Academic literature on the topic 'Juan (1966-....)'
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Journal articles on the topic "Juan (1966-....)"
Stagnaro, Juan Carlos. "Grandes psiquiatras argentinas." Vertex Revista Argentina de Psiquiatría 30, no. 148 (December 1, 2019): 426–53. http://dx.doi.org/10.53680/vertex.v30i148.125.
Full textQuiñones Aguilar, Mariuska, and Ernesto Santiesteban Leyva. "Valores historiográficos del cine cubano de ficción en los años sesenta." Espergesia 11, no. 1 (June 29, 2024): e110107. http://dx.doi.org/10.18050/rev.espergesia.v11i1.2896.
Full textCerdán, Josetxo, and Lucía Rodríguez García de Herreros. "“El futuro es de la mujer porque el pasado es del hombre”. La recuperación del cine de Nadia Werba en España (1965-1967)." Fotocinema. Revista Científica de Cine y Fotografía, no. 29 (July 19, 2024): 173–200. http://dx.doi.org/10.24310/fotocinema.29.2024.19575.
Full textOlivares Bruno, Itzel. "Asistir a la invención propia." La Palabra y el Hombre, revista de la Universidad Veracruzana 1, no. 43 (May 2, 2018): 72–74. http://dx.doi.org/10.25009/lpyh.v1i43.2536.
Full textZelaya, Diego Gabriel, Marina Güller, and Rüdiger Bieler. "Doubling the known diversity of a remote island fauna: marine bivalves of the Juan Fernández and Desventuradas oceanic archipelagos (Southeastern Pacific Ocean)." PeerJ 12 (June 28, 2024): e17305. http://dx.doi.org/10.7717/peerj.17305.
Full textAntunes Klais, Thalita Beatriz, Fabricio Bau Dalmas, Giancarlo Lastoria, and Antonio Conceição Paranhos Filho. "ANÁLISE MULTITEMPORAL DA COBERTURA DO SOLO DO MUNICÍPIO DE PONTA PORÃ, MATO GROSSO DO SUL, DE 1966 A 2006?" Geoambiente On-line, no. 19 (January 3, 2013): 01. http://dx.doi.org/10.5216/revgeoamb.v0i19.26050.
Full textKazmina, Anastasia O. "The Philosophical Code in the Performances Staged by Anatoly Efros of the 1960s." ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА, no. 3 (2023): 144–57. http://dx.doi.org/10.35852/2588-0144-2023-3-144-157.
Full textPrims i Vila, Roger. "Josep Miquel Ramis (ed.), «Epistolari Sebastià Juan Arbó - Joan Sales (1966-1982)», Barcelona, Publicacions de l’Abadia de Montserrat («Textos i Estudis de Cultura Catalana», 221), 2018, 167 pp." Caplletra. Revista Internacional de Filologia, no. 65 (September 28, 2018): 250. http://dx.doi.org/10.7203/caplletra.65.12717.
Full textKalenić Ramšak, Branka. "Las técnicas narrativas de la novella Española de la posguerra, con la atención especial a la novella de los años." Verba Hispanica 7, no. 1 (December 31, 1998): 5–46. http://dx.doi.org/10.4312/vh.7.1.5-46.
Full textPereira, André Cesar. "Percusos de Don Juan nas Américas." Língua e Literatura, no. 27 (October 15, 2003): 245. http://dx.doi.org/10.11606/issn.2594-5963.lilit.2003.105467.
Full textDissertations / Theses on the topic "Juan (1966-....)"
Quinteros, Marcela Cristina. "Juan Natalicio González (1897-1966): um intelectual plural." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-07022017-151430/.
Full textThis thesis seeks to identify the main intellectual and political objectives of Juan Natalicio González (1897-1966), a Paraguayan writer who played an extensive variety of activities (journalist, essayist, editor, politician, Colorado Partys member and diplomatic). From the analysis of their biographies, their own texts (autobiography, essays and magazine Guarania) and the study done by historians we consider that Gonzalez partially achieved his political ambitions, because he became president of his country but he was deposed and did not return to play a leading role in the national political scene. He succeeded in spreading and consolidation of the revisionist interpretation of Paraguayan history, after participating in various groups of Latin American intellectuals who widely reproduced his version of the history.
Lee, A. E. "Order and chaos in Juan Goytisolo's fictional works from 1966 to 1982." Thesis, University of Cambridge, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384499.
Full textJermyn, Tracy Aileen. "Savage impossibility : the paradox of rebellion in the novels of Juan Goytisolo, 1966-1988." Thesis, University of Cambridge, 1998. https://www.repository.cam.ac.uk/handle/1810/283935.
Full textTeixeira, Romeu da Silva. "Embates sociais da Espanha nos anos 50 em Últimas tardes con Teresa (1966), de Juan Marsé /." Assis, 2020. http://hdl.handle.net/11449/192120.
Full textResumo: O trabalho em questão visa, a partir de Últimas tardes con Teresa (1966), de Juan Marsé, discutir os embates sociais da década de 50 na Espanha franquista. Marsé cria a história da relação amorosa de dois integrantes de classes sociais diferentes, que por olhos mais superficiais pode ser considerado como tradicional e debate, durante a narrativa, questões de significativa importância histórica. Há a intenção de discutir as questões sociais presentes em Lazarillo de Tormes, clássico produção espanhola e suas relações com o romance de Juan Marsé, seus temas e subtemas. A utilização de diversas vozes persuasivas e irônicas na obra de Marsé possibilita o estudo de questões importantes no período pós-guerra espanhola. Os conceitos de Cronotopo e Dialogia (teorias difundidas pelo Círculo de Bakhtin) permeiam a interpretação da obra e, juntos à narrativa, constroem uma personagem emblemática da literatura espanhola contemporânea: Pijoaparte, jovem andaluz, representante de migrantes, ladrão de motos, que elabora uma relação peculiar com a burguesia estudantil dos anos 50, especificamente em Barcelona.
Resumen: El trabajo en cuestión tiene como objetivo, a partir de Últimas tardes con Teresa (1966), de Juan Marsé, discutir las luchas sociales de la década de 1950 en la España franquista. Marsé crea la historia de la relación amorosa de dos miembros de diferentes clases sociales, que desde un punto de vista más superficial puede considerarse tradicional y debatir, durante la narración, cuestiones de importancia histórica significativa. Su objetivo es discutir los problemas sociales presentes en Lazarillo de Tormes, la producción clásica española y sus relaciones con la novela de Juan Marsé, sus temas y subtemas. El uso de varias voces persuasivas e irónicas en el trabajo de Marsé permite estudiar cuestiones importantes en el período de la posguerra en España. Los conceptos de Cronotopo y Dialogismo (teorías difundidas por el Círculo de Bakhtin) impregnan la interpretación de la obra y, junto con la narrativa, construyen un personaje emblemático de la literatura española contemporánea: Pijoaparte, joven andaluz, representante de migrantes, ladrón de motocicletas, que construye una peculiar relación con la burguesía estudiantil de los años cincuenta, específicamente en Barcelona.
Abstract: The work in question aims, starting from Juan Marsé's Últimas tardes con Teresa (1966), to discuss the social struggles of the 1950s in Francoist Spain. Marsé creates the story of the love relationship of two members of different social classes, which by more superficial eyes can be considered as traditional and debate, during the narrative, issues of significant historical importance. It is intended to discuss the social issues present in Lazarillo de Tormes, classic Spanish production and its relations with the novel of Juan Marsé, its themes and subthemes. The use of various persuasive and ironic voices in Marsé's work makes it possible to study important issues in the postwar period of Spain. The concepts of Chronotope and Dialogy (theories spread by the Bakhtin Circle) permeate the interpretation of the work and, together with the narrative, build an emblematic character of contemporary Spanish literature: Pijoaparte, young Andalusian, representative of migrants, motorcycle thief, who builds a peculiar relationship with the student bourgeoisie of the 1950s, specifically in Barcelona.
Mestre
Chipi, Eneko. "Intimes liminalités, Poétique des frontières et figuration du Moi dans l'oeuvre nouvellistique de Juan Bonilla." Electronic Thesis or Diss., Pau, 2024. https://theses.hal.science/tel-04702409.
Full textThe aim of this thesis is to demonstrate the existence, in Juan Bonilla's short stories, of a double poetic articulation between the imagery of the frontiers, the specular redefinition of literarity through the generic hybridity of the text, and the construction of a specific self-referential modality based on this metaliterary re-actualization of the liminal representation. Bonillian reflexivity expresses itself through a mode distant from conscious mimesis, and the auctorial identity always remains at the margin of the object of discourse, perpendicular to the substance of the tale. The identity is expressed in other ways: firstly, through the style, which exploits a poly-referential pronominal system that maintains the ambiguity of enunciative levels; and secondly, through the hypotextual labyrinth that each story calls, like the immense cartography of a lectorial memory, an authentic depiction of a latent auctorial intimacy. The bonillian self is expressed through a “figuration” (Pozuelo Yvancos), or an auctorial “incorporation” (Maingueneau), which emerges in the act of reception and in the intimate exchange between text and reader, and by extension, between readers of common intertextual references. The many intertextual references, the literary analyses embedded in the stories, the metaliterary considerations and other specular and transfictional effects build up a vast library of the auctorial intimacy, a universe of reading experiences that reveals all that literature has constructed of the writer's identity. For the central object of the Bonillian discourse is none other than literature itself. In Bonilla's wandering lectorial memory, we see the figuration of an identity that he wishes to show through the intimate encounter that develops in the interstice of a shared literary remembrance. In this way, the transgenicity maintained to the point of generic ambiguity contributes to the construction of the unique catalog of his intimate library. Bonillian self-referentiality expresses itself at the boundaries of genres, in the liminal space of intertext, at the heart of the intimate interface created by the shared experience of reading, by the identity imprint that the text leaves on the reader and which informs the identity of all other readers of the same text. Bonilla's autobiography thus takes the form of a “bio-blography”: a writing of reading memories that have engraved in the auctorial identity a reality far more tangible, and more apt to be shared, than that of an empirical reality threatened by the shadow of post-mimetic doubt. In his intimate library, Bonilla offers us a vision of a new way of making identity meaningful, of depicting a liminal intimacy, set in the infinite utopia of the limes (Louis Marin), of the path at the ambivalent frontier between text and life
Bury, Laurence. "Les élections de juin 1968$$eévénements [i. E. évènements], traces, mythes : l'exemple du département du Nord." Tours, 1997. http://www.theses.fr/1997TOUR1007.
Full textThis thesis originates in this statement : if the events of may-june 68 have aroused the production of numerous written works, the june 68 electoral episode, often described as a simple conclusion to a crisis which is the only one that does attract people's attention, plays a minor role in the written works. The ballot has not been completely and systematically analysed unlike other electoral consultations. This lack of curiosity has favoured a hasty generalization of comments by journalists and observers at that time : "fear elections", "big swing to the gaullists", "impossible chamber" represent these common-place ideas set in 68 and which still come back to our ears. Therefore, it seems that, at the expense of historical and political observations, a mythical discourse has been built concerning the results of the ballot. This is the mechanism of this structuring that we aim, here, to display. Our main hypotesis, being that the june elections have been percieved in a particuliar way, we have chosen to analyse it from a monographique point of view, before understanding, how, yet based on tangible facts, a number of representations were born. It seemed interesing to us to observe them as time goes by, thus, from june 68, up to now. In fact, one can put forward the following assumption : are the representions associated with the electoral consultation not assembled like a legendary tale by a succession of sedimentations. From immediate comments to thoughtful interpretations, it was all about searching for the different discours generated by the consultation. And yet, if our proposition is proved to be a fertile one, we shall notice, in the numerous written works publisched one after the others, the influence of the early comments, as wel as, its alteration, as time goes by. This rechearch revolves around two main themes : we analyse this awkward electoral consultation and then we study the evolution of discourse and represention linked to the june consultation
Lavergne, Lucie, and Lucie Lavergne. "L'écriture poétique, d'espaces et de rythmes : regards croisés sur six recueils de la poésie hispanophone contemporaine : Rubén Darío, Cantos de vida y esperanza (1905) ; Juan Ramón Jiménez, Diario de un poeta reciencasado (1916) ; Rafael Alberti, Marinero en tierra (1924) ; Vicente Aleixandre, Espadas como labios (1932) ; Pere Gimferrer, Arde el mar (1966) ; Leopoldo María Panero, Teoría (1973)." Phd thesis, Université Blaise Pascal - Clermont-Ferrand II, 2011. http://tel.archives-ouvertes.fr/tel-00942945.
Full textLavergne, Lucie. "L’écriture poétique, d’espaces et de rythmes : regards croisés sur six recueils de la poésie hispanophone contemporaine : Rubén Darío, Cantos de vida y esperanza (1905) ; Juan Ramón Jiménez, Diario de un poeta reciencasado (1916) ; Rafael Alberti, Marinero en tierra (1924) ; Vicente Aleixandre, Espadas como labios (1932) ; Pere Gimferrer, Arde el mar (1966) ; Leopoldo María Panero, Teoría (1973)." Thesis, Clermont-Ferrand 2, 2011. http://www.theses.fr/2011CLF20021/document.
Full textThrough the combined analysis of six poem books of contemporary Spanish poetry, this thesis aims to define poetic writings and its rhythm. Rhythm is considered in relation with the notion of space. Starting with the traditional association of rhythm and meter, the first part studies how the metrical space of the writing of verses, with its structures and boundaries, involves the law and its transgression. On the other hand, the second part considers space as a “substance”: poetic writing is analyzed through its development in the language and sentences. Centered on the figure of the “line”, the second conception of rhythm also implies temporality, which is included in the words themselves (the verbs) and generated by the combination of the sentences. However, in the poem books, sometimes linearity is deconstructed by different phenomenon that deal with language (the dissolution of syntaxes), verse (the enjambment, the dissemination on various lines), and the page. The last chapter is dedicated to the visibility of writing on the page. As a concretization of the writing act, the page is also a revelation of the writer of the poem. Our third and last part is centered on the subject, its different faces and representations. Rhythm appears, at last, as a mosaic of discursive and semantic spaces that imply the speaker as much as the reader
Castillo, Arce Macarena. "El ingreso al museo mediante la canonización cenicienta de Juan Emar en la exposición “Juan Emar ¡Armonía! eso es todo”." Tesis, Universidad de Chile, 2008. http://repositorio.uchile.cl/handle/2250/109790.
Full textTennenini, Roberta. "El fulgor de la palabra : el oficio poético de Juan Gelman (1956-2014)." Thesis, Toulouse 2, 2017. http://www.theses.fr/2017TOU20115.
Full textIn this thesis, we analyse the complete work of the Argentinian poet Juan Gelman (1930-2014). Even though his poetry has earned great renown, the collections he published later in his life remain largely unknown. Accordingly, we wrote a study that focuses on his later works while bringing a new perspective on his previous books. The richness and originality of his riting as well as the complexity of the historical context in which he lived, led us to adopt a post-theoretical approach to his poetry. The dialectic relationship we established between literary analysis and epistemological questioning allowed us to draw a rhizomatic map of Gelman's work. In particular, we focused on what we consider to be the fundamental aspects of his poetry: the political commitment, the fictionalisation of the poetic voice, the notion of literary testimony, the work of mourning and the experience of exile. In this way, our thesis aims to complete and update the critical discourse on Gelman’s poetry and to reflect the complexity of his writing
Books on the topic "Juan (1966-....)"
Angeles, José Luis. Narraciones imposibles: Juan Goytisolo : narrativa (1966-1975). New York: P. Lang, 2006.
Find full textQujing juan yan chang zhi bian zuan wei yuan hui. Qujing juan yan chang zhi, 1966-2009. Kunming Shi: Yunnan ren min chu ban she, 2010.
Find full text1912-1983, Sales Joan, and Ramis Josep Miquel 1982-, eds. Epistolari Sebastià Juan Arbó-Joan Sales (1966-1982). Barcelona: Publicacions de l'Abadia de Montserrat, 2018.
Find full textGalván, Valeria, and Florencia Osuna. Política y cultura durante el "Onganiato": Nuevas perspectivas para la investigación de la presidencia de Juan Carlos Onganía (1966-1970). Rosario: Prohistoria Ediciones, 2014.
Find full textCancel, Alex Figueroa. El camino al cerro pelado: La oposicion del Gobierno de Puerto Rico a la participación de Cuba en los X Juegos Centroamericanos y del Caribe en 1966. [Puerto Rico]: Editorial Deportiva CAIN, 2016.
Find full textauthor, Rabionet Silvia E., Román Franco, Ángel A., author, Hernández García, María Concepción, editor, and Rosario Urrutia, Mayra, writer of supplementary textual content, eds. Historia de la medicina tropical en Puerto Rico en el siglo XX. San Juan, Puerto Rico: Ediciones Laberinto, 2022.
Find full textJuan, Hidalgo. Juan Hidalgo de Juan Hidalgo (1961-1991). Valencia: Pre-Textos, 1991.
Find full textCristóbal, Juan. Juan Cristóbal (1896-1961). Granada]: Patronato de la Alhambra y el Generalife, 2014.
Find full textSchwartz, Claude. Un certain goût du bonheur: Mai 1968-juin 1969. [Paris]: Editions Findakly, 1998.
Find full textSordo Madaleno, J. (Juan), 1916-1985, ed. Juan Sordo Madaleno (1916-1985). Ciudad de México: Arquine, 2013.
Find full textBook chapters on the topic "Juan (1966-....)"
Danby, Colin. "Noyola, Juan (1922–1962)." In The New Palgrave Dictionary of Economics, 1–3. London: Palgrave Macmillan UK, 2021. http://dx.doi.org/10.1057/978-1-349-95121-5_3105-1.
Full textdi Tella, Guido, and Carlos Rodríguez Braun. "Lorenzo Juan Sigaut." In Argentina, 1946–83: The Economic Ministers Speak, 181–90. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-11756-7_15.
Full textSalorio, Demetrio Barcia. "Juan Barcia Caballero (1852-1926)." In WPA Anthology of Spanish Language Psychiatric Texts, 155–66. Chichester, UK: John Wiley & Sons, Ltd, 2008. http://dx.doi.org/10.1002/9780470986752.ch12.
Full textDíaz-Rubio, Manuel. "Juan José López Ibor (1906-1991)." In WPA Anthology of Spanish Language Psychiatric Texts, 457–85. Chichester, UK: John Wiley & Sons, Ltd, 2008. http://dx.doi.org/10.1002/9780470986752.ch27.
Full textWittenborn, J. R. "The 15th Congress — San Juan 1986." In Thirty Years CINP, 51–55. Berlin, Heidelberg: Springer Berlin Heidelberg, 1988. http://dx.doi.org/10.1007/978-3-642-73956-9_16.
Full textVališová, Marie. "Řečové akty omluvy u českých studentů v angličtině (L2): vybrané výsledky pilotáže." In Výzkum v didaktice cizích jazyků II, 157–88. Brno: Masaryk University Press, 2019. http://dx.doi.org/10.5817/cz.muni.p210-9547-2019-8.
Full textRocha, Carolina. "Juan Moreira." In Argentine Cinema and National Identity (1966-1976). Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940544.003.0009.
Full textRocha, Carolina. "Juan Manuel de Rosas." In Argentine Cinema and National Identity (1966-1976). Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940544.003.0014.
Full text"6 Hay que sonreír (1966)." In Juan Carlos Onetti, Manuel Puig and Luisa Valenzuela, 109–29. Boydell and Brewer, 2005. http://dx.doi.org/10.1515/9781846154065-007.
Full textRocha, Carolina. "Political and Social Tensions in Post-1955 Argentina." In Argentine Cinema and National Identity (1966-1976). Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940544.003.0002.
Full textConference papers on the topic "Juan (1966-....)"
A. B., P. "O INSTITUTO JUAN BAUTISTA ALBERDI (1956-1974) NO PARAGUAI DE STROESSNER." In ANAIS DO II CONGRESSO INTERNACIONAL PAULO FREIRE: O LEGADO GLOBAL. Galoa, 2018. http://dx.doi.org/10.17648/paulofreire-2018-89664.
Full textMichot, Pierre. "Quatre avatars de la statue (1969-1995) : Strehler, Langhoff et deux fois Chéreau." In Crime et châtiment : la mort de Don Juan (Molière et Mozart, 1965-2019). Fabula, 2022. http://dx.doi.org/10.58282/colloques.7948.
Full textMaino Ansaldo, Sandro. "Le Corbusier, el punto de partida de Juan Borchers." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.631.
Full textTerribilini, Josefa. "Quand Don Juan finit sur grand écran. Sganarelle hors champ (Bluwal 1965 – Weber 1998)." In Crime et châtiment : la mort de Don Juan (Molière et Mozart, 1965-2019). Fabula, 2022. http://dx.doi.org/10.58282/colloques.8000.
Full textLodo, Gabriela Cristina. "Marta Traba e a construção de duas histórias da arte na América Latina." In Encontro de História da Arte. Universidade Estadual de Campinas, 2011. http://dx.doi.org/10.20396/eha.7.2011.4085.
Full textEscola, Marc. "Don Juan foudroyé par Vitez (Avignon, 1978)." In Crime et châtiment : la mort de Don Juan (Molière et Mozart, 1965-2019). Fabula, 2022. http://dx.doi.org/10.58282/colloques.7891.
Full textBucchi, Gabriele, and Lise Michel. "Entretien avec Jean-François Sivadier : la mort de Don Juan dans Don Juan (2016) et Don Giovanni (2017)." In Crime et châtiment : la mort de Don Juan (Molière et Mozart, 1965-2019). Fabula, 2022. http://dx.doi.org/10.58282/colloques.7892.
Full textToichkina, Alexandra V. "KULISH AND BYRON (TO THE HISTORY OF DON JUAN’S TRANSLATIONS INTO UKRAINIAN)." In 50th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063183.19.
Full textFerrer Forés, Jaime J. "Binibeca Vell. Interpreting tradition." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15325.
Full textTerribilini, Josefa, and Aurélien Maignant. "Entretien avec Julien Basler sur le Dom Juan des Fondateurs (2018)." In Crime et châtiment : la mort de Don Juan (Molière et Mozart, 1965-2019). Fabula, 2022. http://dx.doi.org/10.58282/colloques.7895.
Full textReports on the topic "Juan (1966-....)"
Pérez Torres, Raúl. Brief Notes on Ecuadorian and U.S. Literature. Inter-American Development Bank, March 1997. http://dx.doi.org/10.18235/0007923.
Full textO'Sullivan, Robert B. Geology of the Cedar Mesa - Boundary Butte Area, San Juan County, Utah (GIS Reproduction of USGS Map in B-1186 [1965]). Utah Geological Survey, 2019. http://dx.doi.org/10.34191/ofr-713dr.
Full textHenderson, Tim, Vincet Santucci, Tim Connors, and Justin Tweet. National Park Service geologic type section inventory: North Coast and Cascades Inventory & Monitoring Network. National Park Service, March 2022. http://dx.doi.org/10.36967/nrr-2293013.
Full textResearch Department - Government Finance - Statements of Revenue and Expenditure - File 2 - Including Public Utilities WA - Balance Sheets - Dec 1944 - Jun 1960. Reserve Bank of Australia, March 2022. http://dx.doi.org/10.47688/rba_archives_2006/17182.
Full textElevation of the water-table surface for the alluvial aquifer and hydrologic conditions in the Santa Isabel-Juana Diaz area, Puerto Rico, March 1986. US Geological Survey, 1987. http://dx.doi.org/10.3133/wri874123.
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