Relevant bibliographies by topics / Joseph Conrad; 20c. literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Joseph Conrad; 20c. literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Joseph Conrad; 20c. literature"

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Brodsky, G. W. Stephen. "Joseph Conrad: Prefaces by Joseph Conrad." Conradiana 47, no. 3 (2015): 257–64. http://dx.doi.org/10.1353/cnd.2015.0030.

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Watts, Cedric. "The Selected Letters of Joseph Conrad by Joseph Conrad." Conradiana 48, no. 1 (2016): 100–104. http://dx.doi.org/10.1353/cnd.2016.0011.

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Wiesenfarth, Joseph. "Ford's Joseph Conrad." Renascence 53, no. 1 (2000): 43–60. http://dx.doi.org/10.5840/renascence20005313.

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Amar Acheraïou. "Joseph Conrad (review)." Conradiana 40, no. 1 (2007): 89–91. http://dx.doi.org/10.1353/cnd.0.0000.

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Lane Bradshaw, Ann. "Joseph Conrad and Louis Becke." English Studies 86, no. 3 (June 2005): 206–25. http://dx.doi.org/10.1080/0013838042000335677.

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Leavis, L. R. "Joseph Conrad and creative integrity." English Studies 72, no. 1 (February 1991): 28–37. http://dx.doi.org/10.1080/00138389108598731.

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Hocks, Richard A. "Teaching Joseph Conrad and Henry James." Henry James Review 17, no. 3 (1996): 264–74. http://dx.doi.org/10.1353/hjr.1996.0022.

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Dryden, Linda. "Joseph Conrad and Popular Culture (review)." Conradiana 39, no. 1 (2007): 77–81. http://dx.doi.org/10.1353/cnd.2007.0005.

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Billy, Theodore. "Joseph Conrad: The Short Fiction (review)." Conradiana 39, no. 2 (2007): 183–86. http://dx.doi.org/10.1353/cnd.2007.0012.

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Disanto, Michael John. "Joseph Conrad Today (review)." Conradiana 41, no. 2 (2011): 209–15. http://dx.doi.org/10.1353/cnd.2011.0011.

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Dissertations / Theses on the topic "Joseph Conrad; 20c. literature"

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Nakai, Asako. "Conrad's inheritors : colonial and postcolonial literatures." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.308867.

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Teng, Hong-Shu. "Joseph Conrad and conspiracy." Thesis, Royal Holloway, University of London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313431.

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Erdinast-Vulcan, D. "Joseph Conrad and the modern temper." Thesis, University of Oxford, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384049.

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Kim, Jong-Seok. "Seeing the self in the other : narcissism and the double in Joseph Conrad's fiction /." free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9901249.

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Stedall, Ellie. "Herman Melville, Joseph Conrad and transatlantic sea literature, 1797-1924." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648378.

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Alexander, Martin John. "Foreshadowing the postcolonial : representations of masculinity in the works of Joseph Conrad /." Thesis, Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18685407.

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Jones, Susan. "Representation and identity : women and the work of Joseph Conrad (1857-1924)." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.318964.

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Panagopoulos, Nikolaos. "Between Schopenhauer and Nietzsche : a study of five novels by Joseph Conrad." Thesis, Royal Holloway, University of London, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.284742.

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Morfoot, Liz. "Development of narrative structure and theme the early work of Joseph Conrad." Thesis, University of Essex, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.237498.

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Marcus, Miriam. "Configurations of imperialism and their displacements in the novels of Joseph Conrad." Thesis, Queen Mary, University of London, 1998. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1665.

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This thesis examines certain configurations of imperialism and their displacements in the novels of Joseph Conrad beginning from the premise that imperialism is rationalised through a dualistic model of self/"other" and functions as a hierarchy of domination/subordination. In chapters one and two it argues that both Heart of Darkness and Lord Jim configure this model of imperialism as a split between Europe/not-Europe. The third and fourth chapters consider displacements of this model: onto a split within Europe and an act of "internal" imperialism in Under Western Eyes and onto unequal gender relations in the public and private spheres in Chance. Each chapter provides a reading of the selected novel in relation to one or more contemporary (or near contemporary) primary source and analyses these texts using various strands of cultural theory. Chapter one, on Heart of Darkness, investigates the historical background to British imperialism by focusing on the textual production of history in a variety of written forms which comprise the diary, travel writing, government report, fiction. It considers how versions of (imperial) history/knowledge are constructed through the writing up of experience. In chapter two, on Lord Jim, the hero figure is analysed as a product of the imperial ideology and the protagonist's failure is explored through the application of evolutionary theory. Chapters three and four, on Under Western Eyes and Chance, investigate displacements of the imperial model: the failure of an "enlightened" Western Europe to challenge Russian imperialism in Poland forms the basis for reading Under Western Eyes with Rousseau's writings and a nineteenth-century history of the French Revolution. Chance presents a further displacement of this model in its relocation of imperialist imperatives in the sexual/gender inequalities practised in the "mother" country.
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Books on the topic "Joseph Conrad; 20c. literature"

1

Joseph Conrad. Hove: Wayland, 1990.

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Reilly, Jim. Joseph Conrad. Vero Beach, FL: Rourke Corp., 1990.

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3

Nadelhaft, Ruth L. Joseph Conrad. Atlantic Highlands, NJ: Humanities Press International, 1991.

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Watt, Ian P. Joseph Conrad, Nostromo. Cambridge [England]: Cambridge University Press, 1988.

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5

O'HARA, KIERON. Joseph Conrad today. Exeter, UK: Societas, 2007.

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Najder, Zdzisław. Joseph Conrad: A life. Rochester, NY: Camden House, 2007.

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Joseph Conrad: A life. Rochester, N.Y: Camden House, 2007.

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Krajka, Wiesław. Joseph Conrad: Konteksty kulturowe. Lublin: Wydawn. Uniwersytetu Marii Curie-Skłodowskiej, 1995.

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Le monocle de Joseph Conrad. Paris: La Découverte, 1987.

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10

Robert, Wilson. Joseph Conrad, sources and traditions. Rogers, AR: Weir Press, 1995.

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Book chapters on the topic "Joseph Conrad; 20c. literature"

1

Basseler, Michael. "Joseph Conrad." In Kindler Kompakt Englische Literatur 20. Jahrhundert, 33–35. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05526-2_2.

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Shaffer, Brian W. "Joseph Conrad: Heart of Darkness." In A Companion to Modernist Literature and Culture, 314–23. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996331.ch35.

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Lindhé, Anna. "“Some Knowledge of Yourself”: “Heart of Darkness” in the Twenty-First-Century Literature Classroom—An Ethical Approach." In Joseph Conrad and Postcritique, 211–26. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72499-3_10.

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Goonetilleke, D. C. R. A. "Ironies of Progress: Joseph Conrad and Imperialism in Africa." In Literature and Imperialism, 75–111. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21431-0_5.

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Jones, Charlotte. "Joseph Conrad." In Realism, Form, and Representation in the Edwardian Novel, 36–86. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198857921.003.0002.

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Joseph Conrad famously declared a desire ‘above all, to make you see’, but he also repeatedly deploys abstract nouns—truth, beauty, the universe—to denote his representational ambitions. Discussing Conrad’s use of the idea of the real as an anchor for his fiction, this chapter works across literature and philosophy not by recourse to the model of a ‘lens’ or influence study, but instead examines the ways in which the particularly metaphysical dimension of the representational capacities and incapacities of language reveals the contradictions inherent in our desire to place the objects of our experience in a clear, vivid scheme. What demands do realities beyond our sensory experience make upon us for shape and conceptual clarity? In new readings of Nostromo and The Secret Agent, this chapter explores how Conrad’s use of metaphor and analogy fractures the metonymic chains through which realism moves between the known and the unknown.
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"Joseph Conrad and the mid-life crisis." In Psychoanalysis, Literature and War, 110–18. Routledge, 2005. http://dx.doi.org/10.4324/9780203013816-18.

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Dryden, Linda. "Literary Affinities and the Postcolonial in Robert Louis Stevenson and Joseph Conrad." In Scottish Literature and Postcolonial LiteratureComparative Texts and Critical Perspectives, 86–97. Edinburgh University Press, 2011. http://dx.doi.org/10.3366/edinburgh/9780748637744.003.0006.

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"Opera and the Passage of Literature: Joseph Conrad, Pramoedya Ananta Toer, and the Cultural Dialectic of Abysmal Taste." In Conrad in the Twenty-First Century, 123–42. Routledge, 2005. http://dx.doi.org/10.4324/9780203312919-13.

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Hoover, David L. "Changing Back and Forth From Handwriting to Dictation: Thomas Hardy, Walter Scott, and Joseph Conrad." In Modes of Composition and the Durability of Style in Literature, 51–79. Routledge, 2020. http://dx.doi.org/10.4324/9780429348068-3.

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Wild, Jonathan. "Department of War and External Affairs: The Anglo-Boer War and Imperialism." In Literature of the 1900s. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9780748635061.003.0002.

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This chapter examines the response of writers to the 1899–1902 Boer War (or the Anglo-Boer War, as it is now more commonly known) in particular, looking at the work that emerged during the time of the conflict. It demonstrates how the war's role in focusing the anxieties felt by ordinary British and British Empire citizens about the efficacy and sustainability of British imperialism is especially evident in the literature which emerged both during the conflict and in the ensuing years of the decade. It goes on to investigate ‘invasion literature’, a popular genre of writing that imagined an often vulnerable and unprepared Britain being attacked and conquered by rival imperial powers. The chapter then examines the idea of Empire as discussed in the fiction of Rudyard Kipling, Joseph Conrad, and John Buchan.
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