Academic literature on the topic 'Journalism and professional writing, n.e.c'

A survey ( N = 1318) evaluated US newspaper journalists’ attitudes toward c ontextual reporting – stories that go beyond the immediacy of the news and contribute to societal well-being. Results indicated that journalists highly value professional roles associated with contextual reporting. Responses revealed new journalistic role functions, including the ‘Contextualist’, who placed high value on being socially responsible and accurately portraying the world. Analyses showed that younger journalists and female journalists highly valued three genres of contextual reporting: constructive journalism, solutions journalism, and restorative narrative. Additionally, a journalist’s belief in activist values such as setting the political agenda and pointing to possible solutions predicted more favorable views of all three forms of contextual journalism, while belief in an adversarial attitude predicted less favorable views of restorative narrative.

This article is born from the results of a larger research that aimed to identify the relationship that the teacher establishes between his personal dimensions (identity) and the professional dimensions (teacher identity) in his formation and his practice, through reflection on his daily action. At this moment of the research the objective was to identify and describe the reflexive processes observed on the practical action of the teacher, as well as the paths covered in the formation and constitution of the professional identity. For this, the methodology of writing class diaries was used, mainly based on Zabalza's theoretical framework. The journals were developed by five teachers during three months in a semester, with subsequent reflection of the reports from a script presented to them by the researchers. The data, analyzed by the technique of Content Analysis, according to Bardin, revealed five categories that made explicit on the knowledge of teaching practice, reflexive processes, teacher training and the constitution of their professional identity. The results showed that the methodology used (class diaries) was efficient in order to allow a space for reflection, as a way to build an effective practice that is consistent with the personal issues of the professional. The reflections made by the teachers indicate that they live the complexities of the profession as a great burden to bear having unfinished ideas on coping strategies.ResumoEste artigo nasce dos resultados de uma pesquisa maior que objetivou identificar a relação que o professor estabelece entre suas dimensões pessoais (identidade) e as dimensões profissionais (identidade docente) na sua formação e na sua prática, através da reflexão sobre sua ação diária. Neste momento da pesquisa, o objetivo era identificar e descrever os processos reflexivos observados sobre a ação prática do professor, bem como os caminhos percorridos na formação e constituição da identidade profissional. Para tal foi utilizada a metodologia de redação de diários de aula, embasados, primordialmente, no referencial teórico da Zabalza. Os diários foram desenvolvidos por cinco docentes durante três meses em um semestre letivo, com posterior reflexão dos relatos a partir de um roteiro apresentado a eles pelos pesquisadores. Os dados, analisados pela técnica de Análise de Conteúdo, segundo Bardin, revelaram cinco categorias que explicitaram sobre os saberes da prática docente, os processos reflexivos, a formação do professor e a constituição de sua identidade profissional. Os resultados mostraram que a metodologia utilizada (diários de aula) foi eficiente no sentido de permitir um espaço destinado à reflexão, como forma de construir uma prática eficaz e condizente com as questões pessoais do profissional. As reflexões feitas pelos professores indicam que vivem as complexidades da profissão como uma grande carga a se carregar tendo ideias inacabadas sobre estratégias de enfrentamento das mesmas.ResumenEste artículo nace de los resultados de una investigación mayor que objetivó identificar la relación que el profesor establece entre sus dimensiones personales (identidad) y las dimensiones profesionales (identidad docente) en su formación y en su práctica, a través de la reflexión sobre su acción diaria. En este momento de la investigación el objetivo era identificar y describir los procesos reflexivos observados sobre la acción práctica del profesor, así como los caminos recorridos en la formación y constitución de la identidad profesional. Para ello se utilizó la metodología de redacción de diarios de clase, fundamentados, primordialmente, en el referencial teórico de Zabalza. Los diarios fueron desarrollados por cinco docentes durante tres meses en un semestre lectivo, con posterior reflexión de los relatos a partir de un guión presentado a ellos por los investigadores. Los datos, analizados por la técnica de Análisis de Contenido, según Bardin, revelaron cinco categorías que explicitaron sobre los saberes de la práctica docente, los procesos reflexivos, la formación del profesor y la constitución de su identidad profesional. Los resultados mostraron que la metodología utilizada (diarios de clase) fue eficiente en el sentido de permitir un espacio destinado a la reflexión, como forma de construir una práctica eficaz y acorde con las cuestiones personales del profesional. Las reflexiones hechas por los profesores indican que viven las complejidades de la profesión como una gran carga a llevarse teniendo ideas inconclusas sobre estrategias de enfrentamiento de las mismas.Palavras-chave: Formação de professores, Reflexão, Identidade profissional.Keywords: Teacher training, Reflection, Professional identity.Palabras clave: Formación de profesores, La reflexión, Identidad profesional.ReferencesAGUIAR, M. C. C. Implicações da formação continuada para a construção da identidade profissional. Psicologia da Educação, 23, 155-173, 2006.ARIBONI, S; PERITO, R. Guia Prático para um projeto de pesquisa exploratória experimental descritiva. São Paulo: Unimarco, 2004.BARDIN, L. Análise de conteúdo. Tradução Luís Antero Reto e Augusto Pinheiro. Lisboa: Edições 70, 1977.BOGDAN, R.; BIKLEN, S. K. Investigação qualitativa em educação: uma introdução à teoria e aos métodos. Porto, Portugal: Porto Editora, 1994.BORBA, O. Planejando e agindo na prática educativa: o papel dos registros na organização dos momentos pedagógicos. In: MION, R. A; SAITO, C. H. Investigação- ação: mudando o trabalho de formar professores. Ponta Grossa: Gráfica Planeta, 2001.BRASIL. Lei Nº 13.415, de 16 de fevereiro de 2017. Altera as Leis nos 9.394, de 20 de dezembro de 1996, que estabelece as diretrizes e bases da educação nacional, e 11.494, de 20 de junho 2007, que regulamenta o Fundo de Manutenção e Desenvolvimento da Educação Básica e de Valorização dos Profissionais da Educação, a Consolidação das Leis do Trabalho – CLT. Disponível em http://www.planalto.gov.br/ccivil_03/_Ato2015-2018/2017/Lei/L13415.htm. Acesso em março de 2019.BRITO, A. E. O significado da reflexão na prática docente e na produção dos saberes profissionais do/a professor/a. Revista Iberoamericana de Educación, Madrid, n. 37, p. 1-6, enero/abr, 2006.CAIRES, S. Vivências e percepções do estágio pedagógico: contributos para a compreensão da vertente fenomenológica do “Tornar-se professor”. Análise Psicológica, Lisboa, v. 24, n. 1, p. 87-98, jan., 2006.COZER, R. C. A visão da escola sobre a interação com as famílias dos alunos: o cenário das primeiras séries do ensino fundamental. 2003. Dissertação (Mestrado em Educação). Universidade Federal de São Carlos, São Carlos. 2003.DEWEY, J. Cómo pensamos. Barcelona: Paidós, 1989.ENS, R. T.; EYNG, A. M.; GISI, M. L.; RIBAS, M. S. Evasão ou permanência na profissão: políticas educacionais e representações sociais de professores. Rev. Diálogo Educ., Curitiba, v. 14, n. 42, p. 501-523, maio/ago., 2014.ERAUT, M. Schön schock: A case for reframing reflection-in-action? Teachers and teaching, 1(1), 9-22. 1995.FONTANA, R. A. C. Como nos tornamos professoras? Belo Horizonte: Autêntica. 2000.GARCIA, R. L. A formação da professora alfabetizadora: reflexões sobre a prática. São Paulo: Cortez, 1996.JOAQUIM, N. F.; BOAS, A. A. V.; CARRIERI, A. P. Entre o discurso praticado e a realidade percebida no processo de formação docente. Avaliação, 17 (2), 503-528, 2012.JUNGES, K. S.; BEHRENS, M. A.; TORRES, P. L. Desenvolvimento profissional e a prática reflexiva: uma experiência de formação de docentes universitários no nível stricto sensu no paradigma da complexidade. Revista e-Curriculum, 8 (1), 1-20, 2012.LOPES, R. B.; GOMES, C. A. Paz na sala de aula é uma condição para o sucesso escolar: que revela a literatura? Ensaio: avaliação políticas públicas Educação, 20(75), 261-282, 2012.NORONHA, M. M. B.; ASSUNÇÃO, A. A.; OLIVEIRA, D. A. O sofrimento no trabalho docente: o caso das professoras da rede pública de Montes Claros, Minas Gerais. Trabalho, Educação e Saúde, 6 (1), 65-86, 2008.MARCONI, M. A.; LAKATOS, E. M. Técnicas de pesquisa: planejamento e execução de pesquisas, amostragens e técnicas de pesquisa, elaboração, análise e interpretação de dados. 3.ed. São Paulo: Atlas, 1996.NÓVOA, A. Professores: imagens do futuro presente. Lisboa: Educa, 2009.NÓVOA, A. Os professores e o “novo” espaço público da educação. In: TARDIF, M.; LESSARD, C. Ofício de professor: história, perspectivas e desafios internacionais. Petrópolis: Vozes, 2008.OLIVEIRA, D. A. Os trabalhadores da educação e a construção política da profissão docente no Brasil. Educar em Revista, n. especial 1, p. 17-35, 2010.OLIVEIRA, C. B. E.; MARINHO-ARAÚJO, C. M. A relação família-escola: intersecções e desafios. Estudos de Psicologia, Campinas, v. 27, n. 1, p. 99-108, jan./mar, 2010.OLIVEIRA, I.; SERRAZINA, L. A reflexão e o professor como investigador. In: GTI (Ed.). Reflectir e investigar sobre a prática profissional. Lisboa: APM, 2002. p. 29-42.PÉREZ GÓMEZ, A. P. O pensamento prático do professor: a formação do professor como profissional reflexivo. In: NÓVOA, A. (org.) Os professores e a sua formação. Lisboa, Portugal: Publicações dom Quixote, p. 77-91, 1992.PORLÁN, R.; MARTÍN, J. El diário del profesor: Um recurso para la investigación em el aula. Sevilha: Diáda, 1997.REALI, A. M. M. R.; TANCREDI, R. M. S. P. Interação escola-famílias: concepções de –professores e práticas pedagógicas. In: REALI , A. M. M. R.; MIZUKAMI, M. G. N. (Orgs.), Formação de professores: práticas pedagógicas e escola. São Carlos: EdUFSCar. 2002.REALI, A. M. M. R.; TANCREDI, R. M. S. P. Bringing together school and family lessons from a Brazilian Experience. The School Community Journal. Lincoln (USA), The Academic Development Institute. 14, (2) 105-129. 2004.REALI, A. M. M. R.; TANCREDI, R. M. S. P. A importância do que se aprende na escola: A parceria escola-famílias em perspectiva. Paidéia, 15(31), 239-247, 2005.RODGERS, C. Defining Reflection: Another Look at John Dewey and Reflective Thinking. Teachers College Record, Volume 104, Number 4, June, pp. 842–866, 2002.SANTOS, G. B. Os professores e seus mecanismos de fuga e enfrentamento. Trabalho, Educação e Saúde, 7(2), 285-304, 2009.SARAIVA, L. A.; WAGNER, A. A Relação Família-Escola sob a ótica de Professores e Pais de crianças que frequentam o Ensino Fundamental. Ensaio: avaliação políticas públicas Educação, 21(81), 739-772, 2013.SCHÖN, D.A. Educando o profissional reflexivo: um novo design para o ensino e a aprendizagem. Porto Alegre: Artes. Médicas, 2000.SCHÖN, D. A. Formar professores como profissionais reflexivos. In: NÓVOA, A. (org.). Os professores e a sua formação. Lisboa, Portugal: Publicações dom Quixote, p. 77-91. 1992.SCHÖN, D. A. The reflective practitioner: how professionals think in action. New York: Basic Books, 1983.SILVEIRA, L. M. O. B. A Relação Família-Escola: uma parceria possível? In: WAGNER, A. et al. Desafios Psicossociais da Família Contemporânea: pesquisas e reflexões. Porto Alegre: Artmed, p. 181-190, 2011.SIVIERI-PEREIRA, H. de O. O professor principiante e os espaços de interação entre as dimensões pessoais e profissionais da carreira docente. 2008. Tese (Doutorado em Ciências, área Psicologia). Faculdade de Filosofia Ciências e Letras. Universidade de São Paulo. Ribeirão Preto, SP, 2008.SOUZA, V. L. T.; PETRONI, A. P.; ANDRADA, P. C. A afetividade como traço da constituição identitária docente: o olhar da psicologia. Psicologia & Sociedade, 25(3), 527-537, 2013.ZABALZA, M. A. Diários de aula: um instrumento de pesquisa e desenvolvimento profissional. Porto Alegre: Artmed, 2004.ZANCHET, B. M. B. A.; FAGUNDES, M. V. A preparação para o exercício do magistério superior far-se-á em nível de pós-graduação? Os docentes iniciantes respondem. Revista e-curriculum, São Paulo, v.8 n.1 Abril, 2012.e3125052

Background. Topicality of the theme. With the advent of the Internet, Internet journalism has appeared. In relating to theater, in essence, it is theatrical criticism, which has only undergone major changes. In recent years, there have been lively discussions in professional circles about the state and prospects of theater criticism as a profession, about the nature of theater criticism, its self-identification in the modern information space. Round tables with the participation of leading theater critics are devoted to the issues of the current state of theater criticism, a number of relevant materials have been published in specialized publications, often with indicative headings: “Who needs theater critics?” [1], “Theater criticism: final or transformation?” [9]; interviews of theater critics, in which they uphold the positions of the profession and, at the same time, speak about urgent problems and the need to update it taking into account rapidly changing realities: with S. Vasilyev [2], N. Pivovarova [5], Ya. Partola [6]; discussion articles on the status and prospects of the profession by M. Harbuziuk [3], M. Dmitrevskaya [4], N. Pesochinsky [7], I. Chuzhynova [10], S. Schagina, E. Strogaleva, E. Gorokhovskaya [11]. Thus, there are several points of view on this topic: that theatrical journalism has replaced theatrical criticism; that theatrical critics of the old school did not have time to adapt to the changing world and use new tools in this profession, and young critics just occupy their niches in the youth media and on the Internet; that the profession of a critic does not go beyond the framework of participation in expert councils, jury membership, attendance at theater festivals, and writing reviews on request. The question, however, is still open. The main goal of this article is to determine the degree and main character of the interaction of journalism and theatrical criticism in modern media. Results of the study. Those who are seriously engaged in theater studies and academic theater criticism feel the need for specialized publications, the number of which in Ukraine is reduced to a minimum. Therefore, those who had the opportunity to publish reviews in the socio-political periodicals, have to combine three professional areas in one, becoming a theater journalist. Academically trained theater critics can write and often write good books, but, as a rule, do not know how to write for newspapers and magazines. But graduates of journalistic departments who write about the theater are not familiar with professional terminology, which is able to give a correct assessment of the premiere performance. The question arises: how to combine those and these, that the theater journalism was both fascinating and acute, and moderately scandalous, but at the same time accurate and high-quality? To grow such specialists is a matter of work, there can be no conveyor system here. Modern theater criticism, gradually becoming obsolete, rather survives from the common theatrical space. The theater critic cannot be a free artist, and live on the money from the results of his work, because in non-capital cities the number of journals in which the theater specialist would have had time to publish his works has decreased by several times. In cities such as Poltava, Sumy, Chernigov, the issues relating to theatrical premieres are not covered by critics (they are simply not there), but by journalists who write on various topics and rarely specialize in one. The substitution of theatrical critique by journalism is quite natural, for example, for cities where there is no professional training of theater critics, however in Kiev, Kharkiv and Lviv theater studies continue, and a certain number of graduates hope for the viability of this profession. Theatrical criticism and theatrical journalism are in their own way demanded in certain circles. Criticism is closer to theaters, journalism – to the audience. It is difficult to debate with this statement that new epoch came with the Internet. Now, the spoken word has a completely different value. For example, а word thrown on Facebook can have the same effect on public opinion as a big, built, hard fought text. This does not mean that you do not need to write large texts and publish them on paper. You just need to understand and accept the new reality, its advantages and disadvantages, its danger and its benefits. It is a very important problem of our consciousness and the problem of our theater. The Internet has given a new push to the development of new type of media-translations, actively working in social networks. Sites appear on the network where online remote screenings of performances are held. They provide Internet audiences with the opportunity to be acquainted with the history of national and world theater art; they are introduced to modern avant-garde performances. Of course, this also brings the theater closer to a wide, as a rule, young audience and opens up new opportunities for a different kind of theater journalism. Сonclusions. Thus, the Internet becomes an active means of influencing the minds in the modern media space. The Internet influences everyone and everything, changing attitudes towards theatrical art, as well as contemporary theater criticism and theater journalism. However in this case, it is essential to remember that not the Internet, but only professional theater criticism that has been and remains the breeding ground for the scientific work of theater critics and art historians, while creating the history of dramatic, opera and ballet theater.

Autonomy is of paramount importance for journalism, but there is little empirically based knowledge of how journalists cope when it is threatened. Using a case study approach, this contribution examines a newsroom conflict that took place in the public service Radio and Television of Slovakia. It started when the new director general, a person believed to have ties to one of the coalition political parties, was elected by the parliament in 2017, and it culminated in layoffs and resignations of more than 30 reporters and editors in 2018. The case study is based on semi-structured interviews (N = 16) with the journalists who decided to quit in protest of what they called “creeping political pressure,” those whose contracts were not prolonged, those who decided to stay at their jobs, and the members of the previous and the new management. Building on the interviews and document analysis, the article inductively develops a classification scheme for resistance practices the journalists used to cope with the perceived interference with their professional autonomy that came from within their media organisation. These practices include having internal discussions, voicing concerns during newsroom meetings, writing an internal letter to the management, meeting with the management, establishing a trade union, requesting mediation, writing an open letter to the viewers and listeners, publicly criticising the management in the media, voluntarily asking to be re-assigned to another topic area or position in order to avoid interference, staying at one’s job in open opposition to the management, and resigning in protest.

Collaborating between Writing and STEM: Teaching Disciplinary Genres, Researching Disciplinary Interventions, and Engaging Science Audiences This poster describes a multi-pronged effort to build a writing curriculum in Physics and other STEM fields at the George Washington University, USA. These efforts include curricular collaboration, a research study conducted by the Physicists and Writing Scholars, and external funding initiatives. This project first began as a curricular collaboration through our Writing in the Disciplines (WID) curriculum, initiated by observations among Physics faculty that undergraduate students lack Physics specific writing skills. Writing faculty responded to this observation by introducing Physics faculty to the idea that writing can and must be taught, that the genres of Physics can be taught by Physics faculty, and that a focus on the writing process can improve student writing. Our curricular goal was to demonstrate to faculty who are unfamiliar with writing studies that writing is a means to learn in Physics (Anderson et al., 2017). The first phase of our effort was to persuade Physics faculty that writing contributes to learning in Physics; we describe a collaboration between Physics and Writing faculty that developed assignments and made curricular interventions. This collaboration built upon scholarship in writing studies that argues genre instruction develops capacities and skills for student writing (Swales, 1990; Winsor, 1996). While genre is not a new concept in Writing Studies, for many Physics faculty the idea that they can teach – and have students learn – how to write in disciplinary genres is novel. Collaboration around curricular revisions enabled Writing and Physics faculty to teach students that learning how to write in a new genre is a skill that can be practiced (Ericsson, 2006; Kellogg & Whiteford, 2009). We developed a process for students to follow when faced with types of writing common to Physics, but potentially new to them, such as the abstract (written), lab research notebook (written), article summary (oral), letter to colleague (written), cover letter and resumé (written), elevator pitch (oral), proposal (written and oral), presentation on issues of ethics and equity in STEM (oral), research presentation (oral), poster (written), poster presentation (oral), final research report (written), and Symposium presentation (oral). The collaboration thus created pedagogical exchange between faculty as well as scholarly synergy between the disciplines of Physics and Writing Studies. Physics faculty have observed that the curricular collaboration has had measurable results for students. Physics student participation in the campus research day has increased dramatically. We attribute this rise partly to the increased, explicit attention in classroom settings to how to engage with Physics genres of writing, especially abstracts and research posters. While the collaboration successfully brought together a small but solid group of Writing and Physics faculty, it also raised questions about how to persuade a broader range of Physics faculty, and other science faculty, that teaching disciplinary genres can improve student writing, and that writing is a means of learning. Given that faculty in STEM disciplines find empirical research persuasive, our next step was to undertake a collaborative research project to measure the impact of the teaching of writing in Physics. The new curricular focus on genre asked students to conceptualize themselves as scientific writers in relation to specific Physics or STEM audiences. The collaborative research therefore investigates if teaching Physics genres improves writing and enables students to conceptualize themselves as emerging scientists engaged in professional communication (Poe et al., 2010; Winsor, 1996). Our longitudinal analysis of student writing in Physics evaluates writing from three sequenced courses, the first before faculty-developed genre assignments, and then after genre assignments. We developed a rubric that evaluates general outcomes – audience, genre, structure, style – and a rubric that evaluates specialized learning outcomes – acknowledgement of past scholarship, working with models, incorporating scholarship, articulation of research questions, working with graphs, and articulation of methods. Preliminary research analysis shows that explicitly teaching Physics genres increases student’s abilities to write successfully in Physics, enabling students to understand how knowledge is communicated persuasively to audiences. Our goal with this research is to show STEM faculty through research by Physicists and Writing Studies scholars that teaching writing socializes students into the discipline of Physics, leading them to identify as professional scientists (Allie et al, 2010; Gere et al., 2019). This increase is exemplified by the large number of students volunteering to present a poster during the University wide research day, giving them experience presenting to an educated audience outside of Physics. Thus, a combination of strategies – curricular collaboration and intervention, collaborative research from within the discipline of Physics, and successful external funding – are what demonstrate to scientists that teaching genre and teaching writing are central to science education. Based on this experience, our contribution is that shared pedagogical and research collaborations, and funding, are what make the knowledge of Writing Studies persuasive to scientists. We have seen success with these efforts. At George Washington, other STEM faculty have observed successes in the Physics curriculum, and have joined efforts to bring writing more explicitly into their curriculum. This year, we began a Writing in STEM symposium that has grown to include faculty in Chemistry, Systems Engineering, Mathematics, Geography, Mechanical Engineering, and other fields. We have also seen an uptick in STEM courses in the WID curriculum. The Physics and Writing research collaboration has led to a National Science Foundation (NSF) submission on genre, and an NSF award for a study of writing and engineering judgement, being conducted by Writing faculty and Systems Engineering faculty. References Allie, S., Armien, M.N., Burgoyne, N, Case, J.M., Collier-Reed, B.I, Craig, T.S., Deacon, A, Fraser, D.M.,Geyer, Z, Jacobs, C., Jawitz, J., Kloot, B., Kotta, L., Langdon, G., le Roux, K., Marshall, D, Mogashana,D., Shaw,C., Sheridan, G., & Wolmarans, N. (2009). Learning as acquiring a discursive identity through participation in a community: improving student learning in engineering education. European Journal of Engineering Education, 34(4), 359-367. https://doi.org/10.1080/03043790902989457 Anderson, P., Anson, C. M., Fish, T., Gonyea, R. M., Marshall, M., Menefee-Libey, W Charles Paine, C., Palucki Blake, L. & Weaver, S. (2017). How writing contributes to learning: new findings from a national study and their local application. Peer Review, 19(1), 4. Ericsson, K. A. (2009). The Influence of experience and deliberate practice on the development of superior expert performance. In K. A. Ericsson, R. R. Hoffman, A. Kozbelt & A. M Williams (Eds.), The Cambridge handbook of expertise and expert performance (pp 685–705). Cambridge University Press. Gere, A. R., Limlamai, N., Wilson, E., Saylor, K., & Pugh, R. (2019). Writing and conceptual learning in science: an analysis of assignments. Written communication, 36(1), 99–135. https://doi.org/10.1177/0741088318804820 Kellogg, R., & Whiteford, A. (2009). Training advanced writing skills: the case for deliberate practice. Educational psychologist, 44(4), 250–266. https://doi.org/10.1080/00461520903213600 Poe, M., Lerner, N., & Craig, J. (2010). Learning to communicate in science and engineering: Case studies from MIT. MIT Press. Swales, J. (1990). Discourse analysis in professional contexts. Annual review of applied linguistics, 11, 103–114. Winsor, D. A.(1996) Writing like an engineer: A rhetorical education. Mahwah, NJ: Lawrence Erlbaum Associates.

Background. The present article is devoted to the consideration of the critical activity of R. Genika, one of the most prominent creative personalities in the musical life of Kharkov during the period of the turn of the 19th and 20th centuries, the founder of the Kharkov professional music school. The present study is based on the material of the correspondence between R. Genika and his long-term mentor N. Findeisen – the chief editor of the Russian Musical Newspaper, the publisher of historical essays. The system of R. Genika’s critical views, his assessment of the intonation situation of the musical era represented by him have been analyzed; we have stated his critical position toward the creative work of composers of the past and present. Formulation of the problem. In the musical life of Kharkov, the period of the turn of the 19th and 20th centuries, Rostislav Vladimirovich Genika (1859–1942?) was one of the brightest creative personalities. His activities were distinguished by the scale and versatility, and the creative achievements of this outstanding musician in the spheres of this kind of activities are an invaluable contribution to the national musical art. Through the prism of the achievements of R. Genika as one of the founders of the Kharkov professional music school, not only the panorama of the concert life of Kharkov during the considered period is revealed, but also the weighty and relevant scientifi c, organizational, pedagogical, artistic and creative directions regarding the complex of problems associated with history and perspectives of the musical art of Kharkov as one of the leading centers of musical life, the fi rst capital of Ukraine. The object of the research. The creative heritage of R. Genika, a universally gifted person is covered in the existing publications mainly in the information and source fi eld. R. Genika’s research and musical-publicistic activities were not fully covered. Only recently, the author of the present article has got an access to the archived materials which made it possible to conduct a comprehensive analysis of the role and importance of the personality of this outstanding Kharkov musician in the context of the musical art of the region and Ukraine as a whole. All of this combined to form the subject of the comprehensive review and the relevance of this article. The material of the study was the archival letters of R. Genika to N. Findeisen. The goal is to point out the position of R. Genika in the selection of the material for his research by highlighting and analyzing some letters from this correspondence. Methodology. The creative work of any music critic and reviewer, a music writer who is interested in the history of music, in particular, pianism and piano art, is assessed primarily by the material to which he/she refers. Here the source of conclusions about the direction of the search of R. Genika in all these areas can be his correspondence with a prominent fi gure of the Imperial Russian Musical Society (IRMS), one of the leading musical writers and critics of Russia of the late 19th – early 20th centuries, Nikolai Fyodorovich Findeisen (1868–1928). The correspondence with N. Findeisen testifi es to the process of R. Genika’s work on a number of his key scientifi c researches. The author of this study was able to find in the archives these short letters, where the requests of the Kharkov musician to this venerable musicologist and critic about the literature and music notes he needed for his work could be found. And the very list of requests made by R. Genika makes it possible to systematize the range of his creative interests. For example, in one of the letters R. Genika asks N. Findeisen to send him books about F. Liszt. The detailed article about F. Liszt was included into the second volume of the essays on “The History of Music” – the main capital work on which R. Genika had been working for almost all his life. The focus of this study is rather popularizing, addressed to various categories of listeners, primarily, to educated “good listeners” who want to get acquainted closer with the styles and circumstances of the life and creative work of the leading representatives of the world music art. In the fi eld of musicological studies R. Genika was, above all, a historian. This profi le of his research activities was the closest to the tendency that can be defi ned as a popularization or educational one. In his historical research he had clear preferences. This is evidenced by a number of his rather subjective statements about contemporary composers, to whom he preferred the classics of the older generation. R. Genika, as a historian, was well aware of the retrospective necessary for historical musicological studies, and therefore avoided writing in an estimate about authors contemporary to him. He, as a high-class musician, does not consider it possible to express his personal subjective judgments in his historical concept, and so he omits the section on “modern music” in his historical essays. Results. In the two-volume essays on “The History of Music” there are other thoughts that reveal the course of the scientist’s work on various parts of his book. Extremely interesting, besides the already mentioned above R. Genika’s attitude to the “contemporaries”, is his steady interest in the tradition, which he himself called the “Romanesque”. He treated his national school with a natural reverence, considering it to be underestimated in foreign, fi rst of all, German “histories of music”. Such a position is extremely indicative of his work as a music historian. It is the “national”, original, bright and unique that attracts his attention in the styles of the national schools of Europe of that time – the Scandinavian, the Czech, the Polish and, especially great, in his opinion, the Russian. He ends his essays on “The History of Music” (the main text) with the chapter on P. Tchaikovsky, and the modern authors of other schools are covered in review supplement articles. The question of national schools for that period was quite open and controversial even within the framework of generally accepted classifi cations. At that time, the schools of the classical type were considered key, and “nationalist teachings” (“national schools”) were considered “supplementary”, secondary and insignifi cant in the general processes of the world musical history. Here there is a thought, indicative of the very process of the new periodization of the essays on “The History of Music”, which, according to R. Genika, should have differed from the existing German samples. Conclusion. R. Genika’s letters to N. Findeisen make it possible to follow the course of the process of writing the capital essays on “The History of Music”. The very fact that the Kharkov musicologist turned to the global problems of the world music history testifi es to the importance of the creative fi gure of R. Genika in the context of musical and historical research of the last decade of the 19th century – the fi rst two decades of the 20th century. R. Genika was among the fi rst domestic music historians to create his own concept of periodization and artistic evaluation of the most important phenomena of the European musical history, which is the proof of the encyclopedic and universal nature of his many-sided musician talent. These qualities manifest themselves in all directions and the results of his activities, prompting the modern musicologistresearcher to systematize R. Genika’s critical heritage in a special way.

This present work has as a goal presenting an experience that begins from a writing practice, called to report, and lived through the subject entitled Professional Education: Contemporary Challenges from the Post-Graduation Program Science Education – Federal University of Rio Grande – FURG (Brazil). It is argued about the composition of a researcher in an environment full of dialogue, reading and critical analysis of texts, articulated with many writings and group discussions. In order to comprehend this experience, it is used theoretical contributions; their ideas go towards the importance of the writing when it comes to the constitution of the ongoing formation of the person. The subject proposal was based on the writing of three individual texts from the critical analysis of the three articles, on a group text related to an article about professional education, as well as the reading and a critical analysis from at least one text from a colleague, according to criteria related to form and content, totaling five writings. From this experience, it can be said that being a researcher is searching for information due to a problem, a topic, a concern, besides the necessity of expressing through writing and reflecting critically about the discussed topics. It was a group practice that required constantly dialogues established with the authors, the colleagues and the teacher, adding the learning about how to analyze an article meticulously, from the investigation about who is the author, his/her formation, to structural aspects of the text. The activities were considered as something very pleasurable, beyond evaluations or obligations, used as inspiration for the reflections, other readings and writings.ResumoO artigo tem como objetivo relatar uma experiência a partir de uma prática de escrita, denominada de relatoria, vivenciada na disciplina Educação Profissional: Desafios Contemporâneos do Programa de Pós-Graduação em Educação em Ciências da Universidade Federal do Rio Grande – FURG, Brasil. Argumenta-se sobre a constituição da pesquisadora em formação num ambiente de muito diálogo, de leitura e análise crítica de textos, articulado com diversas produções escritas e discussões coletivas. Para compreender essa experiência narrada, utilizam-se teóricos que apontam a importância da escrita na constituição do sujeito em formação. A proposta da disciplina envolveu a escrita de três textos individuais a partir da análise crítica de três artigos, um texto coletivo relacionado a um artigo sobre Educação Profissional, bem como a leitura e análise crítica coletiva de pelo menos um texto de um colega, seguindo critérios quanto à forma e ao conteúdo, totalizando em cinco produções realizadas. Decorre desta experiência, a constatação de que ser pesquisador é estar em busca de informações acerca de um problema, um assunto, uma inquietação, além da necessidade de se posicionar por escrito e refletir criticamente sobre os temas abordados. Foi uma prática coletiva que demandou constantes diálogos estabelecidos com autores, com colegas e com a professora, incluindo o aprendizado de como analisar um artigo minuciosamente, desde a investigação sobre quem é o autor, sua formação, até aspectos estruturais do texto. As atividades foram assumidas como algo prazeroso, muito além de avaliações ou obrigações, servindo de inspiração para reflexões, outras leituras e produções textuais.Keywords: Researcher, Writing, Formation.Palavras-chave: Pesquisador, Escrita, Formação.ReferencesBENJAMIN, W. Magia e técnica, arte e política: ensaios sobre literatura e história da cultura. São Paulo: Brasiliense, 1994.BRUNER, J. The narrative construction of reality. Critical Inquiry, Chicago, v. 18, n.1, p. 1-21, 1991.CLANDININ, J.; CONNELLY, M. Narrative inquiry: experience and story in qualitative research. São Francisco: Jossey-Bass, 2000.CUNHA, M. I. Conta-me agora! As narrativas como alternativas pedagógicas na pesquisa e no ensino. Revista da Faculdade de Educação, vol. 23, n. 1-2. São Paulo, jan. de 1997. Disponível em <http://www.scielo.br/scielo.php?script=sci_arttext&pid=S0102-25551997000100010>. Acesso em: 22 jul. 2017.DEMO, P. Pesquisa: princípio científico e educativo. São Paulo: Cortez Editora, 2001.FREIRE, P. Pedagogia da autonomia. Saberes necessários à prática educativa. São Paulo: Paz e Terra, 1996.HOUAISS, Instituto Antônio. Minidicionário Houaiss da língua portuguesa. 2. ed. Rio de Janeiro: Objetiva, 2004.LARROSA, J. Sobre a lição. In: LARROSA, J. Pedagogia profana: danças, piruetas e mascaradas. Tradução de Alfredo Veiga-Neto. Belo Horizonte: Editora Autêntica, p. 139-146, 2001.LARROSA, J. A arte da conversa. In: SKLIAR, C. Pedagogia (improvável) da diferença. E se o outro não estivesse aí? Tradução de Giane Lessa. Rio de Janeiro: DP&A, p. 211-216, 2003.LARROSA, J. Tremores: escritos sobre experiência. Tradução de Cristina Antunes e João Wanderley Geraldi. Belo Horizonte: Autêntica Editora, 2015.MARQUES, M. O. Escrever é preciso: o princípio da pesquisa. 2ª ed. Ijuí: Unijuí, 2011.NACARATO, A. M.; LOPES, C. E. Indagações, reflexões e práticas em leituras e escritas na educação matemática. Campinas: Mercado das Letras, 2013.PERISSÉ, G. Ler, pensar e escrever. São Paulo: Saraiva, 2011.PRADO, G.V.T.; SOLIGO, R. Porque escrever é fazer história: revelações, subversões, superações. Campinas: Alínea, 2007.SANTOS, S. A narrativa como estratégia de formação e de reflexão sobre a prática docente. Revista Teoria e Prática da Educação, v. 11, n. 2, p. 207 – 217, maio/ago. 2008. Disponível em <http://www.dtp.uem.br/rtpe/volumes/v11n2/010-artigo-sydione-207-217.pdf. > Acesso em: 03 dez. 2016.

Introduction: Adding developmental networks (DN) to grant-writing coaching can significantly enhance ESIs’ research careers. Herein, we present study design, ESIs’ characteristics and encountered challenges/lessons learned and their resolutions when deploying/implementing (a) NCR algorithm(s), (b) recruitment/retention and (c) implementing DN intervention. Methods: Nested Cluster Randomization (NCR) design governs this study implementation. The sample size is 220 ESIs intending to submit an NIH K, R, U, and/or Minority Supplement application(s). Primary outcome: intensity/sustainability of grant submission(s)/funding(s), measured by time to/between application(s). Outcome(s) analyses modes: summaries, Kaplan Meir and Cox proportional hazard models as a function of randomization groups and other predictors of outcomes. Results: In the present study, we recruited two cohorts of ESIs (N = 85): 39% African Americans, 18% Latinx, 18% Whites, 20% Asians and 6% Hawaiian/Pacific Islander/other ethnicities; 65% are women; 73% are assistant professors, 4% are Associate Professors and 23% are instructors/scientists/post-doctoral. Participants’ disciplines: 32% basic/biomedical, 36% clinical/translational and 32% social/behavioral. Proposal(s) mechanisms: 61% research grants (R series), 31% career development (K series), 7% support of competitive research (SCORE) and 1% National Science Foundation applications. NCR did produce balance in the distribution of ESIs’ demographics, sex at birth, ethnicity, professional appointments, background disciplines, and mechanism of sought funding. Lessons learned/challenges: NCR implementation was methodologically challenged during implementation by added constraints (e.g., assigning coaches to the same randomization arm of their participants as well as blinding them to ESIs’ randomization group). Recruitment and retention were hampered by the COVID-19 pandemic and more progressive and innovative strategies were needed to heighten the visibility and outreach of this program. DN delivery was also affected by the pandemic and monitoring of ESIs’ engagement and facilitation of communications interventions were needed. Resolution of these challenges effectively reconfigured NCR algorithms, recruitment/retention plans, and DN intervention delivery. We intend to recruit an additional 135 ESIs focusing on underrepresented scholars from RCMIs, CTSAs, and other programs. COVID-19 rendered this program 100% virtual, with recruitment/retention challenges and substantial disruption of ESIs’ research. We may extend the grant writing period, coaching, and Mock Study Section support.

Language skills are essential for early childhood, being able to speak clearly and process speech sounds, understand others, express ideas, and interact with others are the building blocks for a child's development. Therefore, this study will examine the effect of the Inside Outside Circle (IOC) instructional strategies with media images on children's language skills. This research is a quasi-experimental design with a posttest only and using a control group. The sample in this study were children in two kindergartens in the village of Banjar Tegal. Data analysis in this study was carried out by quantitative descriptive methods using t-test analysis techniques. The results of this study in kindergarten students in Banjar Tegal Village show that there is an influence of the IOC learning model with picture media on children's language skills (tcount = 6.28> ttable = 2.00). This shows that language skills achieved by groups of children participating in learning with the IOC model with drawing media are better than groups of children who attend learning without the IOC model. The implication is that further research is expected to develop other aspects of child devel- opment through the IOC model. Keywords: Children Language skills, Image media, Inside-Outside Circle Instructional Strategies Reference: Afrida, Ni., & Mahriza, R. (2019). Visual and Cognitive Media : The Language Acquisition of Children With Dyslexia in Aceh. IJLRES - International Journal on Language , Research and Education Studies, 3(1), 112–126. https://doi.org/10.30575/2017/IJLRES-2019010409 Al Otaiba, S., & Fuchs, D. (2006). Who are the young children for whom best practices in reading are ineffective? An experimental and longitudinal study. Journal of Learning Disabilities, 39(5), 414–431. https://doi.org/10.1177/00222194060390050401 Asrifan, A. (2015). 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Supporting early oral language skills for English language learners in inner city preschool provision. British Journal of Educational Psychology, V ol. 80, pp. 497–515. https://doi.org/10.1348/000709910X493080 Dunlosky, J., Rawson, K. A., Marsh, E. J., Nathan, M. J., & Willingham, D. T. (2013). Improving students’ learning with effective learning techniques: Promising directions from cognitive and educational psychology. Psychological Science in the Public Interest, Supplement, 14(1), 4–58. https://doi.org/10.1177/1529100612453266 Gilles, G. (2015). Language Skills in Children: Development, Definition & Types. Retrieved from © copyright 2003-2020 Study.com. website: https://study.com/academy/lesson/language-skills-in-children-development- definition-types.html#transcriptHeader Gogtay, N., Giedd, J. N., Lusk, L., Hayashi, K. M., Greenstein, D., Vaituzis, A. C., ... Thompson, P. M. (2004). Dynamic mapping of human cortical development during childhood through early adulthood. 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This article presents data from an action research, which sought to analyze limitations and potentialities in the course of the writing process of Graduation Course Completion Works. Using the content analysis (BARDIN, 2010), the results pointed limitations: 1) writing of textual genres needs to be practiced encouraged regularly; 2) promotion of the reading culture has become urgent since joining the university. The potentialities the study pointed out: 1) academic writing can become an important element in processes of student engagement; 2) the paired learning showed the improvement in the writing of the CBTs; 3) the promotion of active learning helps in the development of CBT; 4) the attribution of meaning to the CBT helps in the autonomy of the student, since supported by reading good reference texts.ResumoEste relato de experiência tratou de analisar limitações e potencialidades no decorrer do processo de escrita de Trabalhos de Conclusão de Curso de Graduação. Utilizando a análise de conteúdo (BARDIN, 2010), os resultados apontaram como limitações: 1) a escrita de gêneros textuais necessita ser praticada, incentivada regularmente; 2) fomento à cultura leitora se faz urgente desde o ingresso na universidade. Como potencialidades o estudo apontou: 1) a escrita acadêmica pode se tornar elemento importante em processos de engajamento estudantil; 2) a aprendizagem por pares evidenciou a melhoria na escrita dos TCCs; 3) a promoção da aprendizagem ativa auxilia na elaboração do TCC; 4) a atribuição de sentido ao TCC auxilia na autonomia do estudante, desde que amparado em leitura de bons textos de referência.ResumenEste relato de experiencia trató de analizar limitaciones y potencialidades en el curso del proceso de escritura de Trabajos de Conclusión de Curso de Graduación. En el análisis de contenido (BARDIN, 2010), los resultados apuntaron como limitaciones: 1) la escritura de géneros textuales necesita ser practicada, incentivada regularmente; 2) fomento a la cultura lectora se hace urgente desde el ingreso en la universidad. Como potencialidades el estudio apuntó: 1) la escritura académica puede tornarse elemento importante en procesos de compromiso de los estudiantes; 2) el aprendizaje por pares evidenció la mejora en la escritura de los TCC; 3) la promoción del aprendizaje activo ayuda en la elaboración del TCC; 4) la atribución de sentido al TCC auxilia en la autonomía del estudiante, desde que amparado en lectura de buenos textos de referencia.Palavras-chave: Escrita acadêmica, Ensino superior.Keywords: Academic writing, Engagement, Higher education.Palabras clave: Escritura académica, Compromiso, Enseñanza superior.ReferencesANTUNES, Irandé. Lutar com palavras – Coesão e coerência. 1ª edição. São Paulo: Parábola, 2005.BAEPLER, Paul et al. 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In The Chronicles, Lewis comes as close to mysticism as he has in any other book, for Aslan, the holy of holies is the numinous made present. Though his apologetic writing becomes less polemical, a public not-avowedly Christian Lewis remains militant. Lewis has undergone many changes: near-despair, forgiveness, marriage, a monumental professional move, and a steady, but very new, rhythm that was less urgent. ‘A new day’ describes his one real novel, Till We Have Faces (1956), and other works: ‘Meditation in a Toolshed’, ‘Membership’, ‘The Seeing Eye’, Reflections on the Psalms, and The Four Loves. After the death of Joy in 1960, Lewis published A Grief Observed under the pseudonym N. W. Clerk.