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Dissertations / Theses on the topic 'Jews in art'

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Published: 4 June 2021
Last updated: 30 July 2024

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1

Tsang, Wing-yi. "Jewish imagery and orientalism in nineteenth and early twentieth century European art." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B40040355.

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2

Tsang, Wing-yi, and 曾穎怡. "Jewish imagery and orientalism in nineteenth and early twentieth century European art." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B40040355.

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3

Swarts, Lynne Michelle Art History &amp Art Education College of Fine Arts UNSW. "Resistance, Regeneration and the Figuring of the 'New Jew': Ephraim Moses Lilien and 'Muscular Jewry'." Publisher:University of New South Wales. Art History & Art Education, 2007. http://handle.unsw.edu.au/1959.4/44089.

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This thesis embraces a cross-disciplinary approach to the examination of Jewish body culture, and integrates aspects of Jewish studies with new theories of gender and visual culture, thus contributing specifically to the field of Jewish body culture in relation to the visual arts. It demonstrates that at the fin de si??cle the Zionist artist, Ephraim Moses Lilien, integrated Nordau's concept of 'Muscular Jewry' and Buber's notion of a 'Jewish Cultural Renaissance' in order to figure the 'New Jew'. It establishes that Lilien's figuring of 'Muscular Jewry' as a visibly athletic, explicitly heterosexual, male body, bearing Jewish distinction, was developed as a crucial strategy to overcoming the twin dilemmas of Jewish alterity: antisemitism and assimilation. By proving that Lilien's art serves as a crucial model for both regenerating the Jewish male body and resisting antisemitic projections of decadence and degeneracy, this thesis expands upon current scholarship. It applies Margaret Olin's theory of ' visual redemption' to Lilien's figuring of the 'New Jew' and Daniel Boyarin's articulation of Homi Bhaba's Post-Colonial theory of mimicry as imitation, inversion and resistance to determine how Lilien's images functioned as an art of resistance against the dominant Christian European culture. By demonstrating how Lilien drew upon the modern and rebellious Jugendstil to figure the 'New Jew' and produce a new, defiant and authentic Jewish visual culture, this thesis proves he transformed the image of the diaspora Jew into the New Hebrew or Israeli tsabar, forty years before it became part of Israeli identity. Nevertheless, this thesis also uncovers the double-binded predicament inherent to Lilien's quest; despite his attempt to use mimicry of the athleticised, hyper-masculine, genetically pure, normative body as a strategy to resist antisemitic rhetoric and invert its projection, the closest parallel to Lilien's figure of 'Muscular Jewry' remained this same image which became instrumental to eugenic campaigns across Europe, particularly in Nazi Germany. Ultimately what is exposed by this thesis is the illusion underpinning Lilien's figuring of the 'New Jew'; that the Christianised Eurocentric body culture, designed to eradicate decadence, degeneration and Semitism, could resolve the problematic struggle for a Jewish national identity.
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4

Grodzinski, Veronika. "French Impressionism and German Jews : the making of modernist art collectors and art collections in Imperial Germany 1896-1914." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1444726/.

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This interdisciplinary thesis is the first dedicated study of German Jewish patronage of French Impressionist and post-Impressionist art in Wilhelmine Germany. It investigates the disproportionately strong impact of German Jewish patronage from three perspectives. It examines the significance of Paul Cassirer's modernist art dealership, the prominence of German Jewish art collectors and their modernist art collections and the presence of German Jewish sponsorship at the Nationalgalerie Berlin, the Pinakothek Munich and the Stadelsche Kunstinstitut in Frankfurt am Main. First it examines Impressionism as the 'painting of modern life' in its original French context, focussing on French Jewish dealer-patrons and collectors whose association with French modernist artists influenced not only its iconography, but also involved French Jews in modern art promotion and marketing. The French model serves as a basis for understanding the reception of such art amongst a liberal circle of Germans and German Jews. The study examines the Wilhelmine reaction to French modernism and shows how antagonism toward Jews and France was often linked and interpreted by conservatives as 'alien elements' in nationalist Germany, thus highlighting Impressionism as a threat of a new Weltanschauung. This thesis suggests that although some German Jews acculturated to the dominant Wilhelmine culture, the championing of modernist art actually emphasized their Jewishness and their role as the 'Other' in German society, despite their patriotism. Yet, in the long run, German Jewish taste for the avant-garde had as much influence on German modernism as German taste had on Jews. The study hypothesizes that German Jews embraced French Impressionism as an 'iconography of inclusion' that coincided with their own experience of modern life and thus their patronage served as a component in the construction of their secular identities. The study concludes that strong German Jewish patronage changed the modern art market irrevocably and by doing so it was not only a turning point for the writing of modern art histories, but also for the reassessment of German Jewish cultural identities, thereby proving that the history of modernist European art patronage encompassed also a history of ideas.
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5

Posner, David M. "Reviving a lost art : piano music of Russian-Jewish origin /." Access Digital Full Text version, 1988. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10809193.

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6

Enderlein, Angelika Graetz Robert. "Der Berliner Kunsthandel in der Weimarer Republik und im NS-Staat : zum Schicksal der Sammlung Graetz /." Berlin : Akad.-Verl, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2838732&prov=M&dok_var=1&dok_ext=htm.

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7

Terjesen, Lori Ann Martin. "Collecting the Brücke: Their Prints in Three American Museums, A Case Study." Case Western Reserve University School of Graduate Studies / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=case1291164225.

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8

Milson, David. "Aspects of the impact of Christian art and architecture on synagogues in Byzantine Palestine." Thesis, University of Oxford, 2002. http://ora.ox.ac.uk/objects/uuid:17261fb5-fbfb-4417-90a3-f0d01673f262.

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This thesis examines the relationship between Jews and Christians in the Holy Land from the age of Constantine the Great to the conquest of the eastern provinces by the Arabs from an archaeological viewpoint. At stake is a better understanding of how Jews adapted to changing times, particularly during the rise of Christianity in Palestine. Whereas earlier scholars have viewed the growth of the Byzantine empire as time of persecution toward the Jews, a re-evaluation of the archaeological evidence indicates that Jews prospered along with their Christian neighbors. In scope, this dissertation aims first to re-evaluate how many ancient building remains can be classified as synagogues, and how many of those can be accurately dated. For only after a solid body of archaeological research is firmly established can further progress be made toward our better understanding of the ancient world. Diversity in contemporaneous synagogue layouts, rather than a linear development throughout this period is the norm. Yet, in the sixth-century, one-third of all known synagogues in Palestine bear similar features to early Byzantine churches: basilical layouts, mosaic floors, apses, and chancel screens. Since no single fourth-century synagogue had an apse or chancel screen in its repertoire of furnishings, a reform must have taken place, which ultimately enhanced the synagogue. It has long been held that this change had originated under the influence of the growing Christian population in the Holy Land. Examining the nature of early Christian liturgical practice throws light on these changes to synagogues. For the focal point of the early Christian basilica, the altar in the sanctuary, separated from the hall by a chancel screen, was adapted by these Jewish communities. By placing the Torah Shrine in the apse of synagogues, the sacred nature of the Five Books of Moses was glorified. In focusing on the apse and niche it is suggested that rather than a positive influence toward the Jews, the deeply-rooted rivalry between Christianity and Judaism was the main implement for change. Jewish leaders built synagogues with apses and chancel screens to amplify and venerate the most important object in the hall - the Torah Scrolls - kept in the Torah Ark. Unlike earlier buildings, the Torah Shrine was set in the same position as the altar in churches, in the apse. Renovating interiors, changes to entrances, and new types of furnishings in synagogues were the physical changes to this institution which reflect the impact of Christian art on synagogues.
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9

Gelman, Sadie. "This Unleavened Bread: Matzot as an Insight into Iberian History, Culture, and Power Dynamics." Oberlin College Honors Theses / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1528378046788798.

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10

Nowara, Malgorzata T. "La sécession dans l'architecture à Cracovie, 1897-1914: un costume national, moderne et européen." Doctoral thesis, Universite Libre de Bruxelles, 2007. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210725.

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La Sécession dans l’architecture à Cracovie (1897-1914) Un costume national, moderne et européen

A la fin du XIXe et au début du XXe siècle, l’Art nouveau envahit la majeure partie de l’Europe. Dans chaque pays, ce mouvement artistique prit des appellations et des physionomies différentes. Mélangé souvent aux traditions locales, ce style international développa un langage original jusqu’à devenir parfois synonyme de style national, revêtant selon le cas un costume national, moderne et européen.

Dans ce contexte international et de promotion de l’identité nationale, le cas très particulier de la Pologne est révélateur, puisqu’elle avait disparue des cartes de l’Europe et était partagée entre trois puissances :la Prusse, la Russie et l’Autriche. Pourtant si l’Etat polonais n’existait plus, la nation n’a jamais cessé d’exister à travers la culture et la religion. A ce titre l’étude de l’architecture de Cracovie, - ancienne capitale de la Pologne, sous occupation austro-hongroise, en Galicie - est significative.

A Cracovie, le style sécessionniste - expression utilisée dans l’Empire austro-hongrois et repris pour l’ensemble de la Pologne - influença le développement de tous les arts. Cependant de nos jours, ces traces sont surtout visibles sur les façades des édifices. De ce fait, notre analyse s’est limitée aux différents costumes sécessionnistes décoratifs dans l’architecture de Cracovie, pendant la période de la Sécession, c’est-à-dire de 1897 à 1914, dans huit quartiers, les plus anciens de la ville.

Au tournant du siècle, Cracovie devint très vite le berceau du mouvement sécessionniste en Pologne, le centre de la modernité, une ville européenne novatrice dans tous les domaines artistiques. Lieu de naissance de la « Jeune Pologne », les premières innovations apparurent grâce à de nombreuses personnalités artistiques marquantes, d’abord en peinture, ensuite en littérature et dans les arts plastiques, enfin en architecture.

La Sécession a laissé une quantité impressionnante de traces dans l’architecture cracovienne, décorant les plus importants monuments de tous les quartiers, s’illustrant dans les immeubles à appartements privés et laissant derrière elle également quelques chefs-d’œuvre.

Le premier chapitre intitulé « La ville de Cracovie », brosse un aperçu du cadre général. Il vise à préciser dans ses grandes lignes le caractère spécifique de la tradition culturelle polonaise à Cracovie.

Le deuxième chapitre « La Sécession et la ville de Cracovie » intègre le rapport de la Sécession à l’intérieur de la ville et ce sous différents angles de vue. C’est doté de cet héritage que les écrivains, les artistes, les architectes et les constructeurs de la fin du siècle vécurent la crise qui remettait en question la fonction et le sens de leur activité par rapport à leur identité nationale. Leur dilemme est illustré par les plus grandes figures de la littérature et des arts plastiques. Nous avons pu mettre en évidence leur difficile tâche d’adaptation de cet héritage culturel, chacun à sa manière, aux problèmes liés aux nouvelles tendances modernes.

Le troisième chapitre intitulé « La Sécession dans l’architecture » constitue le cœur de notre thèse. Il est une analyse rétrospective du système sécessionniste dans l’architecture à Cracovie, accompagné d’un inventaire détaillé de la Sécession dans l’architecture de la ville. Il intègre ensuite ce thème dans le contexte national et le compare avec la situation dans d’autres métropoles européennes.

Le quatrième chapitre, « La Sécession dans les rues de la ville » donne de la perspective à notre inventaire en intégrant la Sécession dans le paysage urbain.

Le cinquième chapitre « L’Homme et la Sécession » s’intéresse à l’interaction entre l’homme et la Sécession et mettra en évidence les propriétaires, les commanditaires, les architectes et les constructeurs.

Enfin, le sixième chapitre intitulé « La Sécession et les juifs de Cracovie » met en relation l’apparition du nouveau style avec une partie de la population polonaise, les juifs de la ville.

De nos jours, il est difficile d’avoir une vue d’ensemble de l’intégration de la Sécession sur les territoires polonais sous occupation au tournant du XIXe et du XXe siècle et dans une plus large mesure en Europe. Il est cependant indéniable qu’elle fit sa première apparition à Cracovie et qu’elle y a marqué de son empreinte une quantité considérable de constructions, avant de s’étendre sur les territoires polonais sous occupation, et prétendre être le berceau de la Sécession en Pologne.

A la différence des autres pays européens, la Sécession cracovienne ne fut pas fondée sur des principes théoriques, sur un programme, résultant de l’évolution socio-historique du pays dont la situation était des plus complexes. En effet, elle a subi l’influence de différents courants européens, surtout de la Sécession viennoise, en revêtant différents costumes :national, moderne et européen.

Résultat de la convergence de facteurs culturels, politiques, économiques, sociaux, démographiques et esthétiques, Cracovie fin de siècle fut un lieu d’expérimentation et constitue encore aujourd’hui, le foyer vivant de cette dynamique culturelle et artistique née à la fin du XIXe siècle.

Si durant l’histoire, la Sécession dans l’architecture de Cracovie n’a pas toujours été appréciée à sa juste valeur, de nos jours un regain d’intérêt se fait sentir notamment par de nouvelles restaurations.

A présent, il est possible de cerner l’ampleur du phénomène sécessionniste à Cracovie. Une analyse de la présence du style dans tous les quartiers de la ville, ainsi que des constructions détruites, est nécessaire afin de mettre en évidence la véritable diffusion du nouveau style dans la ville au tournant du XIXe et du XXe siècle.

La présente thèse constitue un premier pas dans la compréhension du phénomène. Les résultats des travaux en cours au niveau européen permettront d’intégrer davantage la Sécession cracovienne dans un contexte international et de tisser des liens éventuels entre les différents foyers artistiques.


Doctorat en philosophie et lettres, Orientation histoire de l'art et archéologie
info:eu-repo/semantics/nonPublished

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11

Cohen-Matlofsky, Claude. "Les laïcs en Palestine d'Auguste à Hadrien : étude prosopographique /." Paris : H. Champion, 2001. http://catalogue.bnf.fr/ark:/12148/cb372249027.

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12

Roos, Gilbert. "Relations entre le gouvernement royal et les Juifs du Nord-Est de la France au XVIIe siècle /." Paris : H. Champion, 2000. http://catalogue.bnf.fr/ark:/12148/cb371208949.

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13

Strelan, Rick. "Paul, Artemis, and the Jews in Ephesus /." Berlin : W. de Gruyter, 1996. http://catalogue.bnf.fr/ark:/12148/cb37634799s.

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14

Hakola, Raimo. "Identity matters : John, the Jews and Jewishness /." Leiden : Brill, 2005. http://catalogue.bnf.fr/ark:/12148/cb39971702g.

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15

Petcavage, Stephanie. "Fascist Art and the Nazi Regime: The Use of Art to Enflame War." University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1463130930.

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16

Abosch, Sara. ""We are not only English Jews - we are Jewish Englishmen" : the making of an Anglo-Jewish identity, 1840-1880 /." Ann Arbor, Mich., : University Microfilms, 2004. http://wwwlib.umi.com/dissertations/preview/3125685.

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17

Bruder, Edith. "The Black Jews of Africa : history, religion, identity /." Oxford : Oxford university press, 2008. http://catalogue.bnf.fr/ark:/12148/cb413210103.

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18

Baker, Todd Damon. "Matthew 27:25 : "His blood be upon us" Are the Jews racially condemned for the death of Christ? /." Theological Research Exchange Network (TREN), 1997. http://www.tren.com.

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Bauer, Ela. "Between Poles and Jews : the development of Nahum Sokolow's political thought /." Jerusalem : the Hebrew university Magnes press, 2005. http://catalogue.bnf.fr/ark:/12148/cb40022709d.

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20

Nitzsche, Jens [Verfasser], and Dietmar [Akademischer Betreuer] Brandes. "Ambrosia artemisiifolia L. (Beifuß-Ambrosie) in Deutschland Biologie der Art, Konkurrenzverhalten und Monitoring / Jens Nitzsche ; Betreuer: Dietmar Brandes." Braunschweig : Technische Universität Braunschweig, 2010. http://d-nb.info/1175827789/34.

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21

Zhou, Xun. "Chinese perceptions of the Jews and Judaism : a history of the Youtai /." Richmond : Curzon, 2001. http://catalogue.bnf.fr/ark:/12148/cb37630381n.

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22

Jakobi, Carsten. "Der kleine Sieg über den Antisemitismus : Darstellung und Deutung der nationalsozialistischen Judenverfolgung im deutschsprachigen Zeitstück des Exils 1933-1945 /." Tübingen : M. Niemeyer, 2005. http://catalogue.bnf.fr/ark:/12148/cb399347162.

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23

Sol, Hélène. "Jets et sources radio extragalactiques." Grenoble 2 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37609992h.

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Kolltveit, Gjermund. "Jew's harps in European archaeology /." Oxford : Archaeopress, 2006. http://catalogue.bnf.fr/ark:/12148/cb40179534z.

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25

Gimmler, Jens [Verfasser]. "Strukturberechnung mit einem Max-Min-Ant-System basierend auf NMR-Daten / Jens Gimmler." Konstanz : Bibliothek der Universität Konstanz, 2013. http://d-nb.info/1048528162/34.

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26

Gonzalez, Jean-Jacques. "Modélisation d'un arc transféré de forte puissance (1 méga-watt)." Toulouse 3, 1992. http://www.theses.fr/1992TOU30007.

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Nous presentons une modelisation d'un arc souffle de grande puissance (1 mega-watt). Les dimensions du dispositif et l'influence de certains phenomenes nous ont conduit a decouper notre domaine de discretisation en trois parties. Une premiere zone est gainee, la deuxieme evolue en jet libre et la troisieme est la zone anodique. Les deux premieres parties resolvent un probleme de couche limite, la troisieme de conditions aux limites. Le jet de plasma debouchant a l'air libre cree un entrainement de gaz et le debit total est analogue a celui des jets froids. Dans d'autres conditions experimentales on a etudie l'influence d'une injection secondaire a la sortie de la zone gainee. Pour le traitement du rayonnement on considere un coefficient d'absorption constante sur une bande de frequence, nous avons etudie l'influence du nombre de bande. La troisieme, la zone anodique utilise les algorithmes de patankar. Nous avons montre l'influence de grandeurs physiques (intensite, debit, vortex) et geometriques (nombre de point, etendue du domaine) sur les champs de vitesse et de temperature dans un arc brulant dans l'air. Nous donnons aussi au cours de ce travail, les bilans d'energie transferee a la paroi de la partie amont gainee. Le transfert d'energie a l'anode a fait l'objet du dernier chapitre. Les vapeurs de fer issues de l'anode influencent les proprietes du plasma; en particulier la puissance rayonnee par le plasma est fonction de la temperature, de la concentration de vapeur metallique et de l'epaisseur de plasma. La presence des vapeurs pour cet arc libre de 1,3 cm brulant dans l'argon pour une intensite de 200 a ajoute pres de 20% de perte d'energie supplementaire par rayonnement au niveau de la colonne. L'influence des vapeurs de fer sur l'energie transferee a l'anode est mise en evidence
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27

Rutgers, Leonard Victor. "The Jews in late ancient Rome : evidence of cultural interaction in the Roman diaspora /." Leiden ; New York ; Köln : E.J. Brill, 1995. http://catalogue.bnf.fr/ark:/12148/cb35749789s.

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Tsantrizos, Panayotis G. "The characteristics of titanium tetrachloride plasmas in a transferred-arc systems /." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=75670.

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A stable transferred arc was produced with plasmagas containing up to 20 percent molar TiCl$ sb4$ in argon, helium and argon/hydrogen mixtures. This was achieved by replacing the commonly-used thoriated tungsten cathode tip with a tantalum carbide tip. Thus, corrosive reactions at the cathode surface, which were shown to be the cause of the observed instability, were prevented. This allowed the characteristics of stable titanium tetrachloride plasmas in a transferred arc reactor to be investigated.
Furthermore, an investigation was conducted into the feasibility of collecting titanium metal from the dissociated TiCl$ sb4$ molecule in the plasmagas. The titanium metal was collected in a molten bath, which also served as the anode in the transferred arc system. Three anode bath compositions were used in this study. Two of them, namely titanium and zirconium, were not able to reduce recombined titanium subchlorides in the bath. The third aluminum, was a reducing bath. When aluminum was used, about 60 percent of all titanium fed into the reactor was collected.
Finally, phenomena occurring on the surface of a thoriated tungsten cathode were studied in a transferred-arc reactor using argon or helium as the plasmagas. The effect of cathode geometry on the rate and mechanisms of cathode erosion were investigated. It was shown that the surface temperature of flat-tip cathodes operating in argon is near the melting point of tungsten. On the other hand, the surface temperature of flat-tip cathodes operating in helium and pointed-tip cathodes operating in either helium or argon are near the boiling point of tungsten. Some of the material vapourized from the cathode was redeposited on the cathode surface, forming crystals whose morphology and composition depended on their distance from the arc root and the plasmagas composition.
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29

Scibilia-Cocheril, Marie-Françoise. "Contribution à l'étude des jets pariétaux." Grenoble 2 : ANRT, 1986. http://catalogue.bnf.fr/ark:/12148/cb37601120h.

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Marciniak, Dariusz. "Die Diktion des poeta doctus : zur Essayistik und Rhetorik von Walter Jens /." Münster : Lit, 2000. http://catalogue.bnf.fr/ark:/12148/cb39018283t.

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Parisi, Paul Joseph. "Heat transfer and particulate feeding to a cylindrical enclosure in the presence of a plasma transferred-arc." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=75781.

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The radiation heat transfer from an argon and a nitrogen transferred-arc column to a cylindrical enclosure was measured. The rate of heat transfer was successfully correlated in a non-dimensional manner, with respect to the arc length within the enclosure and the enclosure diameter for the section of the arc column located within the enclosure, and with respect to the arc length outside the enclosure and the enclosure diameter for the section of the arc column outside the enclosure.
It was discovered that tangential injection of a particulate feed material into the cylindrical enclosure led to the formation of destabilizing lump-like deposits on the roof and wall of the enclosure. Feeding vertically through the roof of the enclosure in the presence of a vortex resulted in the formation of a uniform film deposit and stable operation. Under these conditions, up to 49% of the incident radiant energy emanating from the arc column to the sleeve surface was absorbed by the feed.
The carbothermic reduction of a fine (3-10$ mu$m) V$ sb2$O$ sb5$ powder in the plasma furnace resulted in the production of a commercial ferrovanadium alloy of controllable vanadium content. Particulate losses to the exhaust gases were very low, in the order of 2%. Specific energy consumption was 17kWh/kg of vanadium produced. Based on the results of these tests, specific energy consumption at a larger scale would be reduced by at least 50%.
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32

Kravva, Vasiliki. "'Tell me what you eat and I'll tell you if you are Jewish' : food and discourses of belonging among Thessalonikan Jews." Thesis, Goldsmiths College (University of London), 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406239.

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33

Berhanu, Girma. "Learning-in-context : an ethnographic investigation of mediated learning experiences among Ethiopian Jews in Israel /." Göteborg : Acta universitatis gothoburgensis, 2001. http://catalogue.bnf.fr/ark:/12148/cb38830524v.

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34

Zhu, Jiang. "Calcul des jets turbulents confinés avec recirculation." Grenoble 2 : ANRT, 1986. http://catalogue.bnf.fr/ark:/12148/cb37601950n.

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35

Ben, Achour Ali. "Caractérisation globale des jets libres et pariétaux." Grenoble 2 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb376117431.

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Cluts, Jordan Dean. "Understanding and Control of Coupling of Supersonic Twin Jets Using Localized Arc Filament Plasma Actuators." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu152555508900912.

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37

Denoirjean, Alain. "Conception et optimisation d'un réacteur plasma à arc transféré pour la densification et/ou la sphéroi͏̈disation de particules céramiques composites." Limoges, 1992. http://www.theses.fr/1992LIMO0178.

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Ce travail s'inscrit dans le cadre d'un projet europeen brite euram consacre a l'optimisation des caracteristiques de poudres de zircone stabilisees utilisees en projection plasma pour la realisation de barrieres thermiques. Le procede d'atomisation-sechage permet d'obtenir des agglomerats spheriques, de composition homogene et controlee. Mais leur mauvaise coulabilite et leur destruction lors de leur injection dans le jet de plasma conduisent a des depots de qualites mediocres (forte porosite, faible durete. . . ). Aussi est-il necessaire de consolider ces agglomerats avant projection. Pour ce faire, nous avons concu et optimise un reacteur a arc superpo-transfere (reacteur past). Nous avons d'abord etudie les caracteristiques electriques et thermiques du reacteur past). Nous avons d'abord etudie les caracteristiques electriques et thermiques du reacteur past avec et sans injection de materiau. Puis nous avons traite trois poudres de zircone dopee fabriquees par atomisation-sechage, se differenciant par la nature du stabilisant. Nous avons suivi le comportement de ces poudres dans un jet de plasma dans les conditions de projection des barrieres thermiques par velocimetrie laser et pyrometrie bichromatique. Ces mesures ont montre que les poudres densifiees dans le reacteur past ont un comportement similaire a celui des poudres de reference de type fondu-broye. De meme, les depots obtenus a partir des poudres densifiees et de reference possedent des proprietes physiques, thermiques et mecaniques voisines. Par ailleurs, nous avons compare les poudres traitees dans le reacteur past a celles densifiees dans un reacteur a plasma rf ou par projection sous l'eau
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38

Poll, Jens [Verfasser]. "Datenschutz in und durch Unternehmensgruppen im europäischen Datenschutzrecht : Zugleich ein Beitrag zum datenschutzrechtlichen Abhängigkeitsbegriff des Art. 4 Nr. 19 DSGVO / Jens Poll." Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2018. http://d-nb.info/1169989519/34.

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39

Roth, Janet Ilene. "The Romances of the Sephardim: a Reflection of Sephardic History, Culture and Tradition." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc504106/.

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This work is a comprehensive study of the Sephardic Romancero and the historical, political and cultural elements that have contributed to the maintenance of the romance tradition in Sephardic life. The investigation begins with an overview of the past studies of the Sephardic Romancero and is followed by a survey of the history of the Sephardic Jews, both in Spain and in the Spanish Diaspora. An historical approach to the literary and linguistic aspects of the Sephardic Romancero follows and this approach is then applied to a musical study. The concluding chapter discusses the uses and functions of the romancero in the Sephardic world, particularly among the Sephardic women and the social processes that have contributed to the maintenance of the romance tradition in Sephardic culture.
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40

Hershco, Tsilla Darmon Claire. "Entre Paris et Jérusalem : la France, le sionisme et la création de l'État d'Israël, 1945-1949 /." Paris : H. Champion, 2003. http://catalogue.bnf.fr/ark:/12148/cb38990757s.

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Texte remanié de: Th. doct.--Hist.--Tel-Aviv--Université Bar-Ilan. Titre de soutenance : La France, la communauté juive en Eretz Israël et les Juifs de France de 1945 à 1949.
Bibliogr. p. 279-289. Index.
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41

Gardes, Gilbert. "L'art et l'eau à Lyon /." Lyon : chez l'auteur, 1986. http://catalogue.bnf.fr/ark:/12148/cb388270855.

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42

Jimenez, Jesus Mangaoang. "For Earth's Sake: Closing the Chasm between Theory and Practice in Sustainable Interior Design Education." Digital Archive @ GSU, 2008. http://digitalarchive.gsu.edu/art_design_theses/36.

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Making sustainable interior design education practical is critical to the survival of the planet. The essential of today's interior designer is to provide built enviornments that sustain the life of a building's occupants and the life in and around the built environment. Therefore, interior design departments are interweaving the principles and theories related to sustainable interior design into their pedagogical programs. However, there exists a void between the teachings of the theories and values related to sustainable design and putting them into practice. With the possibility of climante change looming over us, interior design students must reach a significant level of proficiency as quickly as possible in the area of understanding how to implement the principles and strategies of sustainable design into every phase of the design process. The environmental crisis is a design crisis.
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43

Leibfritz, Tobias Sebastian Verfasser], Angelika [Akademischer Betreuer] [Schnieke, and Jens T. [Akademischer Betreuer] Siveke. "JNKs are stress-dependent regulators of acinar maintenance and tumor suppressors in PDAC / Tobias Sebastian Leibfritz. Betreuer: Jens T. Siveke. Gutachter: Jens T. Siveke ; Angelika Schnieke." München : Universitätsbibliothek der TU München, 2015. http://d-nb.info/1079001905/34.

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44

Fontaine, Christophe. "Hétéroépitaxie par jets moléculaires de semiconducteurs II-VI." Grenoble 2 : ANRT, 1986. http://catalogue.bnf.fr/ark:/12148/cb375976530.

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45

Springer, Christine [Verfasser], and Jens [Akademischer Betreuer] Bedke. "Immunhistochemische Untersuchungen zur Biologie des AKT-Signalwegs bei nichtseminomatösen Hodentumoren / Christine Springer ; Akademischer Betreuer: Jens Bedke." Tübingen : Universitätsbibliothek Tübingen, 2014. http://d-nb.info/1197703802/34.

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46

Roberts-Borsani, G. W., M. J. Jiménez-Donaire, M. Daprà, K. Alatalo, I. Aretxaga, J. Álvarez-Márquez, A. J. Baker, et al. "Multiwavelength Characterization of an ACT-selected, Lensed Dusty Star-forming Galaxy at z = 2.64." IOP PUBLISHING LTD, 2017. http://hdl.handle.net/10150/625330.

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We present CI(2-1) and multi-transition (CO)-C-12 observations of a dusty star-forming galaxy, ACT J2029+0120, which we spectroscopically confirm to lie at z = 2.64. We detect CO(3-2), CO(5-4), CO(7-6), CO(8-7), and CI (2-1) at high significance, tentatively detect HCO+(4-3), and place strong upper limits on the integrated strength of dense gas tracers (HCN(4-3) and CS(7-6)). Multi-transition CO observations and dense gas tracers can provide valuable constraints on the molecular gas content and excitation conditions in high-redshift galaxies. We therefore use this unique data set to construct a CO spectral line energy distribution (SLED) of the source, which is most consistent with that of a ULIRG/Seyfert or QSO host object in the taxonomy of the Herschel Comprehensive ULIRG Emission Survey. We employ RADEX models to fit the peak of the CO SLED, inferring a temperature of T similar to 117 K and n(H2) similar to 10(5) cm(-3), most consistent with a ULIRG/QSO object and the presence of high-density tracers. We also find that the velocity width of the C I line is potentially larger than seen in all CO transitions for this object, and that the L'(Ci(2-1))/L'(CO(3-2)) ratio is also larger than seen in other lensed and unlensed submillimeter galaxies and QSO hosts; if confirmed, this anomaly could be an effect of differential lensing of a shocked molecular outflow.
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Fontaine, Chantal. "Hétéroépitaxie par jets moléculaires système (Ca,Sr) F-GaAs /." Grenoble 2 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37605102j.

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Weismann, Hanne [Verfasser], Jens [Akademischer Betreuer] Steffek, and Bernhard [Akademischer Betreuer] Zangl. "How Vague Are International Agreements? Introducing a Method for Systematic Comparison / Hanne Weismann ; Jens Steffek, Bernhard Zangl." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2018. http://d-nb.info/1159704007/34.

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Postma, Koos André. "Changing prejudice in Hungary : a study on the collapse of state socialism and its impact on prejudice against Gypsies and Jews /." [Amsterdam] : [Thesis publishers], 1996. http://catalogue.bnf.fr/ark:/12148/cb375694926.

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Moreau, Denis. "Etude de mélange de jets gazeux dans une chambre de combustion." Grenoble 2 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37616639q.

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