renovació de les arts a Espanya. S'han estudiat les fonts, especialment l'Arxiu Biosca depositat en el Museu Nacional Centre d'Art Reina Sofía, seleccionant la informació per a estructurar el recorregut expositiu de la galeria. S'ha recreat l'activitat expositiva anual de la galeria, des del 1958 fins al 1964, a través de la creació de gràfiques anuals que exemplifiquen la important activitat de la galeria en eixos anys. S'ha mesurat la incidència qualitativa de cada exposició a través la seua presència en la crítica de la premsa nacional i, d'altra banda, s'ha observat l'evolució tècnica en els muntatges i en la publicació de catàlegs.
Pareja Carneros, N. (2017). El aprendizaje de la galerista Juana Mordó. La Galería Biosca 1958-1964 [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/90545
TESIS
Grillo, Cuello Andrés David. "Las bellas artes y la academia en Chile. Itinerario de una disidencia (1842-1928)." Tesis, Universidad de Chile, 2006. http://www.repositorio.uchile.cl/handle/2250/101633.
Full textSteinmetz, Thomas. "Fictions de la connaissance, connaissance de la fiction : aspects du Néofantastique de J.-L. Borges à David Lynch." Paris 7, 2008. http://www.theses.fr/2008PA070046.
Full text. This study is about fantasy’s major transformation in the XXth century. In the course of XIXth century. A main form of fantasy fiction developped. Which aim was to give rise to fear in the lector's mind, by confronting supernatural events to a representation of reality. In the XXth century, new types of fantasy fiction appear, and since the end of the 1930s, themes and narrative techniques were largely renewed. Latin-american "neofantasy fiction is a striking example of this renewal. This transformation is characterized by the intellectualization of the genre ; the supernatural part of the story tends to be internalized, many tales relate an adventure of the mind. In this case, fantasy fiction is not about strange or impossible events: it is about aconception of realitv
Burel, Erwan. "La violence dans le théâtre de Juan Mayorga." Thesis, Strasbourg, 2017. http://www.theses.fr/2017STRAC038/document.
Full textIn this doctoral research, we analyse the treatment of violence in the dramatic production of Juan Mayorga and we try to show at what point violence is not only an essential aspect of his theatre but also one of the foundations of his dramaturgy. Our work is based, first, on a study of violence through the intellectual and theoretical formation of Juan Mayorga, Doctor of philosophy, specialist in the Jewish-German thinker Walter Benjamin and a great expert on post-Auschwitz philosophical thought (among whom the philosophers Hannah Arendt, Hans Jonas, Paul Ricoeur and Emmanuel Levinas can be found). Subsequently, we analyse several of his plays in order to delineate the lines of force of his theatre and study how the violence models the overall architecture of his work. Through these analyses, we manage to determine the dramaturgical procedures that make this theatre of violence a paradoxically non-violent theatre, in which fascination is replaced by reason and criticism
Moran, Yvonne Ortiz 1985. "Uma análise dos espaços no romance Pedro Páramo, de Juan Rulfo." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269975.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: Esta pesquisa tem por finalidade o estudo sobre como são tecidas as construções espaciais na obra Pedro Páramo, publicada em 1955, do escritor mexicano Juan Rulfo (1917-1986). Este estudo não pretende abordar o espaço como mero cenário no qual acontece a narrativa literária, mas sim como um conjunto indissociável do qual participam, de um lado, objetos geográficos e sociais e, de outro, a vida que os preenche e que os anima. Portanto, neste trabalho não há como delimitar o ambiente sem levarmos em consideração os protagonistas: o espaço não é somente cenário físico e geografia povoados de referentes, mas é também metáfora ou imagem capaz de dar sentido às experiências sociais dos personagens. Por isso nosso objeto de estudo será analisado de forma multifacetada, assumindo aspectos relacionados à estrutura narrativa e à construção de efeitos de sentido dentro da obra literária. O material empírico que serviu de inspiração e ponto de partida para este estudo foi coletado nas viagens ao interior mexicano: Sayula, San Gabriel, Apulco e Tonaya
Abstract: This research aims to study how the spatial constructions works in Pedro Páramo, published in 1955, by the Mexican writer Juan Rulfo (1917-1986). This study is not intended to address the space as a mere case scenario in which the literary narrative, but as an indivisible set which involves, on one hand, geographical and social objects and, on the other, the life that fills and animates them. Therefore, in this work there is no way to define the environment without taking into consideration the protagonists: the space is not only physical landscape and geography of settlements related, but it is also a metaphor or image can make sense of the social experiences of the characters. Therefore, our object of study will be analyzed in a multifaceted way, assuming aspects of the narrative structure and the construction of effect within the meaning of literary work. The empirical material was the inspiration and starting point for this study was collected when traveling to the Mexican Interior: Sayula, San Gabriel, Apulco and Tonaya
Mestrado
Teoria e Critica Literaria
Mestra em Teoria e História Literária
Mourot, Marine. "Madrid en guerre dans la littérature de la transition démocratique : Juan Iturralde et Juan Eduardo Zúñiga, témoins du conflit." Thesis, Dijon, 2015. http://www.theses.fr/2015DIJOL022.
Full textNovels or short stories published in Spanish over the last twenty years have revealed a keen interest in what can be considered as a subgenre of the historical novel, the novel for the memory. This subgenre stages the recent History of Spain, particularly the Civil War. Its authors were born in the 50s or 60s, and have no direct memory of the events. It is usual to consider that Luna de lobos (1985) and Beatus Ille (1986) are the novels showing early signs of this phenomenon, which only became widespread ten years later and peaked at the turning point of the 21st century, in particular after the publication of Soldados de Salamina by Javier Cercas in 2001. Nevertheless, between the end of the Francoism in 1975 which led to the disappearance of censorship in 1977 and 1985, several fictional narrative texts relating the war and the Francoism were written and published. Días de llamas by Juan Iturralde was edited in 1979 and Juan Eduardo Zúñiga published Largo noviembre de Madrid in 1980. The study of these two books will question the often expressed idea that the literature from the first years of the Transition period did not favor the theme of war. It will also focus on the narrative strategies that these authors, who were direct witnesses of the events, chose in order to fictionalize this period from the History of Spain. Indeed, their literary approach to the facts was inevitably different from that taken by the writers who accepted being restricted by censorship and that taken by the following generations who only indirectly experienced the war. The particular treatment which Juan Iturralde and Juan Eduardo Zúñiga reserved to the referent, in particular the setting of an illusion of reality, denotes them both as dissidents compared to the narratives about the conflict published during the same period, and as heirs of the realistic tradition which they exploited and surpassed in order to relate a plausible but limited version of the events taking place from 1936 to 1939, due to their subjective perspective. In spite of the intrigues being anchored within a precise historical context, the reality is not necessarily self-evident in these narratives. In the extreme circumstances of war, the reality becomes a motive for questioning rather than an object of unequivocal and irrevocable knowledge. A single element is never questioned: the horror of the civil conflict whose fictionalization is fully able to translate the problematic dimension of reality. By the theme addressed by these books and the way they distanced themselves from the will of collective amnesia which has perniciously settled in Spain, they both have become “commemorative sites”, leaning toward the claim for the importance of the “duty of remembrance”, the rehabilitation of marginal memories which has been silenced too long, and the resilience of various traumas through fictionalizing psychic disorders caused by the horror of this conflict
Quiquerez, Yves. "Les Partis politiques et la démocratie en république dominicaine (1961-1999)." Antilles-Guyane, 2000. http://www.theses.fr/2000AGUY0056.
Full textMadrid-González, Alejandro L. (Alejandro Luis). "A Mexican Postmodernist Vision Grounded on Structuralism: The Cases of Juan Trigos' Cuarteto Da Do (1988) and Victor Rasgado's Rayo Nocturnal (1989)." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc277839/.
Full textBrumbaough, John Howard Jr. ""We are Entitled to, and we Must Have, Medical Care": San Juan County's Farm Security Administration Medical Plan, 1938-1946." DigitalCommons@USU, 2015. https://digitalcommons.usu.edu/etd/4589.
Full textGauthier, Guy. "Les relations politiques et économiques de la France et de la Roumanie : de l'entrée en guerre de la Roumanie en août 1916 au traité d'alliance franco-roumain de juin 1926." Paris 4, 1995. http://www.theses.fr/1995PA040044.
Full textAfter forty-four years of political and economical indifference (18701914), France and Romania, during and immediately after the first world war, succeeded in creating a new type of relationships, resolutely opposite to the colonialist spirit which characterized the traditional relationships between powerful and secondary nations and especially during the first period of French-Romanian relationships from 1856 to 1870
Ibacache, Muñoz Marcelo. "Sin el miedo negro de equivocarse: "Esto es impresionismo, es vaguedad": "Ayer" como poética autorial impresionista." Tesis, Universidad de Chile, 2007. http://repositorio.uchile.cl/handle/2250/110438.
Full textMello, Felipe Carvalho Correa de. "Literatura, ideologia e política: uma proposta de abordagem psicossocial sobre a literatura de Jorge Luis Borges durante o primeiro governo de Juan Domingo Perón (1946-1955)." Pontifícia Universidade Católica de São Paulo, 2010. https://tede2.pucsp.br/handle/handle/17394.
Full textCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
The presente research has as primay objective an interpretation about the literature of Jorge Luis Borges grounded in a teorical and metododological aproach concerned to Social Psychology. In this way, we propose the use of the concept of ideology developed by J. B Thomposn, and the concepts of literary field by Bourdieu and discursive poliphony by Mikhail Bakhtin. We propose an analisys and an interpretation of the Borges literature that iluminates its political dimension and not only aesthetic. We propose to describe the production, circulation and reception of his literature along the peronistas years (1946-1955), and in wich ways the literature had articuleted with the conflicts between the peronista State and the argentinian literary field during this years
A seguinte dissertação tem por objetivo geral realizar uma interpretação sobre a literatura de Jorge Luis Borges fundamentada em aportes teóricos e metodológicos concernentes à Psicologia Social. Neste caminho, propomos a utilização da conceituação de ideologia de J. B, concebida como o sentido a serviço do poder, e dos conceitos de campo literário de Pierre Bourdieu e de polifonia discursiva de Mikhail Bakhtin. Propomos nesta dissertação uma análise e interpretação da literatura de Jorge Luis Borges que ilumine sua faceta política e não somente estética. Propomos descrever as dimensões de produção, circulação e recepção de sua literatura durante os anos peronistas (1946-1955) e em que medida ela se articulou com as relações de poder entre o Estado peronista e o campo literário argentino durante esses anos
Wade, John F. G. "Navy tactics, doctrine, and training requirements for littoral warfare." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 1996. http://edocs.nps.edu/npspubs/scholarly/theses/1996/Jun/96Jun_Wade.pdf.
Full text"June 1996." Thesis advisor(s): Wayne P. Hughes, Jr., W.G. Kemple. Includes bibliographical references. Also available online.
Costa, Marcelo Fernando Gonzalez da. "As repercussões da política externa argentina do primeiro governo Peron (1946-52) na imprensa Sul-Riograndense." Universidade do Vale do Rio do Sinos, 2004. http://www.repositorio.jesuita.org.br/handle/UNISINOS/1864.
Full textCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
Esta dissertação analisa as repercussões da política externa do primeiro governo de Juan Domingo Perón (1946-1952), na imprensa do Rio Grande do Sul. Pretendemos compreender como era percebida a política externa Argentina: um país cultural e geograficamente próximo do Estado do Rio Grande do Sul porem, tão afastado da nação brasileira, se consideramos suas diferenças históricas escravista e imperial. Por outro lado, o posicionamento que a política externa brasileira adotou no pós-guerra de aproximação e concordância com os Estados Unidos, chocava frontalmente com a proposta autônoma e de confronto com os interesses norte-americanos que a Argentina adotou no período. Assim, nossa atenção recairá no trinômio Argentina -Brasil -Estados Unidos. Para tanto, utilizamos como fonte documental, dois jornais sul-rio-grandenses. Eles são: o Diário de Noticias e o Correio do Povo. A partir destas fontes jornalísticas pretendemos analisar as repercussões da política externa Argentina, identificando e discutindo a avali
This text analyzes the repercussions of the external politics of the first government of Juan Domingo Perón (1946-1952), in the press of Rio Grande do Sul. Intends to understand as she was perceived the external politics Argentina: a cultural country and geographically next to the State of the Rio Grande Do Sul to put, so moved away from the Brazilian nation, if we consider its historical differences between slave period and imperial. On the other hand, the positioning that the Brazilian external politics adopted in the postwar period of approach and agreement with the United States, shocked with the proposal independent and of confrontation with the North American interests that Argentina adopted in the period. Thus, our attention will fall again into the trinômio Argentina - Brazil - United States. For in such a way, we use as documentary source, two periodicals sul-rio-grandenses. They are: Daily of the News and the Post office of the People. To leave of these journalistic sources we intend to analyze the
Terrones, Félix. "Les maisons closes dans la littérature latino-américaine, un lieu de métamorphoses." Bordeaux 3, 2011. https://extranet.u-bordeaux-montaigne.fr/memoires/diffusion.php?nnt=2011BOR30062.
Full textThis work proposes a study of fictional whorehouses in Latin American literature based on four novels of the Boom : Juntacadáveres (1964) by the Uruguayan novelist Juan Carlos Onetti, and El lugar sin límites (1965) by the Chilean novelist José Donoso as well as La Casa Verde (1966) and Pantaleón y las visitadoras (1973) by the Peruvian novelist Mario Vargas Llosa. Through textual analysis, we strive to highlight the diverse narrative modalities utilized to represent these spaces and notably the stakes behind their appearances in the texts, and the alternative order they propose as well as the pretenses inherent to them. Spaces promised by the established order while at the same time rejected by society, whorehouses succeed in bringing together opposites: bodily lowliness and the heights of imagination, the outside and the inside, passage and imprisonment, rational order and instinctual anarchy… The exceptional character of fictional whorehouses is due not only to their carnivalesque character, but also to the unexpected activities that they house. Real « mises en abyme » of encompassing spaces that welcome them, they reveal themselves in the course of analysis as places of all metamorphosis, whether they are on the individual, sexual, social, professional or political. The conclusion presents a reflection on the whorehouses novels as a novelistic form unto itself in Latin American literature
Lacharme-Brière, Delphine. "Trilogia de la soledad de Juan José Millas : la quête de soi dans le roman postmoderne." Saint-Etienne, 2009. http://www.theses.fr/2009STET2213.
Full textThis work is an analysis of "El desorden de tu nombre"(1988), "La soledad era esto"(1990), three major noves by the Spanish writer Jaun Jose Millas wich were together in 1996 in a book entitled "Trilogia de la soledad". This romantic cycle, centered on the topic of the search for identity marks the entry of the millasian writings into postmedernity. The universe of these metafictional works is marked by the millasian romantic narrator. At the same time, the narrator begins to figure out new narative, meaningful expressions through self-organising mechanisms in the novel. He seeks to go past the usual access to reality and meaning by emphasing the illusions of identity and of reality. Thus, a recurrent motive of the search for self underlies "Trilogia de la soledad" and is used as an Ariane's thread throughout this study, strongly inspired by the theories of the philosopher Paul Ricoeur about narrative identity. Consenquently, this analysis attempts to give an account of the density of the novels, wich can be seen as an interface between the poetical, philosophical, cognitive, psychoanalytical dimensions of the millasian writings