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Relevant bibliographies by topics / John Whitney

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Academic literature on the topic 'John Whitney'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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Journal articles on the topic "John Whitney"

1

DeWitt, Tom. "Reply to John Whitney." Leonardo 20, no. 3 (1987): 297. http://dx.doi.org/10.2307/1578194.

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Wright, P. "John Deryk Wallace Whitney." BMJ 323, no. 7324 (December 1, 2001): i. http://dx.doi.org/10.1136/bmj.323.7324.1310i.

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Mass, Jeffrey P. "John Whitney Hall 1916–1997." Journal of Asian Studies 57, no. 2 (May 1998): 634–38. http://dx.doi.org/10.1017/s0021911800003740.

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Mass, Jeffrey P. "John Whitney Hall 1916–1997." Journal of Asian Studies 57, no. 1 (February 1998): 306–10. http://dx.doi.org/10.1017/s0021911800023561.

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Bate, Michael, and John Whitney. "Visual Pathfinders: The World of John Whitney." Computer Music Journal 11, no. 1 (1987): 84. http://dx.doi.org/10.2307/3680186.

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LI, AI-JUN, GUANGTING WANG, and GANGSONG LENG. "AN EXTENDED LOOMIS–WHITNEY INEQUALITY FOR POSITIVE DOUBLE JOHN BASES." Glasgow Mathematical Journal 53, no. 3 (March 10, 2011): 451–62. http://dx.doi.org/10.1017/s0017089511000061.

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AbstractIn this paper, we establish an extended Loomis–Whitney inequality for positive double John bases, which generalises Ball's result [1]. Moreover, a different extension of the Loomis–Whitney inequality is deduced.

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James, R. Warren. "John Rae: The Lost Letters." Journal of the History of Economic Thought 23, no. 3 (September 2001): 343–52. http://dx.doi.org/10.1080/10427710120073627.

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Charles Whitney Mixter started a minor controversy when he published an article, “A Forerunner of Böhm-Bawerk,” in the Quarterly Journal of Economics in 1897, in which he suggested that John Rae had anticipated some aspects of Böhm-Bawerk's theory of capital. At this time, not much was known in academic circles about Rae's life in Canada except for the remark in the preface to his 1834 book, Statement of Some New Principles on the Subject of Political Economy …: “I exchanged the literary leisure of Europe for the solitude and labors of the Canadian backwoods.”

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Tanglen, Randi Lynn. "Review: The Whitney Plantation by John Cummings, Ibrahima Seck, Ashley Rogers, Laura Amann." Public Historian 37, no. 4 (November 1, 2015): 145–49. http://dx.doi.org/10.1525/tph.2015.37.4.145.

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Mee, Erin B. "Aromatheatre: Communication and Multimedia Design’s Famous Deaths." TDR/The Drama Review 62, no. 4 (December 2018): 141–45. http://dx.doi.org/10.1162/dram_a_00798.

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In Famous Deaths, spectators experience the final moments of a celebrity’s life (John Fitzgerald Kennedy, Whitney Houston, Lady Diana, and Muammar Gaddafi) through only sound and scents — from inside a morgue drawer. The site-specific piece is an example of what I call aromatheatre, which is apprehended through the olfactory system.

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Patterson, Zabet. "From the Gun Controller to the Mandala: The Cybernetic Cinema of John and James Whitney." Grey Room 36 (July 2009): 36–57. http://dx.doi.org/10.1162/grey.2009.1.36.36.

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Dissertations / Theses on the topic "John Whitney"

1

Smith, Nicholas David. "Pastoral, discursive structures, and social change in eighteenth-century angling literature." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342993.

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Baldaque, Lourença Agustina Bessa-Luís Alves. "Da colecção privada ao museu público: o empreendedorismo cultural de Isabella Stewart Gardner e Gertrude Vanderbilt Whitney." Master's thesis, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 2013. http://hdl.handle.net/10362/11962.

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Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Estudos Norte-Americanos
Este trabalho pretende dar a conhecer a conjuntura na qual o empreendedorismo cultural das coleccionadoras de arte, Isabella Stewart Gardner e Gertrude Vanderbilt Whitney, teve lugar. Para tal temos em conta as particularidades que compõem os dois casos que contribuíram para o enriquecimento do panorama cultural estadunidense. Por outro lado, propomos perceber de que modo a atuação de ambas refletia os cânones do coleccionismo e estéticos contemporâneos. Mais ainda, iremos analisar como o facto de se tratar de duas mulheres que coleccionavam arte – sendo esta uma prática relacionada com o capital masculino – constituiu um contributo para a valorização do papel da mulher, em particular na cultura. E uma vez que é nos studioli ou gabinetes de curiosidades que encontramos semelhanças com o espírito do coleccionador estadunidense, nomeadamente no reflexo de uma aspiração expressa através de uma colecção, começamos, no capítulo I, por dar a conhecer diferentes casos de coleccionismo europeu, desde a criação dos studioli aos museus públicos. Os gabinetes de curiosidade, ao representarem um veículo privilegiado para a aquisição de conhecimento, são representativos do desenvolvimento de um modelo cultural desde a esfera privada ao museu público. Deste modo, propomos olhar a evolução deste modelo na Europa e, em contraste, os moldes em que este modelo veio a influenciar o coleccionismo privado nos Estados Unidos da América e como nele se inclui o contributo da mulher. Assim, e tendo em conta o contexto cultural e social analisado anteriormente, propomos olhar nos capítulos II e III o percurso das coleccionadoras e mecenas das artes Isabella Stewart Gardner e Gertrude Vanderbilt Whitney. Em Gardner focamos a sua dedicação ao conhecimento do mundo da arte, e na formação de uma colecção privada que deu origem a museu público. Destacamos o seu papel no campo do empreendedorismo cultural, o qual estava conotado com uma atividade masculina. A sua relação com a arte e os artistas foi também uma forma de valorizar o papel da mulher, e de quem destacamos John Singer Sargent. O pintor representa a tradição artística europeia, contudo contribuiu para a criação de uma identidade e de uma imagem da elite americana, e em particular da figura feminina. Em Whitney temos em conta o seu background cultural, numa família que contribuiu para a difusão de um estilo de vida sustentado nos costumes europeus dentro da genteel tradition. Gertrude Vanderbilt Whitney, conforme veremos, viria a usufruir do gosto pela arte, contudo, vocacionado para a arte americana do seu tempo. Além de coleccionadora e artista, a sua acção passou pela criação de espaços expositivos e ateliers e pela aquisição de obras de arte que constituíram o acervo pessoal da mecenas. O espólio deu origem ao Whitney Museum of American Art, reclamando o talento e a visão artística americana, tendo contribuído para a afirmação de uma identidade artística nacional.

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Lothstein, Alexander. "THEORY AND PRACTICE: VIEWING INDUSTRIAL INNOVATION AS A PROCESS THROUGH AN EXAMINATION OF THE CREATION OF THE AMERICAN SYSTEM OF MANUFACTURING." Master's thesis, Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/437328.

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History
M.L.A.
Despite the vast research on industrial innovation in the United States, little shows innovation as a process from the theoretical origins to its practical application. The image that emerges from the overall literature is one showing only the importance of applied innovation. This thesis argues that historians need to reevaluate how manufacturing advancements are studied in the United States. Using the creation of the American System of Manufacturing as a case study, this study focuses on innovation as a connected process from its theoretical origins to its applied state. This study focuses less on the individuals involved and more on the system itself. This accomplishes two points. First is that it shows that the idea is more important than the peoples. Second is that this thesis provides a greater understanding of how the American System of Manufacturing came to fruition. By examining these two points, this thesis demonstrates that historians need to look beyond the traditional application-only focus that has plagued the study of technological history. Instead historians must show industrial innovation as both the creation of the theoretical concept and the systems practical application.
Temple University--Theses

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Murray, Deborah A. ""Grammatical laments" in The Duchess of Malfi and The white devil." Thesis, Kansas State University, 1986. http://hdl.handle.net/2097/9940.

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Rautenbach, John White. "Engineering a novel automated pump control system for the mining environment / John White Rautenbach." Thesis, North-West University, 2007. http://hdl.handle.net/10394/4514.

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South Africa is experiencing serious electricity supply problems. A major concern is the high peak electricity demands between 18:00 and 20:00. This peak is primarily caused by the growing residential sector. Unfortunately, changing people's behaviour to reduce the evening energy peak is difficult. An easier approach will be to focus on other sectors such as the industrial and mining sectors. South African mines contribute 18% of the country's electricity consumption. Of the total mining electricity bill 40% is consumed by water pumping systems. Manual load shifting is attempted on approximately 15% of these pumping systems. The results are not sustainable due to maintenance problems and system complexities. By automating, simulating, optimising and controlling the pumping systems of deep level mines, sustainable load shift can be achieved. This will also reduce the running cost of mine water pumping system due to time based electricity pricing. With this research a novel solution is presented. This unique automated tool simulates, optimises, schedules and controls any pumping configuration in a unique integrated fashion. The new system was tested in 13 case studies, involving a wide variety in terms of layout, size, and equipment types. More than 39 MW of load was consistently shifted out of the evening peak. This resulted in cost savings of more than R 5, 7 million per year for the mines involved in the case studies. This system also has other benefits. Automated systems require fewer personnel such as pump attendants, leading to more savings. The system also provides better safeguard against the risk of flooding, and faster training of new control room personnel. The benefits for ESCOs are fast and accurate predictions on the savings potential of specific pump configurations. These and other benefits indicate that the new control system should be rolled out on all large pumping systems.
Thesis (Ph.D. (Mechanical Engineering)--North-West University, Potchefstroom Campus, 2008.

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Araujo, Glauber Souza. "O CAMINHO DA PERFEIÇÃO: UM ESTUDO DA TEOLOGIA DA SANTIFICAÇÃO EM JOHN WESLEY E ELLEN G. WHITE." Universidade Metodista de São Paulo, 2011. http://tede.metodista.br/jspui/handle/tede/196.

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Made available in DSpace on 2016-08-03T12:18:51Z (GMT). No. of bitstreams: 1 Glauber S.pdf: 460314 bytes, checksum: 01c9c73ccea6537af694de183ce47631 (MD5) Previous issue date: 2011-10-18
This work consists in a comparative study of the writings of John Wesley (1703-1791) and Ellen G. White (1827-1915) seeking to define the concept of sanctification in each author. A description may be found of the factors that led to the elaboration of Wesley s and White s perception. Similarities between both authors are verified, such as continuous growth, negation of sinlessness, the need for constant dependency in God and obedience to His law. Differences between both authors are also studied, such as Wesley s concepts of instantaneous sanctification, the second work of grace, and White s concepts of character perfection and spheres of perfection. This work also discusses contributions and implications that may be presented to the theological debate in today s theology, such as human finiteness, sin and human nature, religious motivations for praxis and divine/human collaboration for development.
Este trabalho consiste em um estudo comparativo entre os escritos de John Wesley (1703-1791) e Ellen G. White (1827-1915) procurando definir os conceitos de santificação de cada autor. São descritos os fatores que levaram a elaboração desta percepção tanto em John Wesley como em Ellen G. White e verificadas as congruências entre os autores estudados como o conceito de amadurecimento contínuo, a negação de impecabilidade, a necessidade de dependência constante em Deus e obediência à Sua lei entre outros. São verificadas também as divergências entre ambos os autores, como os conceitos wesleyanos de santificação instantânea, a segunda obra da graça, e os conceitos whiteanos de perfeição de caráter e esferas de perfeição. Neste trabalho, também são destacadas algumas contribuições e implicações para a teologia na atualidade como os conceitos da finitude humana, o pecado e a natureza humana, a práxis e suas motivações religiosas e a colaboração divino/humana no desenvolvimento.

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7

Melville, Jennifer. "John Forbes White and George Reid : artists and patrons in north-east Scotland 1860-1920." Thesis, University of Edinburgh, 2001. http://hdl.handle.net/1842/8162.

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John Forbes White's contribution to the history of Art in Scotland was, for the first seventy years after his death, mentioned only in passing by the main writers on Scottish art of the day. However, two of his daughters, Ina Mary Harrower and Dorothea Fyfe, both wrote articles on aspects of their father's collecting: Ina publishing "Private Picture Galleries, The Collection of John Forbes White" in Goodwords in 1896 (pp 813-819), John Forbes White (Edinburgh) in 1918 and in 1927, "Jozef lsraels and his Aberdeen Friend" for the Aberdeen University Review (pp 108-122). A noted art historian, Ina reflected her father's taste and collecting interests in her own writings, as with, for example, "Studies of Fruit by Courbet" Apollo (Vol. L No 296 1949 pp 95-98). Dorothea, with her co-author C.S. Minto, published John Forbes White, Miller, Collector, Photographer 1831-1904 (Edinburgh 1970). The only other writers who have examined White's contribution to art in any detail were Charles Carter, who as curator of Aberdeen Art Gallery, covered art and patronage in the North-East of Scotland in numerous articles and outlined White's contribution in "Art Patronage in Scotland: John Forbes White" published in the Scottish Art Review,(Vol VI, no 2, 1957, pp. 27-30). Frances Fowle, on completion of her PhD on Alexander Reid, also discussed White's tastes in "The Hague School and the Scots, A Taste for Dutch Pictures" (Apollo August 1991 pp 108-111). George Reid was still less favoured by critics after his death. With J.L. Caw championing James Guthrie and William MacTaggart, the innovative and influential aspects of Reid's art were obscured, reduced and even sometimes credited to others. W.D. McKay in The Scottish School of Painting (London 1906) had played down Reid's part in the introduction of Realism into Scotland and Agnes McKay in her monograph on Arthur Melville (Lee on Sea, 1951) went furthest of all in portraying Reid as the enemy of a younger, more innovative group of artists, who included the subject of her book. It was to be another thirty years before Dun can Macmillan would examine Reid, in Scottish Art 1460-1990 (Mainstream, 1990) as an important landscape painter, rather than, as had been the case before, as a reactionary president of the Royal Scottish Academy and an extremely dull, if talented, portrait painter. One year later John Morrison, having completed his PhD Rural Nostalgia: Painting in XIX Scotland c.1860-1880 (St Andrews 1989) wrote of Reid's important European contacts and of the vital relationship between White and Reid in "Sir George Reid in Holland, his work with G.A. Mollinger and Jozef Israels" (Jong Holland 1991 No 4 pp 10-19). Both the assets and the faults of Alexander Macdonald's collecting were examined by Charles Carter in "Alexander Macdonald 1837-1884 - Aberdeen Art Collector" (Scottish Art Review, Vol V, no 3, 1955, pp. 23-28) and again by Francina Irwin in an exhibition catalogue entitled Alexander Macdonald: From Mason to Maecenas in 1985. My main source of material has come from the uncatalogued archive of correspondence between George Reid, John Forbes White, Jozef Israels, George Paul Chalmers, David Artz, Gerrit Mollinger, Samuel Smiles and others, most of which is housed in Aberdeen Art Gallery. Reid's unpublished autobiography, transcribed by his wife Mia, (in the same archive) was also of great use, as was an unpublished but almost complete catalogue raisonne of Reid's work, compiled, probably by Percy Bate or Harry Townend c.1912. I have also made extensive use of the papers of James Pittendrigh Macgillivray which are held by The National Library of Scotland. The descendants of John Forbes White made the works and letters in their possession freely available to me. These included the correspondence between John Forbes White and William Stott of Oldham which is cited in Chapter 6. Elements of this thesis, and particularly sections 2,3, & 4 of Chapter 4, appeared in a revised form in "Art and Patronage in Aberdeen 1860-1920", a paper that I delivered at the Scottish Society of Art History's conference on Patronage, and which was published in The Journal of the Scottish Society for Art Historians (Volume 3 1998 pp 16-24). The sixth section of Chapter 5 appeared in a revised form, in An Album of Photographs compiled by Sir John Everett Millais PRA published in Studies in Photography (Edinburgh, 1997). The discussion of the influence of Ancient Greece and Classicism in the eighth section of Chapter 7 was included in a paper entitled John Forbes White, The Classical Tradition and Ideals In Art given at the conference on "The Role of Collections In The Scottish Cultural Tradition", which was held at Aberdeen University in 1998. The third section of Chapter 7 appeared in a revised form in Robert Brough (Aberdeen Art Gallery, 1995). Appendix A contains relevant excerpts from letters and text, on which much of my research was based whilst Appendix B lists the works of art owned by John Forbes White.

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Curtis, Jesse. "Awakening the Nation: Mississippi Senator John C. Stennis, the White Countermovement, and the Rise of Colorblind Conservatism, 1947-1964." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1396962537.

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MacMullan, Terrance. "Dewey and Dubois : the meaning of race and whiteness /." view abstract or download file of text, 2002. http://wwwlib.umi.com/cr/uoregon/fullcit?p3061956.

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Thesis (Ph. D.)--University of Oregon, 2002.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 286-296). Also available for download via the World Wide Web; free to University of Oregon users.

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Moffett, Helen. "Arthurian mythology in the twentieth century : T.H. White and John Steinbeck's interpretations of Malory's Morte d'Arthur." Master's thesis, University of Cape Town, 1987. http://hdl.handle.net/11427/23307.

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This thesis sets out to analyse and evaluate T.H. White's The Once and Future King and John Steinbeck's The Acts of King Arthur and his Noble Knights, two novels based on the Arthurian legend, and to investigate their reliance on Malory's Morte Darthur. A close critical reading of both texts is provided. The thesis begins by setting the novels in the context of the body of twentieth-century literature inspired by the Arthurian legend, and notes that both aspire to provide a fresh interpretation of the Morte Darthur. A broad outline of certain themes in the Morte Darthur which become central concerns in The Once and Future King and The Acts of King Arthur is given. A mythopoetic approach to the Morte Darthur is used, and it is examined as tragic and elegiac mythology in which archetypal characters appear. In the treatment of T.H. White's The Once and Future King, selective use is made of various contextual approaches to literature. In the first volume, The Sword in the Stone, the interaction of the work with the genres of comedy and fantasy is examined, and it is concluded that White makes use of both to create a pastoral idyll. It is suggested that the next three volumes, The Queen of Air and Darkness, The Ill-Made Knight and The Candle in the Wind, demonstrate a progressively ( tragic vision in which the idealism of the first volume is sorely tried by the relentlessness of fate, and the machinations of human beings. It is indicated that White creates his most successful balance between romantic idealism and pessimistic realism in The Ill-Made Knight. It is also argued that The Candle in the Wind fails to maintain the intensity of Malory's tragedy and that The Book of Merlyn, the author's alternative ending to the saga, provides a more fitting ending to the entire cycle, although marred by White's bitterness and polemic argument. John Steinbeck's The Acts of King Arthur and his Noble Knights is examined in the light of the author's original aims to translate the Morte Darthur. It is suggested that the first chapters in which he does this are flat and sometimes laboured in comparison with the original, but that his last two sections, Gawain, Ewain and Marhalt and The Noble Tale of Sir Lancelot, provide a fresh and inventive approach. It is argued that in The Noble Tale of Sir Lancelot, Steinbeck comes to grips with the drama at the heart of the Morte Darthur as he introduces the eternal triangle in which the central characters are situated, and explores the potential for failure, even chaos, within the Round Table itself. The thesis concludes by drawing parallels between the two works and comparing their respective merits. It is maintained that while Malory's Morte Darthur cannot be improved upon, it is transmuted in the hands of White and Steinbeck into rich, lively and thought-provoking novels.

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Books on the topic "John Whitney"

1

John, Sloan. John Sloan: Portraits and places. New York, NY: Kraushaar Galleries, 1988.

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John, Sloan. John Sloan: Exhibition, October 24th-November 30th, 1989. New York, N.Y: Harbor Gallery, 1989.

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Whitney, William Lebbeus. Some of the descendants of John and Elinor Whitney who settled in Watertown, Massachusetts in 1635. Pottsville, Pa: M.E. Miller, 1985.

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Sotheby, Parke-Bernet London. Impressionist and modern art from the collection of Mr. and Mrs. John Hay Whitney: [auction] Monday May 10, 1999 .... New York: Sotheby's, 1999.

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Briggs, Everett Francis. A Briggs memorial: Some ancestors of John Briggs of Taunton, Massachusetts : with collateral Deighton, Williams, Whitney, and Mayflower-Rogers lines. Bountiful, Utah: Family History Publishers, 1997.

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Gagnon, Dennis R. Guide to the Theodore Solomons Trail: An alternative route to the overused John Muir Trail between Yosemite and the Mt. Whitney region. Santa Cruz [Calif.]: Western Tanager Press, 1987.

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Paulson, Nicole Delattre-Seguy. The genealogical history of the Searles family: The descendants of Hannah, John, Isaac, Moses, and James of New Jersey, New York, and Ohio, 1773-2003 ; including Barnes, Christian, Pinckney, Smith, Whedon, Whitney. Colorado Springs, Colo: Nicole Delattre-Seguy Paulson, 2003.

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Susan, Wheeler, ed. Five hundred years of medicine in art: An illustrated catalogue of prints and drawings from the Clements C. Fry Collection in the Harvey Cushing / John Hay Whitney Medical Library at Yale University. England: Ashgate Publishing Co., 2001.

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1971-, Bain Helen, ed. John Tamihere: Black & white. Auckland, N.Z: Reed Pub., 2004.

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The white devil. London: Philip Allan, 2008.

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Book chapters on the topic "John Whitney"

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Mills, Thomas C. "John Hay Whitney, 1957–61." In The Embassy in Grosvenor Square, 135–48. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137295576_8.

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Whitney, Hassler. "The Work of John W. Milnor." In Hassler Whitney Collected Papers, 144–46. Boston, MA: Birkhäuser Boston, 1992. http://dx.doi.org/10.1007/978-1-4612-2974-2_7.

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Mollaghan, Aimee. "Conceptions of Harmony in the Work of John Whitney." In The Visual Music Film, 140–72. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137492821_6.

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Horlacher, Stefan. "Webster, John: The White Divil." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17331-1.

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Purcell, Stephen. "The Text and First Performances." In John Webster the White Devil, 1–3. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-00578-6_1.

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Purcell, Stephen. "Commentary: the Play in Performance." In John Webster the White Devil, 4–84. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-00578-6_2.

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Purcell, Stephen. "Intellectual and Cultural Context." In John Webster the White Devil, 85–106. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-00578-6_3.

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Purcell, Stephen. "Key Performances and Productions." In John Webster the White Devil, 107–38. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-00578-6_4.

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Purcell, Stephen. "Critical Assessments." In John Webster the White Devil, 139–55. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-00578-6_5.

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Duvall, John N. "John Barth, Blackface, and Invisible Identity." In Race and White Identity in Southern Fiction, 93–125. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230611825_4.

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Conference papers on the topic "John Whitney"

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Hu, Xiaocheng, Miao Qiao, and Yufei Tao. "Join Dependency Testing, Loomis-Whitney Join, and Triangle Enumeration." In SIGMOD/PODS'15: International Conference on Management of Data. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2745754.2745768.

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Kadarsih, Hening, Ferdinal Ferdinal, and Zurmailis Zurmailis. "White Americans’ Dehumanization Toward American Indians in John Steinbeck’s The Pearl." In International Conference on Social Sciences, Humanities, Economics and Law. EAI, 2019. http://dx.doi.org/10.4108/eai.5-9-2018.2281034.

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Norberg, Arthur L., and John R. White. "John R. White Interview: June 1-2, 2009; ACM Headquarters, New York, NY." In ACM Oral History interviews. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1141880.1854012.

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Beane, Jeffrey A., and Rebecca Buntrock. "The John F. Kennedy Center for the Performing Arts Expansion Project." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.2538.

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<p>The John F. Kennedy Center for the Performing Arts is located on the banks of the Potomac River in Washington, D.C. The Kennedy Center is home to the National Symphony Orchestra, the Washington National Opera and The Suzanne Farrell Ballet. In addition to being the nation's busiest arts facility, the Kennedy Center is also a "Living Memorial" to President Kennedy. The south expansion of the Kennedy Center, known as the REACH, provides much needed educational and rehearsal space, as well as a pedestrian link to the nearby Memorials.</p><p>The new structure combines practicality, versatility and innovation. Each surface and space created is unique, forming complex geometries and large span to depth ratios. The cast-in-place concrete structure is exposed on the interior or the exterior, including three white concrete pavilions rising out of the landscaped substructure. The pedestrian bridge connects the Kennedy Center to the river with over a 35-to-1 span to depth ratio. The REACH is scheduled to open in the Fall of 2019.</p>

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Ignace, Rico. "Preface: Stellar Polarimetry: From Birth to Death (Editors: Jennifer L. Hoffman, Jon Bjorkman, and Barbara Whitney)." In STELLAR POLARIMETRY: FROM BIRTH TO DEATH. AIP, 2012. http://dx.doi.org/10.1063/1.3701893.

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Skovron, Jamie D., Brandt J. Ruszkiewicz, Laine Mears, and Tim Abke. "Effect of Electrical Augmentation on the Joining of Al6063-T5 Using Flow Drill Screws." In ASME 2016 11th International Manufacturing Science and Engineering Conference. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/msec2016-8578.

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Increasing fuel economy standards have motivated automakers to reduce vehicle mass with multi-material bodies-in-white. One joining technology particularly suited for onesided multi-material joining is Flow Drill Screwdriving (FDS), a process by which a fastener friction drills, penetrates the joint, thread-forms, and then torques to apply clamping pressure to the joint. The frictional nature of FDS induces thermal softening of the material but requires time for the heat to build. Prior work with thermal assistance has shown that increasing pre-process temperature leads directly to reducing penetration time, but may add to overall cycle time. A more efficient augmentation approach through Electrical Augmentation (EA) is investigated to reduce cycle time. An experimental investigation of the EA-FDS process is presented, with the joint metrics quantified through installation torque, process time, and breakloose torque. EA-FDS is shown to reduce cycle time, and have the ability to join thicker cross-sections.

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ALBERTO, CARLOS, and LUIS FERNANDO. "What the white goods sector should understand in order to join the Internet of Things ecosystem in the connected home." In Third International Conference on Advances in Information Processing and Communication Technology - IPCT 2015. Institute of Research Engineers and Doctors, 2015. http://dx.doi.org/10.15224/978-1-63248-077-4-98.

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Davidson, Barry, Dan Whitney, Niels Laursen, Art Cohn, and George A. Hay. "Collaborative Advanced Gas Turbine (CAGT) Program Status: An International Initiative to Catalyze an Intercooled Aeroderivative (ICAD) Gas Turbine Launch Order." In ASME 1996 International Gas Turbine and Aeroengine Congress and Exhibition. American Society of Mechanical Engineers, 1996. http://dx.doi.org/10.1115/96-gt-292.

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This paper describes the status of the Collaborative Advanced Gas Turbine (CAGT) Program’s initiative to commercialize interCooled AeroDerivative gas turbine (ICAD) technology. CAGT is a consortium of domestic and international electric companies, gas companies and research organizations. ICAD gas turbine technology was selected by CAGT member companies and potential suppliers in a competitive $5 million screening study of various advanced gas turbine options in the 1992–94 time frame. Efforts to commercialize ICAD began in 1994–95. The most attractive ICAD gas turbine options were based on high thrust engines produced by General Electric. Pratt & Whitney and Rolls Royce aircraft divisions. Simple cycle ICAD represents a new intermediate load gas turbine product class with costs and performance unlike any other product available today. Simple cycle efficiencies will approach Chose of many operating combined cycles, but with the low capital costs and rapid start times of a peaking gas turbine. ICAD simple cycle units would be in the 100–130 MW size range with efficiencies in the range of 45–48% + LHV and combined cycle efficiencies potentially as high as 60% + LHV. All efficiencies are presented in the paper in lower heating value (LHV). ICAD gas turbines will eddress a wide range of simple cycle, cogeneration. innovative repowering, combined cycle, distributed generation and renewable energy applications. CAGT members have several projects underway with the goal of the first ICAD unit to begin operation before the year 2000. Industry restructuring has reduced near-term demand for new generation in the United States with a corresponding drop in gas turbine prices. Given the large development cost for any new gas turbine product, potential ICAD suppliers have indicated the need for a launch order to proceed with development. CAGT is pursuing a number of project development and strategic alliance strategies globally to organize a launch order in the range of 10–15 projects. Efforts are also underway to examine options for demonstrating ICAD on a smaller scale (Small ICAD or SICAD) which would address the emerging market for distributed generation. CAGT members feel the low costs and flexibility offered by ICAD could be a significant source of competitive advantage in restructuring electric markets. CAGT members invite others to join the program.

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Reports on the topic "John Whitney"

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Lazonick, William, Philip Moss, and Joshua Weitz. The Unmaking of the Black Blue-Collar Middle Class. Institute for New Economic Thinking Working Paper Series, May 2021. http://dx.doi.org/10.36687/inetwp159.

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In the decade after the Civil Rights Act of 1964, African Americans made historic gains in accessing employment opportunities in racially integrated workplaces in U.S. business firms and government agencies. In the previous working papers in this series, we have shown that in the 1960s and 1970s, Blacks without college degrees were gaining access to the American middle class by moving into well-paid unionized jobs in capital-intensive mass production industries. At that time, major U.S. companies paid these blue-collar workers middle-class wages, offered stable employment, and provided employees with health and retirement benefits. Of particular importance to Blacks was the opening up to them of unionized semiskilled operative and skilled craft jobs, for which in a number of industries, and particularly those in the automobile and electronic manufacturing sectors, there was strong demand. In addition, by the end of the 1970s, buoyed by affirmative action and the growth of public-service employment, Blacks were experiencing upward mobility through employment in government agencies at local, state, and federal levels as well as in civil-society organizations, largely funded by government, to operate social and community development programs aimed at urban areas where Blacks lived. By the end of the 1970s, there was an emergent blue-collar Black middle class in the United States. Most of these workers had no more than high-school educations but had sufficient earnings and benefits to provide their families with economic security, including realistic expectations that their children would have the opportunity to move up the economic ladder to join the ranks of the college-educated white-collar middle class. That is what had happened for whites in the post-World War II decades, and given the momentum provided by the dominant position of the United States in global manufacturing and the nation’s equal employment opportunity legislation, there was every reason to believe that Blacks would experience intergenerational upward mobility along a similar education-and-employment career path. That did not happen. Overall, the 1980s and 1990s were decades of economic growth in the United States. For the emerging blue-collar Black middle class, however, the experience was of job loss, economic insecurity, and downward mobility. As the twentieth century ended and the twenty-first century began, moreover, it became apparent that this downward spiral was not confined to Blacks. Whites with only high-school educations also saw their blue-collar employment opportunities disappear, accompanied by lower wages, fewer benefits, and less security for those who continued to find employment in these jobs. The distress experienced by white Americans with the decline of the blue-collar middle class follows the downward trajectory that has adversely affected the socioeconomic positions of the much more vulnerable blue-collar Black middle class from the early 1980s. In this paper, we document when, how, and why the unmaking of the blue-collar Black middle class occurred and intergenerational upward mobility of Blacks to the college-educated middle class was stifled. We focus on blue-collar layoffs and manufacturing-plant closings in an important sector for Black employment, the automobile industry from the early 1980s. We then document the adverse impact on Blacks that has occurred in government-sector employment in a financialized economy in which the dominant ideology is that concentration of income among the richest households promotes productive investment, with government spending only impeding that objective. Reduction of taxes primarily on the wealthy and the corporate sector, the ascendancy of political and economic beliefs that celebrate the efficiency and dynamism of “free market” business enterprise, and the denigration of the idea that government can solve social problems all combined to shrink government budgets, diminish regulatory enforcement, and scuttle initiatives that previously provided greater opportunity for African Americans in the government and civil-society sectors.

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