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1

Harris, Jerald D. Tracks in deep time: The St. George dinosaur discovery site at Johnson Farm. Salt Lake City: The University of Utah Press, 2015.

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2

Laliberté, Michel. Les baptêmes et sépultures de la mu[ni]cipalité de St-Théodore d'Acton, comté de Johnson, 1862-1876. Montréal: Arbre généalogique enr., 2002.

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3

Jones, R. D. Phytotoxicology Section investigation in the vicinity of Johnson Controls Inc., Battery Group (formerly Varta Battery Ltd.), St. Thomas - 1990: Report. [Toronto]: Phytotoxicology Section, Ontario Ministry of the Environment, 1992.

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4

Freed, A. T. Address by Most Wor. Bro. A.T. Freed, at the unveiling of a monument erected by the Barton Lodge, No. 6, G.R.C. ... in the province of Ontario to the late Wor. Bro. Cap. Wm. Johnson Kerr ... at St. Luke's Church, Burlington, Ontario, Sunday, June 27th, 1909. [Hamilton, Ont.?: s.n., 1996.

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5

DeRemer, Bernard R. Johnson-St. Paris schools: A pictorial history. Johnson-St. Paris Alumni Association, 1989.

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6

Heade, Martin Johnson. Martin Johnson Heade: The floral and hummingbird studies from the St. Augustine Historical Society. Boca Raton, FL : Boca Raton Museum of Art, 1992.

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7

St. Mary the Virgin, Whiston: Order of service for the induction of the Reverend David William Johnson.... Kettering: Archway Business Centre, 1991.

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8

Publishers, Museum. Notebook: Ruins, St Michael's Mount, Cornwall, 1858 by Benjamin Johnson Jnr, Landscape, Oil Painting, England, Ruins, Cloud, Sea, Cornwall. Independently Published, 2020.

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9

Bradley T. (Bradley Tyler) Johnson. Maryland Confederates ... an Address by Genl. Bradley T. Johnson Before the Confederate Society of St. Mary's at Leonardtown, March 1894. Creative Media Partners, LLC, 2021.

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10

Thomas, Johnson. Insufficiency of the Law of Nature. a Sermon Preach'd Before the University of Cambridge at St. Mary's Church April 4. 1731. by Tho. Johnson. Creative Media Partners, LLC, 2018.

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11

Grow, Nathaniel. The Federal League Strikes Back. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038198.003.0004.

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This chapter focuses on the legal battle between the Federal League and organized baseball during the period June 1914–December 1914. Following its loss in the Chief Johnson case, the Federal League continued to recruit players from the big leagues, starting with outfielder Armando Marsans of the Cincinnati Reds. Marsans, who was signed by the St. Louis Federals, was followed by New York Yankees pitcher Al Schulz and Chicago White Sox first baseman Hal Chase, both of whom defected to the Buffalo Federals. The Chicago Federals were able to secure pitcher Walter Johnson of the Washington Senators, but Johnson repudiated his contract with them and returned to Washington. The Federals vowed to pursue legal action to enforce Johnson's contract with the ChiFeds. This chapter discusses the litigation involving the Federal League and the major leagues, its impact on both parties, and the reactions of the baseball press and fans to the legal dispute.
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12

Crawford, Robert. England’s Scotland. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198736233.003.0015.

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This chapter examines the three most significant depictions of Scotland by English creative writers. In Macbeth Shakespeare presents Scotland as politically riven, chaotic, and horrifying, its only hope lying in English-backed political intervention; Samuel Johnson structures his Journey to the Western Islands of Scotland so as to minimize the glories of the Scottish Enlightenment in Glasgow and Edinburgh, presenting instead ruined St Andrews, and Scotland as an often primitive ‘other’ in need of Anglicization; in To the Lighthouse, though Virginia Woolf does show some interest in distinctively Scottish aspects of her setting, principally Scotland is a stand-in for the south-west of England she associated with her childhood. Revealingly, unlike several major Scottish writers, English creative writers failed to articulate a distinctive ideology of Britishness. In English literature it is Englishness, not Britishness, that matters. This has obvious political consequences.
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13

O'Neill, Michael. Shakespearean Poetry and the Romantics. Edited by Jonathan Post. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199607747.013.0023.

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The response of the major Romantic poets to Shakespeare is multifaceted. But recognition of Shakespearean vitality and suggestiveness is pervasive. The chapter begins with a brief discussion of Blake’s colour-print ‘Pity’ and an account of pre-Romantic responses to Shakespeare (notably in the criticism of Henry Mackenzie and Samuel Johnson, and the poetry of Thomas Gray). It then explores, in turn, the responses of Wordsworth, Coleridge, Byron, Shelley, and Keats to Shakespeare, discussing how the Romantics use Shakespearean resonances in their poetry: Wordsworth, for example, echoing a number of plays to suggestive effect in the concluding movement of Tintern Abbey; Coleridge alluding to Twelfth Night at the close of ‘The Nightingale’; Keats drawing on various texts in shaping the mingling of romance and anti-romance in The Eve of St. Agnes. The essay seeks to intimate the range and depth of Romantic poetry’s orchestration of the Shakespearean bequest.
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14

Zellinger, Elissa. Lyrical Strains. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469659817.001.0001.

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In this book, Elissa Zellinger analyzes both political philosophy and poetic theory in order to chronicle the consolidation of the modern lyric and the liberal subject across the long nineteenth century. In the nineteenth-century United States, both liberalism and lyric sought self-definition by practicing techniques of exclusion. Liberalism was a political philosophy whose supposed universals were limited to white men and created by omitting women, the enslaved, and Native peoples. The conventions of poetic reception only redoubled the sense that liberal selfhood defined its boundaries by refusing raced and gendered others. Yet Zellinger argues that it is precisely the poetics of the excluded that offer insights into the dynamic processes that came to form the modern liberal and lyric subjects. She examines poets—Frances Sargent Osgood, Elizabeth Oakes Smith, Frances Ellen Watkins Harper, Edna St. Vincent Millay, and E. Pauline Johnson—whose work uses lyric practices to contest the very assumptions about selfhood responsible for denying them the political and social freedoms enjoyed by full liberal subjects. In its consideration of politics and poetics, this project offers a new approach to genre and gender that will help shape the field of nineteenth-century American literary studies.
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15

Whitmire, Ethelene. Harlem Renaissance Women and 580 St. Nicholas Avenue. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038501.003.0004.

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This chapter looks at how Regina became part of the Harlem Renaissance upon her arrival in New York City. Events collided to put Regina at the forefront of the Harlem Renaissance, a cultural movement marked by increased literary, musical, and artistic creativity by African American artists who wanted to challenge the prevailing stereotypical representation of their image. Writers and artists came from all over the United States to participate. In Los Angeles, writer Wallace Thurman encouraged fellow post-office worker Arna Bontemps to go to Harlem. Opportunity editor Charles S. Johnson encouraged Zora Neale Hurston to move to New York City. All of these great thinkers, writers, and artists would pass through the 135th Street Branch, where Regina was assigned.
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