Academic literature on the topic 'Journalistic poetics'
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Journal articles on the topic "Journalistic poetics":
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Gubbins, Sarah. "Journalistic Intermediation: The Newspaper Poetics of Nerval and Baudelaire." Dix-Neuf 27, no. 2-3 (July 3, 2023): 134–50. http://dx.doi.org/10.1080/14787318.2023.2218211.
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Kitchener, Jennifer. "Review & Booknote: The Politics and Poetics of Journalistic Narrative." Media International Australia 81, no. 1 (August 1996): 135–36. http://dx.doi.org/10.1177/1329878x9608100127.
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Rusnak, Iryna. "The poetics of Mykola Chyrskyi’s feuilleton “Poděbrady cicerone”." Synopsis: Text Context Media 26, no. 4 (2020): 131–37. http://dx.doi.org/10.28925/2311-259x.2020.4.3.
Abstract:
The subject of the Study is the poetics of the feuilleton “Poděbrady cicerone” (1924) by Mykola Chyrskyi. The feuilleton “Poděbrady cicerone” was an effective response of the writer to the desire of the Ukrainian Academy of Economics (UAE) students to criticize his views on the ideas of women’s emancipation, as well as editors’ of student issues satirical attitude to the volume of prepared materials. The objective of the article is to study the achievements of M. Chyrskyi in the use of common techniques of artistic visuality creation in a message and the implementation of the ideological and thematic idea. The hermeneutic method of analysis of a journalistic text was used to achieve the objective. The results of the study clarify the features of the central image of Cicerone, the composition of the text and its subject matter. Cicerone is an experienced mediator between travelers and the phenomena of reality exposed in the feuilleton. The recipient looks at the memorable places of Poděbrady through the author’s eyes, his remarks become dominant in shaping the idea of the town, the UAE and the people who studied and lived there. The colorful details of student life, the activities of some parties, artistic, public organizations and associations were reproduced in the feuilleton in a humorous tone, including the women’s union, provocatively named the “Organizations of a problematic nature” in the feuilleton. The composition of the feuilleton was created with the help of assembly technology. The assembling elements emphasized the emotional, semantic, and associative connections between the individual characters and the episodes. The clash of incompatible episodes helped to create comic artistic effects, to reflect the dynamic situation of observing the life of the Ukrainian student community. In addition to the main topic, the feuilleton implicitly raised the issue of editing and reducing journalistic materials in student periodicals in exile. The feuilleton allowed the writer to involve readers in the discussion of important issues, which turned the works of this genre into an active factor of public life. The appearance of materials about women's emancipation in Ukrainian foreign periodicals and the participation of women in the multifaceted life of migrants verified the considerable attention to these issues in the Ukrainian emigrant environment. However, the feuilleton achievement of the writer is not limited to the works of the outlined subject. This promising layer of M. Chyrskyi journalistic heritage can reveal new features of the writer’s poetics in further research.
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Halliburton, David, and Phyllis Frus. "The Politics and Poetics of Journalistic Narrative: The Timely and the Timeless." American Literature 67, no. 3 (September 1995): 609. http://dx.doi.org/10.2307/2927964.
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Levine, Caroline, and Phyllis Frus. "The Politics and Poetics of Journalistic Narrative: The Timely and the Timeless." Yearbook of English Studies 27 (1997): 333. http://dx.doi.org/10.2307/3509226.
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Foley, Barbara. "The Politics and Poetics of Journalistic Narrative: The Timely and the Timeless." MFS Modern Fiction Studies 41, no. 2 (1995): 344–46. http://dx.doi.org/10.1353/mfs.1995.0067.
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Litinskaya, Evgeniya. "RHETORIC AND POETICS OF DOSTOEVSKY’S PUSHKIN SPEECH." Проблемы исторической поэтики 19, no. 2 (May 2021): 141–75. http://dx.doi.org/10.15393/j9.art.2021.9583.
Abstract:
The article examines the F. M. Dostoevsky’s Pushkin's Speech in the context of modern studies of the way ancient heritage was reflected in the writer's work. The analysis of the speech was carried out in the categories of rhetorical poetics. The author proves that the speech is structured according to the rules of epideictic eloquence, with a pronounced emotional component characteristic of Christian preaching. The author identifies established stylistic figures, the use of which is always justified: repetition, parallelism, gradation, amplification, polyphonic forms, period, allusion, irony. Rhetoric is translated into poetics. Pushkin's characters (Aleko and Onegin, Tatiana, Pimen) become images with apparent features of both Christian culture and antiquity. Evangelical motifs and images, allusions to antiquity, concepts of Orthodox and ancient culture are integrated in a journalistic form. Christ and Pushkin are connected figuratively in poetics and rhetoric of the speech. Dostoevsky creates a portrait of the Russian poet, his image, and it is no accident that the "speech" is called an essay by its author.
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Nasminchuk, Iryna. "M. Slaboshpytsky «The Great War»: anthropological paradigm as a basis for journalistic reflection." Obraz 35, no. 1 (2021): 68–75. http://dx.doi.org/10.21272/obraz.2021.1(35)-68-75.
Abstract:
The author of the article analyzes the issues and poetics of the documentary and journalistic publication by M. Slaboshpytsky «The Great War. 2014… Ukraine: challenges, events, materials». The influence of the military factor on human consciousness is being clarified. Peculiarities of the author’s concept of human and military dialectics are revealed in the aspect of anthropological reception. In this perspective, the relationship between the antinomies «man – power», «man – society», «man – state», «man – nation» is analyzed. It is proved that the first year of the war was reflected in different levels of traumatic experience. Thus, the creative meaning of the author’s idea manifested itself in the design of the journalistic text as a sharp contrast between the desperate heroism of Ukrainian soldiers on the one hand and the incompetence of the command on the other.
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Esaulov, Ivan. "POETICS OF THE RUSSIAN WORLD BY IVAN SHMELEV." Проблемы исторической поэтики 21, no. 2 (June 2023): 7–37. http://dx.doi.org/10.15393/j9.art.2023.12442.
Abstract:
The article discusses the underlying causes of a new wave of axiological rejection of I. S. Shmelev, which, as the author of the work demonstrates, has a negative attitude towards the image of historical Russia, depicted in the writer’s top works: “Praying Man” and “The Summer of the Lord.” At present,there is a tendency of academic reduction of the religious (Orthodox) dominant idea of the late Shmelev in themodern studies of his work, which is motivated by the correction of “one-sidedness” in the works of non-Soviet researchers and their post-Soviet followers about the writer.The author analyzes the poetics of the writer, highlights the dominant concepts of this poetics.Although the article does not only review the writer’s literary texts, it emphasizes that the Christian tradition, in which Shmelev’s artistic work is rooted, does not manifest itself separately from his poetics (in the “worldview,” journalistic, critical, epistolary texts), but does so in the poetics of his works of art.The poetics of the late Shmelev in the great time of Russian culture seems to contain the national image of the Russian world.It demonstrates how exactly artistic time and space in the writer’s works are deeply connected with the fundamental categories of Orthodox consciousness.
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Brems, Elke, and Dorien De Man. "Very Feminine, Yet Unmercifully Intelligent. A Portrait of the Dutch Critic and Translator Elisabeth de Roos (1903-1981)." TranscUlturAl: A Journal of Translation and Cultural Studies 7, no. 1 (June 15, 2015): 16. http://dx.doi.org/10.21992/t9md00.
Abstract:
The Dutch author and translator Elisabeth de Roos has largely been ignored by literary historians. Nevertheless, she played a major role in the literary scene in the Netherlands between 1925 and 1955. She was a very productive and respected essayist, critic, journalist and translator, but in the rearview mirror of literary history her husband Eddy du Perron outshined her. The contemporary gender discourse, in which de Roos herself took part, created a blind spot for the contribution to innovation and poetical conceptualisation of female authors. The infamous journal Forum to which both she and her husband contributed was a mouthpiece for a masculine discourse: being a fellow was the highest goal. After their marriage her husband pursued his writing career, whereas de Roos took care of the household and was the family breadwinner by writing journalistic pieces instead of literary work. After her husband’s death at the start of the Second World War, de Roos started to work as a translator, a profession in which she soon gained a high degree of expertise and professionalism. She wrote lengthy and substantial essays as prefaces to her translations, revealing her thoughtful literary ideas that preferred intellect and lucidity to melodrama and sentimentality and partis pris to half-heartedness. An analysis of her translation of Wuthering Heights suggests she didn’t smoothen the source text to please the target audience, in accordance with her poetics.
Dissertations / Theses on the topic "Journalistic poetics":
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Pelletier, Simon. "Presse, pouvoir, représentation : le libéralisme et son aspiration à la liberté de l’expression écrite (1814-1830)." Electronic Thesis or Diss., Paris, EHESS, 2024. http://www.theses.fr/2024EHES0009.
Abstract:
Cette thèse plonge dans l’intense débat sur la liberté de la presse qui traverse toute la Restauration française (1814-1830). Plus précisément, elle montre qu’à travers sa quête pour instituer et défendre la liberté de presse, le libéralisme aspire à modifier radicalement la nature du pouvoir. En ce sens, la liberté de la presse représente bien plus pour lui qu’un droit individuel ; il s’agit aussi d’un moyen de bouleverser la manière dont le pouvoir représente, se représente et se laisse représenter. Dans un premier temps, cette thèse se penche sur une période de fécondité du libéralisme, pendant laquelle celui-ci érige des institutions conformes à ses principes. Elle reconstitue le dialogue entre plusieurs figures majeures de ce courant, particulièrement Benjamin Constant et François Guizot. Ce dialogue culmine dans l’adoption des célèbres lois de Serre de 1819. Il s’agit d’expliquer l’action du libéralisme en recourant à sa pensée. Dans un second temps, cette recherche se penche sur la période qui succède à l’adoption de ces lois, quand le libéralisme se retrouve placé malgré lui en position de résistance. Elle démontre que son action dépasse alors sa pensée. Pendant la décennie 1820, en effet, de nombreux journalistes libéraux s’approprient l’idéal de transparence des institutions énoncé pendant le débat parlementaire sur les lois de Serre. Cette réappropriation donne lieu à l’adoption de pratiques scripturales que n’avaient pas envisagé les principaux écrivains de ce courant, pratiques qui présagent étonnamment le visage futur de la profession. Le genre du compte rendu parlementaire se révèle ici de première importance : à travers lui se remarque l’ambition journalistique de creuser en deçà des apparences, de déjouer la duplicité inhérente au jeu politique. Cette ambition contamine d’ailleurs jusqu’aux plus humbles publications littéraires, qui à la fois pastichent et réinventent le genre du compte rendu. Avec la presse, la scène politique se montre désormais quotidiennement, à travers une narration des événements qui tend à ôter à ses principaux acteurs la maîtrise de leur apparaîtreThis thesis delves into the intense debate on freedom of the press which persisted throughout the French Restoration (1814-1830). More precisely, it shows that through its quest to establish freedom of the press and defend it, liberalism aspires to radically modify the nature of power. In this sense, freedom of the press represents much more for liberalism than an individual right; it is also a means of disrupting the way in which power represents those it governs, to represent itself in their eyes, and to let itself be represented by them. Firstly, this thesis looks at a period of fertility, during which liberalism establishes institutions consistent with its principles. This thesis reconstitutes the dialogue between several major figures of this movement, especially Benjamin Constant and François Guizot. This dialogue culminated in the adoption of the famous “de Serre” laws of 1819. Our aim is to explain the action of liberalism by using its thinking. Secondly, this research focuses on the period following the adoption of these laws, when liberalism found itself placed, despite itself, in a position of resistance. We demonstrate that its action exceeds its thought. Indeed, during the 1820s, many liberal journalists adopted the ideal of institutional transparency set out during the parliamentary debate on de Serre’s laws. This reappropriation gave rise to the adoption of scriptural practices that the main writers of this movement had not considered, practices which surprisingly portend the future face of the profession. The genre of the parliamentary report reveals itself to be of primary importance here: through it we can see the journalistic ambition to dig beyond appearances, to thwart the duplicity inherent in the political game. This ambition also contaminates even the humblest literary publications, which both pastiche and reinvent the genre of reporting. With the press, the political scene is now shown daily, through a narration of events which tends to take away the control of their appearance from its main actors
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Ouingnon, Hyacinthe. "Une écriture de l'urgence : poétique et pragmatique de Camus journaliste." Thesis, Limoges, 2015. http://www.theses.fr/2015LIMO0078.
Abstract:
On n'en prend pas souvent la mesure, Albert Camus c'est à la fois une œuvre et une conduite. Dans la construction de l'identité de l'écrivain-polygraphe, la scène du périodique a été une expérience matricielle. Loin de se réduire au double paradigme de l'absurde et de la révolte, on voit ainsi poindre la figure d'un intellectuel écrivant, ancré dans la bataille des idées de son époque, et dont le jeu spéculaire postule un « agir par le dire.» Notre étude, charpentée en trois phases, tente d'abord de cerner les modèles auctoriaux qui nourrissent son engagement civique ainsi que ses chevaux de bataille au cœur du XX ème siècle en crise. Elle tente ensuite d'éclairer les modulations, les stratégies énonciatives par lesquelles se structure la poétique d'une écriture de combat intimement liée aux urgences du contexte, et en constant ajustement avec les contraintes génériques ; se profile ainsi en filigrane la manière dont l'écrivain-journaliste gère la tension constitutive à tout discours journalistique engagé : informer avec objectivité/impossibilité de dire sans prendre parti. Enfin, l'analyse s'attache à examiner par quelle scénographie auctoriale le journaliste-rhéteur, dont la parole, en prise sur un auditoire à la fois situé et virtuel, postule une efficacité rhétorique, trouve sa voie dans la polyphonie discursive du cotexte. En redécouvrant un auteur canonique par-delà le cadre contraint du « champ littéraire et intellectuel » des « années noires », on mesure non seulement ce que l'écrivain doit au journaliste, mais surtout en quoi son expérience du périodique concentre toute l’œuvre sous la plume, et éclaire du même coup la posture hétérodoxe et singulière d'un des derniers héritiers du « temps des prophètes »Ones does not take often measurement of it, Albert Camus is at the same time a work and a control. In the construction of the identity of the writer-polygraph, the scene of the periodical was a matric experiment. Far from being reduced to the double paradigm absurdity and revolt, one sees stinging the figure of a writing intellectual, anchored in the battle of the ideas of his time, and whose specular game applies one “to act by saying it.” Our study, constructed in three phases, initially tries to determine the auctorial models which nourish its civic commitment like its hobby horses in the middle of the XX ème century in crisis. Secondly tries to clarify the modulations, the enunciative strategies by which structure the poetic one of a writing of combat closely related to the urgencies of the context, and in constant adjustment with the generic constraints; is profiled who makes in filigree of it, the way in which the writer-journalist manages the constitutive tension with any committed journalistic speech: to inform with objectivity/impossibility of saying without coming out. Lastly, the analysis attempts to examine by which scenography auctorial the journalist-rhetor, whose word, in catch on an audience at the same time located and virtual, applies a rhetoric effectiveness, finds its way in the discursive polyphony of the cotexte. By rediscovering a canonical author beyond the constrained framework of the “literary and intellectual field” of the “black years”, one measures not only what the writer owes to the journalist, but especially in what its experiment of the periodical concentrates all work under the feather, and clarifies at the same time the heterodox and singular posture of one of the last heirs to the “time of the prophets”
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Litron, Fernanda Félix 1981. "Poesia marginal e a antologia "26 Poetas Hoje" : debates da critica antes e depois de 1976." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270075.
Abstract:
Orientador: Maria Betania AmorosoDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-10T06:38:08Z (GMT). No. of bitstreams: 1 Litron_FernandaFelix_M.pdf: 4421948 bytes, checksum: 0c55b10659620775bbe3ecc3b680cee3 (MD5) Previous issue date: 2007
Resumo: Este trabalho ocupa-se em examinar atentamente a atuação da crítica em seu papel de mediadora e qualificadora de um fenômeno cultural e poético conhecido como ¿poesia marginal¿ que, segundo a percepção de seus críticos, surge de maneira repentina durante a década de 70. De certa forma, tal poesia foi legitimada através da antologia intitulada 26 Poetas Hoje. Para realizar a análise, foram coletadas ¿ e são reproduzidas em anexo como parte integrante de nossa pesquisa ¿ as fontes primárias dessa discussão, isto é, os artigos, reportagens, resenhas e entrevistas publicadas durante a década de 70. Vale ressaltar a importância assumida pela imprensa nos conturbados anos da ditadura militar no Brasil. Muitas vezes a ela coube instigar ou manter acesas discussões e debates culturais em meio a um clima geral de sufocamento das manifestações, fossem elas políticas ou individuais. Nas décadas de 60 e 70, especificamente, tem-se uma modalidade jornalística bastante peculiar tratada como imprensa alternativa ou nanica. Assim, serão principalmente esses jornais e revistas que darão espaço para maiores debates e apresentações da poesia marginal e da cultura alternativa do período
Abstract: This dissertation aims to examine attentively the criticism performance in its mediation and qualification role of a poetic phenomenon known as ¿poesia marginal¿ (¿marginal poetry¿) which, according its critics¿ perception, ppeared in a sudden way during the 1970¿s. In certain way, this poetry has been legitimized through an anthology entitled 26 Poetas Hoje (26 Poets Today). For this analysis, they were collected ¿ and are presented here as a final result of our research ¿ the primary sources of this discussion, that is the articles, newspaper reports, summaries and interviews published during the 1970¿s, apart from our exam on such journalistic criticism. It¿s worth emphasizing that the journalistic gender stands out in a time of repression and censorship, once it assumes a questioning function about the Brazilian culture in a period politically disturbed. Then, specifically in the 1960¿s and 1970¿s, a peculiar journalistic "modality¿ emerges treated as alternative press or ¿nanica¿ (¿tiny press¿). Therefore, it is mainly this journalist modality that will give space for larger discussions and presentations of the marginal poetry and alternative culture of its period
Mestrado
Teoria e Critica Literaria
Mestre em Teoria e História Literária
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Vianna, Márcia Aparecida Barbosa. "Crônicas de Raul Pompéia: um olhar sobre o jornalismo literário do século XIX." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-05022010-104423/.
Abstract:
Este trabalho acadêmico propõe um olhar sobre as crônicas do autor Raul Pompéia, jornalista político, conhecido por seu romance O Ateneu , clássico da Literatura Brasileira, entretanto pouco reconhecido por suas publicações na imprensa periódica nacional do século XIX, principalmente nos folhetins, durante os anos de 1880-1894, época em que contribuiu intensamente com a publicação de seus escritos, como observador dos fatos e dos acontecimentos do cotidiano do povo brasileiro. Faremos uma análise da poética vigente em suas crônicas, cuja riqueza da linguagem reflete o autor literário, jornalista e consequentemente historiador, uma vez que o ato da escrita fez parte da vida do cronista, e tornou-se um espelho da sociedade brasileira do final do século XIX, nas páginas da Revista Ilustrada, do Diário de Minas, do jornal O Farol, do O Estado de São Paulo, do Jornal do Comércio, da Gazeta de Not ícias e da Gazeta da Tarde.This paper proposes an academic look at the chronicles of Raul Pompéia, a political journalist , famous for his novel O Ateneu , classic of Brazilian literature, but little known by its national periodical publications in the press of the 19th century, especially in serials, during the years of 1880-1894, when he contributed constantly to the political though of his time with the publication of his writings, as an observer of facts and events of everyday life of the Brazilian people. We will perform an analysis of the poetic force in his its chronicles, which reflect the richness of the literary language of this author . He was a journalist but became also a historian consequently, since his writings became a mirror of Brazilian society at the end of the 19th century, in the pages of Revista Fluminense, O Estado de São Paulo , Jornal do Comércio , A Província do Espírito Santo, Gazeta de Notícias and Gazeta da Tarde .
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Salazar, Juan Francisco, University of Western Sydney, of Arts Education and Social Sciences College, and of Communication Design and Media School. "Imperfect media : the poetics of indigenous media in Chile." 2004. http://handle.uws.edu.au:8081/1959.7/25273.
Abstract:
This dissertation examines the cultural constructions of information and communication media by Indigenous peoples in Chile. It includes a critical investigation into the emergence, current practices and future prospects of Mapuche media within situated and culturally mediated social space. The research is informed by current anthropological interests in indigenous media and locates indigenous media theory and practice within three different, though overlapping fields of cultural production: applied visual anthropology, alternative media activism and new media theory. The theoretical, historical and pragmatic concerns of the thesis lie primarily in the media processes that are contextualized by several instances of ethnic resurgence. Indigenous narratives are located at the centre of various forms of cultural activism and are being conceived as tactics in the construction of divergent imaginaries and oppositional public spheres. By concentrating the study on the Mapuche context, the author clarifies the process by which these practices transform social structures in the struggle for political self-determination, cultural autonomy and social recognition.Doctor of Philosophy (PhD)
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Salazar, Juan Francisco. "Imperfect media : the poetics of indigenous media in Chile." Thesis, 2004. http://handle.uws.edu.au:8081/1959.7/25273.
Abstract:
This dissertation examines the cultural constructions of information and communication media by Indigenous peoples in Chile. It includes a critical investigation into the emergence, current practices and future prospects of Mapuche media within situated and culturally mediated social space. The research is informed by current anthropological interests in indigenous media and locates indigenous media theory and practice within three different, though overlapping fields of cultural production: applied visual anthropology, alternative media activism and new media theory. The theoretical, historical and pragmatic concerns of the thesis lie primarily in the media processes that are contextualized by several instances of ethnic resurgence. Indigenous narratives are located at the centre of various forms of cultural activism and are being conceived as tactics in the construction of divergent imaginaries and oppositional public spheres. By concentrating the study on the Mapuche context, the author clarifies the process by which these practices transform social structures in the struggle for political self-determination, cultural autonomy and social recognition.
Books on the topic "Journalistic poetics":
1
Frus, Phyllis. The politics and poetics of journalistic narrative: The timely and the timeless. Cambridge [England]: Cambridge University Press, 1994.
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Litvinova, Margarita, and Irina Kozhaeva. Musical-poetic performance. ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1071391.
Abstract:
In the educational-methodical manual deals with basic dramaturgical and staging the principles of working with documentary and artistic material, techniques use of fact and document in a journalistic view, clearly demonstrates techniques for creating imaginative solutions and scenarios of artistic and journalistic representations.
Addressed to students of universities of arts and culture, studying under the direction of training 51.03.05 "direction of the dramatized representations and holidays", studying discipline "Directing poetry theater" and "writing"; and also workers of culture, Directors and practitioners working to create theatrical programs and mass celebrations.
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Fischer, Lisa. Jenseits vom lärmenden Käfig: Die Lyrikerin, Journalistin und Aktivistin Herta Staub. Wien: Böhlau, 1997.
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Roe, Nicholas. Leigh Hunt: Life, poetics, politics. London: Routledge, 2003.
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Nicholas, Roe, ed. Leigh Hunt: Life, poetics, politics. London: Routledge, 2003.
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Littlefield, Daniel F. Alex Posey: Creek poet, journalist, and humorist. Lincoln: University of Nebraska Press, 1992.
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Honolka, Kurt. Schubart: Dichter und Musiker, Journalist und Rebell : sein Leben, sein Werk. Stuttgart: Deutsche Verlags-Anstalt, 1985.
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Hartmut, Müller. Postgaul und Flügelross: Der Journalist Christian Friedrich Daniel Schubart (1739-1791). Frankfurt: P. Lang, 1985.
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Renau, Jean-Pierre. Clément Privé, 1842-1883: Journaliste et poète : chants de bohème en Haute Puisaye--. Paris: L'Harmattan, 2009.
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Renau, Jean-Pierre. Clément Privé, 1842-1883: Journaliste et poète : chants de bohème en Haute Puisaye--. Paris: L'Harmattan, 2009.
Book chapters on the topic "Journalistic poetics":
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Dobbs-Allsopp, F. W. "2. The Bible in Whitman." In Divine Style, 63–110. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0357.03.
Abstract:
The chapter takes up the topic of biblical quotations, allusions, and echoes in Whitman’s writings, albeit with a very specific end in view. G. W. Allen pioneered this line of research in his “Biblical Echoes,” which remains the single largest published collection of biblical quotations, allusions and echoes in Whitman. This sampling alone establishes Whitman’s knowledge and use of the Bible, and the direct quotations from the Bible make clear Whitman’s use of the KJB translation in particular. Allen also ably emphasizes the “elusive” nature of Whitman’s allusive practice in Leaves as it pertains to the Bible. My own point of departure is the (modest amount of) research carried out on this topic since Allen’s foundational study. I begin by elaborating a number of general observations that entail from these more recent studies, not a few of which contrast with emphases placed by Allen (e.g., the prominence of the Hebrew Bible/Old Testament in Whitman’s collages from the Bible). The main part of the chapter focuses on the important period from 1850-55. A survey of Whitman’s writings (both poetry and prose) from this period reveals a plethora of biblical language, imagery, themes, characters, and imitations of all sorts, and this allusive practice turns out to be a very tangible way of tracking one dimension of Whitman’s evolving poetic theory—“no quotations.” At the time of the three free-verse poems from the spring and summer of 1850, Whitman could still freely embed quotations from the Bible in his poems. But by the time of the early notebooks and poetry manuscripts, and then in the 1855 Leaves, Whitman’s new poetics is firmly in place: no more direct quotations, a concerted trimming away of some biblical trappings, and a tendency to work-over allusions to the point that they become, as B. L. Bergquist says, “more ‘elusive,’ more hidden.” The survey includes close scrutiny of Whitman’s prose writings (mostly journalistic in nature) from 1850-53 and the early pre-Leaves notebooks and unpublished poetry manuscripts.
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Taylor-Pirie, Emilie. "The Knights of Science: Medicine and Mythology." In Empire Under the Microscope, 37–80. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84717-3_2.
Abstract:
AbstractIn this chapter Taylor-Pirie examines how parasitologists invoked myths of British nationhood in their professional self-fashioning to frame themselves as knights of science fighting on behalf of Imperial Britain. Analysing scientific lectures, political speeches, letter correspondence, obituaries, medical biographies, and journalistic essays, she draws attention to the prominence of Arthurian legend and Greco-Roman mythology in conceptualisations of parasitology, arguing that such literary-linguistic practices sought to reimagine the relationship between medicine and empire by adapting historical and poetic models of chivalry. In this way, individual researchers were lionised as national heroes and their research framed as labour that could command the longevity of legendary stories like those recounted in Homeric poems and medieval romance. In acclimatisation debates, the tropics were frequently conceptualised in relation to the Greek Underworld, a suite of references that together with dragon slaying and the quest narrative helped to position parasitology as a type of ‘crusading fiction’ in the context of the Victorian medieval revival.
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"News That Fits: The Construction of Journalistic Objectivity." In The Politics and Poetics of Journalistic Narrative, 90–119. Cambridge University Press, 1994. http://dx.doi.org/10.1017/cbo9780511527159.005.
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"Preface: True Stories." In The Politics and Poetics of Journalistic Narrative, xi—xxii. Cambridge University Press, 1994. http://dx.doi.org/10.1017/cbo9780511527159.001.
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"Introduction: What Isn't Literature." In The Politics and Poetics of Journalistic Narrative, 1–12. Cambridge University Press, 1994. http://dx.doi.org/10.1017/cbo9780511527159.002.
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"Writing After the Fact: Crane, Journalism, and Fiction." In The Politics and Poetics of Journalistic Narrative, 13–52. Cambridge University Press, 1994. http://dx.doi.org/10.1017/cbo9780511527159.003.
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"“News That Stays”: Hemingway, Journalism, and Objectivity in Fiction." In The Politics and Poetics of Journalistic Narrative, 53–89. Cambridge University Press, 1994. http://dx.doi.org/10.1017/cbo9780511527159.004.
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"Other American New Journalisms: 1960s New Journalism as “Other”." In The Politics and Poetics of Journalistic Narrative, 120–56. Cambridge University Press, 1994. http://dx.doi.org/10.1017/cbo9780511527159.006.
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"The “Incredibility of Reality” and the Ideology of Form." In The Politics and Poetics of Journalistic Narrative, 157–95. Cambridge University Press, 1994. http://dx.doi.org/10.1017/cbo9780511527159.007.
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"Freud and Our “Wolfe Man”: The Right Stuff and the Concept of Belatedness." In The Politics and Poetics of Journalistic Narrative, 196–232. Cambridge University Press, 1994. http://dx.doi.org/10.1017/cbo9780511527159.008.
Conference papers on the topic "Journalistic poetics":
1
Nikolaev, Dmitry. "“HAPPY VICTORIOUS NEW YEAR, INVINCIBLE COUNTRY!”: PRAVDA'S POETRY IN THE BEGINNING OF 1943." In FIRST KULAKOV READINGS: ON THE FIELDS OF RUSSIA'S MILITARY. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3635.khmelita-19/99-128.
Abstract:
In the article, the poetic works published in the newspaper Pravda in January-March 1943 are considered for the first time as an unity of texts. The pathos, themes, poetics, style and genre features of the poems of N. Aseev, D. Bedny, A. Bezymensky, E. Dolmatovsky, N. Zaryan, V. Inber, S. Marshak, M. Rylsky, A. Surkov, N. Tikhonov, S. Shchipachev and others are analyzed. Poetry is considered in the context of the main historical events of the time - the break of the siege of Leningrad, the victory in the Battle of Stalingrad, as well as main soviet holidays and memorable dates. It is proved that the relevance and even concreteness of the poetry, its close connection with the news from the front is combined with the maximum generalization, and the actual journalistic, agitation and propaganda component requires in poetry solutions that maximally affect the mass reader such as folklore genres and images, traditions of classicism, satire, etc. Poetry on the pages of Pravda from the first days of 1943 has been claimed as poetry of victory, and the emotional content of many poems can be expressed by N. Aseev's formula: “Glee - rage // Stand up to help // Until the decisive end”. It is particularly noted that the poems presented in ‘Pravda' by poets of different nations of the USSR should reflect the unity of the multinational country’s in The Great Patriotic War
2
Weirauch, Angelika. "CREATIVE WRITING IN CONTEXT OF UNIVERSITIES." In International Conference on Education and New Developments. inScience Press, 2022. http://dx.doi.org/10.36315/2022v1end056.
Abstract:
"We present an old process developed more than a hundred years ago at American universities. It means professional, journalistic and academic forms of writing. It also includes poetry and narrative forms. Creative writing has always been at the heart of university education. Today, there are more than 500 bachelor's degree programs and 250 master's degree programs in this subject in the United States. In other fields of study, it is mandatory to enrol in this subject. After World War II, it came to Europe, first to England and later to Germany. Here, ""... since the 'Sturm und Drang' (1770-1789) of the early Goethe period, the autodidactic poetics of the cult of genius prevailed. The teachability of creative writing has been disputed ever since and its dissemination has therefore always had a hard time in Germany"" [von Werder 2000:99]. It is rarely found in the curricula of German universities. At the Dresden University of Applied Sciences, we have been practicing it for five years with great response from social work students. They learn different methods: professional writing for partners and administration, poetic writing for children's or adult groups, scientific language for their final thesis and later publications. Although we offer it as an elective, more than 80% of students choose it. Final papers are also written on these creative topics or using the methods learned. ""Writing forces economy and precision. What swirls chaotically around in our heads at the same time has to be ordered into succession when writing"" [Bütow in Tieger 2000:9]. The winners of this training are not only our former students! Children in after-school programs and youth clubs improve their writing skills through play. Patients in hospitals work on their biographies. People who only write on the computer discover slow and meaningful writing, activating their emotional system. Therefore, this paper will show how clients benefit from creative writing skills of their social workers and what gain other disciplines can expect as well."
3
Sergodeev, Ilya V. "Multisense Of Intextual Units Within Poetic Communication." In III PMMIS 2019 (Post mass media in the modern informational society) "Journalistic text in a new technological environment: achievements and problems". Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.08.02.15.
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Alonso, Miguel, Bruna Costa, and Luca Ribeiro. "Trying to read: the "In Memorian" artwork." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.124.
Abstract:
In this presentation we will analyze the multimedia artwork In Memorian, 2021, from the Research Group Realidades (School of Communication and Arts of University of São Paulo, ECA-USP, Brazil). The artwork is a web art that deals with the visualization of data from the coronavirus pandemic in Brazil. These data are appropriated from online databases and it works as the rule of loss of information from 1988’s Brazilian Federal Constitution, Title II - Of Fundamental Rights and Guarantees. The text is fragmented proportionally to Brazilian population and, then, loses its information, pixel by pixel, according to the daily number of deaths by covid-19 in the country. The authors of this presentation are members of the Realidades Group, thus, this analysis will be filled with our creative processes, poetic motivations and the development phases of the artwork. In Memorian exposes the precarious situation of the democratic rights guaranteed by the mentioned article of the Brazilian constitution. Brazil couldn't control covid-19 pandemic. Researches pointed out that it was due to a series of omissions and failures by public managers, mainly the federal government. However, the democratic rights have been under attack for longer. Brazil’s political scene has become dominated by openly conservative, "anti-politics" and "anti-science" wills, quite driven by desinformation and fake news. And all these relationships are fundamental to the development of the work. It seeks to materialize and illustrate hundreds of thousands of deaths in order to make visible the colossal size of human loss. The amount of deaths shatter the black words over the white background, damaging the text and making the reading more difficult. On the work’s website, the text is exhibited in perspective and can be vertically scrolled. It also contains an interactive ruler that shows the Brazilian daily and total number of deaths, enabling the interactor to move across the timeline. The visual character of a ‘monument for the dead’ complaints the governmental negligence that causes this amount of suffering, actions that must not be simply forgotten. In addition, it points out the need for more transparency of covid’s diagnosis and deaths registration and comments on the alarming political scenario that surrounds the sanitary crisis. Furthermore, this artwork is a data visualization piece, which is a very much explored technique used by multimedia artists. We will address its usage to enhances the visibility of things that are often hard to see. We will show another similar artwork in theme, 'Inumeráveis”, 2020, created by a collective of volunteer artists and journalists. Claiming that "alive or dead, we will never be [just] a number", the site is an online monument that features shared stories about the victims, giving individuality to each of them. In Memorian was in the online exhibition EmMeio#13 associated with the Panoramas 2021 event. Additionally, we point out its interaction in different social networks and its own numerical and online nature. The pandemic crisis in Brazil and around the world is not a past reality, still claiming countless lives. Unfortunately, the artwork remains operational.
Reports on the topic "Journalistic poetics":
1
Lyzanchuk, Vasyl. THE CHARITABLE ENERGY OF THE JOURNALISTIC WORD. Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11415.
Abstract:
The article investigates the immortality of books, collections, including those, translated into foreign languages, composed of the publications of publications of worldview journalism. It deals with top analytics on simulated training of journalists, the study of events and phenomena at the macro level, which enables the qualitative forecast of world development trends in the appropriate contexts for a long time. Key words: top, analytics, book, worldview journalism, culture, arguments, forecast.The article is characterized intellectual-spiritual, moral-aesthetic and information-educational values of of scientific and journalistic works of Professor Mykola Hryhorchuk “Where are you going, Ukraine?” and “Freedom at the Barricades”. Mykola Ivanovych’s creative informational and educational communication are reviews, reviews, reviews and current works of writers, poets, publicists. Such as Maria Matios, Vira Vovk, Roman Ivanychuk, Dmytro Pavlychko, Yuriy Shcherban, Bohdan Korsak, Hryhoriy Huseynov, Vasyl Ruban, Yaroslav Melnyk, Sofia Andrukhovych. His journalistic reflections are about memorable events of the recent past for Ukrainians and historical figures are connected with them. It is emphasized that in his books Mykola Hryhorchuk convincingly illuminates the way to develop a stable Ukrainian immunity, national identity, development and strengthening of the conciliar independent state in the fight against the eternal Moscow enemy. Among the defining ideological and political realization of the National Idea of Ukrainian statehood, which are mentioned in the scientific and journalistic works of M. Hryhorchuk, the fundamental ones – linguistic and religious – are singled out. Israel and Poland are a clear example for Ukrainians. In these states, language and religion were absolutized and it is thanks to this understanding of the essence of state-building and national identity that it is contrary to many difficulties achieve the desired life-affirming goal. The author emphasizes that any information in the broadest and narrow sense can be perceived without testing for compliance with the moral and spiritual mission of man, the fundamental values of the Ukrainian ethnic group, putting moral and spiritual values in the basis of state building. The outstanding Ukrainian philosopher Hryhoriy Skovoroda emphasized: “Faith is the light that sees in the darkness…” Books by physicist Mykola Hryhorchuk “Where are you going, Ukraine?” and “Freedom at the Barricades” are illuminated by faith in the Victory over the bloody centuries-old Moscow darkness.