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Relevant bibliographies by topics / Jhumpa Lahiri

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Academic literature on the topic 'Jhumpa Lahiri'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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Journal articles on the topic "Jhumpa Lahiri"

1

Martino, Andrew. "Ties by Jhumpa Lahiri." World Literature Today 91, no. 5 (2017): 75–76. http://dx.doi.org/10.1353/wlt.2017.0153.

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Basu, Lopamudra. "Whereabouts by Jhumpa Lahiri." World Literature Today 95, no. 3 (2021): 90. http://dx.doi.org/10.1353/wlt.2021.0060.

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Kellman, Steven G. "Jhumpa Lahiri Goes Italian." New England Review 38, no. 2 (2017): 121–26. http://dx.doi.org/10.1353/ner.2017.0046.

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Jacobs, Rita D. "The Lowland by Jhumpa Lahiri." World Literature Today 88, no. 1 (2014): 58–59. http://dx.doi.org/10.1353/wlt.2014.0099.

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Rendón, Catherine. "Unaccustomed Earth by Jhumpa Lahiri." World Literature Today 83, no. 1 (2009): 68. http://dx.doi.org/10.1353/wlt.2009.0206.

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Leyda, J. "An Interview with Jhumpa Lahiri." Contemporary Women's Writing 5, no. 1 (August 5, 2010): 66–83. http://dx.doi.org/10.1093/cwwrit/vpq006.

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Frigeni, Veronica. "L’italiano perturbante di Jhumpa Lahiri." Italian Studies 75, no. 1 (November 12, 2019): 99–110. http://dx.doi.org/10.1080/00751634.2020.1688521.

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Cussen, John. "The People Jhumpa Lahiri Little Likes." Theory in Action 16, no. 1 (January 31, 2023): 100–132. http://dx.doi.org/10.3798/tia.1937-0237.2304.

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This paper makes the claim that despite the culture-page and scholar classes' favorable reception of just about everything she offers, Bengali-American writer Jhumpa Lahiri thinks meanly of them and of their progressive mindsets. Telling in the second's regard are her counter-normative usages of their favored tropes--of, for example, the madwoman-in-the-attic trope. Telling in the first's regard are the literary academics who appear in her fictions. Nine for nine, they are shallow, feckless, and bullying sorts. Yes, literary academics--they are the people Jhumpa Lahiri little likes. In its later pages, the paper also observes that for much of her career writer Lahiri has been in the throes of a crisis of literary faith. An early symptom of this crisis is discernible in that plot strand of her second book, The Namesake, wherein the protagonist Gogol does everything in his power to dispossess himself of his literary name. Another symptom of the crisis is the sparsity of literary allusions that mark her fourth and latest fiction's pages (as opposed to the great number that marked her earlier works). And, lastly, toward the end of the latest fiction, Whereabouts, when the writing-prof protagonist begins her journey out of the city that has been her lifelong residence, that’s Lahiri wishing she could do the same vis á vis her literary faith. KEYWORDS: Jhumpa Lahiri, Critical Reception, Academic Culture, Immigrant Fiction

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9

Chiarini, Ana Maria. "Jhumpa Lahiri: Mulher traduzida, escritora italiana." Revista da Anpoll 1, no. 47 (December 31, 2018): 68–75. http://dx.doi.org/10.18309/anp.v47i1.1197.

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Jhumpa Lahiri, que obteve sucesso e prestígio escrevendo romances e contossobre a experiência de indianos e seus descendentes nos Estados Unidos, fez sua primeira experiência de escritora em língua italiana com In altre parole, no ano de 2015. A esse volume composto de textos curtos – relatos pessoais de sua aprendizagem do italiano –, vieram se somar um outro volume sobre as capas de livros, Il vestito dei libri, e Dove mi trovo, um romance. Este trabalho se propõe a traçar algumas considerações sobre a relação de Lahiri, escritora deslocada e mulher traduzida, com as línguas inglesa e italiana à luz de textosque tematizam questões referentes ao trânsito e à diáspora no mundo contemporâneo.

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Blair, Jen Rickard. "In Other Words by Jhumpa Lahiri." World Literature Today 91, no. 6 (2017): 21. http://dx.doi.org/10.1353/wlt.2017.0001.

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Dissertations / Theses on the topic "Jhumpa Lahiri"

1

Kasun, Genna Welsh. "Womanism and the Fiction of Jhumpa Lahiri." ScholarWorks @ UVM, 2009. http://library.uvm.edu/dspace/bitstream/123456789/203/1/Kasun.

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2

Marques, Carine Pereira. "Unaccustomed narratives crossing gender barriers in the fiction of Jhumpa Lahiri: crossing gender barriers in the fiction of Jhumpa Lahiri." Universidade Federal de Minas Gerais, 2013. http://hdl.handle.net/1843/ECAP-956KQ2.

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Jhumpa Lahiri, escritora americana de origem Indiana, frequentemente aborda, tanto em seu romance, The Namesake (2003), como em seus livros de contos, The Interpreter of Maladies (1999) and Unaccustomed Earth (2008), sujeitos diaspóricos Indianos que residem nos Estados Unidos da América. Esta dissertação investiga como as personagens femininas e masculinas são representadas, assim como o impacto do espaço diaspórico nesses sujeitos e nas relações construídas por eles. Mostra ainda como as barreiras de gênero na obra dessa escritora contemporânea são mais fluídas, pois indicam uma aproximação na representação das personagens femininas e masculinas, que revelam diferentes, mas significantes preocupações com relação a seus papéis de gênero no novo espaço, no qual a diversidade cultural é um elemento importante que favorece a reconfiguração da identidade desses sujeitos. Em particular, este trabalho enfatiza a importância do espaço diaspórico no processo de formação da identidade das personagens. Assim, analiso as personagens femininas e masculinas com o intuito de investigar como o vínculo cultural muda de uma geração para a outra. Também enfoco as consequências do espaço nos papéis de gênero para entender como esses são reconfigurados para as personagens femininas e masculinas. Assim, a configuração dos papéis de gênero de personagens femininas e masculinas é entrelaçada, configurando-se como um processo interligado. Embora haja características atribuídas às distintas gerações, uma análise da obra dessa escritora revela uma preocupação com representações não estereotipadas de personagens femininas e masculinas, e até mesmo aproxima diferentes gerações, unindo-as em torno do tema da perda e do pertencimento.

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3

Mulla, Ahmed. "Conflits identitaires dans la fiction de Jhumpa Lahiri." Phd thesis, Université de la Réunion, 2012. http://tel.archives-ouvertes.fr/tel-00858613.

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S'inspirant de l'expérience récente de la migration indienne aux Etats-Unis, la fiction de Jhumpa Lahiri se demande si tant la nation que l'individu sont en mesure de revoir les termes mêmes de leur identité. Jhumpa Lahiri met l'accent sur l'adaptation à l'étranger en tant que processus de longue haleine. Car le changement ne prend pas, dans ce contexte, l'aspect d'une transformation subite ; il s'agit davantage d'une lente négociation entre une tradition surdéterminante et un futur sous-défini. Le meilleur éclairage que l'on puisse apporter à cette littérature de la diaspora, qui gagne en consistance et en légitimité avec l'avènement de la mondialisation, est offert par les outils de la critique postcoloniale. Bien qu'elle soit issue d'un contexte politique, cette école de pensée trouve sa pertinence dans la façon qu'elle a de poser les problèmes afférant à la possibilité de surmonter un passé conflictuel. Comment accepter l'étranger en soi ? Que faire de cette culture qui n'offre pas d'autre choix que celui de la capitulation ? Dans quelle mesure peut-on imaginer une identité où les conflits nés de valeurs contradictoires seraient ramenés à leur plus simple expression ? Notre essai consiste à découvrir de quelle manière le déplacement dû à l'exil induit une série de stratégies de préservation et de transformations identitaires. En dernier ressort, nous nous interrogerons sur les retombées de la conception lahirienne de l'identité, puisque cette romancière semble considérer que les racines et les traditions ne sont que d'une toute relative utilité lorsque l'on se trouve en terre étrangère.

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Niemi, Maarit Helena. "Interpreting the uncertainty in Jhumpa Lahiri’s “A Temporary Matter”." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-33342.

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An American author who is regarded as being a masterful storyteller when it comes to the struggle with immigrant identity is Jhumpa Lahiri. Those who have read her work would most likely agree with me that her texts provide the reader with an intimate and realistic insight into what it is like living between two or several cultures. How does she create this intimacy and feeling of first-hand immigrant experience? One defining feature of Lahiri’s writing is that she leaves many questions unanswered. In other words, there is an endless amount of “gaps” in her texts that it is up to the reader to fill with meaning. This is, from my point of view, an experience very true to life as there are many questions in life we can begin to attempt to answer. Along the journey towards finding an answer, you realize that you have simply ended up with even more questions unanswered. As Lahiri’s writing contains so much ambiguity, the text invites the reader to actively search for alternative interpretations, which is also a feature of this essay.

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Kemper, Brittany. "The Language of Diaspora in Jhumpa Lahiri's Unaccustomed Earth." Cleveland State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=csu1304039140.

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6

Onmus, Selime. "Hybrid Identities In The Buddha Of Suburbia By Hanif Kureishi And The Namesake By Jhumpa Lahiri." Master's thesis, METU, 2012. http://etd.lib.metu.edu.tr/upload/12615065/index.pdf.

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This thesis studies two novels: The Buddha of Suburbia by Hanif Kureishi and The Namesake by Jhumpa Lahiri. There are characters with hybrid qualities in each novel and they tend to use or encouraged to use mimicry to find their identities and establish themselves in the cultures they live. Hence, the result of mimicry is ambivalence on both sides, the colonizer and the colonized. The first chapter is dedicated to explaining the theory of hybridity based on the ideas of leading theoreticians like, Homi Bhabha, Robert Young and others. The situation, problems and the coping strategies of character are studied in detail, in individual sections. The final chapter is dedicated to the comparison of the hybrid situations of the second generation male and female characters. Eventually it is seen that all hybrid characters, especially the second generation immigrants use mimicry to create their own &lsquo
Third Space&rsquo
and find their own voices to exist in their environment.

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7

Ruia, Reshma. "A mouthful of silence and the place of nostalgia in diaspora writing : home and belonging in the short fiction of Bharati Mukherjee and Jhumpa Lahiri." Thesis, University of Manchester, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.553486.

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A Mouthful of Silence is a novel set in Manchester. It is about a middle-aged Indian man, PK Monghia, who is full of regrets and bitterness about getting old and the steady decline of his business. He still has an appetite for love and happiness, but feels trapped in his marriage to Geeta. Their only child, Sammy, is a disappointment too. Born after several miscarriages, he is the focus of excessive maternal devotion on the part of Geeta and an object of contempt in the eyes of PK, who wanted a sporty son, a reflection of his own golden youth. A new woman enters the barren landscape of PK's emotional life. She is Esther Solomon, rich, beautiful, vivacious. She is all that his life is not. She also happens to be the wife of a competitor, Cedric Solomon, who is successful and powerful and a constant reminder of what PK might have been. PK and Esther are drawn to each other and embark on a love affair that distracts PK and fills him with guilt that he pushes aside time and again. PK begins neglecting his business and his family, and he fails to notice his son's growing friendship and obsession with a more street-wise girl, Alice. Sammy gradually changes from a molly-coddled boy into a surly, uncommunicative teenager with secrets. Geeta meanwhile watches the slow unravelling of her family life, and PK is never quite sure whether she has discovered his affair. Events unfold that compel PK to make choices. He is forced to confront his ambiguous morality and to question the nature and meaning of love in all its guises. My thesis explores the main theoretical approaches surrounding diaspora and the concepts of home, belonging and nostalgia. It is my aim to extrapolate from the theoretical framework and apply their relevance and limitations to the study of the diasporic condition. My primary focus will be on the Indian diaspora within the United States and its portrayal in Bharati Mukherjee and Jhumpa Lahiri's short fiction. More specifically, I wish to look closely at how nostalgia is both employed as a method and represented as a theme in creating and/or shaping the sense of belonging and home within their fictional narratives. Finally, I will place their work within the larger context of diaspora literature and analyse the overall diasporic literary response to established and often problematic understandings of nostalgia, home and belonging.

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Wollam, Ashley J. "Discovering the Narrator-Ideal in Postmodern Fiction." Marietta College Honors Theses / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=marhonors1210788218.

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9

Park, Kelly Cynthia. "Exploring Childhood and Maturity in Jhumpa Lahiri's Interpreter of Maladies." Marietta College Honors Theses / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=marhonors1303483538.

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10

Alfonso-Forero, Ann Marie. "Translating Postcolonial Pasts: Immigration and Identity in the Fiction of Bharati Mukherjee, Elizabeth Nunez, and Jhumpa Lahiri." Scholarly Repository, 2011. http://scholarlyrepository.miami.edu/oa_dissertations/577.

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This dissertation examines how postcoloniality affects identity formation in contemporary women's immigrant literature. In order to do so, it must interrogate the critical fields that are most interested in issues of national and cultural identities, migration, and the appropriation of women by both Western and postcolonial projects. By examining the fiction of Bharati Mukherjee, Elizabeth Nunez, and Jhumpa Lahiri through the triple lens of ethnic American studies, postcolonial theory, and transnational feminism, I will argue that theorizing postcolonial women's writing in the United States involves sustained analysis of how particular socio-political experiences are translated into the context of American identity. I am particularly interested in the manner in which female subjects in these texts navigate between the various and often contradictory demands placed on them by their respective homeland cultures and their new immigrant positions in the United States. Although each of these writers depict immigrant women protagonists who adapt to these demands in their own particular ways, a study of these characters' gendered and cultural identities reveals a powerful relationship between the manner in which women are figured into the preservation of the postcolonial nation-state and the ways in which these women utilize immigration as an occasion to appropriate and subvert this role in the establishment of a new, negotiated identity. This project draws on three important and current fields of interest to both cultural and literary studies. Postcolonial studies, which has been central to the study of literature by minority writers, provides a useful foundation for understanding hybrid identities, dislocation, and the ways in which empire gave rise to nationalisms that utilized women in the formation and preservation of the nation-state. Transnational feminist theories are critical to understanding the implications of nationalism's appropriation of women and their bodies in it projects, and are especially useful in establishing feminisms that are not limited by American or European definitions and that defy homogenizing the experiences of postcolonial women. They affirm that there are many strategies for employing female agency, and that we must consider the particular circumstances (economic, cultural, racial, national, gender) that allow women of color to favor one strategy over another. Finally, U.S. Ethnic studies will inform my readings of texts that are, at their core, narratives of immigration to the United States and the seeking out of the American Dream. However, this dissertation suggests, the precarious position of immigrants in a nation whose ideals and dominating mythology are marred by a dark history of racism and exclusionary practices plays an important role in the establishment of an ethnic American identity in the United States.

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Books on the topic "Jhumpa Lahiri"

1

1969-, Das Nigamananda, ed. Dynamics of culture and diaspora in Jhumpa Lahiri. New Delhi: Adhyayan Publishers & Distributors, 2010.

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1969-, Das Nigamananda, ed. Dynamics of culture and diaspora in Jhumpa Lahiri. New Delhi: Adhyayan Publishers & Distributors, 2010.

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1969-, Das Nigamananda, ed. Dynamics of culture and diaspora in Jhumpa Lahiri. New Delhi: Adhyayan Publishers & Distributors, 2010.

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Suman, Bala, ed. Jhumpa Lahiri, the master storyteller: A critical response to Interpreter of maladies. New Delhi: Khosla Pub. House, 2002.

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Supehia, Vanita. Exploring new subjectivity in the works of Jhumpa Lahiri and Kiran Desai. New Delhi: Synergy Books India, 2018.

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Batra, Jagdish. Jhumpa Lahiri's the namesake: A critical study. New Delhi: Prestige Books, 2010.

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Nigmananda, Das. Jhumpa Lahiri. Penecraft International, 2008.

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Chatterjee, Nilanjana. Reading Jhumpa Lahiri. Taylor & Francis Group, 2022.

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Naming Jhumpa Lahiri: Canons and controversies. Lanham, Md: Lexington Books, 2011.

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Naming Jhumpa Lahiri: Canons and Controversies. Rowman & Littlefield Publishers, Incorporated, 2012.

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Book chapters on the topic "Jhumpa Lahiri"

1

Chatterjee, Nilanjana. "Introduction." In Reading Jhumpa Lahiri, 1–28. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003216780-1.

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Chatterjee, Nilanjana. "In Other Words and The Clothing of Books." In Reading Jhumpa Lahiri, 169–86. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003216780-6.

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Chatterjee, Nilanjana. "Interpreter of Maladies." In Reading Jhumpa Lahiri, 29–56. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003216780-2.

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Chatterjee, Nilanjana. "The Lowland." In Reading Jhumpa Lahiri, 130–68. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003216780-5.

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Chatterjee, Nilanjana. "The Namesake." In Reading Jhumpa Lahiri, 57–93. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003216780-3.

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Chatterjee, Nilanjana. "Unaccustomed Earth." In Reading Jhumpa Lahiri, 94–129. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003216780-4.

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Ranasinha, Ruvani. "Migration, Gender and Globalisation in Jhumpa Lahiri." In Contemporary Diasporic South Asian Women's Fiction, 175–234. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-40305-6_5.

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Haque Khan, Afrinul. "Chapter 18. V. S. Naipaul and Jhumpa Lahiri." In FILLM Studies in Languages and Literatures, 265–79. Amsterdam: John Benjamins Publishing Company, 2019. http://dx.doi.org/10.1075/fillm.12.18kha.

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Cellinese, Anna. "Lingue in transito: la voce di Jhumpa Lahiri." In Voci Italiane, 7–18. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003119746-4.

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Chatterjee, Antara. "The Short Story in Articulating Diasporic Subjectivities in Jhumpa Lahiri." In The Postcolonial Short Story, 96–110. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137292087_7.

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Conference papers on the topic "Jhumpa Lahiri"

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Asl, Moussa Pourya. "Migrant Woman And The Paradoxical Gaze In Jhumpa Lahiri’s Unaccustomed Earth." In INCoH 2017 - The Second International Conference on Humanities. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.09.66.

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Bryk, Maryna, Maryna Kaminska, and Nataliia Malashchuk-Vyshnevska. "Intercultural Aspect of Immigrant Adaptation in Jhumpa Lahiri’s This Blessed House." In International Conference on New Trends in Languages, Literature and Social Communications (ICNTLLSC 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210525.022.

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Chang, Yahui Irenna. "Feeling Trapped and Emotionally Starved: Food and Psychology in Jhumpa Lahiri’s “Interpreter of Maladies." In Annual International Conference on Contemporary Cultural Studies (CCS 2017). Global Science & Technology Forum (GSTF), 2017. http://dx.doi.org/10.5176/2382-5650_ccs17.62.

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