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Journal articles on the topic 'Joseph Conrad; 20c. literature'

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Published: 4 June 2021

Last updated: 17 February 2022

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1

Brodsky, G. W. Stephen. "Joseph Conrad: Prefaces by Joseph Conrad." Conradiana 47, no. 3 (2015): 257–64. http://dx.doi.org/10.1353/cnd.2015.0030.

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2

Watts, Cedric. "The Selected Letters of Joseph Conrad by Joseph Conrad." Conradiana 48, no. 1 (2016): 100–104. http://dx.doi.org/10.1353/cnd.2016.0011.

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3

Wiesenfarth, Joseph. "Ford's Joseph Conrad." Renascence 53, no. 1 (2000): 43–60. http://dx.doi.org/10.5840/renascence20005313.

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4

Amar Acheraïou. "Joseph Conrad (review)." Conradiana 40, no. 1 (2007): 89–91. http://dx.doi.org/10.1353/cnd.0.0000.

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5

Lane Bradshaw, Ann. "Joseph Conrad and Louis Becke." English Studies 86, no. 3 (June 2005): 206–25. http://dx.doi.org/10.1080/0013838042000335677.

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6

Leavis, L. R. "Joseph Conrad and creative integrity." English Studies 72, no. 1 (February 1991): 28–37. http://dx.doi.org/10.1080/00138389108598731.

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7

Hocks, Richard A. "Teaching Joseph Conrad and Henry James." Henry James Review 17, no. 3 (1996): 264–74. http://dx.doi.org/10.1353/hjr.1996.0022.

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8

Dryden, Linda. "Joseph Conrad and Popular Culture (review)." Conradiana 39, no. 1 (2007): 77–81. http://dx.doi.org/10.1353/cnd.2007.0005.

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9

Billy, Theodore. "Joseph Conrad: The Short Fiction (review)." Conradiana 39, no. 2 (2007): 183–86. http://dx.doi.org/10.1353/cnd.2007.0012.

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10

Disanto, Michael John. "Joseph Conrad Today (review)." Conradiana 41, no. 2 (2011): 209–15. http://dx.doi.org/10.1353/cnd.2011.0011.

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11

Higdon, David Leon. ": Joseph Conrad: A Biography. . Jeffrey Meyers." Nineteenth-Century Literature 47, no. 1 (June 1992): 120–23. http://dx.doi.org/10.1525/ncl.1992.47.1.99p0435g.

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12

Watts, Cedric. "The Secret Agent by Joseph Conrad." Conradiana 50, no. 2 (2018): 195–97. http://dx.doi.org/10.1353/cnd.2018.0017.

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13

Michael, Marion C. "The Several Lives of Joseph Conrad by John Stape, and: A Personal Record by Joseph Conrad." Conradiana 43, no. 2-3 (2011): 168–75. http://dx.doi.org/10.1353/cnd.2011.0037.

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14

Ingram, Allan, and Steve Ressler. "Joseph Conrad: Consciousness and Integrity." Modern Language Review 86, no. 2 (April 1991): 430. http://dx.doi.org/10.2307/3730569.

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15

TANNER, TONY. "Joseph Conrad and the last gentleman." Critical Quarterly 28, no. 1-2 (March 1986): 109–42. http://dx.doi.org/10.1111/j.1467-8705.1986.tb00012.x.

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16

TANNER, TONY. "Joseph Conrad and the last gentleman." Critical Quarterly 28, no. 1 (June 28, 2008): 109–42. http://dx.doi.org/10.1111/j.1467-8705.1986.tb00250.x.

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17

G. W. Stephen Brodsky. "Fahrt ins Geheimnis Joseph Conrad: Eine Biographie [Journey into Mystery: Joseph Conrad—a Biography] (review)." Conradiana 41, no. 1 (2010): 89–98. http://dx.doi.org/10.1353/cnd.0.0024.

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18

RAY, MARTIN. "JOSEPH CONRAD AND ARNOLD BENNETT." Notes and Queries 44, no. 3 (September 1, 1997): 353—a—353. http://dx.doi.org/10.1093/nq/44-3-353a.

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RAY, MARTIN. "JOSEPH CONRAD AND ARNOLD BENNETT." Notes and Queries 44, no. 3 (1997): 353—a—353. http://dx.doi.org/10.1093/nq/44.3.353-a.

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20

Gokulsing, T. "JOHN G. PETERS, The Cambridge Introduction to Joseph Conrad. * ALLA H. SIMMONS, Joseph Conrad." Notes and Queries 55, no. 2 (June 1, 2008): 242–43. http://dx.doi.org/10.1093/notesj/gjn047.

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21

Watts, Cedric. "Victory: An Island Tale by Joseph Conrad." Conradiana 49, no. 1 (2017): 90–96. http://dx.doi.org/10.1353/cnd.2017.0006.

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22

Punter, David, Daphna Erdinast-Vulcan, and Richard Ambrosini. "Joseph Conrad and the Modern Temper." Modern Language Review 89, no. 2 (April 1994): 464. http://dx.doi.org/10.2307/3735272.

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23

Watts, Cedric, and John G. Peters. "The Cambridge Introduction to Joseph Conrad." Modern Language Review 103, no. 2 (April 1, 2008): 526. http://dx.doi.org/10.2307/20467817.

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24

Tkachuk, Olena. "MULTICULTURALISM BY CONRAD-EMIGRANT." Polish Studies of Kyiv, no. 35 (2019): 376–80. http://dx.doi.org/10.17721/psk.2019.35.376-380.

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The article is devoted to the problem of the multiculturalism by Joseph Conrad, the English writer and the world classic of the 20th century, who, due to the preservation of his Polish national-cultural identity, and by estrangement from this identity in his artistic consciousness, was able to influence the intellectual and artistic atmosphere in England of his times. In this way, the Polish identity became a background for Conrad’s artistic creativity, and at the same time, universal values and criteria were the key to the successful acculturation in English society in its one of the most effective strategies – the integration strategy. In this case Conrad acquired another national-cultural identity, English, – while retaining his native, Polish. Undoubtedly, one of the most important issues touched by almost all researchers is his arrival in English literature, a Pole in origin, who only arrived in England in the twenty-first year, actually emigrating, and for a very short time becaming a venerable writer. It should be noted that, taking into account the peculiarities of English mentality, the task was rather uneasy. All this undoubtedly led to the development of a variety of approaches to understanding the creative personality and rich heritage of Joseph Conrad. Foreign literary and critical academic circles, which introduced the concept of «new English literature» (meaning the post-colonial period), do not take into account such figures of the English literary process as Joseph Conrad, whose work falls out of its chronological framework, and indicates that multicultural literature appeared on the approaches to the twentieth century. However, only nowadays it was possible that such an approach was based on the principles of multiculturalism, that is, the phenomenon justified in the 90s of the XX century, although, as the majority of scholars testify, it existed for a long time in cultural studies, literary criticism, art history and philosophy. We have chosen this approach. The research is devoted to the study of the problems of national-cultural identity by Joseph Conrad, as well as the mechanism of his acculturation in the conditions of emigration.

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25

Ray, M. "Note. Joseph Conrad and Arnold Bennett." Notes and Queries 44, no. 3 (September 1, 1997): 353. http://dx.doi.org/10.1093/nq/44.3.353.

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26

Brodsky, G. W. Stephen. "An Outcast of the Islands by Joseph Conrad." Conradiana 49, no. 1 (2017): 75–84. http://dx.doi.org/10.1353/cnd.2017.0004.

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27

Schwarz, Daniel R. ": The French Face of Joseph Conrad. . Yves Hervouet ." Nineteenth-Century Literature 47, no. 4 (March 1993): 515–18. http://dx.doi.org/10.1525/ncl.1993.47.4.99p0489z.

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28

Sewlall, Harry. "Deconstructing Empire in Joseph Conrad and Zakes Mda." Journal of Literary Studies 19, no. 3-4 (December 2003): 331–44. http://dx.doi.org/10.1080/02564710308530335.

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29

DRYDEN, LINDA. "JOSEPH CONRAD AND WILLIAM MATHIE PARKER: THREE UNPUBLISHED LETTERS FROM CONRAD." Notes and Queries 45, no. 2 (1998): 227—b—230. http://dx.doi.org/10.1093/nq/45.2.227-b.

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30

Murfin, Ross C. ": Joseph Conrad and the Modern Temper. . Daphna Erdinast-Vulcan." Nineteenth-Century Literature 47, no. 4 (March 1993): 518–21. http://dx.doi.org/10.1525/ncl.1993.47.4.99p04904.

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31

John Attridge. ""The Yellow-Dog Thing": Joseph Conrad, Verisimilitude, and Professionalism." ELH 77, no. 2 (2010): 267–96. http://dx.doi.org/10.1353/elh.0.0081.

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32

Samsel, Karol. "Joseph Conrad a polska cisza romantyczna. Próba zbliżenia." Białostockie Studia Literaturoznawcze, no. 18 (2021): 81–102. http://dx.doi.org/10.15290/bsl.2021.18.05.

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The article attempts to extend the existing Polish-language research on the semantics of silence in Joseph Conrad’s works, and to interpret this semantics, in the view of the Polish literary tradition, to which Conrad indicated his debt subtly but quite unambiguously (e.g. in an interview with Marian Dąbrowski from 1914). The author highlights the perspective of the so-called Ukrainian school in the Polish Romantic Literature, suggesting that it was from this imagination (more than from Mickiewicz’s) that the author of Almayer’s Folly could adopt specific figures: “the cosmic night” and “the ontological silence”. It is visible both in the construction of events (Nostromo, Almayer’s Folly, The Shadow-Line) and in the narrative strategies (Heart of Darkness, Lord Jim, Chance).

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33

Tilby, Michael, and Walter C. Putnam. "L'Aventure litteraire de Joseph Conrad et d'Andre Gide." Modern Language Review 88, no. 4 (October 1993): 996. http://dx.doi.org/10.2307/3734489.

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34

Sherry, Vincent B. "Terrorism and Modern Literature: from Joseph Conrad to Ciaran Carson (review)." Modernism/modernity 11, no. 2 (2004): 367–68. http://dx.doi.org/10.1353/mod.2004.0046.

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35

Simmons, Allan H. "The Collected Letters of Joseph Conrad: A Review Essay." English Literature in Transition, 1880-1920 52, no. 2 (2009): 182–95. http://dx.doi.org/10.2487/elt.52.2(2009)0037.

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36

Kerr, Douglas. "CONRAD AND THE COMIC TURN." Victorian Literature and Culture 43, no. 1 (February 6, 2015): 149–68. http://dx.doi.org/10.1017/s1060150314000394.

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Of his nineteen years as a sailor, from 1874 to 1894, Joseph Conrad actually worked on ships for ten years and eight months, of which just over eight years were spent at sea, including nine months as a passenger (Najder 161–62). During these nomadic years, London was the place to which he returned again and again to seek his next berth, staying in a series of sailors’ homes, lodgings, and boarding houses. How did he spend his time, a single man with no family and few friends, whose main occupation was waiting? He recalled, in the preface toThe Secret Agent, “solitary and nocturnal walks all over London in my early days” (7). Ford Madox Ford says that Conrad knew all the bars around Fenchurch Street (which links the financial centre of the City of London to Whitechapel and the East End) from his days of waiting for a ship. Returning to the area later in life, according to Ford's slightly improbable memory, he “became at once the city-man gentleman-adventurer with an eye for a skirt,” who “could tell you where every husky earringed fellow with a blue, white-spotted handkerchief under his arm was going to. . . .” (Joseph Conrad116, 117). The reality of these London sojourns was probably less romantic, most of the time. But there was one place where a sailor ashore, without much money, could always go for company and entertainment: the music-hall.

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37

Rundle, Vivienne. "Defining Frames: The Prefaces of Henry James and Joseph Conrad." Henry James Review 16, no. 1 (1995): 66–92. http://dx.doi.org/10.1353/hjr.1995.0008.

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38

Ward, James. "The Selected Letters of Joseph Conrad. Edited by Laurence Davies." English: Journal of the English Association 70, no. 268 (February 15, 2021): 91–93. http://dx.doi.org/10.1093/english/efaa046.

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39

Larabee, Mark D. "“Sailing towards Poland” with Joseph Conrad by Jean M. Szczypien." Conradiana 50, no. 2 (2018): 198–201. http://dx.doi.org/10.1353/cnd.2018.0018.

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40

Artese, Brian. "Joseph Conrad and the Voicing of Textuality by Claude Maisonnat." Conradiana 50, no. 2 (2018): 205–8. http://dx.doi.org/10.1353/cnd.2018.0020.

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41

Hunter, Allan. "Hervouet, Y., The French Face of Joseph Conrad." Notes and Queries 39, no. 1 (March 1, 1992): 123–24. http://dx.doi.org/10.1093/nq/39.1.123-a.

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42

Baxter, Katherine Isobel. ""He's lost more money on Joseph Conrad than any editor alive!": Conrad and McClure's Magazine." Conradiana 41, no. 2 (2011): 114–31. http://dx.doi.org/10.1353/cnd.2011.0012.

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43

Oliveira, Solange Ribeiro de. "Aspects of hybridism in Joseph Conrad's Almayer's Folly and Heart of Darkness Aspectos de hibridismo em Almayer´s Folly e Heart of Darkness de Joseph Conrad." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 72, no. 1 (February 1, 2019): 15–28. http://dx.doi.org/10.5007/2175-8026.2019v72n1p15.

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In the light of concepts put forth by Cultural Criticism the essay discusses Joseph Conrad´s novels Almayer´s Folly and Heart of Darkness as stagings of the conflicts inherent in the syncretic nature of all culture. In the first novel, Nina, the offspring of an interracial marriage, is analyzed as a projection of the problems of hybridism. The theme recurs in Heart of Darkness, in the figure of the “harlequin”, whose mixed ancestry makes him the butt of continuous abuse. A fictional anticipation of Michel Serres´ allegorical harlequin , the half-caste proves close to three Conradian characters: Nina, in Almayer´s Folly, and, in Heart of Darkness, Kurtz and Marlow, the narrator. Conrad´s two novels thus nod to each other as mutually illuminating references, fictional premonitions of the key postcolonial category of hybridity.

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44

BIGNAMI, MARIALUISA. "JOSEPH CONRAD, THE MALAY ARCHIPELAGO, AND THE DECADENT HERO." Review of English Studies XXXVIII, no. 150 (1987): 199–210. http://dx.doi.org/10.1093/res/xxxviii.150.199.

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45

Niland, R. "JOSEPH CONRAD, The Collected Letters of Joseph Conrad, (eds) Frederick R. Karl and Laurence Davies, et al. 9 Volumes (1983-2008)." Notes and Queries 57, no. 1 (January 28, 2010): 145–47. http://dx.doi.org/10.1093/notesj/gjp264.

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46

Racevskis, Karlis, and Jean-Pierre Le Dantec. "Ile Grande: Un épisode de la vie ordinaire de Joseph Conrad." World Literature Today 64, no. 2 (1990): 274. http://dx.doi.org/10.2307/40146411.

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47

Sewlall, Harry. "Joseph Conrad in the Popular Imaginary: The Case ofHeart of Darkness." Journal of Literary Studies 30, no. 2 (April 3, 2014): 17–34. http://dx.doi.org/10.1080/02564718.2014.919113.

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48

McCready, Susan. "Joseph Conrad on the French Stage: One Day More as Demain." Conradiana 50, no. 2 (2018): 175–80. http://dx.doi.org/10.1353/cnd.2018.0015.

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49

Maurin, Mario. "The Planter's French Connection: An Appropriation by Joseph Conrad." Modern Philology 82, no. 3 (February 1985): 304–9. http://dx.doi.org/10.1086/391387.

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50

Zabierowski, Stefan. "Homo duplex (z problematyki przynależności narodowej i państwowej Josepha Conrada)." Przegląd Humanistyczny, no. 64.3 (January 19, 2021): 39–51. http://dx.doi.org/10.31338/2657-599x.ph.2020-3.3.

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The paper aims to interpret the term “homo duplex” used by Joseph Conrad to characterize his personality in the letter to the historian Kazimierz Waliszewski. The author presents various meanings of this duality as Conrad was a citizen of the Russian Empire, and then of Great Britain. His profession was also twofold: first he was a French seaman, then an English seaman to become finally an outstanding representative of English literature. As an English writer, he emphatically emphasized his links with Polish culture, in particular with the literature of the Romantic period.

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