Academic literature on the topic 'Journaux intimes dans la littérature'
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Journal articles on the topic "Journaux intimes dans la littérature"
Auger, Manon. "De la littérature « contre » le journal, du journal « contre » la littérature : le cas de quelques journaux d’écrivains québécois contemporains." Tangence, no. 97 (May 11, 2012): 79–97. http://dx.doi.org/10.7202/1009130ar.
Full textAuger, Manon. "Une pratique féminine ?" Dossier 39, no. 2 (May 22, 2014): 25–42. http://dx.doi.org/10.7202/1025145ar.
Full textSepp, Arvi. "Deutschland zwischen Heimat und Fremde. Victor Klemperers Tagebücher." Chroniques allemandes 13, no. 1 (2009): 335–50. http://dx.doi.org/10.3406/chral.2009.939.
Full textLAMBERT, VINCENT. "SERVIR ET ALLÉGER." Dossier 42, no. 3 (September 21, 2017): 25–37. http://dx.doi.org/10.7202/1041045ar.
Full textPujante González, Domingo. "Ouverture: Connais-toi toi-même." HYBRIDA, no. 3 (December 31, 2021): 3. http://dx.doi.org/10.7203/hybrida.3.22917.
Full textPoncioni, Claudia. "L'apprentissage de la liberté: Par la lecture de Diário de Miguel Targa et de Conta-Corrente de Vergílio Ferreira." Matériaux pour l’histoire de notre temps N° 80, no. 4 (October 1, 2005): 69–75. http://dx.doi.org/10.3917/mate.080.0010.
Full textLeBlanc, Julie. "Autotextes, avant-textes, intertextes : les journaux intimes de Madeleine Ouellette-Michalska." Analyses 31, no. 2 (April 12, 2005): 107–18. http://dx.doi.org/10.7202/501237ar.
Full textDebrenne, Michèle, and Tatiana Makarova. "La francophonie aristocratique russe au XIXe siècle dans les journaux intimes féminins." SHS Web of Conferences 46 (2018): 02004. http://dx.doi.org/10.1051/shsconf/20184602004.
Full textBoehringer, Monika. "Paroles d’autrui, paroles de soi." Études françaises 36, no. 2 (February 11, 2008): 131–48. http://dx.doi.org/10.7202/005253ar.
Full textMathieu, Jocelyne. "Journaux personnels des filles de Pierre-Joseph-Olivier Chauveau (1855-1876). Une première approche." Les Cahiers des dix, no. 66 (April 8, 2013): 1–23. http://dx.doi.org/10.7202/1015070ar.
Full textDissertations / Theses on the topic "Journaux intimes dans la littérature"
Badiu, Izabella. "Littérature du moi : métamorphoses de l'écriture diariste dans la deuxième moitié du XXe siècle en France et en Roumanie." Artois, 2003. http://www.theses.fr/2003ARTO0001.
Full textIn order to understand diary writing in the 70s and 80s the following writers were chosen : Julien Green, Albert Cohen, Claude Roy Nicolae Steinhardt and Ion D. Sîrbu. The French and Romanian areas were thought compatible and relevant of the two ways of autobiography evolution The approach is, in turn, and identification of the triggering event; an interpretation of exile experiences; an analysis of the needs motivating diary keeping; a textual investigation and, finally, a reconstruction of identity evolution leading to a definition of diary as a form of self-representation. Contemporary diary writing results in a twofold existential practice: personal – a routine required by the writing experience of the self; literary – a writing that reflects in its own structure the loss of meaning and traditional values
Szafranski, Patricia. "L'archéologie d'un journal intime : Amélie Weiler (1822-1895)." Dijon, 2006. http://www.theses.fr/2006DIJOL004.
Full textThis monograph is dedicated to Amélie Weiler, a diarist from Strasbourg. Six of her diaries, found in 1987, were published under the title : Journal d'une jeune fille mal dans son siècle:1840-1859. They enrich the cultural heritage of young women's diaries in the XIXth , which have been studied by Philippe Lejeune in Le Moi des demoiselles. The editorial process –from the manuscript (1864 pages) to the abridged version published (442 pages) – shows two ways of seeing the “book”, the editor's and the diarist's, the latter confronting stereotypes. Then the reader explores Amélie's world, her virtual library, her imaginary museum and geography. Being bilingual, she has the knack of waxing enthusiastic about minor works. The intertextuality brings about literary games, copying, collecting and translating activities, which indicate a day to day self-invention and the forming of a woman's identity. The diary mixes different forms of writing. The third part reveals the nascent novelist trying her hand at portraits, short stories and dream tales. Her writings are the work of a “creative memory”. These unpublished works speak for a new editing form, associating both historical and literary approaches
Lefevre, Brigitte. "Le journal intime dans la littérature japonaise, autour de Nogami Yaeko." Paris 7, 2009. http://www.theses.fr/2009PA070008.
Full textThis thesis presents Nogami Yaeko's (1885-1985) personal diary as a privileged source of information revealing the intimate journal and its role in Japanese contemporary literature. After addressing the issues of style and methodology and then presenting the author, an overall study of the diary is proposed with a first look at the codes and rhythms. The paper then focuses on the various dimensions of the subject matter in the diary: on her relationship with the outside world through the writings on several major events, on her relationship with herself, her interiority and finally, within the person's own secret dimension. The aim is to progress towards the singular poetry of this emblematic journal and in so doing, to have a deeper understanding of the autor and a literary genre through the prism of theoretical works published in France, as a way of analysing their pertinence on a Japanese example
Sorin, Claire. "Le corps dans les journaux de femmes aux Etats-Unis : 1830-1870." Aix-Marseille 1, 2001. http://www.theses.fr/2001AIX10054.
Full textGougelmann, Stéphane. "L'Ecriture de l'intime dans les oeuvres et le journal de Jules Renard." Thesis, Paris 10, 2009. http://www.theses.fr/2009PA100108.
Full text"Everyman for myself", that is the amusing motto Catulle Mendès attributed to Jules Renard (1864-1910). Indeed, as an author of an intimate Diary and of a work which looks like his Diary, Renard pays in his written work very close attention to himself and to others. In that, he takes part in the fin-de-siècle movement, when the cult of the document in literature was partly supplanted by the culture of the ego. But, anxious as he was to assert all his singularity, he elaborated a style which strongly contrasts with all others and claimed to be independent artist. Thus, we tried to understand the logic which drove the man to write about himself and we wished to highlight the dialectic which binds intimacy with its literary reflection. To do so, it proved useful to follow the course led by Renard, from giving up realistic principles to a literature of observation; yet an openly subjective observation which embodied in an internalized image of real life. Nevertheless, self portraying is not reduces to the genre of the self-portrait. Privacy is relational and its representation necessarily includes the presence of others. However, intersubjectivity is ambivalent in Jules Renard. The other may appear as an alienating force, as an enemy to be mocked at or to charm, but also offers the opportunity to open out into friendship or love relationship admiration and even fraternization. Lastly, it seemed to us that private writing was a way for the writer to know himself but above all a way to amend morally, and to invent himself poetically in a lacunary and laconic form. The writer then approached his ideal of humour and invites his reader to become his fellow man, his brother in other words to be on intimate terms with him
Predoiu, Daniel Florin. "L'exil, l'identité et la mémoire dans les journaux intimes de trois intellectuels roumains, 1950-2000." Master's thesis, Université Laval, 2007. http://hdl.handle.net/20.500.11794/19361.
Full textPuccianti, Tatiana. "Présences de la psychanalyse dans la littérature italienne contemporaine : Giuseppe Berto, Ottiero Ottieri." Paris 8, 1994. http://www.theses.fr/1994PA080851.
Full textThis critical study is about two contemporany italian writers, giuseppe berto and ottiero ottieri. Both bring out the relationship between analyst and analysand. However, the implications of freud's theories are quite different for each writer, as regards the difficultes of existenceand very project of writting. I have tried to show how radically different they are. In the firs place berto's novel il male oscuro (1964) (am. Tr. Incubus) is very much under the sign of a double filiation : one with his actual father whose death brings about neurosis (the topic of the novel), the other with his "literary father". The svevo of la coscienza di zeno (1923). Then a body of texts by ottiero ottieri (novels, poems and one essay) which seem to be centered around il campo di concentrazione (19729: "the journal of a deression written during the depression". These texts follow no litterary model and connot be read according to the oedipian logic of the family romance, inasmuch as they do away with the notions of cause and of a possible solution. Style in il male oscuro, based on free association is wholly pervaded with humour, which enables the reader to identify and to feel pleasure in spite of the gruesome experiences described there. On the contrary, ottieri's writing is shot through with a radical feeling of unreality too close to an overwhelming reality inhibiting any imaginary activity and is characterized by clusters of poetic expressions
Lupas, Maria Cristina. "L'art dans les journaux intimes de M. Eliade, E. Ionesco, M. Sebastian et N. Steinhardt, 1927-1987." Thesis, Aix-Marseille 1, 2011. http://www.theses.fr/2011AIX10067.
Full textReflections about the nature and powers of art pervade the diaries of Mircea Eliade, Eugène Ionesco, Mihail Sebastian, and Nicolae Steinhardt. These reflections stem from the literary debates in fashion in Greater Romania in which all four authors took part. Their practice of diary keeping also goes back to this period. It especially characterized a group of young intellectuals launched by Eliade called the ‘Young Generation.’ The diary genre lends itself well to a type of study H. R. Jauss has called ‘reception.’ The receptions of art in the four diaries illustrate three powers of art. Art has a formative power: it teaches by opening the receiver to the world proposed by the work of art. Art also has a nationalistic power: as an instrument of national-identity building for the new Romanian nation-state, art did not escape the danger of politicization characteristic of so-called ‘minor literatures,’ a term this dissertation discusses, and the Romanian state practiced nationalist policies with regards to the arts. Lastly, art has a therapeutic power: it can help in coming to terms with painful experiences like that of the Romanian nationalist catastrophe by indirect and more attractive means. The text of the four diaries is here established from fragments published in Romanian and in French publications. The diaries reveal four lives that crossed paths and that shed light on each other and especially on the difficult re-readings of the Romanian past. Ionesco’s diary in particular emerges as an example of a therapy by art and of what Paul Ricœur has called a ‘work of memory,’ about his personal history, that of his generation and of twentieth-century Europe
Moulinier, Ann-Gaël. "Journaux intimes de la folie : étude différentielle de l'écriture du sujet dans l'hystérie et la schizophrénie à partir des écrits de Mary Barnes et de Vaslav Nijinski." Phd thesis, Université Rennes 2, 2010. http://tel.archives-ouvertes.fr/tel-00506069.
Full textCamarade, Hélène. "Écritures de la résistance dans le journal intime sous le Troisième Reich (1933-1945)." Toulouse 2, 2003. http://www.theses.fr/2003TOU20075.
Full textThis study is based on diaries in German by the victims of racial politics, opponents and resisters of National Socialism, who remained in Germany between 1933 and 1945. From the analysis of the diaries of Ulrich von Hassell, Elfriede Paul, Theodor Haecker, Friedrich Reck-Malleczewen, Lisa de Boor, Victor Klemperer, Oskar Rosenfeld, Irene Hauser and Elisabeth Block, this work shows how the diarists used their dairies as a clandestine medium of free expression to assert or consolidate their individual identity and to oppose the regime. The study highlights four examples of resistance in the diaries: the preservation of the freedom of thought and the values opposed to the National Socialist ideology; the survival strategy; the willingness to oppose the falsification of history through a written testimony; and the formulation of political plans for Germany in the post-Hitler era
Books on the topic "Journaux intimes dans la littérature"
Navarre, Yves. La vie dans l'âme: Carnets. Montréal: Le Jour, 1992.
Find full textGirard-Audet, Catherine. Mémoires d'un nain (pas si) grincheux. [Saint-Bruno-de-Montarville, Québec]: Éditions Goélette, 2012.
Find full textSerrault, Michel. Les pieds dans le plat: Journal 2003-2004. [Paris]: Oh! éd., 2004.
Find full textElbaz, Robert, and Françoise Saquer-Sabin. Les espaces intimes féminins dans la littérature maghrébine d'expression française. Paris: Harmattan, 2014.
Find full textname, No. Paroles d'enfants dans la guerre: Journaux intimes d'enfants et de jeunes gens, 1914-2004. Paris: XO, 2006.
Find full textGudule. Le garçon dans ma tête. Namur: Mijade, 2011.
Find full textShulman, Dee. Mon journal top secret: Dans l'enfer de la téléréalité. Montrouge: Bayard Jeunesse, 2011.
Find full textAndrews, Russell. L'affaire Gidéon. Paris: France loisirs, 2000.
Find full textTremblay, Jennifer. Blues nègre dans une chambre rose. Montréal, Québec: VLB éditeur, Une société de Québecor Média, 2015.
Find full textMarie-Josée, Brière, ed. Crois-moi, les pires choses dans la vie sont aussi gratuites--. Toronto: Éditions Scholastic, 2010.
Find full textBook chapters on the topic "Journaux intimes dans la littérature"
Derré, Jean-René. "Chapitre IV. Benjamin Constant et l’Allemagne d’après ses « journaux intimes » (1804-1814)." In Littérature et politique dans l’Europe du XIXe siècle, 277–95. Presses universitaires de Lyon, 1986. http://dx.doi.org/10.4000/books.pul.30813.
Full text"Du journal contre la littérature." In Les journaux intimes et personnels au Québec, 259–88. Les Presses de l’Université de Montréal, 2017. http://dx.doi.org/10.1515/9782760637603-011.
Full text"De la littérature contre le journal." In Les journaux intimes et personnels au Québec, 241–57. Les Presses de l’Université de Montréal, 2017. http://dx.doi.org/10.1515/9782760637603-010.
Full text"Dans la collection." In Les journaux intimes et personnels au Québec, 368–69. Les Presses de l’Université de Montréal, 2017. http://dx.doi.org/10.1515/9782760637603-016.
Full textCuratolo, Bruno. "L’année 1942 dans les journaux intimes des écrivains français." In Écrire sous l'Occupation, 59–81. Presses universitaires de Rennes, 2011. http://dx.doi.org/10.4000/books.pur.110891.
Full textMohring, Agatha. "Carnets et journaux dans les romans graphiques espagnols contemporains, entre espaces intimistes et outils de communication intimes." In L’intime de l’Antiquité à nos jours, 203–16. Presses Universitaires de Bordeaux, 2021. http://dx.doi.org/10.4000/books.pub.46150.
Full textPavlova, Margarita. "Z. N. Guippius dans les journaux intimes de S. P. Kabloukov : le point de vue du genre." In Zinaïda Guippius, 133–54. Presses universitaires de Strasbourg, 2016. http://dx.doi.org/10.4000/books.pus.11463.
Full textSarrazin, Véronique. "La circulation de l’information militaire pendant les guerres, dans la première moitié du XVIIIe siècle dans les correspondances et les journaux intimes." In Les formes de l'échange, 371–96. Presses universitaires de Rennes, 2012. http://dx.doi.org/10.4000/books.pur.129741.
Full textAyi-Adzimah, Daniel, and Emmanuel Kobena Kuto. "Nouveau visage de la langue française : implications pour l'enseignement du français langue étrangère en milieu anglophone du Ghana." In Aux carrefours de la langue, de la littérature, de la didactique et de la société : la recherche francophone en action, 73–92. Observatoire européen du plurilinguisme, 2021. http://dx.doi.org/10.3917/oep.agbef.2021.01.0073.
Full textConference papers on the topic "Journaux intimes dans la littérature"
Gautreau, Aurélien. "Des périodiques par et pour les lycéens. Le cas du Journal de mathématiques élémentaires de l’école préparatoire Sainte-Barbe en 1870." In Séminaire PéLiAS (Périodiques, Littérature, Arts, Sciences). MSH Paris-Saclay Éditions, 2023. http://dx.doi.org/10.52983/phfk5988.
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