Academic literature on the topic 'John Buchan'

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Journal articles on the topic "John Buchan"

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Poster, Jeremy. "Les « Hespérides » de John Buchan." Géographie et cultures, no. 31 (July 1, 1999): 65–74. http://dx.doi.org/10.4000/gc.10401.

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Freeman-Maloy, Dan. "Remembering Balfour: empire, race and propaganda." Race & Class 59, no. 3 (October 6, 2017): 3–19. http://dx.doi.org/10.1177/0306396817733877.

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To mark the centenary of the Balfour Declaration (November 1917), which paved the way towards the dispossession of the Palestinians, this article reflects on how imperial strategy, ideas about race, and institutionalised propaganda converged to shape Britain’s contribution to the ‘Palestine problem’. The author illustrates the imperial tradition that shaped British support for Zionism by tracing the trajectory of John Buchan’s career. Buchan was an influential novelist, best known as the author of adventure stories including The Thirty-Nine Steps. He wrote in the service of Empire. During the first world war, Buchan spearheaded propaganda for the Empire’s eastward expansion and directed the propaganda service as Palestine fell to British troops. He began his career in South Africa, mentored by Lord Milner, and worked as a literary spokesperson for the policy of white rule. He ended it in Canada, serving as the country’s Governor General. This article foregrounds Canada as a settler polity with a privileged place in Buchan’s philosophy, and where Buchan’s approach to supporting Zionism thrived. And it explores Buchan’s hostile construction both of a menacing Islam and of ‘the Jew’. Buchan was not the only Briton to disparage Jews ‘at home’ only to find a place for them on the frontier.
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Denaxas, S., C. P. Friedman, A. Geissbuhler, H. Hemingway, D. Kalra, M. Kimura, K. A. Kuhn, H. A. Payne, F. G. B. de Quiros, and J. C. Wyatt. "Discussion of “Combining Health Data Uses to Ignite Health System Learning”." Methods of Information in Medicine 54, no. 06 (2015): 488–99. http://dx.doi.org/10.3414/me15-12-0004.

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SummaryThis article is part of a For-Discussion-Section of Methods of Information in Medicine about the paper “Combining Health Data Uses to Ignite Health System Learning” written by John D. Ainsworth and Iain E. Buchan [1]. It is introduced by an editorial. This article contains the combined commentaries invited to independently comment on the paper of Ainsworth and Buchan. In subsequent issues the discussion can continue through letters to the editor.With these comments on the paper “Combining Health Data Uses to Ignite Health System Learning”, written by John D. Ainsworth and Iain E. Buchan [1], the journal seeks to stimulate a broad discussion on new ways for combining data sources for the reuse of health data in order to identify new opportunities for health system learning. An international group of experts has been invited by the editor of Methods to comment on this paper. Each of the invited commentaries forms one section of this paper.
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Rajamäe, Pilvi. "The Call of the Wild: John Buchan’s Heroes and the Decline of British Aristocracy." Interlitteraria 24, no. 2 (January 15, 2020): 540–55. http://dx.doi.org/10.12697/il.2019.24.2.20.

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The article will look at how John Buchan (1875–1940) has traced the decline of British aristocracy in his novels that cover the time period when the power radically shifted from the landowning to the middle class, with concomitant feelings of confusion, loss, disillusionment and inadequacy on the part of the class whose very existence was being undermined. Buchan wrote at the time when the spirit of chivalry, so carefully cultivated by the Victorian chivalric revival, still coloured the thinking of the aristocracy and the upper middle class, soon to be extinguished by the trenches of the Great War. This spirit abhorred middle-class mercantilism and pragmatism. Thus we see Buchan’s aristocratic heroes, beleaguered by the encroaching spirit of worldliness, going questing in the wilderness to regain their mental balance and purpose. Romantically communing with nature and following their ideals, they fulfil their personal quests, thus reasserting the concepts of duty and selfless service that had been part of the aristocratic code of honour before it was made redundant by middle-class materialism.
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Ballard, Linda-May. "John Buchan and The Thirty-Nine Steps: An Exploration." Folk Life 54, no. 2 (July 2, 2016): 172–73. http://dx.doi.org/10.1080/04308778.2016.1227657.

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Gifford, Terry. "Ownership and access in the work of John Muir, John Buchan and Andrew Greig." Green Letters 17, no. 2 (June 2013): 164–74. http://dx.doi.org/10.1080/14688417.2013.800334.

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Strachan, Hew. "John Buchan and the First World War: Fact into Fiction." War in History 16, no. 3 (June 2009): 298–324. http://dx.doi.org/10.1177/0968344509104194.

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Gifford, Terry. "Issues of ownership and access in the work of John Muir, John Buchan and Andrew Greig." Revista Leitura 2, no. 36 (2005): 23–34. http://dx.doi.org/10.28998/0103-6858.2005v2n36p23-34.

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Walker, Robert G. "John Law: A Scottish Adventurer of the Eighteenth Century by James Buchan." Scriblerian and the Kit-Cats 53, no. 1 (2020): 63–64. http://dx.doi.org/10.1353/scb.2020.0029.

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Berton, Jean. "John Macnab et l’envers du décor, dans John Macnab* (1925) de John Buchan et The Return of John Macnab* (1996) de Andrew Grieg." Études écossaises, no. 12 (April 30, 2009): 201–14. http://dx.doi.org/10.4000/etudesecossaises.207.

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Dissertations / Theses on the topic "John Buchan"

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Bolter, Margaret B. "John Buchan : the antonyms of Scottish nationalism /." Connect to online version, 2005. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2005/128.pdf.

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Weekes, David. "John Buchan (1875-1940) : a reassessment of his Christian faith and practice." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/12259.

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This thesis emphasises, as paramount, Buchan's little explored life-long and deeply held Christian faith and practice. Much on-going discussion of his life and character ignores or misrepresents this essential motivation, favouring interpretations that stress his desire for fame or fortune. This is not, however, a full-scale presentation of Buchan's doctrinal beliefs, perhaps impossible to achieve with so private a man. Many influences around Buchan, and choices he made throughout life, indicate that he remained faithful to his early experience of commitment to Christ. Neglected parts of books, articles, and sermons, together with archived letters, documents and papers, in Oxford, Glasgow, London, Elsfield, Edinburgh, and Queen's Library, Kingston, Ontario, are used to inform Buchan's Christianity. An examination of writings by Buchan's father and sister revises the extent of a suggested alienation between father and son over expressions of the faith. Subsequent chapters consider how older friends, and youthful contemporaries encouraged Christian faith throughout his life. Most appear as rather shadowy figures in what has been written. Greater attention to little published biographical material clarifies their importance. Using local reminiscences of the inter-war years when the Buchans were very prominent in Elsfield, for the first time the absorbing significance of their involvement in village life receives the attention it deserves. Those arguing that Buchan's more racist or anti-clerical fictional characters voice his own beliefs are challenged by closer examination of some of his historical and fictional writings, and other activities. It has been claimed that one of Buchan's greatest novels, Sick Heart River, reveals his own spiritual pilgrimage, lacking a fully satisfying conversion experience until the close of life. This book is given a new interpretation. All the matters addressed more thoroughly here trenchantly focus Buchan's life-long faith, wonderfully expressed in Greek on his grave, ‘Christ shall overcome'.
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Macdonald, Kate. "The fiction of John Buchan with special reference to the Richard Hannay novels." Thesis, University College London (University of London), 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312732.

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ta this thesis I intend to show that although by the outbreak of the First World War John Buchan bad been a successful writer for twenty years his career underwent a vital change after 1915 and the success of his best-selling thriller The Thirty-line Steps. Chapter one analyses in detail the publishing history of The Thirty-line Steps, and the best-seller status of the early thrillers of John Buchan. Under four sub-headings, I examine the content of the sales figures and the readership of Buchan' s best-sellers, using primary source material from the publishers archives and from unpublished letters and memoirs from the First World War. I go on to discuss the reasons for the lasting popularity of The Thirty-line Steps. Buchan's new elements in that novel, and examine his role in the development of the thriller. In chapter two I look at two of Buchan's protagonists, contrasting his new hero of The Thirty-line Steps, Richard Hannay, with Sir Quixote of the Noors (1895) and the idea of the stranger in the familiar land. In chapter three, I examine Buchan's construction of narrative developing new narratological types to define Buchan' s growing complexities of narration in the Hannay novels. Chapter four explores Buchan' s use of characters, the different social worlds he developed for his three principal protagonists - Bannay, Leitben and Dickson McCunn - and the effect of recurrence in background characters. Buchan' c identity as a Scottish. writer i. discussed in chapter five, dealing with the Scottish Renaissance, vernacular poetry, Iailyard and Buchan's role as a public Scot. His fiction is examined with particular reference to the Scottish elements of language, history and religion. In chapter cix I look at Buchan's portrayal of the women characters in his fiction, particularly their roles as redeemers, spurs, and voices, counterpointing the Buchan heroes. In the conclusion, I reiterate the importance of the 1915 change in Buchan's writing, and how his novels were redirected towards the thriller. I show how the advent of his new thriller hero, liannay, was seminal in shaping the new genre. I conclude this thesis with fourteen appendices, including a close look at Buchan's supposed anti-Semitism. I give a new chronological bibliography of all Buchan's fiction incorporating several rediscovered Buchan short stories. X7 bibliographies cover fiction, non-fiction, and manuscript sources, with separate lists for the Buchan material.
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Lee, Edwin Roughton, and mikewood@deakin edu au. "Presbyterian ethos and environment in the novels of John Buchan: A religious and historical study." Deakin University, 1996. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20051201.153016.

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The aim of this thesis is to establish, from a historical and religious perspective, that the Presbyterian ethos and environment in which John Buchan was reared was the predominating influence in the writing of his novels. Presbyterianism was not the only influence on Buchan that determined the character of his stories. Buchan was by temperament a romantic, and this had considerable influence on his literature. His novels are romances, peopled by romantic figures who pursue romantic adventures. There are the signs of Buchan's romantic nature in the contents of the novels: creative imagination, sensitivity to nature, and expectations of the intrusion of other worlds, with destiny-determining events to follow. But Buchan had also an acquired classicism. His studies at Glasgow and Oxford Universities brought him in touch with a whole range of the master-pieces of classical literature, especially the works of Plato and Virgil. This discipline gave him clarity and conciseness in style, and balanced the romantic element in him, keeping his work within the bounds of reason. At the heart of Buchan's life and work, however, was his deeply religious nature and this, while influenced by romanticism and classicism, was the dominant force behind his work. Buchan did not accept in its entirety the Presbyterian doctrine conveyed to him by his father and his Church. He was moderate by temperament and shrank from excesses in religious matters, and, being a romantic, he shied away from any fixed creeds. He did embrace the fundamentals of Christianity, however, which he learned from his father and his Church, even if he did put aside the Rev. John's orthodox Calvinism. The basic Christianity which underlies all Buchan's novels has the stamp of Presbyterianism upon it, and that stamp is evident in his characters and their adventures. The expression of Christianity which Buchan embraced was the Christian Platonism of seventeenth century theologians, who taught and preached at Cambridge University, They gave prominence to the place of reason and conscience in man's search for God, They believed that reason and conscience were the ‘candle of the Lord’ which was existed every one. It was their conviction that, if that light was followed, it would lead men and women to God. They were against superstition and fanaticism in religion, against all forms of persecution for religious beliefs, and insisted that God could only be known by renouncing evil and setting oneself to live according to God’s will. This teaching Buchan received, but the stamp of his Presbyterianism was not obliterated. The basic doctrines which arose from his father's Presbyterianism and are to be found in Buchan's novels are as follows: a. the fear (or awe) of God, as life's basic religious attitude; b. the Providence of God as the ultimate determinative force in the outcome of events; c. the reality, malignity and universality of evil which must be forcefully and constantly resisted; d. the dignity of human beings in bearing God's image; e. the conviction that life has meaning and that its ultimate goal, therefore, is a spiritual one - as opposed to the accumulation of wealth, the achieving of recognition from society, and the gaining access to power; f. the necessity of challenge in life for growth and fulfilment, and the importance of fortitude in successfully meeting such challenge; g. the belief that, in the purpose of God, the weak confound the strong. These emphases of Presbyterianism are to be found in all Buchan's novels, to a greater or lesser degree. All his characters are serious people, with a moral purpose in life. Like the pilgrims of the Bible, they seek a country: true fulfilment. This quest becomes more spiritual and more dearly defined as Buchan grows in age and maturity. The progress is to be traced from his early novels, where fulfilment is sought in honour and self-approving competence, as advocated by classicism; to the novels of his middle years, where fulfilment is sought in adventures suggested by romanticism. In his final novel Sick Heart River. Buchan appears to have moved somewhat from his earlier classicism and his romanticism as the road to fulfilment. In this novel, Buchan expresses what, for him, is ultimate fulfilment: a conversion to God that produces self-sacrificing love for others. The terminally-ill Edward Leithen sets out on a romantic adventure that will enable him to die with dignity, and so, in classic style, justify his existence. He has a belief in God, but in a God who is almighty, distant and largely irrelevant to Leithen's life. In the frozen North of Canada, where he expects to find his meagre beliefs in God's absolute power confirmed by the icy majesty of mountain and plain, he finds instead God's mercy and it melts his heart. In a Christ-like way, he brings life to others through his death, believing that, through death, he will find life. There is sufficient evidence to give plausibility to the view that Buchan is describing in Leithen his own pilgrimage. If so, it means that Buchan found his way back to the fundamental experience of the Christian life, conversion, so strongly emphasised in his orthodox Presbyterianism home and Church. However, Buchan reaches this conclusion in a Christian Platonist way, through the natural world, rather than through the more orthodox pathway of Scripture.
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Mann, Georgia A. "John Buchan (1875-1940) and the First World War: A Scot's Career in Imperial Britain." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2274/.

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This dissertation examines the political career of Scottish-born John Buchan (1875-1940) who, through the avenue of the British Empire, formed political alliances that enabled him to enter into the power circles of the British government. Buchan's involvement in governmental service is illustrative of the political and financial advantages Scots sought in Imperial service. Sources include Buchan's published works, collections of correspondence, personal papers, and diaries in the holdings of the National Library of Scotland, Edinburgh. Letters and other documents pertaining to Buchan's life and career are also available in the Beaverbrook papers, Lloyd George papers, and Strachey papers at the House of Lords Record Office, London, and in the Liddle Hart Collection at King's College, London. Documents concerning Buchan's association with the War Cabinet, the Foreign Office, and the Department of Information are among those preserved at the Public Record Office, London. References to Buchan's association with the British Expeditionary Force in France are included in the holdings of the Intelligence Corps Museum, Ashford, Kent. The study is arranged chronologically, and discusses Buchan's Scottish heritage, his education, his assignment on Lord Alfred Milner's staff in South Africa, and his appointment as Director of the Department of Information during World War I. The study devotes particular attention to Buchan's leadership of the Department of Information, a propaganda arm of the British government during the First World War. Buchan consolidated independent branches of propaganda production and distribution, and coordinated the integration of information provided by the British Foreign Office, War Office, and the Department of Information's Intelligence Bureau to forward Britain's propaganda effort. The study also considers his literary contributions, his Parliamentary service, and, when raised to the peerage as Lord Tweedsmuir of Elsfield, his royal commission as Governor-General of Canada. This dissertation concludes that, while pursuing an imperial career, John Buchan established a relationship with a powerful clique that enabled him to become part of the machinery of state.
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Wishart, Kirsti. "A study of Scotland's relationship to the British Empire as depicted in the work of Robert Louis Stevenson, R.B. Cunninghame Graham and John Buchan." Thesis, University of St Andrews, 2001. http://hdl.handle.net/10023/14840.

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This thesis explores the relationship between Scotland and the British Empire as depicted in the work of three Scottish writers: Robert Louis Stevenson, R.B. Cunninghame Graham and John Buchan. The aim is to reassess the contribution these three writers made to Scottish literature, a contribution that has been neglected due to their interest and participation in imperial matters. The introduction discusses why their reappraisal within Scottish literary studies matters in relation to an understanding of the effect of Scotland's position within the Empire. Recent post-colonial theory relating to hybridity and the uncanny are shown to be of particular relevance to the Scottish situation in late-nineteenth and early twentieth-century literature. Chapter One examines the work of Robert Louis Stevenson and argues that, far from capitulating to the demands of imperialist literature, Stevenson was able both to work within the discourse of the British Empire and to subvert it. R. B. Cunninghame Graham, discussed in Chapter Two, occupies a similar position. Due to the genre-defying nature of his work Graham has been overlooked as a writer who confuses the boundaries between here and there, the savage and the civilised. Chapter Three provides a critical reassessment of John Buchan and argues that, despite his staunch imperialism, as a Scot within the Empire Buchan shared many thematic concerns with the other two writers in this study. The conclusion draws attention to the similarities between the three writers and argues that a clear break cannot be made between writers associated with the Empire and writers of the Scottish Renaissance.
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McCaffery, Susanne Leigh. "They will not be the same : themes of modernity in Britain during World War I /." Thesis, This resource online, 1994. http://scholar.lib.vt.edu/theses/available/etd-06112009-063627/.

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Clarke, R. J. "John Buchan's uncollected journalism : a critical and bibliographic investigation." Thesis, University of the West of England, Bristol, 2015. http://eprints.uwe.ac.uk/25363/.

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John Buchan (1875-1940) has a literary reputation as a minor novelist, based mainly on his success as a popular fiction writer, the inventor of the spy thriller in his best-known novel, The Thirty-Nine Steps (1915). Although there has been considerably increased scholarly interest in his work in recent years, the perception that he is mainly a genre writer persists and has limited the success of attempts to move his literary reputation towards the academic mainstream. Other areas of his writing have received some recognition, but his uncollected journalism has remained a neglected aspect of his work, largely overlooked even by Buchan specialists. This thesis brings an academic focus to Buchan's uncollected journalism for the first time. It breaks new ground by examining the style, structure, and content of his articles and reviews, and argues that Buchan should be considered as an essayist of elegance and authority, an astute literary critic attuned to contemporary trends, and a wide-ranging cultural commentator on his times. The thesis shows that Buchan's uncollected journalism, in its volume and range, provides a major field for the additional research which is clearly required if Buchan's literary reputation is to be further enhanced. It aims to make a significant contribution by opening up this area of his work to future study in two entirely new ways. First, it contains an extensive catalogue of his uncollected journalism, over a thousand items in total, with each article categorised and summarised as an aid to future researchers, features which have never before been available. The catalogue also contains a hundred articles and reviews which have not been included in any previous bibliography. Secondly, it provides a selection of annotated articles which could form the basis of the first critical edition of Buchan's essays to be issued in order to promote further recognition of this aspect of his writing.
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Rembold, Sandra. "Das Bild des Menschen als Grundlage der Ordnung die Beiträge von Platon, Aristoteles, Thomas Hobbes, John Locke, David Hume, Adam Smith, John Stuart Mill, Walter Eucken und Friedrich August von Hayek." Berlin dissertation.de, 2006. http://www.dissertation.de/buch.php3?buch=5100.

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Rembold, Sandra. "Das Bild des Menschen als Grundlage der Ordnung : die Beiträge von Platon, Aristoteles, Thomas Hobbes, John Locke, David Hume, Adam Smith, John Stuart Mill, Walter Eucken und Friedrich August von Hayek." Berlin dissertation.de, 2007. http://www.dissertation.de/buch.php3?buch=5100.

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Books on the topic "John Buchan"

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William, Buchan. John Buchan: A memoir. London: Harrap, 1985.

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John Buchan: A biography. Oxford: Oxford University Press, 1985.

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Adam, Smith Janet. John Buchan: A biography. Oxford: Oxford University Press, 1985.

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Scott, Sheila A. John Buchan: A biographical sketch. Biggar: The Author, 1995.

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Lownie, Andrew. John Buchan: The Presbyterian Cavalier. Toronto: McArthur, 2004.

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Modern John Buchan: A critical introduction. Newcastle upon Tyne: Cambridge Scholars Pub., 2009.

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Buchan, John. John Buchan: The complete short stories. London: Thistle., 1996.

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Lownie, Andrew. John Buchan: The Presbyterian cavalier : a biography. Boston: David R. Godine, 2003.

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Tweedsmuir, John Norman Stuart Buchan. The wreath'd trellis: John Buchan, the writer. Kingston: Special Collections, Douglas Library, Queen's University at Kingston, 1985.

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Macdonald, Kate. John Buchan: A companion to the mystery fiction. Jefferson, N.C: McFarland & Co., 2009.

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Book chapters on the topic "John Buchan"

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Donald, Miles. "John Buchan: The Reader’s Trap." In Spy Thrillers, 59–72. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21132-6_5.

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Phillips, Alexandra. "John Buchan (1875–1940), 1915: The Thirty-Nine Steps." In 100 British Crime Writers, 91–95. London: Palgrave Macmillan UK, 2020. http://dx.doi.org/10.1057/978-1-137-31902-9_21.

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Harvie, Christopher. "“For Gods are Kittle Cattle”: Frazer and John Buchan." In Sir James Frazer and the Literary Imagination, 253–69. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20920-0_13.

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Butts, Dennis. "The Hunter and the Hunted: The Suspense Novels of John Buchan." In Spy Thrillers, 44–58. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21132-6_4.

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Katz, David S. "Greenmantle at the Ministry of Information: John Buchan, the First World War and the Turks." In The Shaping of Turkey in the British Imagination, 1776–1923, 199–232. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-41060-9_5.

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Macdonald, Kate. "Translating Propaganda: John Buchan’s Writing During the First World War." In Publishing in the First World War, 181–201. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230210837_11.

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Adamo, Pietro. "I monarcomachi in Scozia: John Knox e George Buchanan sull’identità nazionale e l’obbedienza alle autorità superiori." In Nutrix, 101–82. Turnhout: Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.nutrix-eb.4.00087.

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"John Buchan: John MacNab." In The Collector's Voice, 276–81. Routledge, 2016. http://dx.doi.org/10.4324/9781315264448-53.

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"John Buchan, Greenmantle." In Lost Gay Novels, 53–55. Routledge, 2013. http://dx.doi.org/10.4324/9780203057230-17.

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Etherington, Norman. "John Buchan and the loathly opposite." In Imperium of the soul. Manchester University Press, 2017. http://dx.doi.org/10.7765/9781526106070.00011.

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