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Journal articles on the topic 'John Milton'

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Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Ronnick, Michele Valerie. "Why is Milton ‘Milto’? Giovanni Salzilli, John Milton, and Aelian." Renascence 76, no. 1 (2024): 56–64. http://dx.doi.org/10.5840/renascence20247614.

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In 1638 the Italian scholar Giovanni Salzilli sent the young John Milton who had recently arrived in Italy a short Latin poem in which Salzilli addressed Milton as ‘Milto.’ He did not use the more commonly found form of Milton’s Latin name, Miltonus and Miltonius. Using archival and print materials as evidence this paper examines this apparent hapax legomenon and suggests that its source can be found in Aelian’s Varia Historia.

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2

Gribben, Crawford. "John Owen’s Milton." Milton Quarterly 54, no. 3 (October 2020): 184–90. http://dx.doi.org/10.1111/milt.12354.

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3

Angelica Duran. "John Milton, Englishman:." Reception: Texts, Readers, Audiences, History 2, no. 2 (2010): 22. http://dx.doi.org/10.5325/reception.2.2.0022.

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4

Hubbard, Elbert. "John Milton.—(I.)." Journal of Education 52, no. 3 (July 1990): 52–53. http://dx.doi.org/10.1177/002205740005200304.

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5

Hubbard, Elbert. "John Milton.—II." Journal of Education 52, no. 4 (July 1990): 70. http://dx.doi.org/10.1177/002205749005200407.

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6

Hunter, William B. "John Milton, Cryptographer." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 13, no. 1 (January 2000): 16–18. http://dx.doi.org/10.1080/08957690009598084.

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7

Maley, Willy, David Scott Kastan, Warren Chernaik, and Emma Smith. "John Milton: 'Paradise Lost'." Modern Language Review 102, no. 4 (October 1, 2007): 1139. http://dx.doi.org/10.2307/20467569.

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8

Burbery, Timothy J. "John Milton, Blackfriars Spectator?" Ben Jonson Journal 10, no. 1 (January 2003): 57–75. http://dx.doi.org/10.3366/bjj.2003.10.1.7.

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9

Shub, Joseph. "John Milton, European: Introduction." European Legacy 17, no. 2 (April 2012): 145–50. http://dx.doi.org/10.1080/10848770.2012.655632.

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10

Kenyon, J. P. "John Milton: Political writings." History of European Ideas 17, no. 1 (January 1993): 116–17. http://dx.doi.org/10.1016/0191-6599(93)90022-i.

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11

Howard, William L. "John Milton: Postmodern Hero?" Humanitas 25, no. 1 (2012): 182–87. http://dx.doi.org/10.5840/humanitas2012251/210.

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12

Potts, George. "‘Influence poetry once more’: Allen Tate and Milton's ‘Lycidas’." Modernist Cultures 14, no. 2 (May 2019): 193–212. http://dx.doi.org/10.3366/mod.2019.0250.

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The standard narrative of the Milton Controversy in the early twentieth century has frequently regarded the New Criticism as part of the modernist antipathy towards Milton, which was fostered by articles such as F. R. Leavis's ‘Milton's Verse’ (1933) and T. S. Eliot's ‘A Note on the Verse of John Milton’ (1935). This essay challenges such depictions of two prominent New Critics – Allen Tate and John Crowe Ransom – as inveterately hostile to Milton, arguing instead that he occupies a significant place in their poetry and criticism. By also considering these American writers’ debts to Milton as a context in which to situate the early work of a British poet deeply influenced by them, Geoffrey Hill, the essay opens up new perspectives on Milton's transatlantic reception in the mid-century and his importance to modernist poetics.

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13

Andrade, Miriam Piedade Mansur. "Machado de Assis e John Milton: diálogos pertinentes." Em Tese 20, no. 2 (August 31, 2014): 194. http://dx.doi.org/10.17851/1982-0739.20.2.194-204.

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Este artigo discute a influência de John Milton, poeta inglês do século XVII, na produção literária de Machado de Assis. A fim de abordar distintamente a influência, sua noção é colocada <em>sob rasura</em>, operação proposta pelo escritor franco-argelino Jacques Derrida. Para a compreensão dessa rasura, uma <em>ideia</em> é sugerida, a qual se desdobra nos termos: intertextualidade, <em>destinerrance</em>, eleição de precursores, ironia e afinidade eletiva. Baseando-se nos termos desse grupamento, as análises das obras de Machado de Assis e Milton são trabalhadas e articuladas no diálogo estabelecido entre esses autores. É pertinente dizer que Machado de Assis dá vida à obra miltoniana, por reviver, em sua criação literária, suas experiências como leitor desse poeta inglês. Em sendo pouco extensa a recepção de Milton no cenário literário brasileiro, enseja-se, por meio dessa leitura, instigar o interesse por Milton por meio de Machado de Assis, ou seja, ler Milton machadianamente.

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14

Sá, Luiz Fernando Ferreira. "Gayatri Spivak leitora de Paradise Lost: um texto transdisciplinar." Aletria: Revista de Estudos de Literatura 19, no. 1 (January 31, 2009): 109–19. http://dx.doi.org/10.17851/2317-2096.19.1.109-119.

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Resumo: Em Paradise Lost, de John Milton, épico e império se encontram dissociados. Contrário a muitas leituras tradicionais, essa escrita do início da Era Moderna inglesa intersecta o pensamento pós-colonial de várias maneiras. Ao usar o circuito pós-colonial de teoria e prática textual de Gayatri Spivak, este artigo desenvolve uma desleitura em contraponto desse texto de Milton: Paradise Lost poderá finalmente libertar-se de seu conteúdo colonial e liberar seu conteúdo pós-colonial.Palavras-chave: Gayatri Spivak; pós-colonialismo; John Milton.Abstract: In John Milton’s Paradise Lost epic and empire are dissociated. Contrary to many misreadings,32 this all-important writing of the English Early Modern Age intersects postcolonial thinking in a number of ways. By using Gayatri Spivak’s circuit of postcolonial theory and practice, this article enacts a contrapuntal (mis)reading of Milton’s text: Paradise Lost may at last free its (post)colonial (dis)content.Keywords: Gayatri Spivak; postcolonialism; John Milton.

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15

Scandolara, Adriano. "John Milton ”“ Sansão Agonista (excerto)." Belas Infiéis 9, no. 2 (March 30, 2020): 157–68. http://dx.doi.org/10.26512/belasinfieis.v9.n2.2020.27001.

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16

Healy, Thomas F., and A. N. Wilson. "The Life of John Milton." Modern Language Review 82, no. 1 (January 1987): 168. http://dx.doi.org/10.2307/3729928.

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17

Teskey (book author), Gordon, and Nicholas Von Maltzahn (review author). "The Poetry of John Milton." Renaissance and Reformation 39, no. 1 (April 26, 2016): 205–7. http://dx.doi.org/10.33137/rr.v39i1.26568.

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18

Lionel Larré. "John Milton Oskison and Assimilation." American Indian Quarterly 37, no. 1-2 (2013): 3. http://dx.doi.org/10.5250/amerindiquar.37.1-2.0003.

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19

Cunningham, Richard, and Harvey Quamen. "Digital Approaches to John Milton." Renaissance and Reformation 44, no. 3 (January 24, 2022): 9–23. http://dx.doi.org/10.33137/rr.v44i3.37988.

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20

Wilson-Okamura, David Scott. "The Poetry of John Milton." Modern Language Quarterly 77, no. 4 (November 10, 2016): 591–94. http://dx.doi.org/10.1215/00267929-3652658.

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21

BARTLEY, GEORGE B. "The Blindness of John Milton." Mayo Clinic Proceedings 68, no. 4 (April 1993): 395–99. http://dx.doi.org/10.1016/s0025-6196(12)60139-6.

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22

Larré, Lionel. "John Milton Oskison and Assimilation." American Indian Quarterly 37, no. 1-2 (2013): 3–33. http://dx.doi.org/10.1353/aiq.2013.0020.

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23

Bartley, George B. "The blindness of John Milton." Documenta Ophthalmologica 89, no. 1-2 (January 1995): 15–28. http://dx.doi.org/10.1007/bf01203397.

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24

Allen, David. "John Milton — A Noble Nonconformity." Expository Times 120, no. 9 (April 28, 2009): 436–40. http://dx.doi.org/10.1177/0014524609105733.

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25

Dzelzainis, Martin, and Barbara K. Lewalski. "The Life of John Milton." Modern Language Review 98, no. 3 (July 2003): 685. http://dx.doi.org/10.2307/3738298.

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26

Forsyth, Neil. "John Milton: Life, Writing, Reputation." European Journal of English Studies 15, no. 3 (December 2011): 284–87. http://dx.doi.org/10.1080/13825577.2011.619755.

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27

Sá, Luiz Fernando Ferreira. "A ÉTICA PROTESTANTE E A LITERATURA INGLESA: O CASO DE JOHN MILTON." Revista Caminhos - Revista de Ciências da Religião 19, no. 1 (April 20, 2021): 217. http://dx.doi.org/10.18224/cam.v19i1.8643.

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O meu objetivo neste ensaio é isolar o caráter especificamente protestante da ética/estética de Milton em sua mudança da tradição para a inovação. Com Milton, a tarefa é duplamente difícil. O ressurgimento do Humanismo cristão no pensamento crítico contemporâneo parece coincidir com a defesa acadêmica de Milton contra seus detratores. Houve, consequentemente, uma tendência a recusar qualquer distinção entre fé em Milton e fé em Cristo.

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28

Milton, John, and Gregório de Matos. "Gregório de Matos – Cinco Poemas em Inglês." Cadernos de Literatura em Tradução, no. 6 (May 1, 2005): 67–78. http://dx.doi.org/10.11606/issn.2359-5388.i6p67-78.

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29

Milton, John, and João Cabral de Melo Neto. "Severino in English." Cadernos de Literatura em Tradução, no. 2 (August 1, 1998): 107–17. http://dx.doi.org/10.11606/issn.2359-5388.i2p107-117.

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30

Milton, John, Marco Syrayama de Pinto, and Nazim Hikmet. "Poemas a Piraye, de Nazim Hikmet." Cadernos de Literatura em Tradução, no. 9 (August 1, 2008): 143–92. http://dx.doi.org/10.11606/issn.2359-5388.i9p143-192.

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31

Murgia-Elizalde, Mario. "De utopía y paraíso: presencias de Tomás Moro en John Milton." La Colmena, no. 105 (March 13, 2020): 13. http://dx.doi.org/10.36677/lacolmena.v0i105.12969.

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Se exploran las posibilidades intertextuales existentes entre la Utopía de Tomás Moro (1478-1535) y algunos textos en prosa y verso del poeta y polemista John Milton (1608- 1674). La discusión se da a partir de la novela Milton in America, del británico Peter Ackroyd (1949), en la que se sugieren ciertas relaciones (y controversias) confesionales, literarias e ideológicas entre los pensadores. A partir de ahí, se hace una revisión de pasajes en los que la presencia de Moro en la obra de Milton, tema casi inexplorado académicamente, resulta más evidente. Se propone aquí que, a pesar de las diferencias entre ambos, Milton abrevó en las ideas utópicas de su predecesor para construir una idea de 'lugar ideal' o 'no lugar' que daría pie a la configuración del paraíso en el poema épico Paradise Lost.

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32

Danner, Bruce, John K. Hale, John Milton, and Albert C. Labriola. "John Milton: Latin Writings. A Selection." Yearbook of English Studies 31 (2001): 231. http://dx.doi.org/10.2307/3509389.

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33

Tournu, Christophe. "John Milton, Dieu et la liberté." Revue d'histoire et de philosophie religieuses 82, no. 1 (2002): 33–59. http://dx.doi.org/10.3406/rhpr.2002.961.

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34

Tobrmanova-Kuhnova, S. "NEIL FORSYTH, John Milton: A Biography." Notes and Queries 57, no. 4 (September 14, 2010): 594–95. http://dx.doi.org/10.1093/notesj/gjq158.

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35

Tobrmanová, Šárka. "John Leonard, The Value of Milton." Notes and Queries 65, no. 2 (April 12, 2018): 270–71. http://dx.doi.org/10.1093/notesj/gjy049.

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36

Shub, Joseph. "John Milton, European, Part 2: Introduction." European Legacy 17, no. 3 (June 2012): 287–89. http://dx.doi.org/10.1080/10848770.2012.672180.

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37

Ridden, Geoffrey M. "The Political Thought of John Milton." Milton Quarterly 19, no. 1 (March 1985): 23–24. http://dx.doi.org/10.1111/j.1094-348x.1985.tb00379.x.

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38

Arnold, Margaret J. "George Eliot's Dialogue with John Milton." Milton Quarterly 40, no. 1 (March 2006): 76–79. http://dx.doi.org/10.1111/j.1094-348x.2006.00122.x.

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39

Southcombe, G. "John Milton: Life, Work, and Thought." English Historical Review CXXV, no. 512 (December 30, 2009): 182–84. http://dx.doi.org/10.1093/ehr/cep365.

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40

Huckabay, Calvin. "Review: John Milton: The Inner Life." Christianity & Literature 34, no. 2 (March 1985): 62–63. http://dx.doi.org/10.1177/014833318503400224.

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41

Sá, Luiz Fernando Ferreira, and Miriam Piedade Mansur. "Influência em “destinerrance”." O Eixo e a Roda: Revista de Literatura Brasileira 16 (June 30, 2008): 15–30. http://dx.doi.org/10.17851/2358-9787.16..15-30.

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O objetivo deste artigo é fazer um breve exame da presença de John Milton, poeta inglês do século XVII, nos romances de Machado de Assis. A presença miltoniana será analisada por meio de uma outra via de influência:d+estinerrance, um termo cunhado pelo filósofo Jacques Derrida, que con-funde destino, herança e errância. Isto é, a constituição da obra machadiana está (in)certamente ligada, não tão somente a WilliamShakespeare – o bardo de Stratford-upon-Avon –, mas também a outro amigo inglês do bruxo do Cosme Velho: John Milton.

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42

Dunning, Chester. "The Rarities of Russia (1662): A Pamphlet Ghostwritten by John Milton." Canadian–American Slavic Studies 47, no. 3 (2013): 347–67. http://dx.doi.org/10.1163/22102396-04703010.

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In 1662 a pamphlet was published in London under the title The Rarities of Russia. Although it was ostensibly written by a merchant named William White, internal evidence reveals that it was written by John Milton, the author of Paradise Lost. It is well known that Milton penned a study of Russia during the 1640s, but his Moscovia manuscript remained unpublished during the poet’s lifetime. When a little book finally appeared in print in 1682 as A Brief History of Moscovia, Milton’s study of Russia was quickly dismissed as inconsequential. Today it is still considered to be his least significant prose work. In fact, the main problem with A Brief History of Moscovia is that it is simply incomplete. Most of the description of Russia that Milton had included in his Moscovia manuscript (on topics such as Russia’s climate, its commodities, people, religion, laws, and customs, the tsar’s court, his government and its revenues, the nobility, and the tsar’s military forces and their weaponry) ended up in The Rarities of Russia. Here is the complete text of that curious pamphlet that was ghostwritten by John Milton while he was composing his long poem.

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43

García Castañón, Santiago. "Reescribiendo a Milton: Seis sonetos en español." Revista de Filología y Lingüística de la Universidad de Costa Rica 42, no. 2 (January 24, 2017): 11. http://dx.doi.org/10.15517/rfl.v42i2.27785.

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No existe en la actualidad en el mercado ninguna traducción solvente de los sonetos de Milton al español manteniendo la rígida estructura formal del soneto. El presente trabajo, que ofrece traducciones de seis de ellos, es un acercamiento contextualizado a la traducción integral de los sonetos de John Milton al español en verso.

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44

Curbet, Joan. "John Milton and the English Women Prophets." Religions 15, no. 1 (December 22, 2023): 27. http://dx.doi.org/10.3390/rel15010027.

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The work of John Milton (both in poetry and prose) offered some striking theological and political innovations in the context of the seventeenth-century upheavals in England. This article aims to show that the work of the English women prophets active in England at the time offers a valid context in which to reassess and re-read Milton’s work. This observation has occasionally been made in relation to specific prophets, but it has not been pursued in any detail. This article examines the concept of “prophecy” itself as formulated by Milton, and establishes its connections to the activity of women prophets; it also explores its connotations in terms of gender and its consequent implications in terms of opening the public and religious space to the work of female authors. It subsequently examines the work of two specific women prophets (Mary Pope and Elizabeth Avery) alongside that of Milton during the years 1647–1649, as offering equally legitimate responses to the debate concerning monarchy at the time, and it ends by examining Milton’s final epic (Paradise Regain’d) as a poetic approach to the concept of female prophecy. The conclusion shows the renewed potential opened by this new research and considers its consequences for the seventeenth-century literary canon.

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45

Hamad, Hasan Salih, and Fouad Adel Khalaf Sharar. "Revisiting John Milton: A Thematic Exploration of Selected Poems." Journal of Tikrit University for Humanities 28, no. 9 (September 29, 2021): 33–43. http://dx.doi.org/10.25130/jtuh.28.9.2021.25.

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The study aims at analyzing the poetry of John Milton who is an important poet of the sixteenth century English literature. It explains the period in which the poet appeared, namely the age of Renaissance in English literature. It also sheds light on his life, and his writing which its importance can be found within. It focuses on his epic "Paradise Lost" as an example of his literary ability in creativity. The study aims at shedding light on Milton's life and his great works and failure ones as a trial to what is going on in the mind of a famous English poet like John Milton.

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46

Mugia, Mario. "LA TRADUCCIÓN EN MÉXICO DE UN SONETO DE JOHN MILTON." Transfer 13, no. 1-2 (December 21, 2017): 131–54. http://dx.doi.org/10.1344/transfer.2018.13.131-154.

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Este artículo presenta las posibilidades de traducción al español, en México, de un soneto de John Milton. Se ofrece aquí un contex-to histórico-poético de la obra sonetística de Milton, así como un recuento de las estrategias de adaptación y reescritura que se utilizaron para la adaptación de la pieza, la cual formará parte de lo que, se espera, será la primera traducción hispanoamericana de los sonetos completos del poeta inglés.

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47

Petley, Julian. "Censoring the Word." Index on Censorship 36, no. 3 (August 2007): 180–206. http://dx.doi.org/10.1080/03064220701568843.

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48

Sauer, Elizabeth. "The Neo-Christian Bias and Its Discontents: Milton Studies and the Case of Samson Agonistes." Renaissance and Reformation 37, no. 4 (January 1, 2001): 157–70. http://dx.doi.org/10.33137/rr.v37i4.8743.

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Les études miltoniennes ont été dominées par ce que John Rumrich qualifie de «Milton inventé», personnage caractérisé par son didactisme et son orthodoxie d’après le «préjugé néo-chrétien» de la critique. Rumrich emprunte cette dernière expression à William Empson, qui, il y a des décennies, mit en cause la tendance à imposer sur Milton la cohérence et l’orthodoxie religieuse. Dans cette exercice d’analyse, l’auteur examine l’engagement de Milton avec l’hétérodoxie et l’hérésie dans Samson Agonistes, poème dont la réception a été déterminée par les «piétés régénératrices» des spécialistes ayant pris un parti conservateur.

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49

Brown, Cedric C. "John Milton: The Self and the World. John T. Shawcross." Modern Philology 93, no. 2 (November 1995): 260–63. http://dx.doi.org/10.1086/392315.

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50

Dias, Gonçalves, Victoria Claire Weischordt, John Milton, Alain Mouzat, Rodolfo Damm, Francis Aubert, Renee Ben Israel, Luciano Maia, and Marcella Mortara. "A Canção do Exílio a Dezesseis Mãos." Cadernos de Literatura em Tradução, no. 1 (October 1, 1997): 7–17. http://dx.doi.org/10.11606/issn.2359-5388.i1p7-17.

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