Academic literature on the topic 'Jordan – Fiction'
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Journal articles on the topic "Jordan – Fiction"
Berrebbah, Ishak. "Understanding the Function of Empathy through Laila Halaby’s West of the Jordan." Prague Journal of English Studies 10, no. 1 (July 1, 2021): 75–90. http://dx.doi.org/10.2478/pjes-2021-0005.
Full textHovind, Jacob. "The Other Book: Bewilderments of Fiction by Jordan Stump." French Review 86, no. 4 (2013): 834–35. http://dx.doi.org/10.1353/tfr.2013.0389.
Full textChouinard, Alain. "Water-sites in the Fiction and Cinema of Neil Jordan." Wasafiri 25, no. 2 (June 2010): 73–77. http://dx.doi.org/10.1080/02690051003652025.
Full textBastos da Silva, Jorge. "Living in the Sunken Place: Notes on Jordan Peele’s ”Get Out” as Gothic Fiction." Lublin Studies in Modern Languages and Literature 43, no. 2 (July 3, 2019): 125. http://dx.doi.org/10.17951/lsmll.2019.43.2.125-133.
Full textGovan, Sandra Y. "Alice Childress's Rainbow Jordan: The Black Aesthetic Returns Dressed in Adolescent Fiction." Children's Literature Association Quarterly 13, no. 2 (1988): 70–74. http://dx.doi.org/10.1353/chq.0.0285.
Full textKabatek, Johannes. "Isolde J. Jordan,Characteristics and Functions of Direct Quotes in Hispanic Fiction. A Linguistic Analysis." Zeitschrift für romanische Philologie (ZrP) 120, no. 1 (February 2004): 218–20. http://dx.doi.org/10.1515/zrph.2004.218.
Full textCraven, Alice Mikal. "Horror and Loss in Samuel Fuller's Shock Corridor and Jordan Peele's Get Out." Black Camera 15, no. 1 (September 2023): 189–206. http://dx.doi.org/10.2979/blackcamera.15.1.14.
Full textIqbal, Nasir, Umar Hayat, and Muhammad Asif Nadeem. "The Ethos of War Literature in For Whom the Bell Tolls." Global Language Review VI, no. I (March 30, 2021): 254–63. http://dx.doi.org/10.31703/glr.2021(vi-i).28.
Full textKing, Andrew. "THE SYMPATHETIC INDIVIDUALIST: OUIDA'S LATE WORK AND POLITICS." Victorian Literature and Culture 39, no. 2 (May 18, 2011): 563–79. http://dx.doi.org/10.1017/s1060150311000143.
Full textTomas Reed, Conor. "The Early Developments of Black Women’s Studies in the Lives of Toni Cade Bambara, June Jordan, and Audre Lorde." Anuario de la Escuela de Historia, no. 30 (November 10, 2018): 45. http://dx.doi.org/10.35305/aeh.v0i30.249.
Full textDissertations / Theses on the topic "Jordan – Fiction"
Al-Qasem, Ruby. "True Selves: Narrative Distance in Stories of Fiction and Nonfiction." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc12069/.
Full textCata, Zolani Theo. "Ukungquzulana lwenkcubeko yemveli neyasentshona kwi-ingqumbo yeminyanya / ukuba ndandazile." Thesis, Stellenbosch : Stellenbosch University, 2002. http://hdl.handle.net/10019.1/53207.
Full textThesis (MA)--University of Stellenbosch, 2002.
ENGLISH ABSTRACT: This study explores the cultural conflict between the Western and African cultures in two Xhosa novels. The two novels investigated in this study are Ingqumbo yeminyanya by A.C. Jordan and Ukuba ndandazile by W.K. Tamsanqa. We concentrate on the two older Xhosa novels with the aim to find out how they deal with the cultural conflict arising from western and traditional Xhosa life systems. Chapter 1 of the study presents the aims of the study. Chapter 2 presents theoretical underpinnings of literature and culture as the theoretical framework of the study. In Chapters 3 and 4, two Xhosa novels are analysed, one in each chapter. It is found that conflict in Ingqumbo yeminyanya and Ukuba ndandazile, results from western and traditional Xhosa value systems that co-exist. The characters in the novels belong to each camp and have strong views about the other's value system. The protagonists of both novels adhere to the western culture, and they live in their community with antagonists who cherish their traditional Xhosa lifestyle. The traditional people are content with their style of life, they are dissatisfied by the westernised life of their offspring who have become alien and who despise and look down upon their own Xhosa tradition and custom. A major problem in the novels is that the westernised protagonists are a few educated royal leaders who have to lead the traditional people they despise. Yet because of the majority of the traditionalists, the traditional Xhosa life exerts so much force on the lives of the few educated protagonists such that they reach tragic ends. The conclusion that can be made about the tragic end of the characters in both novels is that it results from the failure of the intolerance of the western and traditional value systems.
AFRIKAANSE OPSOMMING: Hierdie studie ondersoek die kulturele konflik tussen die Westerse en Afrika-kulture in twee novelles. Die twee novelles wat ondersoek word is Ingqumbo yeminyanya van A.C. Jordan en Ukuba ndandazile van W.K. Tamsanqa. Daar word gekonsentreer op hierdie twee ouer novelles met die doelom te bepaal hoe kulturele konflik hanteer word wat veroorsaak word deur die verskille tussen westerse en tradisionele Xhosa leefwyses. Hoofstuk 1 van die studie bied die doelstellings en afbakening van die navorsingsonderwerp. Hoofstuk 2 bied die teoretiese grondslae van die interaksie tussen letterkunde en kultuurondersoek wat die teoretiese raamwerk vorm van die studie. In hoofstukke 3 en 4 word die Xhosa novelles ontleed. Daar word bevind dat konflik in Ingqumbo yeminyanya en Ukuba ndandazile veroorsaak word deur westerse en tradisionele Xhosa waardesisteme wat naas mekaar bestaan. Die karakters in die novelles verteenwoordig elk van hierdie kante, en het sterk sieninge oor die ander se waardesisteem. Die protagoniste in beide novelles volg die westerse kultuur, en hulle leef in hulle gemeenskap met antagoniste wat die tradisionele Xhosa lewenswyse volg. Dié tradisionele mense is tevrede met hulle leefwyse, en is ontevrede oor die verwesterse lewe van hulle kinders wat vervreemd geraak het, en wat neerkyk op die Xhosa tradisies en gewoontes. 'n Groot probleem in die novelles is dat die verwesterse protagoniste in paar opgevoede koninklike leiers is, wat die tradisionele mense moet lei vir wie hulle verag. Vanweë die meerderheid tradisionele mense, oefen aspekte van die tradisie te veel druk uit op die enkele opgevoede protagoniste en laasgenoemde het 'n tragiese dood. Die gevolgtrekking kan gemaak word uit die tragiese dood van die protagonis karakters in beide novelles dat dit die resultaat is van onverdraagsaamheid van westerse en tradisionele waardesisteme.
XHOSA: Olu phando lumalunga ngokungquzulana kwenkcubeko yaseNtshona neyemveli kwiinoveli ezimbini ezibhalwe ngababhali abadumileyo ekubhaleni iincwadi zamabali esiXhosa. Ezi noveli zolu phando nababhali bazo yi - Ingqumbo yeminyanya ngokubhalwa A. C. Jordan. Eyesibini ngu - Ukuba ndandazile ngokubhalwa ngokuka W. K. Tamsanqa. Olu phando luqwalasela kwezi noveli zindala ukuze lubone ukuba ziwuxukushe njani umbandela wongquzulwano Iwenkcubeko yaseNtshona neyemveli yamaXhosa. Isahluko 3 sithetha ngokuza kuqhubeka kolu phando. Isahluko 2 sidandalazisa amabakakala engcingane oluncwadi., nenkcubeko, nto leyo ebonanakalisa ubume. bolu - phando. Kwisahluko 3 kunye no 4, kuhlalutywa iinoveli ezimbini zesiXhosa. Ingqumbo yeminyanya kunye no - Ukuba ndandazile kwisahluko 4. Kuyafumaniseka ukuba ungquzulwano kwi - Ingqumbo yeminyanya no - Ukuba ndandazile Iwenziwe kukudibana kwenkcubeko yaseNtshona neyemveli. Abalinganiswa bamacala omabini baye banezinye iingqondo ezingahambelaniyo nelinye icala. Abalinganiswa abazintloko bezi noveli bakholelwe kwinkcubeko yaseNtshona, noxa bekhokela isizwe sabo sabantu benkcubeko yemveli. Noxa abantu benkcubeko yemveli babeqhubeka nenkcubeko yabo yemveli, babengayithandi inkcubeko yaseNtshona eyamkelwe ngabantwana baseNtshona, ebenza ukuba bayijongele phantsi inkcubeko yabo yemveli. Unobangela owenze ungquzulwano kukuthi bona abantu abakholelwa kwinkcubeko yaseNtshona bebancinci ngokwenani, bafune ukuqweqwedisa abantu benkcubeko yemveli abasisininzi. Ngenxa yobuninzi babantu abakholelwa kwinkcubeko yaseNtshona, nto leyo edale isiphelo esingekho sihle nokuphalala kwegazi kwezi noveli. Ukuqukumbela, isiphelo esibi sabalinganiswa senziwe kukunganyamezelani kwabanbezinkcubeko zombini.
Stjernström, Elsa, and Jenny Emanuelsson. "Dystopi och jordens undergång : En genreanalys av dystopiska inslag i fiktiv film." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-21167.
Full textLamonica, Lucas de Castro 1986. "Filomena Borges : romance, imprensa e política." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270139.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-27T01:32:43Z (GMT). No. of bitstreams: 1 Lamonica_LucasdeCastro_M.pdf: 28700376 bytes, checksum: cc793f5c477faa30a2bff6eeadfcf698 (MD5) Previous issue date: 2015
Resumo: Filomena Borges é um romance de Aluísio Azevedo, publicado em folhetim pela Gazeta de Noticias entre 18 de dezembro de 1883 e 13 de janeiro de 1884. Esta dissertação resulta do estudo desse romance em seu contexto de produção e circulação, recorrendo à leitura de periódicos coetâneos e de obras literárias relacionadas. Através das fontes primárias, descobrimos que esse romance foi constituído em íntima relação com a imprensa. Ao invés de seguir o caminho convencional, de obra literária que usa o jornal como veículo de publicação, Filomena Borges surgiu a partir do jornal; a imprensa foi mais para esse romance que um suporte ¿ foi uma matriz da qual ele tirou recursos de conteúdo e forma. Por seu caráter folhetinesco, ele foi desconsiderado pela história literária, tendo sido tratado como um romance menor dentro do conjunto da obra de Azevedo. Sua única função seria, então, o divertimento. No entanto, recuperando a crítica coetânea do romance e suas repercussões, descobrimos que ele tinha outro sentido, que se perdeu com o tempo: o político. Por incluir D. Pedro II como personagem e colocá-lo em situação indecorosa, Aluísio Azevedo dividiu a crítica coetânea entre detratores e defensores do imperador. Revelou-se, assim, o caráter político da obra, que serviu como intervenção no debate político. As críticas do romance puderam ser compreendidas através da comparação com outras obras do período e com outros aspectos da atuação do autor e da Gazeta. A partir dessa reconstituição, os temas do romance, como o casamento, as viagens e a política, puderam ser explicados de maneira mais adequada, levando em consideração os critérios de sua época
Abstract: Filomena Borges is a novel by Aluísio Azevedo published in a feuilleton by Gazeta de Noticias between December 18th 1883 and January 13th 1884. The study of this novel results on this dissertation and it consider its context of production and circulation, recurring to the reading of coeval periodics and related literary works. Through primary sources we have discovered that this novel was conceived within an intimate relation with the press. Instead of following a traditional path, a literary work that uses a newspaper as a publication vehicle, Filomena Borges arose from the newspaper itself; the press had more than a supporting role - it was a source from which the novel gathered form and content. Because it had a feuilletonistic character it was disregarded by literary history, being considered only as a minor book within Azevedo¿s work. Its only function would be, therefore, entertainment. Nonetheless by recovering the novel coeval critic and the repercussions, we have found out that it had another meaning that was lost in time: political. Since it included D. Pedro II as a character, and by putting him in an unseemly situation, Aluísio Azevedo has divided the contemporary critics within the emperor¿s detractors and defenders. It was thus revealed the novel political feature, which has been used as an intervention on the political debate. The criticism around the novel could be understood throughout the comparison with other works of the period and other aspects of the author¿s procedure as well as the procedure of Gazeta. From this reconstitution, the themes presented in the novel, such as marriage, travels and politics were able to be explained in a more adequate matter regarding the criteria of its time
Mestrado
Teoria e Critica Literaria
Mestre em Teoria e História Literária
Olsson, Simon. "Äventyrsgenrens funktioner från fiktionsprosa till interaktiv fiktion : En intermedial jämförelse mellan fyra verk." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-39172.
Full textVieira, Cirlei Garcia Andrade. "Clarice Lispector nas colunas femininas: do batom ao infinito." Universidade Federal de Uberlândia, 2015. https://repositorio.ufu.br/handle/123456789/11896.
Full textIn Brazil, the area of Literature in the newspapers was the way found by many writers as a way to promote their written as receiving a salary. The show was one of the first literary manifestations in the communication vehicle newspaper. Then came the chronic and finally the female columns, in our case being studied, the female speaker Clarice Lispector. The author of A hora da estrela is known for her novels and short stories, but also wrote columns for newspapers of Rio de Janeiro, in the 50 and 60. Our dissertation consists of a reinterpretation of the female speaker Clarice Lispector, seeking not only the image of women represented in these pages, but recognize them as more a process of fictional creation of the author, in which mix recipes, advice, fashion, beauty confined to the feminine universe, published in books, Mail female (2006) and only for women (2008). The analysis and describe the image of woman, presents the historical image of his emancipation process and aims to find a moment when this woman abandons her domestic functions to return his gaze to general issues of society.
No Brasil, o espaço da Literatura nos jornais foi o caminho encontrado por muitos escritores como forma de divulgar seus escritos ou como de receber um salário. O folhetim foi uma das primeiras manifestações literárias, no veículo de comunicação, jornal. Depois vieram a crônica e, finalmente, as colunas femininas, no nosso caso em estudo, as colunas femininas de Clarice Lispector. A autora de A hora da estrela é conhecida por seus romances e contos, entretanto escreveu, também, colunas para jornais do Rio de Janeiro, nas décadas de 50 e 60. A nossa dissertação consiste em uma releitura das colunas femininas de Clarice Lispector, buscando não só a imagem da mulher representada em tais páginas, mas reconhecê-las como mais um processo de criação ficcional da autora, no qual se misturam receitas, conselhos, moda, beleza circunscritos ao universo feminino, publicadas nos livros, Correio Feminino (2006) e Só para mulheres (2008). A análise, além de descrever a imagem de mulher, apresenta a imagem histórica de seu processo de emancipação e almeja encontrar alguns instantes em que essa mulher abandona suas funções domésticas para voltar seu olhar para questões gerais da sociedade.
Mestre em Teoria Literária
Wypkema, Laurel. ""Sex, loyalty, betrayal and unexpected love:" the landscape of Neil Jordan's fiction writing and films." Thesis, 2006. http://spectrum.library.concordia.ca/9103/1/MR20808.pdf.
Full textBooks on the topic "Jordan – Fiction"
Kearney, Susan. Jordan. New York: Forever, 2010.
Find full textCimarron Jordan. New York: St. Martin's Paperbacks, 1996.
Find full textBraun, Matt. Cimarron Jordan. New York: St. Martin's Paperbacks, 1996.
Find full textChristine, Le Boeuf, ed. Little Jordan. [Montréal]: Leméac, 2000.
Find full textill, Schultz Suzy, ed. Crossing Jordan. Atlanta, Ga: Peachtree, 2002.
Find full textThornton, L. D. Jordan falls. [Charleston, S.C: BookSurge], 2008.
Find full textGriggs, Vanessa Davis. Promises beyond Jordan. Washington, DC: New Spirit, 2004.
Find full textYoumans, Marly. Little Jordan: A novel. Boston: David R. Godine, 1995.
Find full textill, King Tara Calahan, ed. Four boys named Jordan. New York: G.P. Putnam's Sons, 2004.
Find full textMaggie Jordan: Scarlet ribbons. London: Time Warner, 2004.
Find full textBook chapters on the topic "Jordan – Fiction"
Roggenkamp, Karen. "Elizabeth Jordan, “True Stories of the News,” and Newspaper Fiction in Late-Nineteenth-Century Journalism." In Literature and Journalism, 119–41. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137329301_6.
Full textKissane, Michael. "Popular Culture in 1960s Provincial Ireland: Neil Jordan’s The Butcher Boy." In Screening Modern Irish Fiction and Drama, 213–29. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-40928-3_12.
Full textMurphy, Bernice M. "Conclusion: ‘It’s Our Time Now’: Us (2019) and Desierto (2015)." In The California Gothic in Fiction and Film, 253–83. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474497862.003.0009.
Full textLoBrutto, Vincent. "Alienation." In Ridley Scott, 45–60. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813177083.003.0006.
Full textIngram, Penelope. "Interlude." In Imperiled Whiteness, 255–59. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496845498.003.0009.
Full textCofer, Jordan. "The Trouble with “Innerleckchuls”: Flannery O’Connor, Anti-Intellectualism, and the Iowa Writers’ Workshop." In Reconsidering Flannery O'Connor, 95–111. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496831798.003.0007.
Full textKing, Amy K. "Conclusion." In Grotesque Touch, 174–84. University of North Carolina Press, 2021. http://dx.doi.org/10.5149/northcarolina/9781469664644.003.0007.
Full textBlanchon, Jean-Louis. "Sur l’Incendi histoire et fiction." In Jordi Pere Cerdà, 111–15. Presses universitaires de Perpignan, 2004. http://dx.doi.org/10.4000/books.pupvd.9513.
Full textJohnson-Hunt, Nancy. "We’re Human Too, You Know”:Tethered Journeys and Shadowed Strggles in Jordan Peele’s Us (2019)." In Female Identity in Contemporary Fictional Purgatorial Worlds. Bloomsbury Academic, 2023. http://dx.doi.org/10.5040/9781350227064.ch-14.
Full textFraser, Benjamin. "Architecture, Materiality, and the Tactile City." In Visible Cities, Global Comics, 136–73. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825032.003.0005.
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